Heavy metal force TERRA NULLIUS premieres the lyric video for “Magam Bajnoka,” a powerful track from their self-titled album. The CD will be released via Wormholedeath. Stay tuned for more details!
Terra Nullius explores the theme of personal empowerment, urging listeners to confront their inner demons and emerge victorious.
Terra Nullius was born out of a shared vision to push the boundaries of musical expression. Founded by Sztancsik, the band welcomed vocalist András Baksa, guitarist Imre Telek, cellist Mátyás Hotzi, and bassist Tamás Éber into its ranks, forming a powerhouse lineup that captivates audiences worldwide.
Since its inception, Terra Nullius has garnered acclaim for its dynamic performances and innovative approach to music. With the support of Wormholedeath Records, the band is poised to reach new heights and captivate audiences across South America, the USA, Europe, and Japan.
The year is 2000, and it is the year that Norwegian Prog Legends WHITE WILLOW released what would be the band’s third full-length album. Titled “Sacrament” the album would undergo a long, painstaking creative process, one that would ensure that the arrangements of each song were inventive, dynamic, and above all, beautiful.
After a lengthy period of rehearsals at the Norwegian Institute for Scene and Studio, WHITE WILLOW entered Lydkjøkkenet, a brand new studio run by Øystein Vesaas, a talented engineer whose patience and personality were a perfect fit for the band, allowing them time to experiment and try out different variations.
Recorded over an extended period of time, due to the fact that WHITE WILLOW’s founder Jacob Holm-Lupo was holding down a full-time job, the sessions for “Sacrament” would often run from the evening until well into the night. Despite the punishing schedule, the whole band felt energized and believed totally in the material they were working on, so that instead of feeling onerous, the whole experience is remembered by them as an enjoyable time.
It is creation about which Holm-Lupo says:
“Sacrament” is the first album where I think we did everything really well
It was during the making of “Sacrament”, that the Prog scene itself was undergoing a period in which certain elements of the genre were beginning to filter through into mainstream music, which in itself gave WHITE WILLOW somewhat of a motivational boost. The end result was an album that not only received glowing reviews world-wide and healthy sales figures, it also received some mainstream recognition.
Now, as part of Karisma Records plans to re-release six albums from WHITE WILLOWS’ back catalogue, “Sacrament” has been meticulously remastered by Holm-Lupo himself to become the third of the six scheduled releases.
Set to appear on the 5th July, this will be the first time that “Sacrament” will be released in vinyl format, and, along with the Limited Edition White Vinyl, it will also be available in CD and Digital formats.
Presented with the classic original cover art, track listing on “Sacrament” is as follows:
1. Anamnesis 2. Paper Moon 3. The Crucible 4. The Last Rose of Summer 5. Gnostalgia 6. The Reach
WHITE WILLOW was formed in 1992 by guitarist Jacob Holm-Lupo, who at that time was a member of the POLICE/BRUCE HORNSBY-inspired pop band THE ORCHID GARDEN, and keyboard player Jan Tariq Rahman from local jazz-rock/prog rock band DUGGVÅTE DVE.
It was a case of two musicians coming together see if they had any kind of songwriting chemistry, and, whilst sitting on the floor playing acoustic guitar and clavinet, produced the track “Snowfall” which convinced them that they could, indeed, come up with something worthwhile.
WHITE WILLOW’s history, however, was never simple, with members having come and gone over the years and only Holm-Lupo having remained with the band since its inception, whilst WOBBLER’s Lars Fredrik Frøislie has been a mainstay since 2001.
The band’s sound too has undergone changes, but it’s safe to say that it is frequently centered around female vocals and an expanded instrumentation that usually includes a host of analogue synthesizers, mellotron, woodwinds and strings, in addition, of course, to traditional rock instrumentation.
Now, exclusively a studio project, WHITE WILLOW is noted for featuring guest appearances from prominent musicians such as Norway’s guitar hero Hedvig Mollestad, or internationally renowned klezmer clarinetist David Krakauer.
By the time the re-release project is finished, Karisma Records will have released all six of the following albums:
Ignis Fatuus – 1995 (released Nov 2023) Ex Tenebris – 1997 (released April 2024) Sacrament – 2000 (due for release July 2024) Storm Season – 2004 Signal to Noise – 2006 Terminal Twilight – 2011
In 2021, the seeds were sown for what was to become a new odyssey in the realm of Norwegian black metal, marking the inception of YR, a fresh and fierce consortium emerging from the cold darkness of Oslo. The journey reached a crescendo in 2023 when Nekrosis and Doedsskaldr teamed and began work with the upcoming first EP “Maanelyst” – crafted with fervor by the combined genius of Nekrosis and Doedsskaldr, the music and lyrics echo the inner turmoil of human duality, from the frenetic pace of blast-beats to the deliberate rhythms of black’n’roll.
The duo is joined by Levik on bass and Niklas on drums, whose mastery completes the live experience. YR takes to the stage in warpaint, embodying the raw, unfiltered essence of black metal artistry, and setting the scene alight with their electrifying presence.
“Maanelyst” EP was mixed and mastered by Hugo Alvarstein (God Dethroned, Nocturnal Breed, Chrome Division). Cover artwork was done by Necrolust Productions (Kampfar, Whoredom Rife, Black Altar).
Hellstain Productions will release June 21, 2024 debut EP titled “Maanelyst” digitally and as digipak CD! Pre-order is available at official label webstore.
Listen to the song “Doed og Begravet” at Black Metal Promotion
British four-piece rock band Collateral are pleased to announce that their sophomore album Should’ve Known Better is riding high in the Official UK Charts with five chart positions including –
#2 Rock & Metal Albums #29 Vinyl Albums #24 Physical Albums #25 Album Sales #10 Independent Albums #4 Independent Album Breakers
Today, the band’s “Just One Of Those Days” single won Classic Rock’s Tracks of the Week.
The single is being hotly tipped as feel-good rock and roll summer anthem of 2024.
“Just One Of Those Days” is available with the new album on all streaming platforms HERE.
The official music video is available to watch on YouTube HERE.
Should’ve Known Better is produced by Dan Weller (Those Damn Crows, Kris Barras).
“I’d love nothing more than to be on an open road, top down, sun on skin and the wind in my hair whilst blaring this out,” says Collateral’s frontman, Angelo Tristan. “It was always intended to be the soundtrack of any route 66 trip. “What I really hope is for people to find happiness in this, I’m just trying to make what may seem like a bad day, turning out to be a good one. It’s perfect if you’re having Just One Of Those Days.”
Since the band released their eponymous debut album (Top 5 UK Rock Album Chart) at the start of 2020 Collateral have spent no time standing still. COVID came only weeks after the debut album was released and forced the band to cancel their highly successful tour with Phil X (Bon Jovi) halfway through. This made the band hungry to keep the momentum. With innovative ways to produce top quality live streams, the band became special guests supporting the likes of Skid Row, H.E.A.T and Reckless Love.
On October 21, 2022, Collateral independently released a re-mixed and re-mastered version of their debut album re-titled as Re-Wired which featured Jeff Scott Soto, Phil X, Kee Marcello, Rudy Sarzo, Danny Vaughn, and Joel Hoekstra. The re-release saw the band in the Official UK Rock Charts at #12.
After the gruelling back-to-back tours with Skid Row, H.E.A.T and Reckless Love, the band ignited a spark and strengthened their already loyal fanbase leading them to win the opening slot at 2023s Stonedead Festival, leading the band to perform their biggest show.
Collateral have created a state-of-the-art rock album that will immerse listeners in their rock music universe, enabling fans to feel the blood, sweat and glory that went into the recording of every song.
“We felt that our debut album was lacking the production,” reflects Collateral’s frontman, Angelo Tristan. “For the sophomore album, I wanted to make sure that this time we left no room for error and so got one of the hottest producers in the music industry, Dan Weller, to help lift these songs into a new dimension. With Dan’s pioneering studio expertise, this album has massive production quality that enables you to get lost in each character-filled track. Dan really brought out the emotions we were trying to portray and has achieved it with his own unique style.”
“We wanted this album to express where we were in our own lives since the release of our first. So much has happened since then, I mean the world shut down for what felt like a lifetime! And it was obvious that people were going to need some sort of optimism. I hope ‘Glass Sky’ is one of those songs that gives people the belief to find themselves again.”
“Whereas, the feel-good ‘Just One Of Those Days’ is trying to find the good side of a bad day. Me being me, couldn’t help but to write a big power ballad, ‘The Long Road’, that I wrote from a very hard and deep place, in hope that it could maybe bring some peace and comfort to people who need it. I think there’s all aspects of life running though this album and what it means to us will remain in our hearts forever.”
“Should’ve Known Better” is an album that goes beyond specific music genres,” says Angelo. “It’s almost like a soundtrack to a beating heart. It’s an album that will remain timeless in years to come.”
ALBUM TRACK LISTING
1. GLASS SKY (3.53) 2. ORIGINAL CRIMINAL (3.58) 3. JUST ONE OF THOSE DAYS (3.19) 4. TEENAGE DREAMS (4.34) 5. ELYSIUM (4.02) 6. ON THE LONG ROAD (4.47) 7. NO PLACE FOR LOVE (3.35) 8. GAME CHANGER (3.54) 9. FINAL STAND (3.49)
PRODUCTION CREDITS PRODUCED BY DAN WELLER RECORDED AT MARSHALL STUDIOS, MILTON KEYNES ENGINERED AND MIXED BY DAN WELLER MASTERED BY RYAN SMITH @ STERLING SOUND
“Fever,” the powerful new single from BASTION ROSE’s “Fade To Blue” EP (Epictronic), is a heavy track that exudes raw energy and an unapologetic attitude. Produced by David Bottrill, it’s riff-oriented and full of aggression, reflecting the band’s commitment to doing things their own way. Filmed and edited by Emelie Flower of Bloomington, Indiana, the accompanying music video captures the essence of the song, showcasing its sonic similarities to Audioslave, Soundgarden, and Black Sabbath, along with a bluesy southern swagger.
“I wrote it at a time when I was just fed up. Fed up with being held back. Fed up with others and fed up with myself. Fed up with being weak and afraid. The song was my way of saying ‘F*** it. I’m going to do this thing how I want to do it and I really do not care what anyone else thinks.'”- Austin Frink
Bastion Rose’s story is nothing short of extraordinary, a testament to the resilience and creative fire that fuels their music. In just two years, frontman Austin Frink has transformed from a musician battling the uncertainty of ever regaining his singing voice after a life-altering surgery into the driving force behind Bastion Rose. The band’s name itself embodies the transient nature of existence and the significance of cherishing every moment.Their debut EP, “Fade To Blue,” is a testament to their unwavering spirit and artistic passion.
Produced by the three-time Grammy award-winning maestro, David Bottrill (known for his work with Tool, Rush, Godsmack, Mastodon, Muse, Coheed and Cambria) and mastered by the skilled engineer Maor Appelbaum (Faith No More, Dream Theater, Meat Loaf, Eric Gales), “Fade To Blue” stands as an unfiltered outpouring of raw emotion and unapologetic rock energy. It artfully blends ethereal soundscapes with powerful guitar riffs, all anchored by Bastion Rose’s unique fusion of soulful vocals, intricate guitar craftsmanship, and a dynamic rhythm section. Their ensemble, featuring John Donlon on drums, Steve Pierce on bass guitar, Barrett Abraham on keyboards, and Austin Mudd on guitar, brings together a symphony of talents that define Bastion Rose’s electrifying sound.
Inspired by a diverse range of musical legends, from timeless classics like Black Sabbath, Pink Floyd, and Lynyrd Skynyrd to contemporary giants like Tool and Foo Fighters, Bastion Rose crafts anthems that resonate with rock enthusiasts worldwide.
HELLBUTCHER is pleased to unleash their fiery new video for “Inferno’s Rage.” The track comes by way of the band’s self-titled debut, released last Friday via Metal Blade Records.
As the frontman of legendary Swedish maniacs Nifelheim, Hellbutcher stands among the most elite figures of the black metal underground, and with his eponymous new band, HELLBUTCHER, his frenzied mission continues conjuring sounds of pure blasphemy and absolute musical Armageddon.
Teaming up with old compadres in evil, guitarists Necrophiliac and Iron Beast, bassist Eld, and drummer Devastator (ex-Nifelheim), HELLBUTCHER quickly set about bringing their new vision to life. Recording in various locations around Sweden, such as Devastator’s own Red And Black Hall Drum Studio and Iron Beast’s Chrome Studios, and producing and mastering everything themselves – “No need for an outside producer since we knew exactly how our band should sound” – it is a record that stands proud and unambiguous as a work or pure, metallic mayhem.
From the album’s opener, the crazed “The Sword Of Wrath,” HELLBUTCHER‘s intent is loud and clear: Channeling the spirit of Venom, Bathory, Iron Maiden, Exciter, Motörhead, Mercyful Fate, and the aggressive spirit of true heavy metal. It’s an explosion of diabolic evil, performed relentlessly by true masters of the form.
Notes Hellbutcher on “Inferno’s Rage,” “This one holds a special place because, unlike other songs, I wasn’t part of the music-writing process; I solely penned the lyrics. Guitarist Necrophiliac took charge of crafting this song. I’ve known him since the early ’90s, and his musical style aligns closely with mine. This track stands as proof that he understands the very essence of HELLBUTCHER! ‘Inferno’s Rage’ is an unrelenting onslaught of speed, coupled with touches of heavy metal in certain parts. It also shows the insane drumming of Devastator who is acknowledged as one of the best drummers in the metal scene!“
Watch HELLBUTCHER‘s “Inferno’s Rage” video, comprised of apocalyptic live footage:
Watch the band’s previously released video for”The Sword Of Wrath” HERE.
With an enviable musical pedigree and a killer album to their name, HELLBUTCHER is certain to scorch a mark onto the black metal scene. “I believe this band has the potential to surpass Nifelheim; we’ve accomplished more in a year than I did in the last decade with Nifelheim,” Hellbutcher states. “The key difference lies in the fact that this band shares a common goal. I am now filled with tremendous inspiration, and I plan to create new songs, records, and gigs at a completely different pace than before.“
Insisting in so many words that posers should die, and promising that their live shows “will be a neck-breaking experience,” the underground is about to be hit with an outbreak of evil unlike anything it has seen for a long time. Time to turn the cross upside down: HELLBUTCHER is here, and they mean evil business.
THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
