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ACCEPT’s Mark Tornillo: “Ex Bassist Peter Baltes is tough shoes to fill, but Martin Motnik has stepped up”

Posted by tarjavirmakari on March 26, 2024
Posted in: Int. News, News. Tagged: accept, mark tornillo, The Metal Voice. Leave a comment
[Photo Credit: Christoph Vohler]

The Metal Voice recently interviewed singer Mark Tornillo of Accept. Tornillo talked about the bands new album ‘Humanoid’ which will be released April 26, 2024 via Napalm Records.

When asked about writing the lyrics for Humanoid
“It’s a challenge to find things to write about. You try not to rehash the same thing over and over again but luckily we seem to come up with these topics.”

When asked about not having Gaby’s Hoffmann’s input in the lyrics anymore has given him more free reign
 “I’ve always enjoyed Gabby’s input, she’s a very smart woman and really well read. You should see her library. But I never have free reign because it always gets edited. Andy’s (Sneep) is gonna change things on me, Wolf’s gonna change things on me you know. I just like thinking to myself it’s never going to be free reign and it’s the same for them.  Nothing’s ever finished until it goes to press.”

When asked about the musical direction of the new album
 “It sounds like classic Accept classic. A little of both (Udo ara and Tornillo era). I don’t think the band has strayed that far from what it was in the 80s. You know different members obviously You put it on you and you know that’s Wolf Hoffmann there’s no there’s no doubt about it. It’s a classic metal album without trying to be too redundant and we try to make things interesting. If it ain’t broke  don’t fix it, just refresh it.”

When asked if having Udo releasing music and Accept releasing new music, does this competition make everyone’s albums better
“I suppose. I mean I really don’t think about that but you know you could look at it that way. I’m sure some people do. Some people say that about  KK’s Priest and Judas Priest. We just saw K.K. and Ripper on the Monsters of Rock Cruise and they were amazing. “

When asked if he misses former bassist Peter Baltes as songwriter in the band
“Of course.  Martin Motnik ( current bassist) has stepped up and become that guy right now. He brings in ideas and we bounce them off of him as much as each other. So it’s just tough shoes to fill, I know all about that. It’s tough shoes to fill but you know you gotta man up and do it.”

When asked about being sick while on tour in 2022 and having Jason MacMaster to replace him
 “I was more than sick for a few days. I had R.S.V. (Respiratory syncytial virus). F**-evil I’m telling you and I was singing through it. I had sang four shows already with it I mean we had been out on that run for a few weeks already. I got sick, I think in Colorado and I sang that show and then I sang like two more after that and I woke up on the bus in Toronto and I couldn’t breathe. Seriously I was literally laying in the bunk on the bus and I had to cough. I’m going, I don’t want to cough. But okay go ahead cough. I went to take a breath and nothing went in. I was like oh whoa whoa whoa  what the hell is that about?  I jumped up out of the bunk and I’m like calm down dude if you couldn’t breathe you would have died in your sleep. Oh yeah that makes sense, so just calm down and breathe through your nose. Okay that works. I went up to the front of the bus and they were all sitting in the lounge and said there’s no show tonight, it’s not gonna happen. I then went to the hotel and they got a doctor and he came in and he pumped me up full of  freaking cortisone and he pretty much said dude don’t (sing), you’re gonna kill yourself. Don’t do it, your vocal cords are like this big. That’s why you couldn’t breathe this morning. So I missed that show then there was a show in New Jersey two days later that they cancelled. And then Jason did the show in Pennsylvania and then there was two in New York and one in New Jersey with all the same promoter and the promoter got wind into what was going on and he calls the management and goes if Tornillo doesn’t show up to these shows I’m canceling them. I was home by then and my wife’s an emergency room nurse or she was at that point and we went down to her emergency room and they ran a full panel on me. They test me for covid and I had R.S.V. I don’t wish that on no one. I’ve had covid three times that was shit compared to this. This was nasty man and they were going to cancel the shows and I said well I can’t let that happen. So I got in the car and I drove to Upstate New York and Jason and I split the night. We did the same thing for the next three shows. There was one in New Jersey and then he (Jason) went back to Texas and I played  New York City show. I wouldn’t wish it on anybody bro and trying to sing with it is even worse. I mean because you know it’s not it’s not working so you try harder and you’re literally just beating yourself up.”

When talking about using backing tracks when singers are ill
“It’s not Fair. It’s not it’s not fair to the audience to be doing that (singers using backing tracks).”

Once again finalized by leading metal producer Andy Sneap (Judas Priest, Amon Amarth, Testament, Saxon, etc.) at his Backstage Recording Studios Ltd. in Derbyshire, UK, Humanoid is a towering musical achievement and another world class entry in the ACCEPT catalog, certain to rally fans from around the world. Humanoid will be available in various formats worldwide, some of them strictly limited.

Humanoid joins absolute genre classics like Balls To The Wall, certified Gold in USA and Canada, Metal Heart, and newer masterpieces like Blood of the Nations or the #1 album Blind Rage. Their albums regularly place in national Top 10 sales charts, with global sales in excess of 17 million to date.

SCAREFIELD Unveil Haunting New Music Video ‘Child of the Corn’ from Debut Album, Out Now

Posted by tarjavirmakari on March 26, 2024
Posted in: Int. News, News. Tagged: SCAREFIELD. Leave a comment

SCAREFIELD, the electrifying, horror-infused force in the world of thrash metal, SIMONE MANULI and MARKUS KRISTOFFERSSON, invites you to enter the scarefields with their debut album, A QUIET COUNTRY. This album, in vinyl, cd, and streaming formats, contains 11 songs of pure melodic, speedy, thrash madness that is sure to leave listeners awestruck. The dreaded fields await!

A QUIET COUNTRY brings to mind vast fields of corn, cabins in old forests and unlit dirt roads leading away from the light of civilization. We chose this title for its dual meaning. While it initially suggests calmness and tranquillity, it can hint at an underlying tension or mystery: beneath the peaceful exterior of a countryside setting, there could be hidden secrets or a darker side waiting to be revealed. This duality characterizes the music and the lyrics. It is like a collection of tales in a storybook where the apparent peace of the countryside masks something sinister beneath the surface, prompting exploration and uncovering mysteries within this ostensibly tranquil setting.

This, our debut album, is the result of a long process of hard work, and we are pleased to finally be able to share it with the world” – SCAREFIELD

Told through the energetic, heavy, and melodic songs throughout the album, A QUIET COUNTRY contains a wide variety of musical styles from thrash to speed/power metal. It will remind you of many metal bands: Blind Guardian, Metallica, Iron Maiden, Pantera.

Accompanying the album release is a story driven music video for the single “CHILD OF THE CORN,” a song full of rage and regret made to touch our deepest emotions. Here, the intimate character of the opening melody is suddenly broken by the fury of guitars and raging vocals that evoke the lacerating memories of a past that cannot be healed.

All songs are written and recorded by Manuli / Kristoffersson, produced and mixed by Simone Manuli and mastered by Ronnie Björnström.

“This our debut album is the result of a long process of hard work, and we are pleased to finally be able to share it with the world.”

ANCIENT EVIL is a song based on the works of H.P. Lovecraft adapted from the short story ‘The Call of Cthulhu’. The song functions simultaneously as an ode to the works by the late father of cosmic horror as well as an expression of the love we share for classic horror that permeates our music.

DEAD CENTER is heavy and trashy, simply massive. The topic explored in the song is one of ambiguity, the feeling of standing on a thin line between two choices that can never be made and the chaos within that manifests as a result. What at an outside glance may appear as madness may in fact just be an attempt at release from the mundane and perpetuality of the everyday.

ALTAR OF FEAR is a melodic song inspired by a real-life event in childhood. One summer during St Lawrence night we went to watch the shooting stars when we happened upon an abandoned house in the open countryside. Within this house we saw a group of cultists worshipping the Devil. At the time we were so afraid, we didn’t speak of it in a month after! The sentences in the chorus are borrowed from John Carpenter’s In the Mouth of Madness.

SPECTRE expands the already massive input of genres contained within the album. Groovy, low beat, and rhythm driven, this song tells the story of a person who has just died only to wake up a ghost doomed to haunt the house of a loved one. Love keeps him imprisoned in this world. And the loved one doesn’t know about his death yet, she is scary and feels something wrong.

CHILD OF THE CORN is a song of calm, regret, chaos, and the call of the fields around the rural areas. This song is the epitome of our project: the melody follows the regrets of the past and ends up colliding with the lacerating memories evoked by the furious speed of the music and the scratchy voice.

GOD OF TERROR is an analogous story based on Greek mythology and the story of Zeus and Cronos. A fast and epic song that contains much of the harsh vocals only sparsely used throughout the album.

PRIMITIVE SHADOWS is a fast, breathtaking song. It is inspired by the dramatic sequence of the founding of the Statue of Liberty from Planet of the Apes movie. To be candid, the current events are not particularly promising in the world, we imagined how it would be easy to lose civilisation, wealth, knowledge and falling in a new dark age where mankind is just like wild primitive human beings praying their idols and living in caves. The chorus is ironic and evokes the allegory of the cave by Pluto.

DREAM, the title really says it all! This song is describing a dream sequence with both lyrics and instruments designed to make the listeners imagine the scenery described. It is carefully composed to capture the strangeness and awesomeness that can only be found in our dreams.

SHIVER is a groovy song, there’s a bit of ‘Pantera’ and a bit of ‘Metallica in it. The lyrics fit perfectly the classic horror movies from the 80’s, a Nightmare on Elm Street in particular. This was also one of the first songs we worked on together, we didn’t even have the band name at that time. It was a good way to become familiar with our songwriting.

ALWAYS is a rock ballad. The acoustic guitars and the vocal lines bring the listener to an intimate atmosphere outlined by regretful tones where the present gets confused with the memories until the culmination moment and the explosion of the electric guitars. The words in the chorus play with regret in the brain of the main character who betrayed the oath of love.

GOODBYE is a fitting song to finish of the album. In this song we attempt to capture the feeling of being on the brink of death. The song is inspired by panic attacks which for some people can feel like they’re experiencing a heart attack or a stroke. Placing it at the end of the album was fitting as the last words spoken on the album rings out saying GOODBYE…

A Quiet Country Track List
1. Ancient Evil
2. Dead Center
3. Altar of Fear
4. Spectre
5. Child of the Corn
6. God of Terror
7. Primitive Shadows
8. Dream
9. Shiver
10. Always
11. Goodbye

Stream and buy the album at https://hypeddit.com/scarefield/aquietcountry

SCAREFIELD is a speed/thrash metal band inspired by the horror genre, in particular by the colourful and bombastic 80’s horror movies. The music consists of many familiar themes of both speed and thrash metal with additional influences from more modern forms of metal music, such as melodic death metal, as well as classic heavy metal.

SIMONE MANULI, the founder of SCAREFIELD reached out from the plains of northern Italy to the frigid north of the arctic circle in northern Sweden where he would come in to contact with vocalist MARKUS KRISTOFFERSSON. The music, produced by Simone, was co-written and co-composed by the two members, melding their unique styles and influences into an interesting new take on the classic metal styles incorporated.

Self-produced and -written, the music contains massive atmosphere, fast riffs, melodic strings and heavy drums. The vocals are a mix of clean melody and power as well as the harsher death metal style vocals of the modern day. The lyrics contain topics such as personal stories, interesting concepts and of course the aforementioned horror theme!

More information at https://www.scarefield.com/

HOPE DARLING Share Powerful Lyric Video for ‘Absolution (One Last Breath)’

Posted by tarjavirmakari on March 26, 2024
Posted in: Int. News, News. Tagged: HOPE DARLING. Leave a comment

Florida-based alt-rock quintet Hope Darling is poised to stir hearts and captivate minds with their latest lyric video, “Absolution (One Last Breath),” a standout track from their acclaimed album ENSŌ, available via Epictronic.

Drenched in emotion and fueled by raw passion, “Absolution (One Last Breath)” beckons listeners into Hope Darling’s world of sonic enchantment, where every lyric is a brushstroke painting a vivid portrait of human experience. With haunting vocals and mesmerizing melodies, the band delivers an unforgettable journey through the depths of emotion and the resilience of the human spirit.

Hope Darling’s ‘Absolution (One Last Breath)’ is a haunting masterpiece that resonates with the soul, leaving an indelible mark on anyone who listens.

Hope Darling is a Florida-based rock quintet that blends passionate vocals, immersive melodies, and a captivating full-band sound that’s enchanted audiences for over five years. Led by Gabriel Sanchez and comprising Jason Donadio, Jeff Durso, Frank Dancey, and Richard Gomez, the band draws from diverse influences, spanning Rock, Classical, Reggae, and Hip-Hop.

Their compelling songwriting and exceptional musicianship earned them a Breakout Band nomination in 2015 and saw their single “Lifeline” featured in Spike Lee’s Netflix series “She’s Gotta Have It,” gaining local and national airplay.

Navigating through thoughtful lyricism with incredibly moving, uplifting, and energizing musicianship, Hope Darling has already amassed an impressive catalog of achievements, but this is just the beginning.

Connect with Hope Darling:

www.hopedarling.com
www.facebook.com/hopedarlingmusic
www.instagram.com/hopedarlingband
twitter.com/hopedarlingband
www.reverbnation.com/hopedarling
www.youtube.com/c/HopeDarling

GREENLEAF Release First Video Single ‘Breathe, ‘Breathe Out’ + Details of New Album “The Head & The Habit”

Posted by tarjavirmakari on March 26, 2024
Posted in: Int. News. Tagged: Greenleaf. Leave a comment
[photo: Mats Ek]

Swedish heavy rockers GREENLEAF release the tongue-in-cheek video clip and super catchy tune ‘Breathe, Breathe Out’ as the first driving single taken from their forthcoming full-length “The Head & The Habit”, which is slated for release on June 26, 2024 via Magnetic Eye Records!

The album pre-sale has just started at http://lnk.spkr.media/greenleaf-head-habit 

The video ‘Breathe, Breathe Out’ combines the struggles of great parenting with social commentary on the generational gap and film directing. The clip is now premiering here:

“The first single ‘Breathe, Breathe Out’ conveys a message of self-reflection and resilience”, explains vocalist Arvid Hällagård. “The repetition of the chorus emphasizes the importance of taking a moment to relax and let go of negative emotions. The overall theme encourages embracing one’s current state, appreciating what you have, and navigating through life with a sense of control and acceptance. I’ve had to teach these things to myself during the last couple of years. This is also the overall theme of the album, the head and its habits.”

With their ninth full-length “The Head & The Habit”, GREENLEAF have reached the pinnacle of a long evolution. The musical handwriting and well-honed mastery of guitarist Tommi Holappa, who has been a pioneer and pillar of the European stoner rock scene for more than 25 years, shines clearly through. This is perfectly complemented by the soulfulness, intuitive sense of melody, and depth of character that the vocals of classically-trained singer Arvid Hällagård brings to the sound of GREENLEAF.

Apart from world-class vocal lines and massive riffs with electric fuzz-power, GREENLEAF have put extra thought into the themes of “The Head & The Habit”, which lift its lyrics far above much of the often cliché-ridden genre. As the album title implies, the new songs resemble symbolic short stories that revolve around emotional struggles and even mental illness. Written by the vocalist, the lyrics reflect real life experience as Hällagård works with people who suffer from problems with drug abuse and psychological health. 

Tracklist:

  1. Breathe, Breathe Out
  2. Avalanche
  3. Different Horses
  4. A Wolfe in My Mind
  5. That Obsidian Grin
  6. The Sirens Sound
  7. Oh Dandelion
  8. The Tricking Tree
  9. An Alabastrine Smile

Recording with Karl Daniel Lidén at Studio Gröndahl, Stockholm (SE)
Additional vocals recorded by Arvid Hällagård at Studio Baking Cabin
Mix by Karl Daniel Lidén in Tri-lamb Studios, Stockholm (SE)
Mastering by Karl Daniel Lidén in Tri-lamb Studios, Stockholm (SE)

Artwork by Arvid Hällagård
Layout by Arvid Hällagård & Lili Krischke

Heavy rock afficionados GREENLEAF were initially formed as an informal project by friends that were already playing in other bands including such notable names as DOZER, LOWRIDER, and DEMON CLEANER. The Swedes simply wanted an outlet for their mutual love of ’70s-era hard rock and proto-metal while being free from the expectations and pressures of their main bands.

Despite intentions to keep GREENLEAF purely for pleasure, the undiluted joy of creating catchy songs led to everyone demanding that material be recorded. This eventually resulted in the release of a self-titled debut EP in 2000, which was quickly followed by first full-length “Revolution Rock” only a year later.

With guitarist and founder Tommi Holappa firmly at the helm, the sound of GREENLEAF remained remarkably consistent throughout the years and releases that followed, even through a variety of personnel changes.

Inspired by growing popularity and the success of “Secret Alphabets” (2003) and “Agents of Ahriman” (2007), they began to shift gears in 2010, moving from “the side project that refused to die” toward something closer to a band with the release of fourth album, 2012’s “Nest of Vipers”.

Having turned from an on and off fling to a full-time love affair, the years of rotating line-ups ended and GREENLEAF‘s newfound focus and stability was crowned by their fifth album “Trails & Passes” (2014), which featured new permanent vocalist Arvid Hällagård. This milestone also marked the beginning of a new phase of the band.
 
Their next two full-lengths, 2016’s “Rise Above the Meadow” and 2018’s “Hear the Rivers”, won the band prime performing slots on European festival stages, while “Echoes from a Mass” (2021) reached the global streaming and European album charts – reflecting the quartet’s ever-growing popularity.

Weaving together psychedelia, hard rock, and metallic blues in a warm, serpentine mélange that leaves behind none of the punishing immediacy of their earlier recordings, today’s GREENLEAF merge road-tested tightness, swirling guitar-driven soundscapes, and captivating blues-laden vocals into one of the most reliably mesmerizing acts pushing the sonic horizons of desert rock to new frontiers.

With “The Head & The Habit”, GREENLEAF combine an awareness of past triumphs with mature craftsmanship, showcasing their confidence in how to rock stronger, harder, and more to the point than ever before. The Swedes melt thunderous riff-magic, enrapturing and soul-heavy vocals, frenetic rhythms and driving attacks into a ear-catching, sparkling alloy of hard rocking anthems!

“The Head & The Habit” will be available as a 48-page CD artbook, a digisleeve CD, and as a transparent red vinyl LP, an opaque cream white vinyl LP, and a marbled black, white & transparent green vinyl LP. Pre-order HERE!

GREENLEAF Live:
2 APR 2024 Barcelona (ES) BCN @ Sala Upload
3 APR 2024 Bilbao (ES) Bullitt Groove Club
04 APR 2024 Avilés (ES) Factoria Sound
05 APR 2024 Porto (PT) Hard Club
06 APR 2024 Madrid (ES) Wurlitzer Ballroom
05 JUN 2024 London (UK) Stoomfest
12 June 2024 Erfurt (DE) Stoned from the Underground
31 AUG 2024 Aarschot (BE) Down the Hill
12 OCT 2024 München (DE) Keep It Low

GREENLEAF is:
Arvid Hällagård – vocals
Tommi Holappa – guitars
Sebastian Olsson – drums
Hans Fröhlich – bass

For More Info Visit:
http://www.facebook.com/greenleafrocks
http://www.instagram.com/greenleafband
http://lnk.spkr.media/greenleaf-head-habit

BRAND OF SACRIFICE Announce Four Summer Headline Shows in Europe

Posted by tarjavirmakari on March 26, 2024
Posted in: Int. News, News. Tagged: Brand Of Sacrifice. Leave a comment

Toronto-based deathcore quintet BRAND OF SACRIFICE have announced four exclusive headline shows in Germany and Netherlands, to spread the word of their unholy symphonies and brutal breakdowns.

Find the full list of show dates here:
18.06. NL Utrecht
19.06. DE Hamburg
22.06. DE Cologne
27.06. DE Wiesbaden

Tickets are on sale now, get yours here: https://brandofsacrifice.com/pages/tour
* new dates will populate here once announced

Since 2018, BRAND OF SACRIFICE have been making an undeniably indelible mark on the heavy music scene. Dubbed ‘The Branded Ones,’ the group’s fans joined and marched with them as they tore across the globe in support of their sophomore album Lifeblood, which debuted on 8 separate Billboard charts and earned them a Juno nomination for Metal Album of the Year. Other highlights included slots on highly anticipated tours with artists like SPIRITBOX, THY ART IS MURDER, WE CAME AS ROMANS & more.

In December of 2023 BRAND OF SACRIFICE announced signing to world renowned label, Nuclear Blast Records. Having previously seen huge growth via their partnership with sister company, Blood Blast Distribution, signing with Nuclear Blast was the natural progression for the band. BRAND OF SACRIFICE ushered in their exciting new era with the release of single ‘Purge’, another giant leap in their continued sonic evolution.

Across their releases to date, BRAND OF SACRIFICE have hit 60 million streams and 13 million YouTube views . The band draws its name from popular anime series Berserk by Kentaro Miura.

Fans at any BRAND OF SACRIFICE show will be familiar with set-closer ‘Eclipse’ and its ending chant of, “Welcome to the new age.” With Between Death and Dreams, it’s evident the band have ushered in yet another, even fresher era from which there is no turning back.

After Success with ‘Invincible Shield’, JUDAS PRIEST Lead Singer ROB HALFORD Reveals Plans for Blues Solo Album

Posted by tarjavirmakari on March 26, 2024
Posted in: Int. News, News. Tagged: Judas Priest, Rob Halford. Leave a comment
Photo credit: James Hodges Photography

After Judas Priest recently stormed the German charts with their new album “Invincible Shield” (reaching number 1), the avowed blues fan and band frontman Rob Halford has now announced to Rock Antenne that he is planning a blues album. The same crew that worked on his Christmas album “Celestial,” including his brother Nigel and his nephew Alex, will be part of this project.

Speaking to Rock Antenne, Halford shared the backstory as follows:
“As you might have occasionally heard here and there, I had the ambition to make at least one blues album. Because metal, yes, all of rock’n’roll, comes from the blues. A large part of music stems from the blues. And since I am a fan of the blues, I have always wanted to explore this area. A few years ago, we — that is, my brother, my nephew Alex on bass, and a friend of ours — made the CELESTIAL Christmas album together. And then, towards the end of those sessions, I said to the guys, ‘Why don’t we just make a blues album?’ Okay, it’s a simple idea, right? So, we have the music ready, all these songs are primed for the go-ahead. It’s just about timing. Timing and planning are so important in our world, in music. So, that’s something I’d really like to make happen. And if I get the time to implement it, I will do it.”

Watch the complete interview with Rob Halford here:

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