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NWOBHM Icons GIRLSCHOOL Have Nothin’ To Lose at Reading Festival

Posted by tarjavirmakari on August 20, 2026
Posted in: Int. News, News. Tagged: GIRLSCHOOL. Leave a comment

Girlschool never did things the easy way.  In August 1981, little more than two years after the all-female south London metal band launched itself onto the UK club scene, they were firmly established among the very few New Wave of British Heavy Metal acts either capable of, or deserving to, top the first night bill the annual Reading Festival – the first female rock band ever to headline the festival and, all these years later, still the only one.  

They were fabulous, as well; indeed, by the end of the festival, filing out drunk on 26 bands’ worth of music, more than a few voices reckoned that Girlschool should have headlined the entire event. No-one could better have wrapped things up late on Sunday night.

But first, the band’s hired car – a pink Caddy said to have belonged to actress Jayne Mansfield – was involved in a fender bender and arrived at the venue “broken and rattling.”  Then, one of the roadies restrung lead guitarist Kelly Johnson’s guitar with two D strings; and, finally, the band’s flashing neon backdrop was sabotaged by one of the other bands on the bill.

 But did Girlschool care?  No.  Not even Kelly.  As vocalist/guitarist Kim McAuliffe explains, ““The thing with Kelly is, she was such a genius and natural player, you could put anything in front of her and she could play it.  She had an instinct. I used to watch her onstage sometimes, and I was quite amazed by her. She was such an incredible presence on stage. [The roadie] could probably have handed her a guitar with four strings and she’d still have been brilliant.  I don’t think having two strings the same would have bothered her at all.”

 Previewed today by a single of its earthquaking title track, Nothin’ To Lose (Live In Reading 1981) hits the streets on September 25, on CD and striking red and white spatter vinyl. 

 The first of five archive Girlschool live albums scheduled for release over the next few months, it is an utterly coruscating reminder of just what a powerful live act they were.  And just how lucky Reading was to get them – the band was at its primal peak, still young enough to remember the tribulations of the years that preceded their breakthrough.. sleeping in the van, living on fast food, using the ladies room as a dressing room; but experienced enough to convert even the most cynical observer.  

SINGLE: https://orcd.co/girlschool_nothintolosesingle

Shouting for songs, calling out the musicians’ names… no matter how many times the crowd might have seen Girlschool in the past (and a lot of the faces did look familiar), it treated the band like royalty, resolute in the knowledge that whereas all the other names sewn onto the back of their jackets would some day let them down, Girlschool never would.  This band was more than the real thing.  At that point in time, they were the only thing,

 Their latest album, Hit and Run, dominated the set – indeed, for the first three songs, it was as if Girlschool intended replaying the entire LP in order… “The Hunter” and “(I’m Your Victim)” followed “C’mon Let’s Go,” exactly as they did on record.  

 But of course the band also swerved back to their debut Demolition… “Breakdown” and “Nothing To Lose”… while a closing salvo that included “Race With The Devil,” their now signature cover of the old Gun hit; and the new album’s “Yeah Right,” was absolutely breathtaking.  Even today, all these years later, it’s hard not to get goosebumps as somewhere between 20- and 30,000 people roared their approval at the band.

Kim still shares their excitement.  This wasn’t her first visit to the venerable festival, after all.  “I’d been there a couple of years before, standing on the other side in the mud, with this big plastic bag thing over me and knee deep in mud.  So happy to be there, grinning away, having the time of my life. Little did I know I’d actually be headlining a couple of years later.  It was absolutely nuts.”

Which is what a lot of local residents thought, too. “We had the biggest pyrotechnic flashpots ever,” Kelly contonues. “Huge things.  And apparently they could be heard seven miles away, so we were pleased about that. People wondering what the hell was going on with these massive bangs.”  And thinking about it, that might be why the song during which they were unleashed, “Future Flash,” didn’t make it onto tape.  The explosions probably blew out the microphones.

CD/VINYL: https://cleorecs.com/search?q=girlschool+nothin%27+to+lose+in+reading
DIGITAL: https://orcd.co/girlschool_nothintoloseinreading1981

Track listing

1. C’mon Let’s Go
2. The Hunter
3. (I’m Your) Victim
4. Breakdown
5. Nothin’ To Lose
6. Hit ‘N Run
7. Tonight
8. Race With The Devil
9. Yeah Right

SARCATOR Unleash Music Video for New Single ‘In Search Of Oblivion’ from Upcoming Album

Posted by tarjavirmakari on August 20, 2026
Posted in: Int. News, News. Tagged: SARCATOR. Leave a comment
[Photo credit: Claudio Marino]

Swedish metal force SARCATOR has released a video clip for their new single “In Search Of Oblivion,” offering another glimpse into their much-awaited fourth studio album, The Ones We Follow, due October 30, 2026 via Reigning Phoenix Music. Following the album’s title track, the new single reveals a more melodic and atmospheric side of the band’s evolving sound.

Dark, hypnotic and deeply introspective, “In Search Of Oblivion” explores obsession, self-destruction and transformation. Built around haunting melodies, massive hooks and cinematic tension, the track showcases SARCATOR‘s evolution beyond extreme metal into darker and more atmospheric territory.

Mateo Tervonen (guitar/vocals) comments:
“This would be the power-ballad of the record. Guitar work very inspired by Danzig-ballads and drumming and groove by 90s / Bob Rock era Metallica. Some soft passages in this gives it more of a Sisters of Mercy / The Cure type of vibe. The words in this song is there to give the listener a sense of empowerment, like an Arena Rock-song should do. The fun thing about this song is that it’s the only song on the record that was intentionally made to be a pompous and bombastic Metal song, but also the most ”ballad” sounding song simultaneously.”

“In Search Of Oblivion” is out now on all digital streaming providers: https://sarcator.rpm.link/oblivionPR

There comes a point in every band’s journey when experimentation gives way to conviction. When years of searching no longer lead to another reinvention, but to an identity. For Sweden’s SARCATOR, that moment has arrived.

Over the past years, SARCATOR have built a reputation as one of Scandinavia’s most exciting young heavy bands, earning nominations for both Sweden’s P3 Guld and Grammis Awards while sharing stages with Hellripper, 1349 and Midnight. Yet The Ones We Follow is not the culmination of that journey. With new bassist Linus Edmarker now joining the fold, it is where everything comes together.

Rather than asking where they fit within heavy music, SARCATOR follow a far simpler principle:

What serves the song? Every creative decision begins there.

That philosophy has become the band’s creative compass, allowing punk urgency, gothic atmosphere, timeless heavy metal, dark rock swagger and extreme metal intensity to coexist naturally. The result is what the band simply calls death’s rock; not a genre, but an identity.

The same creative restlessness runs through the entire album. Rather than following expectations, trends or genre boundaries, SARCATOR trusted instinct at every turn. Every creative decision – from the songwriting to the visual world – serves one purpose: the song itself.

The Ones We Follow is not about looking back or recreating the past. It marks the moment where SARCATOR move forward with complete confidence in who they have become. The songwriting is sharper, the artistic identity clearer, the visual world more immersive and the band’s vision more focused than ever before.

What comes next is about seeing who follows.

[Album artwork: Affe Piran]

The Ones We Follow will be released on October 30, 2026 via Reigning Phoenix Music. Pre-Save / Pre-Order the album HERE: https://sarcator.rpm.link/followalbumPR 

The Ones We Follow Tracklist:
1. The Ones We Follow
2. The Underground Streets
3. You Gotta Possess Me
4. In Search of Oblivion
5. Rotting Chapels
6. Bleeding Ages
7. Volatile Insight
8. Ain’t Fit to Live
9. Wasteland Strider
10. Wanderlust

Upcoming Live Dates:
24.09.2026 Malmö (Sweden) – Plan B + Hellripper & Necrofier
25.09.2026 Lübeck (Germany) – Treibsand + Hellripper & Necrofier
26.09.2026 Emden (Germany) – Coast Rock Festival
09.10.2026 Sandviken (Sweden) – Blod och Stål Festival / Back Beat Bolaget
06.11.2026 Stockholm (Sweden) – Kollektivet Livet + Zadism (Album Release Show!)
07.11.2026 Zebbug (Malta) – Metal at Lust Festival / The Garage
19.12.2026 Gothenburg (Sweden) – Monument + The Crown

More dates to be announced.

SARCATOR are:
Mateo Tervonen – Vocals / Guitar
Leo Buchalle – Guitar
Linus Edmarker – Bass
Jesper Rosén – Drums

Connect with SARCATOR:
www.sarcator.com 
https://www.facebook.com/sarcatorband   
https://www.instagram.com/sarcator 
https://www.tiktok.com/@sarcator 

NYTT LAND Announce New Album “Ritual of Stone Sun (Live 2026)”, Video for Lead Single ‘Ragnarök’ Out Now

Posted by tarjavirmakari on August 20, 2026
Posted in: Int. News, News. Tagged: NYTT LAND. Leave a comment
Photo by Olga Gellert

For more than 20 years, Nytt Land have followed their living, breathing connection with ancient traditions and beliefs. Earlier this year, on March 22nd, the dark folk family duo of Natalia and Anatoly Pakhalenko welcomed the spring equinox with a career-spanning live performance in Moscow. Now, fans around the world can partake in this shamanic ritual with their new live album Ritual of Stone Sun (Live 2026).  

“Ritual of Stone Sun is dedicated to the spring transition and the awakening of nature”, Nytt Land vocalist and multi-instrumentalist Anatoly Pakhalenko says. “Many of the songs from the album are performed today by the nomadic people of Siberia during ceremonies, shamanic rituals and folk festivals”.  

Today, Nytt Land are announcing Ritual of Stone Sun (Live 2026) with a video for its lead single “Ragnarök”. Like the sun itself, the song is both a fixture in the duo’s setlist and a sign of their trajectory from Norse mythologists to Siberian shamans.  

The live video of “Ragnarök” was filmed by Sergei Kaputanuk.

Additional video credits
Sound Engineer – Sergei “Lazar”
Video Editor – Natalia Pakhalenko
Video Color Grading and Post-Production – Anatoly Pakhalenko
Sound Edition and Post-Production – Anatoly Pakhalenko, Natalia Pakhalenko

Ritual of Stone Sun comes out September 18 on all digital platforms. Pre-save Ritual of Stone Sun: https://orcd.co/nyttlandlive

Catch Nytt Land this November on their first Australian tour with co-headliners Mortiis and special guest TiR.

Nytt Land Southern Ritual Australian Tour 2026
with co-headliner Mortiis and special guest TiR

November 19 – Sydney @ Factory Floor [TICKETS]
November 20 – Brisbane @ Crowbar [TICKETS]
November 21 – Melbourne @ Croxton [TICKETS]
November 22 – Adelaide @ Ed Castle [TICKETS]

In honor of the traditions held sacred amongst Siberia’s indigenous tribes, Nytt Land named their new live album after one of the region’s oldest symbols. The stone sun can be traced all the way back to ancient rock art but remains central to the rituals that are performed across the region to this day. Its enduring presence is clearly reflected by Ritual of Stone Sun. The tracklist spans the duo’s horizons by highlighting songs from their most recent studio recordings and early Nordic cycle.

Since appearing on their 2018 album Oðal, “Ragnarök” has held its place as a signature moment during Nytt Land’s live performances. Anatolly’s throat singing and mystical talharpa recall scenes from a Viking epic, while the drum beats and hypnotic chanting of Natalia embrace the shift the duo made toward exploring their Siberian heritage. Live on stage, these two paths meet, bringing the audience into a sacred space where ancient memory, nature and spirits all meet as one.  

Tracklist

  1. Rise of Midgard (5:34)
  2. Ritual (5:37)
  3. The Fires of Ragnarok (5:22)
  4. U-Gra (6:02)
  5. Sotvorenie (3:19)
  6. Risu Raknar (4:39)
  7. Ragnarök (6:02)
  8. Equinox (4:04)
  9. Nord (6:15)
    Total runtime: 46:52

Nytt Land is a Siberian ritual / dark folk family duo founded in August 2013 by Natalia and Anatoly Pakhlaenko in the town of Kalachinsk, Western Siberia, on the banks of the Om River. Natalia and Anatoly author its music, visual language, philosophy and spiritual direction. Their art was born from life in Siberia and speaks in the voice of this ancient land: harsh, mystical, living and infinitely deep.

From the very beginning, Nytt Land developed as a family creative union in which music was perceived not simply as concert or studio art, but as a ritual path expressed through voice, breath, rhythm, silence and a living connection with the ancient traditions and beliefs of Siberia. The official description of the project defines Nytt Land as a “ritual path expressed through sound,” inspired by the traditional spiritual practices of the indigenous peoples of Siberia.  

The early period of Nytt Land was closely connected with northern mythology, ancient texts, archaic folk and world music aesthetics. During its first years, the band independently released the albums Nytt Land (2013), Hávamál (2015), and Sköpun: Songs from the Elder Edda (2016), followed by Fimbulvinter (2017) and Oðal (2018). These releases established the duo’s recognizable sound: deep vocal techniques, throat singing, shamanic drums, tagelharpa, jaw harp, flutes, natural field recordings and hypnotic rhythms.

Over time, Nytt Land gradually shifted the center of its creativity away from purely Northern European sources toward the band’s own Siberian homeland, languages and indigenous spiritual traditions. An important milestone became the album Ritual (2021) through Napalm Records. The album was presented as a deep immersion into ancient percussion and vocal traditions, while the band itself described its music as Shamanic Dark Folk.  

In 2023, Nytt Land released Torem, continuing their exploration of archaic texts, ritual atmosphere and organic soundscapes. In 2025, the band released Songs of the Shaman through Prophecy Productions — a work dedicated to traditional shamanic songs and incantations of the Manchu-Tungusic peoples of Siberia. This album became one of the band’s most significant steps toward the direct exploration and musical reinterpretation of Siberian shamanic heritage.  

The culmination of this creative direction is Nytt Land’s new tenth full-length album Aba Khan, released on February 20, 2026 through Prophecy Productions. The material for the album was inspired by a year of traveling across Siberia, where they encountered new landscapes, people and the real spiritual traditions of indigenous culture of their homeland. While echoes of ancient mythological sources remain present in the music, the focus increasingly shifts toward the languages, imagery and ritual worldview of Siberia itself. The band dedicated Aba Khan to the ancient, beautiful and immense land of Siberia.  

After signing with Season of Mist in May of 2026, Nytt Land announced Ritual of Stone Sun (Live 2026). Recorded and filmed in Moscow on March 22, 2026, the live album is dedicated to the beginning of spring and the awakening of nature. The tracklist spans from their 2026 single “Equinox” to “Ragnarök” and other songs from their early Nordic cycle.

Recording Lineup
Natalia “Baba Yaga” Pakhalenko – Vocals, Throat Singing, Drums, Flutes
Anatoly “Shaman” Pakhalenko – Throat Singing, Talharpa, Flutes, Percussion
Aleksandr Rosliakov – Session Drummer

Production credits
Producer & Sound Engineer – Sergei “Lazar”, Anatoly Pakhalenko
Mixing Studio – Nytt Land Studio
Mixing Engineer – Anatoly Pakhalenko, Natalia Pakhalenko

Cover art
Dimitrii Kulikov, Anatoly, Pakhalenko

Follow Nytt Land
Apple Music: https://music.apple.com/us/artist/nytt-land/1072343376
Spotify: https://open.spotify.com/artist/6NQ701XGEJodDZ5lqVtrBp
Instagram: https://www.instagram.com/nyttland_official
Facebook: https://www.facebook.com/nyttland
YouTube: https://youtube.com/@nyttland
Bandcamp: https://nyttland.bandcamp.com
TikTok: https://www.tiktok.com/@nyttlandofficial/

GIRISH AND THE CHRONICLES Announce New Album “Disintegrate”, Out November 20th

Posted by tarjavirmakari on August 20, 2026
Posted in: Int. News, News. Tagged: GIRISH AND THE CHRONICLES. Leave a comment
Photo by GATC and Ashish Limbu

Girish And The Chronicles are thrilled to announce the release of their new studio album, “Disintegrate”, out on November 20, 2026, via Frontiers Music Srl.

Following from the recent release of the latest single “Generation Coward”, the band now share the title track, along with an official video, available below.

The band commented: “Disintegrate” is about things falling apart, whether it’s relationships, dreams, or just life in general, and trying to keep going when they do. We don’t want to talk too much about what the songs are all about. We’d rather let everyone take their own meaning from them.”

As the title track, “Disintegrate” sits at the heart of the album and offers a glimpse into a different side of Girish and The Chronicles.

Pre-Order “Disintegrate” HERE

Over the last few years, Girish And The Chronicles have evolved from one of India’s best-kept hard rock secrets into a truly international force. Fueled by extensive European touring and a widely acclaimed appearance on the hit American television show “America’s Got Talent”, the band has experienced remarkable growth, expanding its audience far beyond its homeland and earning recognition among rock fans across the globe.

Now, with their highly anticipated new album for Frontiers Records, Girish And The Chronicles take another step forward. While staying true to the melodic hard rock and classic heavy metal foundations that have always shaped their sound, the band has also explored some new territory on “Disintegrate”.

The band commented:

“With this album, we just wanted to play around with the sound a bit. It’s heavier, groovier and darker in places, with some alternative elements coming through, but it still feels like GATC. We didn’t want to overthink it. We just went with what sounded good.

“There are definitely some different sides of us on this record, both musically and lyrically, and we just want our old and new fans to hear it for themselves.”

At the heart of it all is frontman Girish Pradhan, whose unmistakable voice continues to set the band apart. Possessing a rare combination of power, range, grit, and emotion, Girish channels the spirit of the great rock singers of the past while maintaining a personality and charisma that are entirely his own.

This new release captures a band continuing to grow while staying true to the spirit, passion, and songwriting that have defined Girish and The Chronicles from day one.

“Disintegrate” is the sound of Girish And The Chronicles moving forward while remaining true to who they are.

“Disintegrate” Tracklist:

1.    Disintegrate
2.    Fading Away
3.    Mindhole
4.    Ricochet Of Hate
5.    A New Spark
6.    Take Me Home
7.    Generation Coward
8.    Against Yourself
9.    You
10.    KAAL

Line Up:
Girish Pradhan – Vocals, Rhythm Guitars
Yogesh Pradhan – Bass, Keyboards, Production
Suraz Sun – Lead Guitars
Nagen Nags – Drums

Follow GIRISH AND THE CHRONICLES:
Facebook
Instagram
Website

ESHTADUR Unleash New Lyric Video for ‘August’s Burdens’ from Upcoming Album

Posted by tarjavirmakari on August 20, 2026
Posted in: Int. News, News. Tagged: Eshtadur. Leave a comment

Following the release of “Into The Woods“, Colombian melodic black/death metal outfit ESHTADUR returns with “August’s Burdens“, the second single from their upcoming fifth studio album “In Darkness All Shadows Gone“, scheduled for release on October 2nd, 2026 via Rockshots Records.

While the first single introduced listeners to the beginning of The Crow’s spiritual journey, “August’s Burdens” explores the consequences of that path. The song explores the weight, suffering, and spiritual afflictions carried by the human soul, expanding one of the central themes of the album’s narrative.

The title references the Augustus, a sacred and enlightened spiritual emperor whose wisdom transcends ordinary reality. Ancient traditions speak of the Three August Ones as primordial beings who brought forth sacred knowledge, including the I Ching, acupuncture, and other esoteric sciences. Within the composition, these burdens become both a curse and a path toward transcendence, reflecting the struggle between suffering and spiritual awakening.

Musically, “August’s Burdens” combines heavy riffs, catchy melodies, and a memorable chorus that intertwines vocal and guitar melodies throughout the song. Symphonic arrangements, melodic vocals, and a Tuvan chorus reinforce its shamanic atmosphere, while a guest guitar solo by Christopher Malmström (Darkane) adds another layer to the composition.

The accompanying lyric video offers another glimpse into the conceptual world of “In Darkness All Shadows Gone“, further expanding the narrative introduced with the album’s first single.

Jorg August comments:

“‘August’s Burdens’ represents the moment when knowledge becomes a responsibility. Every step taken by The Crow brings a deeper understanding but also a heavier burden to carry. The song reflects the idea that spiritual growth is inseparable from sacrifice.“

“In Darkness All Shadows Gone” follows a continuous conceptual narrative inspired by mysticism, philosophy, and personal transformation. “August’s Burdens” expands the story introduced by “Into The Woods,” revealing another chapter of the album’s symbolic journey.

Listen to “August’s Burdens”: https://lnk.to/dW18Ap

“In Darkness All Shadows Gone” can be pre-ordered now from the Rockshots Records store at:
​https://rockshots.eu/cuhb5ys9ncs1ndx​

The album was produced by Jorg August, who also wrote the music, lyrics, compositions, and orchestral arrangements. The recordings took place at RockStar Studios Colombia, while the orchestra was recorded at Batuta’s Theater in Manizales, Colombia. The album was mixed and mastered by Tomasz “Zed” Zalewski, with additional mixing and mastering by Chris Clancy on “Fire Above Mountain Below” and “Umbra”. The cover artwork was created by Valesia Obscura.
​
​For fans of: Septicflesh, Dissection, At The Gates.

Track Listing:​
1. Age of Antumbra – 2:00
2. Into The Woods – 4:41
3. Umbra – 6:22
4. August’s Burdens – 4:59
5. Fire Above Mountain Below – 5:08
6. Old Shaman Blind – 5:08
7. Thunderground – 3:40
8. Ruler of the Lake – 5:14
9. A Black Winged Waltz – 9:23
10. Nebulae (Virgo) – 5:09
11. Omen of Millennia – 3:56
12. Soy Real – 5:11

ESHTADUR are:
Jorg August – Vocals, guitars
Camilo Barbosa – Lead guitars
Andres Gonzalez – Bass
David Lopez – Drums

More info:
​https://rockshots.eu/​
​https://www.facebook.com/EshtadurOfficial/​
​https://www.instagram.com/eshtadur/

STEVE LOUW Releases ‘Across The River (Live in Nashville)’ Single & Music Video

Posted by tarjavirmakari on August 20, 2026
Posted in: Int. News, News. Tagged: STEVE LOUW. Leave a comment
Photo by Jacqui van Staden

Following the international success of his celebrated fourth solo studio album Traces of the Flood (released 15 May 2026 via BFD/The Orchard), South African singer-songwriter Steve Louw returns with a passionate new live recording of the album’s second single, “Across the River (Live in Nashville).”

“Across The River (Live in Nashville)” is available on all streaming platforms HERE.

Watch the official video of “Across The River (Live in Nashville)” on YouTube HERE.

Since its release, Traces of the Floodhas enjoyed widespread critical acclaim from music publications across the UK and US. Traces of the Flood is available on CD, vinyl and digital HERE.

Among its many accolades, Henry Yates at Classic Rock Magazine awarded the album 8/10, describing it as, “one of Louw’s finest albums.” 

Other international reviewers have celebrated the album’s evocative songwriting, rich musicianship and signature blend of folk, roots, country rock, blues and Americana.
Amit Sharma at Guitarist Magazine, had this to say about Steve – “There’s an honesty to Steve Louw’s music that hits listener’s straight in the heart. On his latest album Traces of the Flood, he mixes elements of folk, country and classic rock using tones that will have just about any fan of guitar music grinning from ear to ear.”

Originally described as a song that encapsulates imagery both intimate and wide open, a narrative that keeps you along for the ride, “Across the River” takes on an entirely new dimension in this live recording, a full-band anthem, where the song captures the emotional breadth that has become a hallmark of Louw’s songwriting.

“It is a song of longing… for release, for freedom, for love and for peace,” Louw shares.

The live performance of “Across the River” becomes far more than a song; it’s an exhilarating cry of joy, transcendence, and redemption, that invites the promise of freedom that lies beyond the river.

“Across the River” is an introspective song which works as a solo acoustic performance or as with this live recording; a full tilt, no holds barred high octane rocking band treatment.

Recorded live at The Analog Room in Nashville on 13th December 2025, the venue is renowned for hosting live sessions by artists including The Black Crowes and Dave Stewart.

The performance took place during Producer Kevin Shirley’s Caveman’s Xmas Bash in 2025, a celebrated event featuring some of Nashville’s finest musicians, including Alyssa Bonagura, Joanne Shaw Taylor and Randy Bachman, amongst others.

The live recording captures Steve Louw and his band at their peak, delivering a performance brimming with energy, passion and musical chemistry. 

Joining Louw are Bob Dylan’s guitarists Bob Britt and Doug Lancio, Kevin McKendree (piano), Alison Prestwood (bass), legendary drummer Chad Cromwell (Neil Young & the Bluenotes) and iconic keyboardist Reese Wynans (Stevie Ray Vaughan, Joe Bonamassa), whose contributions elevate the performance into an unforgettable live experience.

Driven by gritty guitars, powerful rhythms and an undeniable sense of emotional release, this version of “Across the River” showcases why Steve Louw continues to earn recognition as one of South Africa’s most accomplished songwriters.

Experience Steve Louw live. Experience “Across the River.”

Listen to “Across The River (Live in Nashville)” on the following streaming platforms: Bandcamp | Soundcloud | Spotify | iTunes

The album Traces of the Flood is available on CD, vinyl & digital HERE

Steve Louw – Biography

Steve Louw (born 16 September 1955) is a South African musician and singer-songwriter who specialises in album rock, blues rock, country rock and Americana music. He was born in The Hague and has been active as a musician since 1981. He was inducted in the South African Rock Hall of Fame in 2003.

Louw, who was born Stephen Geoffrey Louw, learnt to play the guitar after being inspired by the music of Bob Dylan, the Rolling Stones, and Neil Young, and formed his first band, Atlantic Rose, while in high school in Cape Town in the late 1960s. While a student at Stellenbosch University in the 1970s he became involved in the local music scene, playing his own songs in various line-ups.

His career as a professional musician began in the early 1980s when he formed the band All Night Radio with fellow former Stellenbosch University students Nico Burger (guitar) and Rob Nagel (bass). The group recorded two albums – The Heart’s the Best Part (1984) with US producer John Rollo, and The Killing Floor (1986), on which Louw began a partnership with producer Kevin Shirley that continues to this day.

Louw then formed the band Big Sky and in 1990 released their debut album, Waiting for the Dawn, again produced by Kevin Shirley. The album arrived just as South Africa began moving away from apartheid rule and the group’s music helped soundtrack a decade of positive revolution. The title track is today considered a South African rock classic.

Big Sky released another five albums over the next 15 years: Horizon (1995), Going Down with Mr Green (1997), Best of the Decade (1999), Beyond the Blue (2002) and Trancas Canyon (2008); as well as the concert DVD Heart and Soul, filmed at Cape Town’s Little Theatre in 2008.

Louw and Big Sky achieved considerable success in South Africa with sell-out tours and several major radio hits including “Kathleen”, “Mr Green”, “One Cut With A Knife”, “Strange Room” and “Diamonds and Dirt”. In 1996 the band won the FNB South African Music Award for “Best Pop Music Performance” and “Best Rock Album” for the album Horizon.

In 1998 Big Sky opened for US singer-songwriter Rodriguez on his triumphant debut tour of South Africa, with the musicians in the band also backing the US artist. The tour is chronicled in the 2012 Oscar-winning documentary Searching for Sugar Man.

Louw gained an international profile after he collaborated with Brian May (Queen) and Dave Stewart (the Eurythmics) on the track “Amandla”, recorded for the 46664 Aids awareness project inspired by the work of Nelson Mandela.

In 2021 Louw returned with the album Headlight Dreams, produced by Kevin Shirley, and recorded in Nashville with crack studio musicians and featuring a guest appearance by US guitar legend Joe Bonamassa. The album received critical acclaim and the first single, “Wind in Your Hair”, has become a popular Spotify hit.

Louw released his sophomore solo release Thunder and Rain on November 11, 2022, through BFD. The album was produced by Kevin Shirley and features Joe Bonamassa and Doug Lancio.

On 6 September 2024, Louw released his third solo album Between Time, produced by Kevin Shirley.

On 15 May 2026, Louw released his fourth solo album Traces of the Flood, produced by Kevin Shirley.

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