“False Idols”, the new single by THE AUTUMN AURORA, is out now on all major digital platforms via Volcano Records. The track is accompanied by an official music video, available on the band’s YouTube channel.
“False Idols” explores the loneliness of those confronting a society dominated by propaganda, appearances and false models imposed by politics, religion and mass media. It portrays a distorted reality in which the weakest are crushed rather than protected, while the promises of false prophets serve only the interests of those in power. That same loneliness, however, becomes a source of clarity and awareness. Stepping away from the media spectacle means rediscovering oneself and rejecting a world built on money, easy smiles and illusions—a world that no longer belongs to those who refuse to become victims of its false idols. Musically, the track pushes The Autumn Aurora’s post-punk and darkwave identity to its limits. Synths and analogue orchestral pads intertwine with the lines of two electric basses: one builds the groove alongside the drums, while the other takes on the role of a lead guitar, using chorus, flanger and delay to create cold, spectral atmospheres. Completing the sound is Vera Perkins’s deep and theatrical voice.
The official music video for “False Idols” is available on The Autumn Aurora’s YouTube channel:
Glasgow’s THOSE MADE BROKEN have premiered a hard-hitting new music video for “Echo Chamber” ahead of their slot at Hammerdown Festival and the release of their sophomore album, ‘A Door You Can Never Close,’ on 1st September.
“”Echo Chamber” is an attempt to come to terms with the world we find ourselves in today, one where fanaticism and terrorism are sold to us by the western media as freedom and righteousness,” says lead vocalist Murray. “What can we do about genocide in the Middle East we’re expected to either ignore or be complicit in? How do we realistically stop climate change in the face of rampant capitalism and denial? How do we logically and practically fight the rise of the far right in UK politics? ‘I’m screaming at the tide….’ It sums up the sense of hopelessness I feel.”
(Viewer Discretion Advised: The video contains scenes that some viewers may find disturbing and carries an 18+ certificate. It is a cinematic work of fiction, all roles are played by actors, and no real harm was caused during its production.)
That sense of pressure, frustration and powerlessness is reflected in the song’s imposing yet carefully balanced sonic: a tension that runs throughout ‘A Door You Can Never Close.’
To anchor the album’s heavy-yet-spacious wall of sound, the band tracked the core instruments at their own Hawkhead Studios before moving drum production to London’s historic Battery Studios. Working inside Rogue Studios alongside producer Michael ‘Mykey’ Kew (A New Tomorrow), they tapped into the deep, cavernous room resonance of a tracking space legendary for hosting sessions by Pink Floyd, Iron Maiden, Black Sabbath, and Def Leppard classic records. The final master mix leans into a massive, groove-laden low end, allowing a powerful distortion to sit seamlessly alongside fragile, melodic open space.
“We are incredibly proud of this album; it’s the culmination of two years of hard work and genuine soul-searching,” says Murray. “It sounds like a band that has honed its craft on a live stage. There’s a raw, visceral release here, but there is also a fragile gentleness that we hope connects with the listener. We made this record simply out of an absolute love for the music, and it represents a moment in time and a legacy we take immense pride in.”
Those Made Broken’s creative foundation stems from a Glasgow music college, where singer John Murray and guitarist Scott Wood initially bonded over an expansive love for music; bridging the intense, heavy sludge of Soundgarden with the emotional intimacy of Tori Amos. Now completed by bassist Paul Robertson (ex-Dirt) and drummer Martin John ‘Hutch’ Hutchison (ex-Vega), the lineup thrives on a collective creative synergy. By blending elements of grunge, melodic rock, and legacy thrash, On the new LP Those Made Broken deliver a pure, high-energy performance focused entirely on striking riffs and massive, memorable choruses.
Artwork Credit: @obscuralumiere
‘A Door You Can Never Close’ is released 1st September 2026.
ALBUM TRACKLIST
1. Almost Human 2. Simpleman 3. Ecuador 4. Echo Chamber 5. Obsession 6. Monsters 7. These City Walls 8. Little Keeper of Light 9. Have Everything 10. Rest
LIVE DATES:
25th July – Hammerdown Festival, Worthing 26th July – NEWCASTLE, Trillians 20th Nov – PICKERING, Memorial Hall (This House We Built homecoming gig weekender)
THOSE MADE BROKEN IS:
Vocals – John Murray Guitar – Scott Wood Drums – Martin John Hutchison Bass Guitar – Paul Robertson
Today, dread rock superstar WEDNESDAY 13 gives us the second sampling from his forthcoming triumphant live album, Un-Alive from Pol’and’Rock 2025 out September 25, 2026 via Napalm Records. Recorded in front of over 700,000 adoring festival goers, this rendition of the Transylvania 90210 classic “I Want You Dead” captures all the piss and vinegar Mr. Motherfucker has built his legacy on. Exhilarating, incendiary, and catchy as all hell, the hooks are undeniable, taking hold of the entire audience. We may not have been there to experience the dark excellence of Weds and co, but we can live vicariously through this record!
WEDNESDAY comments: “‘I Want You Dead’ is another classic track and fan favorite from the debut album. This song has remained a staple in our live show and always gets the audience screaming. Over the years many WEDNESDAY 13 song titles have been influenced by movies, bands, and pop culture and this song is no different. The title was a play on Cheap Trick’s ‘I want you to want me’, as if it were written about a graveyard romance. Listen to it now Loud, and Un-Alive from Pol’and’Rock!!”
A career spanning set of both WEDNESDAY 13 andMurderdolls hits, the band journeys through Mr. Motherfucker’s extensive catalogue on Un-Alive from Pol’and’Rock 2025. With Murderdollsclassics like “Summertime Suicide” and “197666”, Weds takes us from the beginning through his solo catalog, featuring Transylvania 90210 hits “Look What The Bats Dragged In” and “Bad Things”, The Dixie Dead’s “Too Fast For Blood”, Horrifier’s “Good Day To Be A Bad Guy”, and a plethora of bangers from Mid Death Crisis including “In Misery”, “When The Devil Commands”, and “Rotting Away”. A bloody good time from beginning to end, this album is meant to be heard with the windows down, your accelerator through the floor, and bats on the moonlit horizon.
Pre-order your copy of Un-Alive from Pol’and’Rock 2025 HERE
Un-Alive from Pol’and’Rock 2025 Tracklisting: 1 Blood Fades To Black (Un-Alive from Pol’and’Rock 2025) 2 Look What The Bats Dragged In (Un-Alive from Pol’and’Rock 2025) 3 Too Fast For Blood (Un-Alive from Pol’and’Rock 2025) 4 Rotting Away (Un-Alive from Pol’and’Rock 2025) 5 I Want You Dead (Un-Alive from Pol’and’Rock 2025) 6 When The Devil Commands (Un-Alive from Pol’and’Rock 2025) 7 Summertime Suicide (Un-Alive from Pol’and’Rock 2025) 8 197666 (Un-Alive from Pol’and’Rock 2025) 9 There’s No Such Thing As Monsters (Un-Alive from Pol’and’Rock 2025) 10 In Misery (Un-Alive from Pol’and’Rock 2025) 11 Good Day To Be A Bad Guy (Un-Alive from Pol’and’Rock 2025) 12 Nowhere (Un-Alive from Pol’and’Rock 2025) 13 I Walked With A Zombie (Un-Alive from Pol’and’Rock 2025) 14 Bad Things (Un-Alive from Pol’and’Rock 2025) 15 I Love To Say Fuck (Un-Alive from Pol’and’Rock 2025)
WEDNESDAY 13 LIVE 2026:
WEDNESDAY 13 will be touring extensively this summer and fall, first hitting the UK for both the Bloodstock and Firevolt festivals, amongst some local dates. Afterwards, the band returns to North America for the Shocktober Blood tour, joined by Dead on Sunday and Above Snakes, before traveling back across the pond to Europe for the Cursed Blessings co-headliner with The Birthday Massacre. See below for a complete list of dates:
Cruel Summer UK Tour 2026 06.08.26 UK – Southend-on-Sea / Chinnery’s 07.08.26 UK – Derby / Bloodstock Festival 08.08.26 UK – Stockport / Firevolt Festival 09.08.26 UK – Newport / Corn Exchange
Shocktober Blood North American Tour w/ Dead On A Sunday 23.09.26 US – San Jose, CA / The Ritz 25.09.26 US – Seattle, WA / El Corazon 26.09.26 US – Portland, OR / Dante’s 27.09.26 US – Boise, ID / Shrine Social Club 28.09.26 US – Salt Lake City, UT / Urban Lounge 30.09.26 US – Las Vegas, NV / Backstage Bar 01.10.26 US – Anaheim, CA / Parish @ House of Blues 02.10.26 US – Pomona, CA / Glass House 02.10.26 US – Leesburg, VA / Tally Ho 03.10.26 US – Fresno, CA / Sanctuary 03.10.26 US – Colorado Springs, CO / Black Sheep 04.10.26 US – Los Angeles, CA / Teragram Ballroom 05.10.26 US – Mesa, AZ / Rosetta Room 06.10.26 US – Albuquerque, NM / Sunshine Theater 08.10.26 US – Lincoln, NE / Bourbon Theater 09.10.26 US – McHenry, IL / The Vixen 10.10.26 US – Flint, MI / Machine Shop 11.10.26 US – Lakewood, OH / Mercury Music Lounge 13.10.26 US – Hamden, CT / Space Ballroom 14.10.26 US – Lowell, MA / Taffeta Music Hall 15.10.26 US – Harrisburg, PA / Capitol City Music Hall 16.10.26 US – Syracuse, NY / The Song & Dance 17.10.26 US – Bensalem, PA / Broken Goblet 18.10.26 US – Clifton, NJ / Dingbatz 22.10.26 US – Raleigh, NC / Chapel of Bones 23.10.26 US – Richmond, VA / Canal Club 24.10.26 US – Columbus, OH / The King of Clubs 26.10.26 US – Nashville, TN / The Basement East 27.10.26 US – Sauget, IL / Pop’s Nightclub 28.10.26 US – Lawrence, KS / The Bottleneck 31.10.26 US – Denver, CO / Marquis Theater
Cursed Blessings European Tour Coheadliner with The Birthday Massacre Direct support from Killus 23.11.26 CZ – Prague / Futurum 24.11.26 DE – Leipzig / Conne Island * 25.11.26 DE – Cologne / Volta 26.11.26 BE – Liège / Reflektor 28.11.26 FR – Paris / Les Étoiles Chavaux 29.11.26 NL – Rotterdam / Baroeg 30.11.26 DE – Bochum / Matrix * 01.12.26 DE – Hamburg / Knust * 02.12.26 DE – Berlin / Lido * 04.12.26 DE – Dresden / Beatpol 05.12.26 HU – Budapest / Dürer Kert 07.12.26 CH – Zurich / Dynamo Saal 08.12.26 DE – Munich / Backstage 09.12.26 DE – Mannheim / MS Connexion Complex * WEDNESDAY 13 Only
WEDNESDAY 13 is: Wednesday 13 – Vocals Jack Tankersely – Guitar Ashes – Lead Guitar Troy Doebbler – Bass Mike Dupke – Drums
Last year, trap metal progenitors DROPOUT KINGS dropped Yokai, the final record featuring enigmatic frontman Adam Ramey following his untimely passing. After bringing together a career spanning lineup of Kings current and past, the band took this celebration of Ramey’s life on the road to share with fans as everyone tried to heal from the shock. Lauded by fans and critics alike, with Nu Metal Agenda stating that “the name Dropout Kings should be on more people’s lips, no matter what the band’s next move may be”, Yokai proved to be a unifying force to a hurting community.
Today, the band releases an official music video for the track “Brace Yourself”. A mixture of concert, home, and performance footage, the video tries to encapsulate all the wonderful aspects of Ramey’s life as a member of the band, a member of a family, and a loving human being.
About the video, DROPOUT KINGS state: “Music. Friendship. Purpose. For these reasons and many more, we come together as people. We find time to create, not just for ourselves, but in hopes it brings joy and inspiration to others. We struggle to express what we feel as we struggle in feeling it, pushing towards a light we aren’t always sure is even there. Yet, the art has a way of compelling us to heal through the process of both sharing and listening. A way of making family out of strangers and dreams from suffering. New people we meet turn into old stories we tell as we grow closer together, becoming the best reminders of both where we came from and where we want to go. It’s in this spirit that we ask you to look back with us at and share what made us who we are and our beloved King who started it all. Our brother, Adam Ramey. Brace Yourselves”
Hailing from Phoenix, Arizona, DROPOUT KINGS fuse the raw energy of nu‑metal and rap, a synergy Adam helped forge from the very beginning. Just weeks before his tragic passing on May 19, 2025 at age 32, Adam completed the finishing touches on what he considered the band’s most personal and powerful album to date.
Yokai is more than an album – it’s a legacy. Across its tracks, the influence of Adam’s dynamic stage presence and lyrical authenticity resonates profoundly. The album channels the same heart‑pounding aggression and rap‑rock fusion that brought hits like “Virus” to the Billboard Mainstream Rock Charts, but with an added emotional depth that can only come from one final shared chapter.
DROPOUT KINGS said upon the announcement of the album: “It’s with an incredible mix of emotion and devotion that we announce the release of our new album, Yokai! However, so much more than just new music, this album is our greatest dedication to the late legend, new father and cherished brother, Adam Ramey. Not just entertainment, but a testimony to the ambition, struggle, pain and indomitable will that has made the Dropout Kings who they are. Not only a journey into the hearts and souls of the band during a time of their greatest loss as well as the experience of Trap Metal’s evolution, but the soundtrack to the realization of dreams and the defeat of nightmares across the world. We ask that you listen, enjoy and join us in the mission of not just uplifting and remembering the spirit of one of the best men we’ll ever know, but in creating a better world so that those like you, him and us can LIVE better and with brighter futures ahead.”
Yokai track listing: 1. Black Sheep 2. Brace Yourself 3. Baka 4. F.T.W. 5. Devil Fruit 6. First Day Out 7. Guillotine 8. Fake It 9. Yokai 10. Eye Bleach 11. Deadname
DROPOUT KINGS are: Black Cat Bill – Vocals Rob Sebastian – Vocals Chucky Guzman – Guitar The Cowboy Drummer – Drums
Black metal titans Marduk will release two premium collections in collaboration with record label and creative house Down With The Most High Productions. Moving completely away from conventional band merchandise, the “Militaria” and “Fuck Me Jesus” collections have been developed as high-end collectable releases, serving as a definitive physical celebration of the band’s rich legacy.
The Militaria collection focuses heavily on the military history, battlefield imagery and heraldic themes that have defined the band’s thematic world for over three decades. The collection brings these concepts to life through heavy-duty, bespoke items designed for long-term collectability. It features a bespoke decoration medal in the form of a cast iron cross bearing the Marduk wolf pentagram inside a premium collector box, as well as the bespoke ceremonial Marduk Legions military standard banner embroidered on real black velvet with metallic silver, matte red and black threads. A large synthetic leather Marduk Legions back patch packaged with detailed historical liner notes, specialised double-sided T-Shirts, a brushed metal effect sticker, and a heavy metallic badge button completes this initial instalment.
Unveiled at the same time, the Fuck Me Jesus collection celebrates the 35th anniversary of the band’s infamous 1991 demo tape. Esteemed as one of the most notorious and pivotal moments in the extreme music genre’s history, the demo is now honoured through this artistic curation process, as opposed to merely being reproduced. The highlight of the anniversary collection is a heavy, hand-moulded die-cast bronze sculpture finished with an aged green patina, which brings the demo’s artwork to life. As part of the anniversary range, also featured are a large textile banner flag and a premium metal badge presented on custom backing cards.
Both of these collections will be officially unveiled to the public for the very first time at Beyond the Gates Festival in Bergen, Norway, this July. At the Down With The Most High stand, the audience will get a unique chance to examine the quality of the craftsmanship, the choice of high-quality materials and detailed packaging. In-person showcases of the bronze sculptures, velvet banners and metal medals will allow the audience to feel and experience the true weight of the collection.
These collection items follow the success of the previously released Celtic Frost fine art and precious metal collection.
Daniel Dabadan Gayoso, Founder of Down With The Most High Productions and Curator of the Marduk collections, said: “It was our intention from the very start that this extreme music memorabilia be made into something more permanent and archival. Having done this with the Celtic Frost series, we decided to take things to another level with Marduk. These pieces are cast in heavy bronze, woven into velvet, and presented with the care usually reserved for historical exhibits because this music deserves a permanent physical legacy.”
Morgan, Marduk guitarist and founder, added: “Marduk has never been a band that was willing to compromise on the weight of our concept or our visual output. This production is the physical manifestation of our approach. These pieces are raw, heavy, and forged with an absolute dedication to detail, making them genuine, tangible pieces of the band’s history and not just some fleeting product. This is for the die-hard maniacs, for the legion!”
Down With The Most High Productions (DWTMH) is an independent label and production company from Spain which focuses exclusively on producing high-end, niche releases across the black, death and thrash metal spectrum. Known for their dedication to the quality of physical product, and working with legends such as Celtic Frost, Tormentor, Possessed, Blasphemy, Beherit, Necromantia, Mystifier, Absu, Imprecation and Baxaxaxa, DWTMH attempts to raise extreme metal visuals above usual merchandising.
MESHUGGAH members Tomas Haake and Mårten Hagström will make a special appearance at San Diego Comic-Con, signing for fans at the Reigning Phoenix Music/Stern Pinball booth, #4029, on Friday, July 24, at 3:30 p.m.
The appearance will coincide with the unveiling of a limited-edition MESHUGGAH x Hasbro’s Transformers T-shirt, created to celebrate four decades of The Transformers: The Movie and three decades of MESHUGGAH’s seminal album Destroy Erase Improve.
The collaboration draws inspiration from the transformation of Megatron in the 1986 animated film. After being destroyed in battle by Optimus Prime, Megatron is betrayed by Starscream and cast into space, before being rebuilt by Unicron as Galvatron, a narrative progression that mirrors the title Destroy Erase Improve.
“Big machinery. Massive destruction. Reconfiguration. A pretty accurate analogy to our sound, is it not?” says Mårten Hagström.
The limited-edition design brings together two influential forces in music and pop culture, connecting the mechanical destruction and transformation of the Transformers universe with the precision, power and constant evolution of MESHUGGAH’s sound. The artwork was done by renowned Transformers and G.I.JOE artist, Ken Christiansen. (@ken_christiansen_art ) Ken has spent over a decade shaping the Transformers franchise’s visual identity for Hasbro and Activision, from Generations toy packaging and Covenant of Primus lore art to Transformers video game concept art and IDW comic covers.
Ken comments, “Two of my favorite things are Transformers and metal music, when the chance came up to combine the two, how could I pass that up? And to do it for a killer band like MESHUGGAH, can’t get much better.”
Reigning Phoenix Music will also celebrate the band’s anniversary remastered reissues of Destroy Erase Improve and Catch Thirtythree with San Diego Comic-Con-exclusive splatter vinyl variants of both releases.
Fans attending the signing will have the opportunity to meet Tomas Haake and Mårten Hagström and explore the exclusive merchandise and vinyl offerings available at the booth.
Event Details:
MESHUGGAH Signing Friday, July 24 3:30 p.m. Reigning Phoenix Music/Stern Pinball Booth Booth #4029 San Diego Comic-Con
Quantities of the collaborative T-shirt and exclusive vinyl variants will be limited and available while supplies last.
About MESHUGGAH:
Formed in Umeå, Sweden in 1987, MESHUGGAH have spent more than three decades redefining the outer limits of heavy music. Known for their groundbreaking use of complex polyrhythms, down-tuned guitars, dissonant atmospheres, and surgically precise execution, the band has become one of the most influential forces in extreme and progressive metal.
Across their catalog, MESHUGGAH have continually pushed their sound forward, from the technical thrash foundations of their earliest work to the genre-altering breakthroughs of Destroy Erase Improve, Chaosphere, Nothing, Catch Thirtythree, obZen, and beyond. Their music has had a profound impact on modern metal, inspiring generations of artists and helping shape the rhythmic vocabulary later associated with the djent movement, while remaining unmistakably singular in vision and execution.
Rather than following trends, MESHUGGAH have built an entire language of their own: mechanical yet human, cerebral yet crushing, and as hypnotic as it is devastating. With a reputation for uncompromising innovation and formidable live performances, MESHUGGAH continue to stand as one of the most original, challenging, and revered bands in heavy music.
THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video