Disfiguring the Goddess unveil their powerful new single ‘Kiss The Dice’, the third track to be released from the forthcoming album Bloom, due out 31st July via Seek & Strike. Written as the final piece of the album, the track brings together the many sonic threads that define Bloom, fusing gut-punching, pit-ready riffs with bouncy, hard-hitting rhythms, an infectious, expansive chorus and subtle dance-infused textures. Lyrically, ‘Kiss The Dice’ captures the intoxicating highs and quiet despair of an all-night gamble through Reno, Nevada, balancing swagger and self-assurance with an undercurrent of loss and longing. It’s a song where sin, chance and self-awareness collide, offering one of the album’s most dynamic and emotionally layered moments while remaining unmistakably Disfiguring the Goddess.
Pre-save Bloom here: https://orcd.co/dtgbloom
Commenting on the single, vocalist Argon states: “’Kiss the Dice’ was actually the last song I wrote for the album, and it became a way to pull together a lot of the different directions and influences that shaped this record. Lyrically, it is about an all-nighter in Reno, Nevada, with a bit of Lady Luck woven into it. On the surface, the song can feel confident and fun, but underneath that there is something sadder and more lost. It carries the feeling of knowing your truth while still being intoxicated by the sin-driven atmosphere of a city like Reno. Musically, it moves back and forth between gut-punching, pit-driven guitar sections and a simpler, more open chorus. The drums stay bouncy and punchy throughout, and there is a subtle dance-oriented thread running through the song until the very end, where some of the buried melodic emotion finally comes to life through the synth arrangements.”
Disfiguring the Goddess has never chased trends or waited for permission. For nearly two decades, Cameron Argon (aka Big Chocolate) has built the project entirely on his own terms, writing, producing, programming and shaping every aspect of its evolution. What began as an uncompromising creative outlet has grown into one of extreme music’s most distinctive independent success stories, cultivating a fiercely loyal global following through innovation, consistency and a refusal to conform.
Partnering with Seek & Strike doesn’t redefine Disfiguring the Goddess, it amplifies it. For the first time, the project has the infrastructure to match the scale of Argon‘s vision, extending its reach while preserving the complete creative freedom that has always defined it.
That philosophy is woven through every second of Bloom. The album captures years of artistic growth distilled into its most focused and fully realised form yet: crushingly heavy, emotionally expansive and fearless in its willingness to blur the boundaries between slam, deathcore, industrial textures and unexpected melody.
As Argon explains: “Bloom is an album about accumulation, cultivation, and execution. There are a lot of themes running through it, both personal and sonic, but when I step back and look at the bigger picture, it symbolizes nurturing the seed of DTG until it finally blossoms. It is the beginning of a new chapter and the closing of an old one.”
With Bloom, Disfiguring the Goddess isn’t reinventing itself, it is becoming exactly what it was always meant to be. Bigger in scope, sharper in execution and more uncompromising than ever, it marks the arrival of a project that has spent years evolving in the shadows and is now impossible to ignore.
Check out previous singles ‘Low Slam Low’ here and ‘AWOL’ here.
Track-list:
- Samba of the Faceless
- Echoes Fade, I Remain
- Deathcore Song
- AWOL
- Mask Off (feat J Figure)
- Sweet Dreams (feat Four Stroke Baron)
- Low Slam Low
- Goddess Box (feat Bodybox)
- Deep Sway
- Permission to be Claimed
- Kiss the Dice
- Black Widow Spider
- Dapper (feat Four Stroke Baron)
- Pleasure Island
- Old Man’s Bones
- Lose the Head
- Penance
