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WILDERNESSES Announce Debut Album “Growth” + Unveil New Single ‘Maintenance’

Posted by tarjavirmakari on January 15, 2026
Posted in: Int. News, News. Tagged: WILDERNESSES. Leave a comment
Photo Credit: Joey Atchison

London based alt-rock quartet Wildernesses have announced their debut album Growth, set for release on 27th March via Floodlit Recordings. Rooted in modern folk storytelling and shaped by lived experience, the band’s music inhabits the space between shoegaze glow, post-rock scale and intimate, emotionally led songwriting. Alongside the announcement, Wildernesses share new single ‘Maintenance’, a shimmering, quietly unsettling meditation on routine, survival and the strange, everyday rituals we adopt to keep ourselves upright in a fractured world.

Pre-order Growth here: https://www.floodlitrecordings.com/pages/growth-preorder

‘Maintenance’ arrives with a striking video shot by Joey Aitchison of JWA Creations at the Cooperage, Brick Lane, London. The concept celebrates freedom of expression, showing the band performing behind oversized, handmade collage masks of their own faces. Designed and constructed by vocalist Phillip Morris from blown-up photographs, cut, layered and reassembled into sculptural forms, the eyeless masks strip away the idea of identity and vanity in equal measure. 

Listen to ‘Maintenance’ here: https://lnk.to/deadlate

Vocalist Phillip Morris comments on the new single: “‘Maintenance’ lives in the small, repetitive habits of day-to-day life – the odd things you do to feel okay. Lyrically it’s tongue-in-cheek and self-aware and that unease bled into the artwork and video with these collage masks and ‘eyeless’ faces mirroring the song’s warped perspective.”

‘Maintenance’ is the third single to be taken from the band’s forthcoming debut album. Previous singles ‘Four Hour Drive‘ and ‘English Darkness‘, released in 2025, drew widespread critical acclaim for their cinematic scope and understated intensity, establishing Wildernesses’ defining balance of haze and melody. ‘Four Hour Drive’ offered a tender reflection on family, lineage and inherited memory, inspired by a 1957 photograph of Morris’s father and grandfather, while ‘English Darkness’ confronted mental health with brooding urgency, its stark visuals filmed on Hull’s Sunk Island flats under the direction of Stewart Baxter, know for his previous work with bands such as IDLES. Together, the singles positioned Wildernesses as a band unafraid to explore grief, resilience and human fragility with both restraint and scale.

Emerging as modern day narrators cloaked in atmospheric alt-rock, Wildernesses conjure emotive landscapes that feel at once expansive and deeply human. Their music occupies liminal territory, between memory and imagination, heaviness and tenderness, despair and quiet hope, offering cinematic soundscapes that linger long after the final notes fade.

Growth Tracklisting:

  1. Sleepless
  2. Happy Hollow
  3. [dread.]
  4. English Darkness
  5. Terrible Bloom
  6. Maintenance
  7. Cassino
  8. Four Hour Drive
  9. Summertime, 1917 

Formed almost by accident and featuring members of bands such as Late Night Fiction, Earth Moves and We Never Learned To Live, Wildernesses bring together Phillip Morris (vocals, guitar), Ryan Browne (drums), Mark Portnoi (bass) and Sam Howe (guitar), each carrying their own “wilderness” of lived experience, Hull and Humber riverside grit, East London streets, West Sussex roots, woven into a singular sonic and narrative tapestry. At the heart of the band, Morris’s lyrics act as modern folk tales, shaped by his work as a mental health professional, shaped by loss and survival and the understated strength found in ordinary lives.

With a sound that draws from the wide-eyed ambience of Explosions in the Sky, the fragile intensity of Bon Iver, the brooding restraint of The National, the dreamlike haze of Slowdive and the narrative urgency of La Dispute. Their name reflects the terrains they explore, interior wildernesses of memory, grief and reflection, wild, unkempt, sometimes bleak yet undeniably beautiful.

Growth spans nine tracks, seven lyrical, two instrumental, each a chapter in a story cycle that charts the human experience: insomnia, solitary escapism, forbidden desire, family heritage and hidden histories unearthed from the past. Recorded at No Studio in Manchester with producer Joe Clayton (Conjurer, Mastiff, Bossk), the album balances sweeping, cinematic textures with meticulously crafted, intimate detail. From shimmering post-rock crescendos to hushed, reflective passages, Growth captures the layered complexity and haunting nuance that defines Wildernesses’ sound.

Commenting on the album, Phillip adds: “Growth is the result of over two years of writing, refining and learning together as a band. The title reflects both life’s way of shaping us and our own journey as a group, with a playful nod to my obsession with houseplants, the cover photo of them in my bath tied the themes of growth, texture and everyday life together. We’d never met before this project and now we’re close friends, having navigated highs, lows and the intense process of making a record that truly captures what we intended. Recorded with Joe Clayton at NO Studio in Manchester, the sessions were incredible; his calm, thoughtful approach helped shape the album’s sound and feel. Thematically, Growth aims to be real and emotive, joyful and morose all at once. It’s a huge milestone for us, and we can’t wait for people to hear it, feel the vinyl in their hands and connect with the stories in the tracks.”

In a world that moves relentlessly forward, Wildernesses invite listeners to pause, breathe and step into the slow orbit of memory, into modern folk tales told through guitars, voices and textures that are at once personal and universal and where loss, tenderness, and quiet endurance coexist in equal measure.

To mark the release of Growth, Wildernesses will carry these songs from the studio into live rooms across the country, touring throughout March. Each performance offers a shared moment as the album’s quiet pull and gradual release are brought to life in real time. Live dates are listed below.

Catch Wildernesses live: 
Jan 31 – London @ Folklore (supporting World Coda)
Feb 8 – London, Celestial Diadem Weekender @ 229
Mar 18 – Hull @ Divehu5
Mar 19 – Leeds @ Opporto
Mar 20 – Nottingham @ JT Soar
Mar 21 – Manchester @ Old Pint Pot
Mar 22 –  Birmingham @ Dead Wax
|Mar 24 – Bristol @ Exchange
Mar 25 – Cardiff @ Fuel
Mar 26 – Brighton @ Rossi
Mar 27 – London @ Folklore

WILDERNESSES are:

Phillip Morris – vocals, guitar
Sam Howe – guitar
Mark Portnoi – bass
Ryan Browne – drums

WILDERNESSES online: 
Facebook | Instagram | Spotify |  Linktree | Floodlit Recordings

William Duvall on BLACK SABBATH Final Show: “I don’t think there will be anything like that, certainly not in our lifetime”

Posted by tarjavirmakari on January 15, 2026
Posted in: Int. News, News. Tagged: The Metal Voice, William DuVall. Leave a comment

Canada’s The Metal Voice recently interviewed vocalist WILLIAM DUVALL of Alice in Chains.

In the chat DUVALL talks about his epxerience performing at the final BLACK SABBATH show, the new METAL ALLEGIANCE single BLACK HORIZON.

When asked about the new single Black Horizon

“They (Metal Allegiance) contacted me. I was surprised, pleasantly so. And I said send me what you have, they sent me music for what became the Black Horizon. And I set about writing the lyrics to it. There were a lot of mood changes throughout that music. So this (song) had a sort of cinematic quality to it and I can probably come up with a narrative for this. And that is what I did. I kind of imagined what the experience might be like for human beings to colonize mars. Hurtling through space,. What might it be the experience of the people making the first journey and what if something goes wrong. So that was the seed for the whole story.”

When asked about his experience at the Black Sabbath final show ‘Back to the Beginning’

“We all grew up on Black Sabbath to be part of that show in July (2025) was just unbelievable. I think everybody who was a part of that show, no matter who you are, the one take away since that gig has been the amazement everyone felt when we were on site. You had all of these bands and so many of us are used to having our way with this and that, backstage. Carving our territory, controlling our environment. There was not one sliver of those kinds of shenanigans backstage or that kind of ego, flexing kind of thing. Everyone was so happy to be there. We knew it was special at the time but of course no one knew how short of time Ozzy had left on the planet. But we all knew this was going to be a unique thing. I don’t think there will be anything like that again certainly not in our lifetime.”

Asked how his connection to the Osbournes and asked to perform at Black Sabbath final show

“Going back 25 years when I first moved to LA I would see Sharon (Osbourne). And this was long before I was in Alice (Alice in Chains). I would see Sharon (Osbourne) out and about and she was always really really nice. I don’t know how she knew who I was but she learned my name and every time I would see her she was super sweet. Sharon always took note of whatever fragrance I was wearing, she loved it. That was just a little thing and every time I bump into her that would be our thing. We (Alice in Chains) were really honoured to get the call, we were one of the first calls. And we were just super happy to do it. The Osbournes always great “

THE DEVILS Announce European Tour 2026

Posted by tarjavirmakari on January 15, 2026
Posted in: Int. News, News. Tagged: THE DEVILS. Leave a comment

Having carved out a reputation for explosive shows and a ferocious rock sound, THE DEVILS have announced their European Tour 2026. The Italian rock duo will kick off the tour on January 28 in Montecarotto, Italy, before taking their primal, high-energy live performances across Germany, Austria, the Netherlands, Belgium, Switzerland, and Italy. Tickets are on sale now.

THE DEVILS – TOUR 2026
28.01  IT  Montecarotto (AN), Off 61  
29.01  IT  Como, Joshua Blues Club
30.01  GER  Isny, Juze
31.01  GER  Karlsruhe, Alte Hackerei
01.02  AU  Andelsbuch, Jöslar
02.02  GER  München, Unter Deck  
03.02  GER  Ulm, Kradhalle
04.02  GER  Aachen, Musikbunker  
05.02  GER  Oberhausen, Druckluft
06.02  GER  Köln, EDP
07.02  GER  Erfurt, Frau Korte
08.02  GER  Bremen, Eisen
09.02  GER  Hamburg, Hafenklang
10.02  GER  Hannover, Cafe Glocksee
11.02  GER  Münster, Heile Welt
12.02  GER  Rostock, Dieter (M.A.U. Club)
13.02  GER  Wilhelmshaven, Kling Klang
14.02  NL  Coevorden, MFC
15.02  NL  Utrecht, dBs  
16.02  BEL  Westerlo, Jake’s Place
17.02  BEL  Antwerpen, Djingel Djangel
18.02  GER  Mannheim, 7er Club
19.02  CH  Basel, Quarterdeck
20.02  AU  Feldkirch, Rauch Club
21.02  CH  Kreuzlingen, Horst Klub
22.02  IT  Milano, Barrio’s Live
23.02  IT  Mercato Saraceno (FC), Mulinarte
25.02  IT  Torino, Blah Blah w/The Fuzztones
26.02  IT  Bologna, Freak Out
27.02  IT  Ossi (SS), Alex Bar
28.02  IT  Cagliari, Cueva Rock

Formed in Naples in 2015, THE DEVILS quickly became one of Italy’s most ferocious rock acts. Guitarist Gianni Blacula and drummer Erika Switchblade deliver a raw, primal sound that fuses sex, sin, and Rock ’n’ Roll. Over the past decade, the duo has performed over 600 shows across Europe, the UK, and Canada, sharing stages with legends like The Sonics, Jon Spencer & The Hitmakers, Boss Hog, Mudhoney, and GBH, and appearing at major festivals including Azkena Rock Festival and Helldorado.

Their discography includes ‘Sin, You Sinners!’ (2016) and ‘Iron Butt’ (2017), both produced by Jim Diamond (The White Stripes, The Sonics) under Voodoo Rhythm Records. The band’s third album, ‘Beast Must Regret Nothing’ (2021), featured production by Alain Johannes (QOTSA, Them Crooked Vultures, PJ Harvey) and a guest appearance by Mark Lanegan on the track “Devil Whistle Don’t Sing.” Their 2024 release, ‘Let The World Burn Down’, again highlighted Johannes’ contributions, including mixing, mastering, and guitar solos. In 2023, THE DEVILS released their first live album via Go Down Records, further cementing their reputation as a high-energy live act.

In 2025, the band celebrated their 10th anniversary with the release of their highly anticipated sixth album, ‘Devil’s Got It’. The record, featuring a mix of blues and soul covers, was once again mixed and mastered by Alain Johannes.

THE DEVILS are:
Erika Switchblade | vocals, drums
Gianni Blacula | vocals, guitars

For more info visit:
https://www.facebook.com/thedevilsduo/
https://www.instagram.com/thedevils_insta/
https://thedevilsduo.bandcamp.com
SPOTIFY
https://www.godownrecords.com
https://www.facebook.com/GoDownRecords/
https://www.instagram.com/godownrecords/

KALANDRA Release Video And Single of ‘Segla (Live in London)’

Posted by tarjavirmakari on January 15, 2026
Posted in: Int. News, News. Tagged: KALANDRA. Leave a comment

Kalandra unveil the single Segla, accompanied by the live performance video. In this new setting, the song takes on an different character — its intimate, reflective core expanding into something more powerful and immersive on stage. Segla gains new weight in the live version, captured live at the Lafayette in London in the fall of 2024. 

For many listeners, the Norwegian group Kalandra came to prominence for their captivating Nordic soundscapes in 2020 with the release of their debut The Line. From major festival appearances and extensive touring across Australia and Europe, the band has steadily built an incredible international reputation. Now, in 2026, the band reaches a milestone: 15 years of music, growth and creative evolution. The anniversary will be marked with the release of their first live album Live in London and their biggest Norwegian headline show to date at Rockefeller in Oslo the 18th of February.

The single Segla (Live) is out digitally via By Norse Music – Listen HERE
Live video HERE from their concert in Lafayette, London.

Kalandra comments: 
“We are excited to share a sneak peek from the performance with the release of a single track and video, “Segla”, a song that takes on a very different character live compared to the studio version. It was a special night for us: a sold-out show in London in the middle of a long European tour, with an amazing audience. We’re grateful that the moment was captured, and we feel the release reflects some of the energy we shared that night.

A limited number of physical vinyl copies of “Live in London” will be available exclusively for purchase at our concert at Rockefeller in Oslo on the 18th of February.”
Get your tickets HERE.

Tracklist for Live In London
01. Intro
02. I Am
03. The Waiting Game
04. The State of the World
05. Slow Motion
06. Naive
07. Borders
08. Segla WATCH HERE 
09. Virkelighetens Etterklang
10. Ram
11. Ensom
12. Are You Ready
13. It Gets Easier
14. Helvegen
15. Brave New World
16. Bardaginn

Time has a quiet way of moving – celebrating 15 years of Kalandra 

For many listeners, the Norwegian/Swedish group Kalandra came to prominence for their atmospheric and captivating Nordic soundscapes in 2020 with the release of their debut album The Line. Yet long before that breakthrough, the story was already taking shape — in rehearsal rooms, on intimate stages, and in songs that were written, rewritten, and sometimes left behind. From major festival appearances such as Hellfest to touring across Australia and Europe, and supporting artists including Heilung, Wardruna and Leprous, Kalandra have steadily built an international reputation. Now, in 2026, the band reaches a milestone: 15 years of music, growth and creative evolution. 

The anniversary concert the 18th of February will feature special guests and guest musicians, as well as performances with both new material and fan favourites from across their 15-year career. On this special occation, a limited-edition vinyl of Live in London will be available exclusively on the night of the show, alongside new merchandise. 

Kalandra began in 2011, when Katrine started the band while studying in Liverpool. The lineup shifted in the early days, but Jogeir joined later that same year, followed by Florian the year after. In those early Liverpool years, they played live almost every other week at open mics, band nights, and small venues, learning through repetition and persistence.

A turning point came with the EP Beneath the Breaking Waves, recorded at Parr Street Studios in Liverpool. It marked a shift in intention — choosing to write music that spoke honestly to themselves rather than following any given path. Believing that honesty in creation might allow the music to find its own way forward. Not long after, the band returned to Norway, where Oskar Rydh joined and the lineup was completed — and has remained unchanged since. 

Following the success of their debut album The Line and their atmospheric soundtrack for the video game Kingdom Two Crowns: Norse Lands, Kalandra returned in 2024 with their second album A Frame of Mind. Drawing on years of collaboration and creative confidence, the record stands as their most expansive work to date — showcasing versatility and new dimensions of their sound while staying true to the immersive atmosphere that defines them. 

Over time, the circle has widened. Through their acclaimed cover of Helvegen, two studio albums, collaborations with ByNorse and AISA, and with their extensive touring abroad: Kalandra’s music has travelled far beyond its Nordic roots and continues to expand their audience across the world. The band looks back on their 15 years with gratitude and reflects:

“What we built didn’t happen overnight, but step by step — shaped by trust, patience and a shared purpose. Over time, the music has found its way to more listeners, resonating in ways we could never have predicted. Thank you for listening, for staying, and for walking this path with us. We are ready for the next 15!”

AEON GODS Release New Video ‘Soldiers Of Re’ from Upcoming Album

Posted by tarjavirmakari on January 15, 2026
Posted in: Int. News, News. Tagged: AEON GODS. Leave a comment
photo by Aeon Gods

Aeon Gods has released a video for “Soldiers Of Re”, second single taken from the new album “Reborn To Light” to be released on February 20 by Scarlet Records.

With “Soldiers of Re” Aeon Gods unleash one of the most dramatic moments in the sun-god’s nightly descent: the furious battle against Apophis, the cosmic serpent of chaos. When Re’s barque enters the deepest shadows of the underworld, all creation trembles – for if Apophis prevails, the sun will never rise again. A centerpiece of the album’s mythic journey, “Soldiers Of Re” delivers pure battle-anthem power – a hymn of resistance, loyalty, and the eternal victory of light.

video by Aeon Gods

With “Reborn To Light” Aeon Gods open a new chapter in their myth-driven metal universe, entering the radiant and shadowed realm of ancient Egypt.

The new songs blend power metal might with orchestral texture to create an immersive mythic experience, and the German band delivers a truly cinematic and dynamic work: fast and powerful anthems, dramatic battle hymns, dark atmospheric passages, symphonic grandeur, and a moment of calm emotional depth reminiscent of a ballad.

The concept follows the dramatic nightly descent of the sun-god Re into the underworld – alongside this central solar cycle, “Reborn To Light” incorporates other foundational Egyptian myths; these stories expand the album’s mythological scope and deepen its conceptual arc.

A cinematic journey of darkness, rebirth, and divine triumph elevating Aeon Gods’ signature blend of heavy riffs, grand choirs, and atmospheric depth!

artwork by Peter Sallai

“Reborn To Light”:

  • second album for the German epic power metal sensation with a unique myth-driven identity, powerful storytelling and striking visual personas;
  • mixed and mastered by Simone Mularoni at Domination Studio (Wind Rose, Vision Divine, Twilight Force);
  • cover artwork by Peter Sallai (Sabaton, Feuerschwanz, Hammer King, Fellowship);
  • Aeon Gods will support Victorius on their April/May 2026 “Tour Of The Strong” (Germany, Austria, Switzerland);
  • FFO: Manowar, Sabaton, Gloryhammer, Wind Rose, Brothers Of Metal;

“Reborn To Light” tracklist:
1 Birth Of Light
2 Flames Of Ember Dawn
3 Barque Of Millions (Amduat pt. I)
4 The Sacred Union (Amduat pt. II)
5 Soldiers Of Re (Amduat pt. III)
6 Reborn To Light (Amduat pt. IV)
7 Feather Or Heart
8 Rebellion (Re’s Dying Reign pt. I)
9 Blood And Sand (Re’s Dying Reign pt. II)
10 Farewell (Re’s Dying Reign pt. III)

Total running time: 43:04

Aeon Gods live supporting Victorius on the April/May 2026 “Tour Of The Strong”:

16.04. CH | MÜNCHENSTEIN – Rockfact
17.04. DE | FRANKFURT / MAIN – Nachtleben
18.04. DE | MÜNCHEN – Backstage Club
19.04. AT | WIEN – Viper Room
24.04. DE | BOCHUM – Rockpalast
25.04. DE | HAMBURG – Logo
30.04. DE | BERLIN – Badehaus
01.05. DE | DRESDEN – Pushkin
02.05. DE | LEIPZIG – Hellraiser
08.05. DE | KÖLN – Helios
15.05. DE | NÜRNBERG – Cult
16.05. DE | ANNABERG-BUCHHOLZ – Alte Brauerei

Aeon Gods are:
Alex ʹSol’Ra-tuʹ Hunzinger – voice of the Gods (vocals)
Anja ʹSu’en -Chelʹ Hunzinger – harmony of the Gods (keyboards)
Robert ʹAbzu’Keanʹ Altenbach – power of the Gods (guitar)
Pat ʹUr’Athtarʹ Hesse – steel of the Gods (guitar)
Elias ʹIš’Taruʹ Knorr – thunder of the Gods (drums)

Belgian PREDATORY VOID Stream New Single ‘New Moon’

Posted by tarjavirmakari on January 15, 2026
Posted in: Int. News, News. Tagged: PREDATORY VOID. Leave a comment
Photo Credit: Tetiana Malezhyk

Belgian sludge/doom collective Predatory Void, featuring members of Amenra, Oathbreaker and Cobra The Impaler, release new single ‘New Moon’. This is the second single taken from new EP Atoned in Metamorphosis, set for release on 6th February 2026 via Pelagic Records.

Stream here: https://orcd.co/predatoryvoid

Predatory Void guitarist Lennart Bossu commented: “‘New Moon’ was the first song we wrote for the EP and set the tone for what followed. It reflects a relentless chase for wholeness that always ends in emptiness, mirroring the moon’s endless cycle.”

The new four-track EP distils the band’s volatile creative energy into a tightly honed expression of intensity, restraint and emotional upheaval. Across Atoned in Metamorphosis, Predatory Void navigate extremes with precision and purpose. Reverb-drenched, lingering passages rupture into searing metallic surges; subterranean basslines underpin shifting guitar architectures; vocals move between condemnation, lament and raw catharsis; percussion oscillates from deliberate, architectural patience to explosive release. The result is an austere yet immersive sonic landscape, incandescent, razor edged and unflinchingly direct.

Conceptually, the EP confronts the darker terrain of the human psyche. Calling on sludge, doom, black metal and the unrelenting urgency of hardcore, the band channel these influences into concise, tightly constructed compositions that balance melody with abrasion.

The band comments, “Atoned in Metamorphosis represents the process of confronting the uncomfortable truths within ourselves, the obsessions, the grievances, the shadow sides so many hide or ignore. As we evolve and change in life, we’re inevitably faced with these darker, sometimes evil and obsessive parts, both in ourselves and in others. In recognising our flaws, we begin to find strength, not in perfection, but in self-awareness. For some, this can feel like a spiritual or emotional cleansing, a kind of healing that comes from seeing ourselves fully, and embracing what we once tried to deny.” 

Working with producer and recording engineer Gilles Demolder (Wiegedood, Oathbreaker), the band pursued a raw, performance centric aesthetic,  preserving immediacy while amplifying contrast. Atoned in Metamorphosis stands as a vital evolution for Predatory Void, a work defined by architectural heft, emotional honesty and a deep commitment to tension as both a creative force and a narrative engine.

Atoned in Metamorphosis tracklist:

1. Make Me Whole
2. New Moon
3. Peeling Cycle 
4. Contemplation In Time

Predatory Void emerged from the collision of sharply contrasting musical backgrounds. Guitarist Lennart Bossu (Amenra, Oathbreaker, Living Gate), long associated with atmospheric and introspective soundscapes, began writing harsher, more immediate material during the pandemic. To bring this vision to life, he assembled drummer Vincent Verstrepen (Carnation) and guitarist Thijs De Cloedt (Cobra The Impaler, ex-Aborted), both steeped in more direct and aggressive strains of metal, alongside vocalist Lina R (Cross Bringer) and, more recently, bassist/vocalist Kris Auman (ENDLINGR).

The result is a volatile and cohesive fusion of styles, shoegaze, doom, hardcore, black metal and death metal, anchored by emotional weight and sheer sonic force. It’s a sound as haunting as it is punishing, resonating with fans drawn to the current vanguard of alternative metal, from Ragana and Agriculture to Thou.

Predatory Void are: 
Vocals – Lina R
Guitars – Lennart Bossu
Bass/vocals – Kris Auman
Guitars – Thijs Decloedt
Drums – Vincent Verstrepen

For more:
https://www.facebook.com/PredatoryVoid
https://www.instagram.com/predatoryvoid
https://linktr.ee/predatoryvoid
https://pelagic-records.com

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