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L.A. GUNS Unveil Video Single ‘Electric Gypsy’ from Upcoming “Live From The Guild Theatre”

Posted by tarjavirmakari on June 4, 2026
Posted in: Int. News, News. Tagged: L.A. Guns. Leave a comment

July 3 sees the release of one of the most anticipated live albums of the metal year, a full all-format release for Live From The Guild Theatre, recorded almost exactly one year earlier at the onstage launch of L.A. Guns’ most acclaimed album in years, the mighty Leopard Skin.

​rockpit.net described Leopard Skin as “a hook-filled, melody-drenched delight—perfectly mixed and balanced from start to finish. If you’re a diehard rocker who still worships the ’80s glory days, this one’s for you. But don’t get it twisted: this isn’t some nostalgic retread. L.A. Guns aren’t stuck in the past—they’ve evolved naturally, delivering a record that feels fresh while staying true to their roots.”

​Metal Planet Music said the Guns are “still churning out bangers”; and maximumvolumemusic applauded them for still having “a way of sounding filthy.”  In fact, that review continued, “The best thing about L.A. Guns is how unapologetic they are, and ‘Hit and Run’ nails it. ‘We’re just having fun,’ sneers [vocalist Phil Lewis], as only he can.”

It nails it here, too, sliding in between “Hellraisers Ball” and “Like A Drug,” but Live From The Guild Theatre is explosive from start to finish, the Gunners firing off killer versions of fan favorites tracing as far back as the band’s debut album – “Sex Action,” for example, probably hasn’t featured in the repertoire since the eighties, but it’s alive and kickin’ here.  

​Sophomore set Cocked and Loaded, meanwhile, spits out some of the most powerful shotgun blasts in the band’s entire arsenal – “I Wanna Be Your Man,” The Ballad of Jayne,” “Rip and Tear” and the set-ender, “Never Enough.”  And Leopard Skin gets both a triumphant airing and a delirious response.

​In fact, longtime vocalist Phil Lewis and the man who put the Guns in both L.A. Guns and Guns N’ Roses, Tracii Guns, have never sounded better – quite an achievement for a band that’s been tearing up the stages of the world since 1983!  Ace Von Johnson (guitar), Johnny Martin (bass) and Shawn Duncan (drums) complete the line-up.

SINGLE: https://orcd.co/laguns_electricgypsyguild

The first single from the album, “Electric Gypsy,” is another from the self-titled debut, and it sounds as fresh now as it did way back then… drop it into your streaming playlist and it won’t simply wake up the neighbors, it’ll have them hammering on your door, demanding to know what you’re listening to.

​Yes, you’ll tell them it’s L.A. Guns – who else could it be?  But you can also tell them that it’s not only coming out on CD and vinyl, but there’s a DVD and a cassette as well. 

  • CD/DVD/VINYL/CASSETTE: https://cleorecs.com/search?q=l.a.+guns+live+from+the+guild+theatre
  • ​DIGITAL: https://orcd.co/laguns_livefromtheguildtheatre

Track listing

DISC 1
1. Intro – Taste It
2. Cannonball
3. Electric Gypsy
4. Sex Action
5. Hellraisers Ball
6. Hit and Run
7. Like a Drug
8. Speed
9. One More Reason
10. Theremin Jam
11. Over the Edge
12. Guitar Solo
13. I Wanna Be Your Man
14. Lucky Motherfucker
15. Never Enough
16. The Ballad of Jayne
17. Rip and Tear

TODOMAL Undergo Heavy Meditation on New Video Single ‘Graveyards of Joy’

Posted by tarjavirmakari on June 4, 2026
Posted in: Int. News, News. Tagged: TODOMAL. Leave a comment
Photo by © Christopher B. Wildman

TodoMal are releasing the title track as the third and final advanced single from their upcoming third album Graveyards of Joy. The song finds the atmospheric doom metal duo at their most elegiac amidst a heavy meditation on depopulation, decay and the gradual reclamation of abandoned places.

Watch the music video for “Graveyards of Joy” on the Season of Mist YouTube channel:

Graveyards of Joy comes out July 3, 2026 on Season of Mist. Pre-order: https://orcd.co/todomalgraveyardsofjoy

“Graveyards of Joy” draws from the ghost towns and emptied provinces of TodoMal’s native Spain, conjuring a landscape where “no gods’ll ever settle here, ‘cos all they ever do is walk by.” As the song unfolds, the desolation gives way: new people arrive, signs of life begin to re-emerge and something resembling hope takes shape during a finale that’s as sweeping as the landscape it describes.

Graveyards of Joy is the closing chapter of a trilogy that began with Ultracrepidarian (2021) and continued with A Greater Good (2023). Written in solitude following personal tragedy, the album draws on the landscapes and ghost towns of rural eastern Spain, a terrain the band describe as raw, honest and untamed. It channels grief, anger and hard-won hope through a sound rooted in the slow-burning weight of classic doom and dramatic rock. Vast Hammond organ-driven passages give way to desolate folk; strings with Morriconian openness sit alongside heavy, anchoring riffs. TodoMal draw on a wide range of reference points, from the orchestral sweep of Vangelis and the warmth of Deep Purple to the dramatic sensibility of Tindersticks and Nick Cave, without losing the solemnity that defines TodoMal.

Tracklist:

  1. Mare Ignis (05:14)
  2. Lucid Nightmare (04:31)
  3. Point of Coalescence (05:04)
  4. Misericordiah (02:50)
  5. Unholy (04:22)
  6. Deliverance (07:25)
  7. Humanised Gods (03:54)
  8. For Mercy (03:02)
  9. Graveyards of Joy (06:51)
    Full runtime: 43:15

TodoMal was formed in 2020 by Christopher B. Wildman and Javier Fernández Milla, two veteran multi-instrumentalists of the Spanish underground scene. A Greater Good appeared on multiple year-end lists, including Mondosonoro’s Top 10 albums of 2023, and sold through its initial pressing. The band has since expanded into a five-piece live ensemble and performed at festivals including Be Prog! My Friend, Under The Doom Fest and Frantic Fest, sharing stages with Candlemass, My Dying Bride and Dødheimsgard. Extensive European touring is confirmed for 2026, including a co-headlining run with Evoken across ten dates in July and August.

TodoMal Graveyards of Joy 2026 European Tour

4 July – Viveiro, ES @ Resurrection Fest
24 July – Tolmin, SI @ Tolminator Fest
30 July – Paris, FR @ Le Klub*
31 July – Rouen, FR @ Fury Defendu*
1 August – Diest, BE @ Club Hell*
2 August – Rotterdam, NL @ Baroeg*
3 August – Hamburg, DE @ MS Stubnitz*
5 August – Berlin, DE @ Neue Zukunft*
6 August – Schlotheim, DE @ Party.San Open Air*
7 August – Karlsruhe, DE @ Die Stadtmitte*
9 August – Dresden, DE @ Chemiefabrik*
10 August – Prague, CZ @ Subzero*
11 August – Bratislava, SK @ Pink Whale
18 September: Barcelona, ES @ Sala Boveda
25 September: Madrid, ES @ Dark Echoes Fest (w/ Draconian, Dødheimsgard)
26 September: Auzas, FR @ L’Homme Sauvage Festival
*with Evoken

TodoMal came to life in 2020, conceived by Anglo-Spanish musician and composer Christopher B. Wildman and musician, composer and producer Javier Fernández Milla: two veteran multi-instrumentalists of the Spanish underground scene whose careers span a wide range of projects and styles. A product of pure serendipity, TodoMal represents a deeply personal fusion of the solemnity of traditional doom metal and the expansiveness of space rock, interwoven with nuances of ecclesiastical music, classic hard rock and cinematic soundscapes.

Their debut album, Ultracrepidarian (2021), evokes the placid yet desolate moorlands of their base in northern Alcarria and the region of Matarraña (Teruel), two emblematic landscapes of Spain’s so-called “emptied lands.” With A Greater Good (2023), the duo crafted a collection of what they describe as “dark songs,” evolving into a complex, dense and unclassifiable album that appeared on several year-end lists and sold through its initial pressing. Fuelled by this momentum, they expanded into a five-piece live ensemble, joining forces with Javier Félez (guitar; Teitanblood, Graveyard, Balmog), Javier “Bud” Martínez (drums; Dejadeath, Jade, Ktulu) and Cecilia Tallo (keyboards/vocals; Maud the Moth).

Graveyards of Joy is the third album and the closing chapter of a trilogy. Written in solitude following personal tragedy, it channels grief, anger and hard-won hope into nine tracks of slow-burning, widescreen doom. The music breathes: vast Hammond-driven passages give way to desolate folk, Morricone-like strings open onto dusty cinematic plains, and heavy riffs anchor songs that never lose sight of melody. A DIY record of striking emotional depth and modern, alternative edge.

Recording Line-up:
Wildman – Guitars and Vocals
Mile – Bass and Vocals
Javi – Guitars
Bud – Drums
Cecilia – Synths and Vocals

Production Credits:
Recording Studio: Trinitat-Montseny / 7th Middle Street / Moontower Studios
Producer: Javier Fernández Milla / Christopher B. Wildman; assisted by Javier Félez Rodríguez (drums recording and guitar engineering)
Mixing: Javier Fernández Milla at Trinitat Montseny
Mastering: Jaime López Arellano at Arda Recorders (Portugal)

Guest Musicians:
Cecilia Tallo (background vocals, tracks 4 and 6)
Teodora Gosheva (vocals)
Darío Garrido (acoustic guitars)
Manu Clavijo (live strings)

Cover Art:
Lluís Rigalt, Ruïnes (1865), Museu Nacional d’Art de Catalunya.

Photography:
Christopher B. Wildman

Follow TodoMal:
Bandcamp: https://todomalband.bandcamp.com/
Facebook: https://www.facebook.com/todomalofficial
Instagram: https://www.instagram.com/todo_mal_band/
SoundCloud: https://soundcloud.com/todomal
Spotify: https://open.spotify.com/artist/2grCvuOH8MibDqryxpW6jR
Apple Music: https://music.apple.com/artist/todomal/1587939438
Deezer: https://www.deezer.com/artist/146831572
Tidal: https://tidal.com/artist/5655213

MOURIR Release New Single ‘Feu d’un regard’ with Studio Session Video

Posted by tarjavirmakari on June 4, 2026
Posted in: Int. News, News. Tagged: MOURIR. Leave a comment
Photo Credit: Jodie Roszak

Today, the second single, ‘Feu d’un regard’, by the innovative black metal band Mourir is released. It serves as a harbinger of their forthcoming sophomore album, Nous, le venin, set for release on 10th July via Pelagic Records.

Their forward-thinking take on black metal and uncompromising approach to their work marks them out as ones to watch when they present this new material live at festivals across Europe including Hellfest, Rock In Bourlon and Resurrection Festival in the months to come.

To mark the single release the band is unveiling a live video filmed during the recording sessions for the album Nous, le venin last January. It’s a way for the band to document the album’s recording and showcase the first two singles, ‘Nous, le venin’ and ‘Feu d’un regard’ live.

The video stays true to the rest of the album, which was recorded live at The Apiary in Laval by Amaury Sauvé, mixed by Clément Libes at La Tanière in Copenhagen, and mastered in Paris by Adrien Pallot at Chab Mastering. Filmed and edited by Clara Griot and Emma Mari, this behind-the-scenes look at the recording of Mourir’s second full-length album gives a glimpse of what awaits fans who cross paths with the Toulouse-based band this summer.

Mourir about ‘Feu d’un regard’:
“’Feu d’un regard’ evokes the awakening after depression — that moment when light returns through a connection that restores meaning and momentum to life. It marks the end of a long wandering, the emergence from a bleak state where everything felt extinguished. The track captures the inner rebirth, the fragile thrill of returning to the light.It is a piece that is both melodic, intense, and contemplative, culminating in a powerful revelation: the feeling of having been freed from depression.”

Pre-order Nous, le venin here: https://orcd.co/mourir-nouslevenin

With a demo, an album and an experimental EP to their name, the four-piece retreated to the studio at the end of 2025 to write the music for Nous, le venin. Recorded in January 2026 with Amaury Sauvé (Birds in row, Igorrr, Pneu) at The Apiary Studio in Laval, France, the six tracksare the very embodiment of Mourir’s approach to black metal. Although they draw inspiration from many artists in the old-school black metal world, they opted to lean into a more modern sound – one that would allow the depth of their sonic choices to shine. Blending elements of sludge and post-metal to the rawness of their black metal sound, and combining this with a mixthat gives space to both the low frequencies and the high-octane viscerality, Mourir have created something both distinctive and captivating.

Thematically, the band turn their detached gaze towards an ever-more untethered modern society, one that is inhospitable to those seeking meaning in the cruelty and absurdity of aseemingly senseless world. Yet within these tracks exists slivers of light, of hope and ofluminosity – a belief that something better is possible is woven throughout the melodic passagesand most celestial, ecstatic elements of their sound. The evocative cover art by Thomas Davezac captures the feeling of disconnection that permeates the album.

Mourir have recorded an album that cements their place among underground greats who deftlyeschew the nostalgic trappings of black metal convention and breathe new life into the genre. Nous, le venin is imbued with raw emotion that is perfectly complemented by stylistic choices that echo the sentiment of being freed from the chains of the past.

Nous, le venin track list:

1. Ennui Ennemi
2. Mon rêve animal
3. Feu d’un regard
4. Je est absent
5. Aux inutiles
6. Nous, le venin

Upcoming live dates:
05.06. Nantes – Frozen Fest
19.06. Clisson – Hellfest
26.06. Bourlon – Rock in Bourlon
01.07. San Sebastian – Mogambo
02.07. Santander – Rockbeer the new
03.07. Viveiro – Resurrection Fest
09.10. Nijmegen – Soulcrusher Festival

Mourir are:
Maël Pretet: drums
Alexandre Bérenguer: Guitar
Olivier Lolmède: Guitar, vocals
Théophile Antolinos: Bass

Mourir online:
Instagram
Facebook
Pelagic Artist Profile

THE NIGHT ETERNAL to Release “Cold Velvet” Full-Length on August 21st

Posted by tarjavirmakari on June 4, 2026
Posted in: Int. News, News. Tagged: THE NIGHT ETERNAL. Leave a comment
Photo by Nona Limmen

Rising German melancholic heavy metal outfit THE NIGHT ETERNAL will release their Metal Blade debut, Cold Velvet, on August 21st.

Since their foundation in 2018, the quintet has built themselves a serious reputation with their ’70s and ’80s guitar-driven sounds in their very own sinister guise. The band’s previous two full-length, Moonlit Cross (2021) and Fatale (2023), gained applause by fans and critics alike which resulted in successful support tours (Blind Guardian, Michael Schenker Group, Angel Witch, Lucifer) and festival gigs (Wacken, Summer Breeze, Hellfest, Alcatraz) throughout Europe as well as a spot on the infamous Hell’s Heroes fest in Houston, Texas.

With Cold Velvet, the band has ultimately carved out its own subgenre, weaving darkness, dreamlike unease and deep melancholy into a dramatic yet untainted heavy metal rock ‘n’ roll attitude. Recurring trademarks such as hypnotic, ritualistic rhythms, mesmeric guitar riffs and melodies, and irresistibly catchy choruses permeate every track drawing the listener into a trance-like state and unleashing a relentless surge of dark energy and dopamine.

“With this album we set out to open a new musical chapter in the story of THE NIGHT ETERNAL,” the band remarks. “Each song stands strong on its own, yet together they form a cohesive narrative – unfolding through rising tension, shifting atmospheres, and unexpected twists and turns that guide the listener from beginning to end.”

Conceptually, the album was conceived as a bridge from Fatale: allowing the band and its music to develop naturally, explore new atmospheres, grow in maturity, and ultimately manifest a sound that is unmistakably their own. What emerges is not simply an evolution, but a clear statement of identity – this is, without question, THE NIGHT ETERNAL!

In advance of the record’s release, today the band presents the lead single, “Where This World Ends.”

The band comments, “This track gets straight to the core of what THE NIGHT ETERNAL stands for. Dramatic, dark riffing is paired with haunting vocal melodies that linger long after the final note. While the track forms a seamless bridge between the band’s previous work and the present, it also introduces new sonic elements, including subtle synth-guitar textures inspired by Iron Maiden’s Somewhere in Time, woven discreetly into the background.”

Cold Velvet was recorded between May and December 2025 at Church Of Sound Studios in the greater area of Munich, Germany. Production, recording, and mixing duties were handled by Michael Zech – guitarist of black metallers Secrets Of The Moon and a highly respected producer known for his work with Sulphur Aeon, Triptykon, and The Ruins Of Beverast, among others.

Find pre-orders at: metalblade.com/thenighteternal

Cold Velvet Track Listing:
01. Where This World Ends
02. Eurydice (Don’t Look Back)
03. Caught in a Spell
04. When the Last Candle Dies
05. The Veins of Time
06. The Watcher of the Burning Veil
07. Shape of Sorrow
08. Dance on Crimson Ground

THE NIGHT ETERNAL Live:
7/18/2026 Baden in Blut Festival – Weil am Rhein, DE
8/20/2026 Goldgrube – Kassel, DE * Release Show
8/21/2026 Bambi Galore – Hamburg, DE * Release Show
8/22/2026 Nord Sommerfest – Essen, DE * Release Show
8/27/2026 Drums of War Festival – Barcelona, ES
9/25/2026 Delta Zinnober – Essen, DE

w/ Messa:
10/27/2026 Le Dodu – Marseille, FR
10/28/2026 Sala Salamandra – Barcelona, ES
10/29/2026 Sala Copernico – Madrid, ES
10/30/2026 Antirouille – Montpellier, FR
10/31/2026 Rock Art Festival – Trier, DE * THE NIGHT ETERNAL only
11/01/2026 Petit Bain – Paris, FR
11/03/2026 Cathouse – Glasgow, UK
11/04/2026 Rebellion – Manchester, UK
11/05/2026 Rescue Rooms – Nottingham, UK
11/06/2026 Thekla – Bristol, UK
11/07/2026 The Garage – London, UK
11/09/2026 13 – Tilburg, NL
11/10/2026 Kavka – Antwerp, BE
11/12/2026 Franz Club – Berlin, DE
11/13/2026 Logo – Hamburg, DE
11/14/2026 Rockpalast – Bochum, DE
11/15/2026 Artheater – Cologne, DE
11/17/2026 Das Bett – Frankfurt, DE
11/18/2026 Backstage – Club Munich, DE
11/19/2026 Dynamo – Zurich, CH
11/21/2026 Live Club – Trezzo sull’Adda, IT

THE NIGHT ETERNAL:
Ricardo Baum – vocals
Robert Richter – guitar
Henry Käseberg – guitar
Aleister Präkelt – drums

https://www.facebook.com/thenighteternal
https://www.instagram.com/thenighteternal_official
https://thenighteternal.bandcamp.com

Thrash Metal from Reunion Island LOMOR Update EU Tour Dates + Hellfest

Posted by tarjavirmakari on June 4, 2026
Posted in: Int. News, News. Tagged: LOMOR. Leave a comment

Reunion Island thrash metal trio LOMOR is heading to Europe, launching a run of France and Belgium tour dates in support of their new album “Sabouk Rouge,” with the trek kicking off at Hellfest. This band will be bringing their raw, Creole‑infused thrash to some of the region’s most respected stages (updated tour dates are listed below).
​
The tour supports their latest album, “Sabouk Rouge,” released this past February 2026 via Rockshots Records. Produced by the band, recorded and mixed by Sébastien Camhi at Art Music Studio in France, and mastered by Kai Stahlenberg at Kohlekeller Studio in Germany, “Sabouk Rouge” expands LOMOR’s sonic palette while staying true to their primal thrash roots. With more Creole lyrics woven in at fans’ request, the album strengthens its cultural identity as it shifts through a wide range of moods.

“The tracks are all different, each bringing its own atmosphere. It’s still trash, but with a variety of flavors,” says Eric.
​
That diversity fuels a record that moves from the title track’s sharp satire of Réunion’s legacy of slavery to the grotesque obsession of “Meet Your Meat,” the ritualistic mysticism of “Sanctuary,” and the blistering critique of religion in “La Haine.” The tone lightens with the street‑racing humor of “La Pouss’,” then darkens again with “Panzram,” exploring the roots of a killer’s hatred. The album revisits Eric’s past with a reimagined “Kit Ta Mère” before closing on “Nevroz,” a reversed, tongue‑in‑cheek remake born from a studio joke.

LOMOR has carved its identity as one of the most distinctive metal acts emerging from the Indian Ocean. Their sound, described by guitarist/vocalist Eric Castelnau (Babouk) as “creole thrash old‑school stuff”, fuses classic 80s thrash aggression with the cultural grit and linguistic identity of Réunion Island.

LOMOR began as a deeply personal project for Eric, who formed the band in 2018 after the passing of his cousin and brother, both former bandmates in his earlier project, Black Babouk. The name Lomor, meaning “The Deads” in Réunion Creole, stands as a tribute to the people and memories that shaped his musical path.
​
Joined by drummer Gurvan Cambrai (Typhvs) (also of grind outfit Brvtal trve d’baal) and bassist Micha (member of a local Rage Against the Machine tribute band), the trio has forged a sound rooted in old‑school thrash but sharpened by modern production and raw island energy.

Lomor – Sabouk Tour​
17/06 — Hellfest – Clisson (FR)​
19/06 — B52 Music Club, Icheteghem (BE)
20/06 — Le Brewpeppes, Lille (FR)
21/06 — Carolo Culture, Charleroi (BE)
25/06 — Axis Musique, Toulouse (FR)
26/06 — Bulle de Son, Lyon (FR)
27/06 — Café du Théâtre, Pontarlier (FR)​
18/07 — Studiotic, Sainte‑Clotilde (RE)

New album “Sabouk Rouge” is now available from Rockshots Records at the following links:

  • DIGITAL – https://lnk.to/th31Lt​
  • CD ORDER – https://rockshots.eu/SaboukRougeCD​

Music Video – Sabouk Rouge – https://www.youtube.com/watch?v=jSBEQJOr754​
Music Video – Tantine Lo Clou – https://www.youtube.com/watch?v=fx2FUx0G01c​
Music Video – Panzram – https://www.youtube.com/watch?v=388LBe1K7x4

Lomor Line Up:
– Eric Castelnau (aka Babouk) – Vocals & Guitars
– Gurvan Cambrai (aka Typhvs) – Drums
– Mathieu Michalina (aka Micha) – Bass Guitar

More info:
​https://rockshots.eu/​
​https://www.instagram.com/lomor.music​
​https://www.facebook.com/lomormusic

NYHC Crossover Pioneers CRO-MAGS Unleash New Single & Video ‘Wired for Chaos’

Posted by tarjavirmakari on June 4, 2026
Posted in: Int. News, News. Tagged: CRO-MAGS. Leave a comment
📸: Maurice Nunez

CRO-MAGS, the iconic New York hardcore outfit fronted by Harley Flanagan, proudly make their BLKIIBLK debut with the new single, “Wired for Chaos.” The new track marks CRO-MAGS’ first new music in six years, giving fans a taste of what’s to come.

“Wired for Chaos,” which shares its name with last year’s documentary about Harley, was recorded, mixed, and mastered by Arthur Rizk (Power Trip, Code Orange, Cavalera Conspiracy). It was produced by Harley and Arthur and features drum phenom Greyson Nekrutman. The new single arrives alongside an official music video, available below.

On the new single “Wired for Chaos,” Harley Flanagan comments:

“The new video for ‘Wired for Chaos’ reminds me of our first video, ‘We Gotta Know,’ which came out 40 years ago, except that it shows where the band is at now. I am proud to say that we are one of those few bands that have a multigenerational audience and bridge the gap between hard-core kids, metalheads, punks, skinheads, and more, as seen in the audience of this video, which was filmed at our shows on the past few tours. Not many bands have such a blended fan base besides Motörhead, and I am proud to say that we are following in that tradition.”

Harley continues, “The song title ‘Wired for Chaos’ was taken directly from the recent documentary of the same name. It comes in with an aggressive metal intro befitting a UFC walk-in or a video game, then bursts into a more traditional HC thrash vibe before returning to a heavy beatdown at the end in an unmistakable CRO-MAGS style. The song is literally about being programmed and wired for chaos from birth, not just by environment, but by parents, trauma, childhood experiences, and the resulting PTSD that I personally struggle with as a result.”

Stream / Listen to “Wired for Chaos” HERE

CRO-MAGS Live:

Europe:
June 6 — Emmen, Netherlands @ Pitfest
June 7 — Hamburg, Germany @ Hafenklang
June 8 — Copenhagen, Denmark @ Beta
June 9 — Berlin, Germany @ Neue Zukunft
June 10 — Schwerin, Germany @ Club Zenit
June 12 — Venlo, Netherlands @ Grenswerk
June 13 — Bergen Op Zoom, Netherlands @ Gebouw-T
June 14 — Hoofddorp, Netherlands @ C-Punt
June 15 — Heidelberg, Germany @ Halle02
June 16 — Essen, Germany @ Turock
June 17 — Saabrucken, Germany with Sepultura @ Garage
June 18 — Luzern, Switzerland @ Sedel
June 20 — Clisson, France @ Hellfest
July 20 — Gdansk, Poland with Biohazard @ B90
July 21, 2026 — Warsaw, Poland with Biohazard @ Progresja
July 22, 2026 — Wroclaw, Poland with Biohazard @ Zaklete Rewiry
July 24 — Debrecen, Hungary @ Campus Festival
July 25 — Martinska, Croatia @ Punk + Zestoka Festa
August 5 — Vagos, Portugal @ Vagos Metalfest 2026
August 7 — London, UK @ United and Strong Fest
August 8 — Newport, UK @ Corn Exchange
August 9 — Blackpool, UK @ Rebellion Festival

USA:
September 26 — Daytona Beach, FL @ Party Weekend
October 4 — Sacramento, CA @ Aftershock Festival

More Dates TBA!

The history of Harley Flanagan and his band CRO-MAGS is integral not just to the history of hardcore, but to modern metal, rock, and punk itself. With roots stretching from the shadow of Warhol and the Velvets to CBGB’s hardcore matinees and L’Amour Brooklyn thrash-a-thons, all the way through current generations of punk and extreme metal, CRO-MAGS are the connective tissue. Just ask the likes of Dave Grohl, Green Day, and Turnstile. CRO-MAGS stand side by side with Black Sabbath, Motörhead, and Metallica as both an influence and a gamechanger.

The brainchild of a 14-year-old Harley Flanagan, CRO-MAGS began in 1981 while Flanagan was playing drums for The Stimulators. By 1982/83, he had recorded the primal CRO-MAGS demos — four songs that would become the blueprint for the seminal 1986 release, ‘Age of Quarrel.’ Initially a solo vision, Flanagan wrote and played all of the music himself. In 1985, alongside guitarist Parris Mayhew, vocalist John Joseph McGowan, and drummer Mackie Jayson, the genre-defining ‘Age of Quarrel’ demo was recorded. The full-length album followed in 1986, with Doug Holland of Kraut joining on second guitar.

Explosive both on and offstage, CRO-MAGS have had a tumultuous history, to put it mildly. Through multiple lineups, six studio albums beyond the original demos, and more than four decades of worldwide touring, CRO-MAGS remain one of the most iconic bands in American hardcore and metal. Today, the band is led by Flanagan on bass and vocals — a role he has held since ‘Best Wishes’ (1989). He remains the only member to appear on every CRO-MAGS release since the band’s founding.

FOLLOW CRO-MAGS:
Website
Instagram
Facebook

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