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DEFECTS Announce Profoundly Personal Debut Album “Modern Error” + Release Video for ‘Lockdown’

Posted by tarjavirmakari on January 26, 2024
Posted in: Int. News, News. Tagged: DEFECTS. Leave a comment
Photo by Markus Maschwitz

UK metallers Defects will release their profoundly personal debut album, Modern Error, on 24 May via Mascot Records. They have also revealed the video for their brand-new song Lockdown.
 
Listen/Pre-Order HERE

Recently the band have been confirmed to play at Download (UK), Graspop (BE), Rockharz (DE) and Rock The Lakes (CH) and have just announced that they will join Orbit Culture on their UK & European “Descending Into Madness” March tour. They will call through the UK, Belgium, The Netherlands, Germany, Italy, Switzerland, Austria, Czech Republic and Poland. Tickets are available from HERE.

Modern Error is breathtakingly raw with emotion. Conceptually, it is a deeply cathartic album that acts as a vessel for singer Tony Maue to organise his thoughts on the trauma of being taken into care at a young age.
 
Threaded through the album are the experiences that Maue has been through, how the five members of the band are all connected and why, at this moment, right now, is the right time for this band to exist. For themselves as much as anyone else.  
 
There is a reason that the album has such personal themes. “I use songwriting as a tool to vent rather than be poetic,” explains Maue. He was taken into care from a young age, and that trauma and the experiences that followed are ones that he has battled with ever since. “The traumatic memories of going into care, losing my family when I was very young, and having to deal with that and adjusting myself to that kind of lifestyle, at the time was brutal. The only thing that helped me, and I’m not just saying this, was music.”
 
“We’ve always been told to strive for perfection, but I don’t think anyone can be perfect,” he considers. “We are all defects in a way, but that makes us all unique.” 

This was the first time he could express these raw feelings in music. Scapegoat, Goliath and Echo Chamber are all about a family member but from different perspectives and Recurring looks at the mental loops that come with dealing with trauma.
 
All five members have their stories – Tony Maue (Vocals), Luke Genders (Guitar), James Threadwell (Guitar), David Silver (Bass) and Harry Jennings (Drums). Jennings explains his entry, “I’d stopped enjoying playing music, which I had dedicated my life to since I was 7 years old,” he says. “It had all fallen apart. To feel like you’ve had a dream beaten out of you destroyed me as a person. It took me down a very dark path, and I did things I regret and am not proud of. I feel I’m in a position now where I can talk about it.” “It took a lot of help from the people closest to me, and these guys threw me a life raft; I was sinking,” he adds. “What connects us all is that we’ve all got our own stories, but in a different way.” 
 
Genders says, “Having the freedom to write freely in a band whilst trusting and respecting each other’s vision is something I hadn’t had in a very long time; dismissive people helped me to fuel my instrumental contributions to Modern Error. For the first time ever, I learned how to channel negativity into something positive.”

Modern Error hits with the heaviness and aggression of Lamb Of God and Machine Head, a Linkin Park-like sense of melody, and a touch of Bring Me The Horizon’s fearlessness. For all its heavy subject matter, it burns with vitality, power and passion. Woven within is their outlook on the world. The title-track deals with “how the planet is going to crap”, Another Heart To Bleed is about bad relationships, End of Days explores where the world is heading with greed and Dream Awake delves into being trapped in a digital reality.  The new single Lockdown is about the mental challenges of the pandemic. Maue explains,”The lyrics are probably some of my favourites on the album as it captures frustration towards a government and the rules we were made to follow.”
 
Getting back on the stage for their first tour was a colossal moment for the band. “It was overwhelming,” remembers Maue. “In Southampton with In Flames, I came off stage and broke down. I was crying because I was happy. I can’t believe I’ve been given another chance to do this. Not only that, I couldn’t believe that everyone was digging what we were doing.”
 
They flourished, catapulting them to performing at Bloodstock, 2000Trees, The Great Escape, playing with Bullet for My Valentine, Funeral For A Friend and touring with Of Mice & Men. Jennings reflects, “I had times when I never thought I’d be here again. It was like someone put a defibrillator on me and woke me up from a horrible fever dream.”

What do Defects represent? It’s about believing in yourself. It’s a message to people to give themselves a break occasionally. Jennings remarks. “It’s fine to have bad days. I’ve had my fair share of times very recently. But y’know, everyone can pick themselves up, and go, I’m gonna do me.”
 
“I felt like I wasn’t worth anything,” Maue adds. “But now I look back, and that was wrong; I shouldn’t have been made to feel that way. When I got older, I realised I was a good person and didn’t do anything wrong. Bad things happen to good people, and you must find a way to make life worth living.”
 
In reaching out to someone, there can be change; in change, there can be hope. It’s in the hope that you can try to go forward and make something of yourself. We are all defects.

Track List

1. Intro
2. Scapegoat
3. End of Days
4. Dream Awake
5. Another Heart To Bleed
6. Recurring
7. Lockdown
8. Echo Chamber
9. Interlude
10. Modern Error
11. Broken Bloodlines
12. Second To None
13. Gone To Waste

Tour Dates
Tickets are available from http://www.wearedefects.com

06 Mar – The Cathouse – Glasgow, UK w/Orbit Culture
07 Mar – Exchange – Bristol UK w/Orbit Culture
08 Mar – Rebellion – Manchester, UK w/Orbit Culture
09 Mar – Asylum – Birmingham, UK w/Orbit Culture
10 Mar – The Underworld – London, UK w/Orbit Culture
12 Mar – Zappa – Antwerp, BELGIUM w/Orbit Culture
13 Mar – Kantine – Koln, GERMANY w/Orbit Culture
14 Mar – Dynamo – Eindhoven, THE NETHERLANDS w/Orbit Culture
15 Mar – Frannz – Berlin, GERMANY w/Orbit Culture
16 Mar – Headcrash – Hamburg, GERMANY w/Orbit Culture
18 Mar – Hansa 39 – Munich, GERMANY w/Orbit Culture
19 Mar – Santeria – Milan, ITALY w/Orbit Culture
20 Mar – Dynamo – Zurich, SWITZERLAND w/Orbit Culture
21 Mar – Flex – Vienna, AUSTRIA w/Orbit Culture
23 Mar – Club Puschkin – Dresden, GERMANY w/Orbit Culture
24 Mar – Futurum – Prague, CZECH REPUBLIC w/Orbit Culture
25 Mar – Hydrozagadka – Warsaw POLAND w/Orbit Culture

14-16 Jun – Download Festival – Derby, UK
20-23 Jun – Graspop Festival – Dessel, BELGIUM
03 – 06 Jul – Rockharz Festival – Ballenstedt, GERMANY
16 – 18 Aug – Rock the Lakes Festival – Vallamand, SWITZERLAND

SCOTT STAPP Reveals New Track ‘Deadman’s Trigger’ from Upcoming Album

Posted by tarjavirmakari on January 26, 2024
Posted in: Int. News, News. Tagged: Scott Stapp. Leave a comment

photo credit: Sebastian Smith

Grammy winning songwriter, platinum solo artist, and voice of Creed, SCOTT STAPP, has released the bombastically ominous “Deadman’s Trigger” as the fourth single from his upcoming solo album, Higher Power. The album is set for release on March 15, 2024 on Napalm Records.
 
On an album of metamorphosis forged by loss, frustration, betrayal and near defeat, “Deadman’s Trigger” warns of mutually assured destruction when pushed to the breaking point, until the melodic chorus arrives like salvation. The charged-up banger strobes with bold sonic swagger as one of the album’s hardest-hitting tracks.

On Higher Power, Stapp is “primed for a big decade, sounding just as powerful as he did at half his age with a sense of newfound heaviness resting beneath his iconic voice” (Loudwire). The album describes a metamorphosis forged by loss, frustration, betrayal and near defeat. It features stand-out performances by Dorothy, guitar god Yiannis Papadopoulos, and a co-writing appearance by multi-Grammy winning songwriter and musician Steve McEwan. The album was produced by Marti Frederiksen and Scott Stevens and follows Stapp’s 2019 The Space Between the Shadows, which debuted at #3 on the US Current Rock Albums chart, the US Current Hard Music Albums chart, and the UK Official Rock & Metal Chart. 

Pre-Order Higher Power HERE

Higher Power track listing:
1. Higher Power    
2. Deadman’s Trigger    
3. When Love Is Not Enough    
4. What I Deserve (feat. Yiannis Papadopoulos)
5. If These Walls Could Talk (feat. Dorothy)
6. Black Butterfly    
7. Quicksand (feat. Yiannis Papadopoulos)
8. You’re Not Alone    
9. Dancing in the Rain (feat. Yiannis Papadopoulos)
10. Weight of the World    

About SCOTT STAPP:
One of the most iconic voices in rock, SCOTT STAPP first emerged as the high-energy, post-grunge frontman of Creed. With anthems like “Higher,” “My Own Prison,” “My Sacrifice,” “One Last Breath” and “With Arms Wide Open,” the band sold over 55 million albums, including a Diamond certification. Throughout the early 2000’s, Creed broke airplay records, sold out arenas, earned countless Billboard Music Awards and American Music Awards, and a Grammy for Best Rock Performance by a Duo or Group. As a solo artist, Stapp has released the Platinum-certified The Great Divide (2005), Proof of Life (2013) which featured his first solo #1, “Slow Suicide,” and 2019’s The Space Between The Shadows. In April 2024, Stapp will reunite with his Creed bandmates for the first time in a decade. 

SCOTT STAPP online:
WEBSITE
FACEBOOK
INSTAGRAM
TWITTER
NAPALM RECORDS

Exclusive Premiere for Finland: VICINITY ‘Purpose’ Lyric Video

Posted by tarjavirmakari on January 26, 2024
Posted in: Int. News, News. Tagged: Vicinity. Leave a comment

Photo by Daniel Almli and Steffen Normark – Edited by Giannis Nakos

Norway’s VICINITY kicks off their upcoming album promotion round with the release of the first digital single and video from the record. The track is called “Purpose”. A progressive metal tune that showcases the technical sides of Vicinity, while maintaining their affinity for strong melodies and relatable lyrical themes. This is also the first song to be released with new vocalist Erling Malm. Fans of bands like Threshold, Circus Maximus and Dream Theater should really check this one out.

Join the premiering here:

Vicinity was founded in 2006 by Kim-Marius H. Olsen, Frode Lillevold and Kristian Nergård. Vocalist Alexander K. Lykke soon joined the blend making the first complete lineup. With the EP “Diffusion of Innovation”, the band’s first official release, Vicinity found its true style, writing longer, more technical progressive compositions.

In 2012 the band recorded their debut full-length album, “Awakening”, making this the debut recording of the new bass player Pierre Schmidt-Melbye, who joined the band following Nergård’s departure in 2009. Reidulf Wormdal joined the recording as a session keyboard player. The album was mixed by André Alvinzi and mastered by Jens Bogren at Fascination Street Studios, and was released by Indie Distribution and Pug-Nose Records in the fall 2013. 

In 2015 Vicinity went to work with their new album “Recurrence” which was released by Mighty Music in 2017. The drums were recorded at Skarp Studio, known for producing the drums for bands like Triosphere and Keep of Kalessin. Christer-André Cederberg, known for mixing Nine and Havoc for Circus Maximus and several releases by Anathema was enlisted to mix the album. Jens Bogren once again handled mastering duties. Following the release, Vicinity played concerts in Trondheim and Oslo, and was booked to play festivals like Prøvesprengning and Totsås Rock.

Preparations for the upcoming album started in 2020 at Skansen Lydstudio, but further progress was impaired partly by Covid and the fact that, after 15 years in the band, Lykke decided in 2022 to pursue other interests and in agreement with the band decided to part ways. Vicinity tried out vocalist Erling Malm (Articulus, Endolith) at a live show in Trondheim, and decided then and there that he would be the vocalist going forward, and he immediately started working on vocals for the upcoming record. 

A new Vicinity album will be released this year.

Lineup:
Frode Lillevold – drums
Erling Malm – vocals
Ivar A. Nyland – keyboards
Kim-Marius H. Olsen – guitars
Pierre-Nicolai H. Schmidt-Melbye – bass

Digital single: https://orcd.co/vic-pur

Further links:
https://www.vicinityband.com/
https://www.facebook.com/vicinityband
https://www.instagram.com/vicinityofficial
https://open.spotify.com/intl-pt/artist/09flJpVa3A52r8RwGjeY4O
https://music.apple.com/br/artist/vicinity/445607962
https://tidal.com/browse/artist/4019824
https://www.youtube.com/@vicinitybandofficial

MINISTRY Release New Single ‘B.D.E.’ About Toxic Misogyny, Violence Against Women

Posted by tarjavirmakari on January 25, 2024
Posted in: Int. News, News. Tagged: Al Jourgensen, MINISTRY. Leave a comment

Toxic misogyny, violence against women, and incels are the latest target Al Jourgensen takes aim at in the song ´B.D.E.´(aka “Big Dick Energy”) out today, including a spellbinding music video that draws the line on the poisonous behavior seen in both politics and everyday life in 2024. 

Listen to the song on all platforms: https://ministry.bfan.link/b-d-e

The song’s whiplash riffs, barreling drums, punchy keys, and pummeling bass all come to a head in the thrash breakdown mid-song, putting the aggressive talents of Jourgensen and the full band — John Bechdel (keyboards), Monte Pittman and Cesar Soto (guitars), Roy Mayorga (drums) and Paul D’Amour (bass) — on full display.

Says Jourgensen of the track: “The incel subsect and general misogynistic tendencies in our society are dangerous yet seem to fly under the radar so we figured it’s time to shine a light on it. In true MINISTRY fashion we battle it with sarcasm”

´B.D.E.´ hails from MINISTRY’s upcoming 16th studio album 

HOPIUMFORTHEMASSES (out March 1, 2024 on Nuclear Blast Records) and follows the release of earlier singles ´Just Stop Oil´ and ´Goddamn White Trash´ all of which give a preview of the state of mind of creator and band leader Jourgensen who is cantankerous as ever about a f***ed up world ripe for a boot up its ass. Like always, he’s merely looking around at the same dumpster fire we all are, but he’s got a microphone and uses it well to rage on about the state of the world.

Joined by MINISTRY’s current frontline of musicians, HOPIUMFORTHEMASSES also has a slew of special guest contributors including Gogol Bordello’s Eugene Hutz, long-time collaborator and Lard companion Jello Biafra and Corrosion of Conformity frontman Pepper Keenan.

INNER SANCTUM Announce New Album “The Great Odd Ones”; Release Intense First Single ‘Abgott Death Kult’

Posted by tarjavirmakari on January 25, 2024
Posted in: Int. News, News. Tagged: INNER SANCTUM. Leave a comment

Freiburg, Germany -based Death Metallers INNER SANCTUM have announced the release of the band’s fourth album “The Great Odd Ones”, which will be out on March 22nd. This concept album delves into the eerie realm of sea gods known as “The Great Odd Ones”, weaving a narrative that explores their terrifying influence on our world.

Since their formation in 2004, INNER SANCTUM has been forging a unique path in the Death Metal scene. Combining dynamic death riffs with heavy and heroic parts, the band has created a characteristic and individual sound and with three independently released full-length albums to date and two decades of live experience, INNER SANCTUM has established themselves as a force to be reckoned with.

The upcoming output “The Great Odd Ones” pushes the boundaries of the band’s sound, taking a turn towards a more death metal and heavy focus while skillfully retaining the distinctive roots that define their music. Drawing inspiration from non-related personal experiences encountered by the band members and delving into the realms of Lovecraftian horror fiction, this album immerses listeners in a nautical, dark, and cryptic theme.

The album’s first single “Abgott Death Kult” showcases the band’s relentless energy and growth as musicians. With its visceral intensity and haunting melodies, the single sets the stage for the captivating journey that awaits the listener in “The Great Odd Ones”. Furthermore, the brand new track is accompanied by a music video, which you can watch here:

Stream the single HERE

INNER SANCTUM comments: “After 8 long years, we couldn’t be happier to finally present our newest creation, especially because “Abgott Death Kult” is such a personal and special song for us. Not only does it push the limits of the INNER SANCTUM sound to the extreme, but it is also a prime example of how our personal and private experiences can be interpreted creatively to fit the lore we created for “The Great Odd Ones”. The song’s origins were rather experimental in nature, so it came as a surprise, even to us, how it grew to become the flagship of our new musical path. The subtle integration of real-life incidents into a somewhat obscure lyrical theme surely played its part in that. We hope you will enjoy the song as much as we do.“

Tracklist:

  1. Era of the Idols
  2. Abgott Death Kult
  3. Juggernautic
  4. Nautopsy
  5. Mesurol
  6. Thalassophobia
  7. Godfisher
  8. Battlements of Abomination
  9. Those Who Never Sleep

The songwriting for “The Great Odd Ones” took place between 2017 and 2020-2022, with INNER SANCTUM pouring their hearts and souls into crafting an unforgettable musical experience. The album was mixed and mastered by the talented Christoph Brandes at the renowned Iguana Studios and promises a musical journey into the abyss, where the haunting tales of these sea gods unfold with visceral intensity.

“The Great Odd Ones” will be self-released by INNER SANCTUM on March 22. The album is now available for pre-order at THIS LOCATION

Inner Sanctum are:
Nikolai “Kolai” Kahle (Vocals)
Christian “Farms” Brand (Guitar)
Eric “Yoric” Tobian (Guitar)
Johannes “Joe” Ambs (Bass)
Julian “Jay” Kleber (Drums)

For more info visit:
http://enterthesanctum.de/
https://www.facebook.com/enterthesanctum/
https://www.instagram.com/inner_sanctum_band/
https://enterthesanctum.bandcamp.com/

GOST Unveils ‘Widow Song’ Single + Lyric Video

Posted by tarjavirmakari on January 25, 2024
Posted in: Int. News, News. Tagged: GOST. Leave a comment
Photo by Tracy Lollar

Slasherwave outfit GOST today unveils “Widow Song,” the latest single from the project’s impending new full-length, Prophecy, set for release on March 8th via Metal Blade Records.

GOST exists in the dark crack between black metal and the most shadowy end of electronic music. Since the release of the Radio Macabre EP at the start of 2013, and the remorseless digital nightmare of their Skull debut album six months later, Texas-based multi-instrumentalist, producer, and main-brain James Lollar has become an increasingly singular force in music. Far more aggressive and sinister than the synthwave he’s often grouped with, GOST is a harsh and unique digital nightmare that takes the listener right into the heart of the abyss.

Now GOST returns with their sixth album, Prophecy. Unquestionably their most exhilarating and dangerous sounding work to date, Prophecy is a record that perfectly reflects the horror and grim anxieties of a world beset with religious and political overreach, and progress, “being rolled back to the fucking 1950s.”

“It’s about an imaginative fall of the Western civilization, the biblical end of the world – the rise of Satan and Armageddon,” says Lollar. “In America, there’s been a big rise of scared, reactive Christianity again, and almost like a re-emergence of the Satanic Panic. So it felt like an appropriate time to bring Satan back into things.”

In advance of the release of Prophecy, GOST today unleashes “Widow Song” with an accompanying lyric video. “‘Widow Song’ is very personal to me on a few levels,” elaborates Lollar. “The title tributes an old close friend who suddenly died years ago. The lyrical content is a direct response to the world of chaos we are all currently having to navigate. Sonically, I wanted to merge my new wave and black metal influences. I pushed my vocal capacity on ‘Widow Song,’ going much lower and higher than I have previously attempted as GOST. The result rests somewhere between Mayhem and Skinny Puppy.“

Watch GOST‘s previously released video for “Judgement/Prophecy” at THIS LOCATION.

Prophecy was recorded by Lollar alone in Texas during a burst of creativity at the end of 2022. Following the experimentation and more melodic touches of 2019’s Valediction, Lollar says the record acts as something of a return to older roots, to recapture the spirit of GOST.

Find pre-order options at: metalblade.com/gost

Prophecy Track Listing:
01. Judgment
02. Prophecy
03. Death in Bloom
04. Deceiver
05. Obituary
06. Temple of Tears
07. Decadent Decay
08. Widow Song
09. Golgotha
10. Digital Death
11. Shelter
12. Through the Water
13. Leviathan

GOST:
James Lollar – everything

https://www.facebook.com/gost1980s
https://www.instagram.com/gost1980s
https://gost1980s.bandcamp.com
https://www.twitter.com/gost1980s

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