After their amazing return to the live stage, on Friday, October 13th, PHEAR release the first video from their new studio album, SAVE OUR SOULS. The album is set for release in spring of 2024. Phear has been recording this album over the last three years, mostly due to Covid restrictions. But now it’s time for these Canuck Metal heads to unleash the heaviest tracks so far in the Phear Catalogue!!
2024 will be all about performing these new songs live. If you have ever seen Phear in concert, you know that they deliver an arena show in a club. As stated by the band; “You haven’t seen anything yet!”
Phear fans can stay up to date on SAVE OUR SOULS release details by joining the email list at https://m.bnds.us/f0Tlll
The new Phear album is expected to be nine songs:
Save Our Souls – all tracks completed
Snake – all tracks completed
Aftershock – All tracks completed
Lease On Life – All tracks completed
Narcosynthesis – All tracks completed
Bleed – All tracks completed
On Thin Ice – All tracks completed
New World Error – All tracks completed Bonus: Delusions (live) – Completed
Mixing and Mastering is now happening. Followed by Artwork and layout.
VLTIMAS have been legends since the dawn of metal. Rune Eriksen took hold of axe-wielding duties for the second coming of Mayhem. Flo Mounier has been drumming for Cryptopsy since their earliest exhumations of the Canadian underground. And who could forget David Vincent, the larger-than-life vocalist for Morbid Angel.
Having already made history, some metalheads may have stroked their beard and wondered if there could possibly be any new realms for this band to conquer. After all, their debut was voted Album of the Year by Zero Tolerance Magazine and BangerTV. But on their new album, VLTIMAS ascend to truly epic heights.
Tracklist 1. Volens Discordant (1:02) 2. EPIC (4:35) 3. Miserere (3:51) [WATCH] 4. Exercitus Irae (4:01) 5. Mephisto Manifesto (05:05) 6. Scorcher (03:21) 7. Invictus (5:30) 8. Nature’s Fangs (3:52) 9. Spoils of War (5:54) Total runtime: 37:16
Watch the video for lead single “Miserere”:
VLTIMAS have been making grand declarations of war for more than 30 years, but “Miserere” isn’t just another offering at the altar of madness. “I spread my misery, biblically evolved”, Vincent sings in a baritone that’s so monstrous it could summon an army of the dead. The drums speed ahead mercilessly, mowing down all onlookers under a barrage of surgical blast beats, as riffs hail from all directions with enough firepower to shatter bulletproof glass.
“The world throws us all trials and tribulations constantly,” says VLTIMAS. “We use this angst as a weapon in our art to score the apocalypse“.
Extreme metal powerhouse VLTIMAS (pronounced ‘uhl-tuh-mas’) assault metaldom once more with their highly-anticipated sophomore album, EPIC, through Season of Mist. Featuring Norwegian guitarist Rune “Blasphemer” Eriksen (ex-Mayhem, Aura Noir), American vocalist David Vincent (ex-Morbid Angel), and Canadian drummer Flo Mounier (Cryptopsy), the multinational quintet, rounded out by Dutch bassist Ype TVS (ex-Dodecahedron) and Portuguese guitarist João Duarte (Corpus Christii), continue to venture down their path. Moored by strength and integrity, VLTIMAS fortified their signature with wicked invention, as applauded by Decibel Magazine, BangerTV, Louder, and many others, on their debut, Something Wicked Marches In (2019). Singles “Miserere,” “Scorcher,” and “Invictus” showcase a band of musicians at the top of their game, united in their pursuit of oneness.
“We wrote every bit of EPIC together at my ranch in Dime Box, Texas,” offers Vincent. “The writing sessions were as organic as they could be. There were times when, at the end of the night, Rune would take his guitar and play something ridiculous. Flo would play something even more ridiculous on top of it. I’d say to the guys, ‘I need to capture this.’ So, the magic [of VLTIMAS] is being in the same room together, discussing, playing, and recording music and everything else we’re doing together. We have unbelievable camaraderie.”
While the members of VLTIMAS are not atavists, their preferred creative methods are time-tested and battle-hardened. Technology has its place, but the group thrive when they’re together, not separated by the world. Eriksen, renowned as a riff innovator, is more effective when he’s got a highly capable sideman like Vincent or Mounier, whose drumming in Cryptopsy and his celebrated instructional Extreme Metal Drumming 101 DVD has proven to be a no-limits player, by his side. Whether it’s the moody, angular attack of “Miserere,” the wicked groove of “Mephisto Manifesto,” or the dark fury of “Nature’s Fangs,” the chemistry and enterprise of VLTIMAS is undeniable.
“The main goal [of VLTIMAS] is to be real,” Eriksen reveals. “To channel the very moment, to let true inspiration out. I don’t believe I ever set myself a goal on what an album should or needs to sound like before I or we write it because that means I have to compromise during the process. For EPIC, we focused on more direct songs, trimming the fat, as opposed to Something Wicked Marches In, which had a progressive and ‘playful’ flair.”
VLTIMAS was a profane concept—a constellation of riffs against a modest frame—when formed by Eriksen in 2015. After departing Mayhem in 2008 and putting his gothic doom outfit Ava Inferi to rest in 2013, the Norwegian’s fingers still itched with infernal fury. VLTIMAS was his vent, and when Mounier and Vincent joined, he finally had the cadre of professionals to make it a reality. Together, they devised complementary schemes and themes rooted in rightness. In a world gone mad, VLTIMAS had a vision. On Something Wicked Marches In, they commanded attention with metaphors about the apocalypse, the ancient goddess Lilith, and truth. Lyrically, EPIC spears into the very nucleus of strength through Vincent’s brio of double entendre and clever wordsmithing. The songs are designed to be heard, read, and interpreted—there are no shortcuts.
“Everything we’re doing and messaging is about strength and honor,” says Vincent. “These are the fundamentals that I incorporate into my life, which I believe in. I want to share with others, hoping they’ll incorporate strength and honor into their lives. I wouldn’t say I like spelling lyrics out. I use a lot of double meanings on purpose because I want to inspire the listener to think. I’m not a short attention span guy, and I don’t appreciate it. EPIC is holistic and meant to be experienced that way.”
EPIC was recorded by producer Jaime Gomez Arellano (Paradise Lost, Grave Miasma) with engineer Jonathan Mazzeo (First Fragment, Sickening) at Arda Recorders in Porto, Portugal. VLTIMAS tracked the album throughout May 2023. Arellano also handled the mix and master. Like everything the band does, the main goal was to be honest. The maxim of no sample replacement or re-amping—EPIC was captured on outboard gear—was adhered to and enjoyed by the team. The result is a sonic expression that sounds like nothing else. From the crushing title track to the epic musicality of closer “Spoils of War,” EPIC is an absolute beast.
“Stress, long walks, too much alcohol, yet very focused once in the recording mode,” Eriksen says of the sessions. “We booked a month, but somehow, that flew by instantly. We worked up until the very end. I even added a few solos at my local Soundscape Studio in Almada, Portugal. Art unfolds, and once you think you are done, there’s always another idea popping up.”
VLTIMAS brought Italian artist Daniele Valeriani (Mayhem, Unanimated) to visualize EPIC. The aesthetic, as illuminated by music and message, was iconic boldness. The three-eagle head crest with three different crowns, accompanied by transfigured symbols of the Passion and the “impossible triangle,” projects effortlessly. In EPIC, the group will dominate. There’s no escape from “Miserere,” “Mephisto Manifesto,” “Scorcher,” and “Invictus.” Together, they thrust, by resolve and inventiveness, VLTIMAS into the uppermost echelons of extreme metal.
“[EPIC is] old meets contemporary, a symbiosis of all the great things we love about extreme metal,” offers Eriksen. “All combined into one album.”
“I want to be as emotional and honest [with VLTIMAS],” Vincent adds. “I want to tell stories; I want to have the themes that appeal to me; I want to have some messaging that someone can take away, in this case, strength. EPIC is strength.”
Lineup David Vincent – Vocals Rune Blasphemer Eriksen – Guitars Flo Mounier – Drums Ype TVS – Bass João Duarte – Guitars
Recording studio – ARDA Recorders Producer – Jamie Gomez Arellano Sound engineer – Jonathan Mazzeo Mixing and mastering engineer – Jaime Gomez Arellano Mixing and mastering studio – Arda Recorders, Orgone Studio
Cover art – Daniele Valeriani Additional artwork and layout – Adrien Bousson Biography – Chris Dick
January 12, 2024 will see iconic heavy metal trio THE RODS release its forthcoming studio offering, entitled “Rattle The Cage”! The album will be coming out as CD Digipak, Ltd. Vinyl LP and Digital formats via Massacre Records , the pre-sale is available at: https://therods.bfan.link/rattlethecage
Following previously-released, first songs such as “Shockwave” and the thunderous album title track, today, THE RODS are premiering a music video for their new single “Play It Loud”! Guitarist and singer David “Rock” Feinstein reveals:“This is a song from my catalog. For all the years that I have performed, playing loud was always there. Of course growing up with the likes of Jimi Hendrix, Led Zeppelin, The Who, and all the bands of that era, they were all loud. Rock ‘n’ Roll is supposed to be loud. If I had a dollar for every time I was told to “turn down”, I would be a multi millionaire, ha! The lyrics tell it all. It’s just something you do that makes you feel good. I guess that’s what it’s all about.”
THE RODS are a storied heavy metal band that rocked their way through the ‘80s with a powerful, raw energy that had fans and critics alike calling them “The American Motörhead”. Once the go-to opening act for some of the biggest metal bands in the world, THE RODS toured throughout the ‘80s with the likes of Judas Priest, Ozzy Osbourne, and Iron Maiden, among others. Along with contemporaries like Anvil and Raven, THE RODS are an integral part of what is commonly recognized today as Heavy Metal’s “golden age,” and emerged during the New Wave of British Heavy Metal.
Heavy, dark, deep, insightful, and maybe even a bit more inciteful than ever before:Their upcoming album, “Rattle The Cage”, is THE RODS at their incendiary best! Lyrically, they’ve taken a cue from David “Rock” Feinstein’s cousin, Ronnie James Dio, providing the listener with a similar sense of hope and resiliency in the face of an ever-changing world. Musically, the band is tighter than ever! Founding members David “Rock” Feinstein and Carl Canedy are joined by new bassist Freddy Villano (Quiet Riot, Widowmaker), and the results are simply sublime: The songs are rhythmically tighter, yet more musically unbound, the grooves heavier, and the melodies more dynamic.
Mixed and mastered by Chris Collier, “Rattle The Cage” benefits from his masterful, modern touch, with the kind of sound that will simultaneously appeal to core fans as well as new generations of listeners! THE RODS epitomize the term power-trio, and the word “power” has never been more evident in their music than it is now. 2024 will mark THE RODS’ 45th anniversary, in support, they will be playing many special dates and performances to commemorate 45 years together. With such an impressive history firmly notched in their collective belt, THE RODS are still firing on all cylinders, and as eager as ever to crank it up, louder than loud!
“Rattle The Cage” track listing:
Now And Forever
Wolves At The Door
Cry Out Loud
Rattle The Cage
Can’t Slow Down
Metal Highways
Hell Or High Water
Play It Loud
Shockwave
Hearts Of Steel
THE RODS Live: 06.03.2024 AU Hindmarsh (Adelaide) – The Gov * 07.03.2024 AU Brisbane – The Zoo, Brisbane * 08.03.2024 AU Sydney – Manning Bar * 09.03.2024 AU Melbourne – Northcote Theatre * *Metal Forces w/ Ross The Boss, Anvil & Butterfly
THE RODS are: David “Rock” Feinstein – Vocals, Guitars Freddy Villano – Bass Carl Canedy – Drums
Profanatica have spit on all things holy since the early ’90s, back when they were playing the backroom of Chinese restaurants alongside Gorophobia, Immolation and Incantation.
This year, drummer Paul Ledney and his band of heretics releasedtheir sixth full-length offering of American black metal. “I think this might actually be death metal the way it was originally intended,” wrote Black Metal Terror about Crux Simplex. “Satantic/blasphemous to the core”.
It’s true; not even a good tongue-lashing from a lascivious priest could silence these devils. Today, Profanatica are ringing in the new year by announcing a US tour. Joining this vile procession are fellow disciples of the black cloth Nun Slaughter and Tombs.
There’s plenty more hate in store for 2024. Profanatica are joining their labelmates Necrofier to pound the masses at Milwaukee MetalFest on Friday, May 17.
February 13 – Providence, RI @ Alchemy February 14 – Bensalem, PA @ Broken Goblet February 15 – Baltimore, MD @ Metro Gallery February 16 – Chesapeake, VA @ Riff House February 18 – Piedmont, SC @ Tribbles February 21 – Pompano Beach, FL @ Pipers Club February 22 – Cape Coral, FL @ Nice Guy s February 23 – Stuart, FL @ East Ocean Pub February 24 – Atlanta, GA @ Drunken Unicorn February 25 – Louisville, KY @ Portal February 26 – Detroit, MI @ Sanctuary February 27 – Pittsburgh, PA @ Preserving Underground February 28 – Ottawa, ON @ Brass Monkey February 29 – Quebec City, QC @ L’Anti March 1 – Montreal, QC @ Piranha Bar March 2 – Boston, MA @ Sonia March 3 – Brooklyn, NY @ Market Hotel
‘Crux Simplex’ is vile even by Profanatica’s lofty standards. The album takes things another step too far by mocking Jesus on the day of his crucifixion (talk about kicking someone when they’re down).
Each song bastardizes a different station of the cross. “Take Up the Cross” ushers in a fresh plague of stain and sacrilege with Ledney’s rotten death growl, while “The First Fall” gives our precious lord and savior a beating with cymbals that clank like rusty chains. By the time “The First Fall” comes around, you can practically hear those blackened chainsaw guitars ripping the king of kings limb from limb.
This summer, Profanatica celebrated the coming of ‘Crux Simplex’ with their first-ever full-length tour of the U.S. Watch HERE their hateful headlining set at Indianapolis’ Heavy Hell IV Festival.
Tracklist: 01. Condemned to Unholy Death (4:38) 02. Take Up the Cross (3:01) [LISTEN] 03. The First Fall (3:24) [LISTEN] 04. Meeting of a Whore (3:02) 05. Compelled by Romans (4:47) 06. Wipe the Fucking Face of Jesus (2:20) 07. The Second Fall (2:40) 08. Cunts of Jerusalem (3:35) 09. The Third Fall (4:18) [LISTEN] 10. Division of Robes (6:51)
Emerging from the depths of the abyss in early 2022, GRAVENOIRE is a formidable alliance of seasoned musicians: Maximilien Brigliadori (BÂ’A, Diablation, former Hyrgal), Emmanuel Zuccaro (BÂ’A, Verfallen, former Hyrgal), Vicomte Vampyr Arkames (Diablation, former Seth/Ad-Inferna), and RMS Hreidmarr (Glaciation, BÂ’A, former Anorexia Nervosa/The CNK).
Driven by an unwavering vision, Gravenoire seeks to reconnect with the raw and unrelenting spirit of ’90s Black Metal. Their inaugural EP, Devant la porte des étoiles, is a demonstration of this commitment, recorded live with no tracking, no triggers, no click track, no artifice. The result is an uncompromising project, a portal to otherworldly dimensions forged through the crucible of reality itself.
Hear below a snippet of the French band’s primordial-yet-cosmic black metal.
Gravenoire is not a mere nostalgic echo; it is a project deeply rooted in the ancestral soils, embracing the traditions of their native lands. Their essence is drawn from the sacred, the cosmic, and the primordial, and summons whispers of ancient forces. As they proclaim, “The cosmos is revolving”.
Stay tuned for more revelations from the cosmic realms as Gravenoire prepare for their next journey in 2024.
GRAVENOIRE was formed in early 2022 by Maximilien Brigliadori (BÂ’A, Diablation, former Hyrgal), Emmanuel Zuccaro (BÂ’A, Verfallen, former Hyrgal), Vicomte Vampyr Arkames (Diablation (former Seth / Ad-Inferna) and RMS Hreidmarr(Glaciation, BÂ’A, former Anorexia Nervosa / The CNK), with the clear intention of reconnecting with their past and a somewhat uncompromising vision of ’90s Black Metal.
The band’s first EP, Devant la porte des étoiles, was recorded live on rehearsal, with no tracking, no triggers, no click track, no artifice. No compromise with reality, for it is through it and by it that we foresee other dimensions.
Gravenoire is not, however, merely nostalgic or backward-looking; it’s a project deeply rooted in its native lands, in their popular as well as spiritual and mystical traditions, drawing its essence from sacred places, cosmic architecture and primordial telluric forces.
British blues-rock sensation Joanne Shaw Taylor continues to captivate her audience with the release of her soul-stirring version of Joan Armatrading’s “All The Way From America,” a masterful interpretation of deep emotional connection and enduring hope. The song, chosen and produced by the acclaimed Kevin Shirley, is an exquisite blend of poignant lyrics and Taylor’s emotive guitar playing, creating a soundscape that resonates with listeners’ deepest sentiments.
“You called all the way from America, but my heart couldn’t stand the pain of that promised love,” sings Taylor, her voice weaving a tale of distant love and the strength found in solitude. “This song is a journey of heartache and resilience. It’s about the pain of waiting for a love that’s always out of reach, and the power in finally letting go,” reflects Joanne.
The single, released today via Joe Bonamassa’s Journeyman Records, is a compelling addition to Joanne’s diverse and celebrated discography. It follows the success of her previous releases, “Sweet ‘Lil Lies,” “Black Magic” and “Wild Love,” showcasing her ability to blend traditional blues with dynamic rhythms and soulful melodies. “All The Way From America” deepens this exploration, drawing listeners into a narrative of love and longing, enhanced by the richness of Taylor’s vocal and guitar prowess.
Joanne is also thrilled to announce that tickets to her Spring U.S. 2024 Tour are officially on-sale today. Hot on the heels of the release of her recent singles, Joanne will enchant audiences across the East Coast and Southeast, with the tour beginning on March 29 in Virginia Beach, VA and culminating in Skokie, IL on May 3. Promising a fusion of raw talent and ground-breaking blues-rock, the tour will feature Joanne’s latest hits and classic anthems, providing fans with a unique opportunity to experience her enduring artistry live. For more information and to purchase tickets, visit https://www.joanneshawtaylor.com/tour/
Discovered by Dave Stewart of the Eurythmics when she was a mere 16 years old and subsequently invited to tour the world, Joanne’s rise to stardom, propelled by endorsements from music giants like Stevie Wonder and Annie Lennox, remains unmatched. With a discography boasting chart-toppers like Reckless Heart, The Blues Album, and most recently Nobody’s Fool, Joanne is unstoppable. As she readies her next studio album, fans can expect a cocktail of her signature guitar riffs, emotive vocals, and inspired songwriting.
Journeyman’s revolutionary approach to the music industry continues to disrupt the norm. Spearheaded by Joe Bonamassa and manager Roy Weisman, the label champions live artists and offers them a platform unlike any other. With their vast experience and industry intelligence, Journeyman is a beacon for emerging artists, providing them with unparalleled support and guidance.
JOANNE SHAW TAYLOR – 2024 EUROPEAN AND UK TOUR DATES Wednesday, February 14 – Paradiso – Amsterdam, NL Saturday, February 17 – Royal Northern College of Music – Manchester, UK Sunday, February 18 – Queen Margaret Union – Glasgow, UK Monday, February 19 – City Varieties Music Hall – Leeds, UK Wednesday, February 21 – The Fire Station – Sunderland, UK Thursday, February 22 – Indigo at The O2 – London, UK Friday, February 23 – The Wulfrun – Wolverhampton, UK Sunday, February 25 – The Waterfront – Norwich, UK Monday, February 26 – De La Warr Pavilion – Bexhill, UK Wednesday, February 28 – The Apex – Bury St Edmunds, UK Thursday, February 29 – Palace Theatre – Southend, UK
JOANNE SHAW TAYLOR – 2024 US TOUR DATES Friday, March 29 – Virginia Beach, VA – The Sandler Center Saturday, March 30 – Greenville, SC – Peace Center Monday, April 1 – Franklin, TN – The Franklin Theatre Thursday, April 4 – Montgomery, AL – Montgomery Performing Arts Centre* Friday, April 5 – Macon, GA – Capitol Theatre Tuesday, April 9 – Fort Lauderdale, FL – The Parker Thursday, April 11 – Cornelius, NC – Cain Center for the Arts Friday, April 12 – Annapolis, MD – Rams Head On Stage Saturday, April 13 – Riverhead, NY – The Suffolk Monday, April 15 – Homer, NY – Center for the Arts of Homer Tuesday, April 16 – Old Saybrook, CT – The Kate Thursday, April 18 – Portsmouth, NH – Jimmy’s Jazz & Blues Club Friday, April 19 – Great Barrington, MA – Mahaiwe Performing Arts Center Saturday, April 20 – Sellersville, PA – Sellersville Theater Tuesday, April 23 – Red Bank, NJ – The Vogel Thursday, April 25 – State College, PA – The State Theatre Friday, April 26 – Hagerstown, MD – The Maryland Theatre Sunday, April 28 – Royal Oak, MI – Royal Oak Music Theatre Monday, April 29 – Kent, OH – The Kent Stage Wednesday, May 1 – Pittsburgh, PA – Byham Theater Thursday, May 2 – Frankfort, KY – The Grand Theatre Friday, May 3 – Skokie, IL – North Shore Center in Skokie
ABOUT JOANNE SHAW TAYLOR Joanne Shaw Taylor, discovered at 16 by Dave Stewart of the Eurythmics, quickly ascended as one of the world’s leading rock guitarists. Championed by legends like Stevie Wonder, Annie Lennox, and Joe Bonamassa, her powerful song writing and distinct vocals first captivated audiences with her 2009 debut, White Sugar. Over the years, Joanne has released numerous acclaimed albums, including the UK Top 20 hit Reckless Heart and the #1 Billboard Blues Chart toppers The Blues Album and Blues From The Heart Live. Her latest studio album, Nobody’s Fool, launched under Bonamassa’s Journeyman Records in 2022, showcases collaborations with industry icons and highlights her continually evolving artistry. Currently on tour, Joanne remains an influential force in blues-rock, eagerly anticipating her next album release.
THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
Metal Shock Finland (World Assault ) 