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MORTIIS Presents Digital 3-Track EP “Farewell Romero”

Posted by tarjavirmakari on August 5, 2026
Posted in: Int. News, News. Tagged: Mortiis. Leave a comment

Photo by Claudio Marino

MORTIIS reveals a beautiful 3-track digital EP today, which is based on and named after the track ‘Farewell Romero‘ from the iconic Norwegian artist‘s current full-length “Ghosts of Europa” that was released on June 26, 2026.

“Farewell Romero” features the original album track and a fascinating new version of this song with renowned French artist Nicolas Horvath. The classical pianist has previously collaborated with ALCEST and is also known for his work with the famous Japanese animation Studio Ghibli, among many other exciting projects. The third track is a new variant (Madrigal version) of the album track ‘Violent Silence’ featuring former TODESBONDEN vocalist Laurie Ann Haus.

MORTIIS comments: “It has always been my nature to experiment and try new ideas, so to some, it’s probably not a surprise that I had a couple of variations of some of the songs from ‘Ghosts of Europa’ sitting around”, the Norwegian explains. “When I write songs, I tend to try a lot of directions out, and sometimes there are brutal production decisions to be made, such as killing off otherwise great melodies, or entire sections, from songs. This is probably why I have always been pretty open to creating variations of the songs. Sometimes ‘killing your darlings’ is just too damn painful. Oh, and the artwork for this EP might be my personal favourite from the ‘Ghosts of Europa’ series.”

Listen to “Farewell to Europe” EP here: 

“Farewell Romero”
“This song was always meant as a homage to the John Carpenter sound of ‘Escape from New York’. I always loved that sound. So most of the synths here are ARP Odyssey sounds, with some Sequential Prophet Pro-5 thrown in. I even got to use my ARP 2600 from 1975 for a moment in here, as well as my weird Electro Comp 101. At one point we actually asked John Carpenter if he wanted to contribute to the song, but unfortunately he was too busy. I always liked the first verse vocal performance, ‘How long can you remain human, when they treat you like an animal’, but remained very self-conscious about the other vocals, to the point where I deleted it all, and re-recorded all of it, right before we started mixing. The title refers to a character in the movie, and it felt especially apt as I discovered the actor had fairly recently passed away (at the time).”

“Farewell Romero (No Longer Feel The Same)”
“This version started as an idea between me and Nicolas Horvath to do some piano versions of songs from ‘Ghosts Of Europa’. We decided to begin with ‘Farewell…’ and see where that would take us. Initially, the intent was to make a laid back, piano dominated variation, but as I was removing lots of sounds, and slightly altering the dirtier and darker aspects of the song, ideas started forming, and once that happens, I am no longer in control. The simple drum became a big and mean thing, and the dirt, darkness and the grit started dominating. It just keeps swelling up like that until the end where everything feels like it consumes itself. Marc Urselli mixed this variation, and did a great job.”

“Violent Silence (Madrigal version)”
“This variant came about through both planning and coincidence. Once Laurie had recorded her vocals, for what I originally intended to be part of the album version, I quickly realised that this just needed to become its own version. At this point, I stripped away most of the other vocals, and a few other bits and pieces. Secondly, when Sean was mixing it, and I think I had left him confusing or sloppy instructions, the entire ending was accidentally left a cappella. I remember Sean saying, ‘this sounds kinda cool, but is it supposed to sound like this?’ I had a listen and said, ‘no, but it is now’. This is a perfect example of a happy accident.”

Tracklist
1. Farewell Romero
2. Farewell Romero (No Longer Feel the Same)
3. Violent Silence (Madrigal Version)

“Ghosts of Europa” is available here: https://www.youtube.com/watch?v=Inm3HhpllDQ

Tracklist
1. Ghosts of Europa
2. Return to the Old Fields
3. The Faith That Fades Away
4. Violent Silence
5. Transcending Morpheus
6. Tundra, Heart of Hell
7. Tribes of Dystopia
8. Farewell Romero

With “Ghosts of Europa”, the enigmatic Norwegian artistic entity known as MORTIIS presents an album that he views as a creative liberation. During its long and winding creation process such concepts as genre, rules or experimenting with sounds dissolved while simply making music that reflected every conceivable idea on his mind without accepting any limitations became his guiding principle.

Of course, MORTIIS‘ musical handwriting is ever present. Echoes from the often quite divergent phases of his previous works can be found across “Ghosts of Europa”. Yet the creator of musical worlds left hardly a stone not turned in his epic quest for genuinely new ways of expression. As a result, this cinematic and visionary album often feels expansive, strange, and darkly dystopian. In this, “Ghosts of Europa” reflects its maker’s struggles while creating the album – as for him, these tend to come into existence at the cost of friendships and relationships as well as much soul searching. 

“Ghosts of Europa” has also been shaped to some extent by the original idea that involved a collaboration of MORTIIS with Stephan Groth from APOPTYGMA BERZERK based on their mutual fascination with the highly influential old German school of electronic music, and particularly TANGERINE DREAM and Klaus Schulze. When this fell apart, MORTIIS decided to continue on his own, and a long process of transforming the early recorded materials began.

Relics of this early stage remain in hints of the influences from Berlin as well as a host of guest contributions, but visions of bleak, desolate, and timeless alien landscapes warped and mutated the songs. This carried “Ghosts of Europa” also into spaces where MORTIIS never existed before.

In order to reflect both, the album’s general orientation towards electronic and industrial rock as well as the particularly wide range of stylistic influences reaching beyond its core, the choice of sound engineer fell on a most renowned specialist for precisely such sonic experiences: Luckily, Sean Beavan agreed to mix “Ghosts of Europa”. His credits include working with NINE INCH NAILS, DEPECHE MODE, SYSTEM OF A DOWN, GUNS N’ ROSES, and SLAYER among many other greats.

In the beginning of the artistic entity MORTIIS there was black metal. The artist Håvard Ellefsen known as the musical entity MORTIIS started out as a bass player in and during the formation of legendary Norwegian band EMPEROR in 1991 and 1992. After parting ways with these black metal pioneers, MORTIIS embarked on a solo career, the so called ‘Era I’. From 1993 until 1999, the Norwegian released six full-length albums that were entirely composed on synthesizers and are considered to constitute a fundamental influence on the later Dungeon Synth genre.

In the next decades, MORTIIS evolved and redefined his sound through several eras that embraced experimental & heavy industrial rock, a new wave of gothic & electronic influences, experimental studio works, and back to his roots. 

During most of his career MORTIIS has performed with a mask and face prosthetic that turned his stage persona into an otherworldly being. Over the year, his looks have changed and evolved. For a time during ‘Era 0′, his live concept even abandoned the wearing of the iconic mask. MORTIIS’ stage entity has often been compared with a troll – a creature of Nordic folklore, which it was never intended to be according to the artist.

“Ghosts of Europa” is the sonic testimony of an experienced and matured musician, who created what he loves most and does best: electronic rock with stylistic influences from many genres while not being bound by any that creates dark soundscapes, cinematic sonic visions, and a plethora of emotions. Just when you think that you have finally figured “Ghosts of Europa” out, MORTIIS will surprise you with another facet and fresh aspect of his richly detailed masterpiece.

Artist: MortiisAlbum title: Ghosts of Europa
Release date: June 26, 2026
Style: Electronic rock
Label: Prophecy Productions
Distribution: SPKR
Review Impact Date: May 25, 2026

Line-up: Håvard “Mortiis” Ellefsen – vocals, keyboards, vocoder, bass guitar, programming

Guest musicians
Benedicte Computorgirl (COMPUTORGIRL) – vocals on track 4
Christopher Amott (ARCH ENEMY et al.) – guitar solo on track 7
Christopher Rakkestad (ELVARHØI, BOLVERK) – vocals on track 1-6
Emil Nikolaisen (SERENA MANEESH, BRIAN JONESTOWN MASSACRE et al.) – fuzz & noise guitars & additional FX on track 3 & 4
Iliana Basileios Tsakiraki (ENEMY OF REALITY, SEPTICFLESH et al.) – vocals on tracks 1, 2, & 5
Laurie Ann Haus (BLIZZARD GAMES) – vocals on track 1, 2, 5 & 7
Matthew Setzer (SKINNY PUPPY, LONDON AFTER MDNIGHT) – throat singing on track 7
Michal Kielbasa (BLACK MAGIC RITES et al.) – tubular bell & vibraphone on track 2, tubular bell on track 6 & tabla loops, additional synths & FX on track 7
Sarah Jezebel Deva (THE KOVENANT, CRADLE OF FILTH et al.) – vocals on tracks 1-3, 5 & 6
Thomas Bolverk (RAGNAROK, BOLVERK) – distortion, clean & sampled guitars on track 6
Thorsten Quaeschning (TANGERINE DREAM) – additional synths & sequencers on track 1
Vegard Blomberg (MOCK) – e-bow & guitars on track 2, additional Copicat, Space Echo, fuzz & e-bow guitars) on track 4, Copicat, Space Echo & fuzz guitars on track 4, fuzz guitars on track 6, fuzz & ambient guitars on track & guitars on track 8
Erling Blomberg – additional guitars on track 8

Recorded (re-recorded, re-animated & eternally tweaked and re-tweaked) at various locations over a thousand sessions during years of misery, poverty, and disdain (2020-2026) in Fredrikstad (NO)
Early vocal recording by co-producer Stephan Groth at Pitch Black Drive, Fredrikstad (NO)
Mix by Sean Beavan at The Grey Room, Crestline, CA (US)
Mastering by Jules Seifert at Epic Audio Media, London (UK)

Artwork by Nihil
Layout by Laurent Clément (Dead Seed Productions)

Shop
https://spkr.store/collections/mortiis
https://mortiiswebstore.com/pages/ghosts-of-europa

Latin American Tour
07 OCT 2026 Mexico City (MX) Circo Volador
08 OCT 2026 Guadalajara (MX) Foro Independencia
09 OCT 2026 Chihuahua (MX) Pistoleros
10 OCT 2026 Tijuana (MX) Dragon Rojo Bar
11 OCT 2026 Monterrey (MX) Cafe Iguana
14 OCT 2026 Bogotá (CO) Ace of Spades
16 OCT 2026 São Paulo (BR) La Iglesia
17 OCT 2026 Buenos Aires (AR) Bula
18 OCT 2026 Santiago (CL) Sala RBX

Southern Ritual Australian Tour
19 NOV 2026 Sydney (AU) Factory Floor  
20 NOV 2026 Brisbane (AU) Crowbar  
21 NOV 2026 Melbourne (AU) Croxton  
22 NOV 2026 Adelaide (AU) Ed Castle

Links
https://mortiiswebstore.com
www.facebook.com/officialmortiis
www.instagram.com/mortiisofficial

SERAINA TELLI Releases New Single ‘Let It All Out (acoustic version)’

Posted by tarjavirmakari on August 5, 2026
Posted in: Int. News, News. Tagged: SERAINA TELLI. Leave a comment

SERAINA TELLI releases her new single ‘Let It All Out (acoustic version)’. The original version of the song is part of the #1 studio album ‘Green’ which was released in October last year on Metalville.

Seraina Telli about the new version: “Let It All Out” is about everything we keep trapped inside for too long. Anger. Fear. Doubt. Pain. But also hope.

This acoustic version — just me and my guitar — brings the song back to its emotional core.
Raw, honest and unfiltered.

Maybe you need this song just as much as I needed it when I wrote it.”

SERAINA TELLI is a true musical chameleon, combining powerful vocal skills with a unique, fearless, and refreshing approach to songwriting. With her vibrant poppy and punky rock sound, she never beats around the bush – her music goes straight to the heart. Seraina creates songs that are bold, emotional, and authentic, resonating deeply with her growing audiences around the world.

“GREEN OVER EUROPE 2026” TOUR DATES

04.09 Bochum ����
05.09 Frankfurt ����
06.09 Düsseldorf ����
08.09 Hamburg ����
09.09 Berlin ����
11.09 Leipzig ����
26.09 Baden����
03.10 Winistorf����
06.10 Edinburgh ����
07.10 Newcastle ����
08.10 Sheffield ����
09.10 Bradford ����
12.10 Nottingham ����
13.10 Milton Keynes ����
14.10 Bridgwater ����
15.10 London ����
18.11 Zamora ����
19.11 Madrid ����
20.11 Puertollano ����
21.11 Murcia ����
22.11 Tarragona ����
more dates to come…

LINKS

https://serainatelli.com/ 
https://www.facebook.com/serainatelliofficial 
https://www.instagram.com/serainatelliofficial/?hl=de
https://www.tiktok.com/@serainatellirock 
https://www.youtube.com/channel/UCgKLCWgs3crxoVPrndze-Qw 
https://open.spotify.com/artist/7hnib2xXexqOFlTMEhjtsd

CLØUDY SKIES Reveal New Single & Video ‘Lights Of The Night’ Feat. Keijo Niinimaa + Unveil Full Details of Upcoming Album

Posted by tarjavirmakari on August 5, 2026
Posted in: Int. News, News. Tagged: CLØUDY SKIES. Leave a comment

French dreamgaze and atmospheric post metal duo Cløudy Skies unveil “Lights Of The Night”, the second single taken from their forthcoming album Bury Me Beneath The Stars, due for release on October 16 via Argonauta Records on CD, vinyl and digital formats.

Accompanied by a striking new music video, Lights Of The Night further explores the immersive world hinted at by the first single Depth Spell. The song features a special guest appearance by Keijo Niinimaa, vocalist of Finnish grindcore legends Rotten Sound, whose raw and uncompromising performance intensifies the track’s emotional impact while adding a new dimension to Cløudy Skies’ atmospheric sound.

Set for release this autumn, Bury Me Beneath The Stars sees Cløudy Skies refining the sonic identity established on their debut while reaching new emotional and dynamic depths. The album blends crushing post metal, dreamgaze textures, shoegaze atmospheres and cinematic post rock into a cohesive body of work where tension, melody and weight coexist in perfect balance.

Alongside Keijo Niinimaa, the album also features guest vocals by Chris Richard of French blackgaze act Nature Morte, broadening its expressive range. The visual identity of Bury Me Beneath The Stars is completed by “The Levity of Summer”, a photograph by American artist Samantha Muljat, whose intimate and contemplative imagery perfectly reflects the album’s atmosphere of solitude, melancholy and suspended beauty.

The band says:

“We’re genuinely happy to be working once again with Argonauta Records. This collaboration feels natural, like returning to a place where our music is truly understood and given the space it needs to breathe, mutate, and darken.

On Bury Me Beneath The Stars, we pushed the work on composition and arrangements to an extreme. Every detail was questioned, stretched, dismantled. Hours were spent testing clean tones, stacking effect pedals, sculpting textures, searching for the right grain of distortion, not for excess, but to find the exact point where emotion becomes physical.

We don’t write songs to fit a genre. We chase that fragile zone where beauty and threat collapse into the same movement, where sound feels like immersion rather than progression. This album isn’t built to unfold gently. It transforms, shedding skin as it goes. If it feels like floating and sinking at the same time, then it’s doing what it was meant to do.”

With Bury Me Beneath The Stars, Cløudy Skies continue to blur the boundaries between post metal, shoegaze and dreamgaze, crafting a record driven as much by atmosphere as by sheer sonic weight. Rich in texture, emotion and cinematic scope, the album stands as the duo’s most mature and compelling work to date.

Tracklist

  1. Fluffy Darkness
  2. Depth Spell
  3. Living Inside A Dream
  4. Lights Of The Night (feat. Keijo Niinimaa)
  5. Bury Me Beneath The Stars (feat. Chris Richard)
  6. Birdsong
  7. A Room For Dreams *Bonus Track CD Only

For fans of: Deafheaven, Alcest, Cult of Luna, Sólstafir, Ulver.

For more info:
​https://www.facebook.com/cloudyskies.fr​
​https://www.facebook.com/ArgonautaRecords

VALHALORE Unveil Dreamlike Acoustic Reimagining of Breakout Single ‘Horizon’

Posted by tarjavirmakari on August 5, 2026
Posted in: Int. News, News. Tagged: Valhalore. Leave a comment
[photo: Andrew Basso]

“Horizon” marked more than just a new single for VALHALORE. As the band’s first new music since 2019, it signaled the beginning of a new chapter – one that led to release of Beyond The Stars through a record deal with Reigning Phoenix Music / ROAR, national and international touring, and a growing presence on the global metal stage.

Now, the band returns to the song that started it all, reimagining it in an intimate acoustic form that reveals the heart of the music in a completely new light. Trading towering riffs, epic orchestras and thunderous drums for warm acoustic instrumentation, sweeping melodies and an intimate atmosphere, “Horizon – Acoustic” reveals the emotional heart of  one of VALHALORE‘s most beloved songs. More than a stripped-back version, it is a complete reimagining that allows the story, melody and emotion of the track to unfold in an entirely new light.

The result is a dreamlike interpretation that shines a spotlight on the song’s message of hope, reflection and appreciating life’s fleeting moments, while retaining the uplifting spirit that first connected with listeners around the world. 

Speaking about the release, the band share: 
“Since its conception, Horizon has always been a very special song for us. It’s a song about a hopeful future, the beauty found in life’s simplest moments, and appreciating what we have before it fades. Reimagining this track in a way that lets its beauty breathe, while allowing the lyrics to shine – almost like a lullaby – felt like a natural step. We’re incredibly proud of this new rendition and can’t wait to share it with the world.” 

For longtime fans, the acoustic rendition offers a fresh perspective on a song that marked a defining chapter in  VALHALORE‘s story. For new listeners, it provides an inviting introduction to the songwriting at the heart of the band’s distinctive blend of melodic folk and metal. “Horizon – Acoustic” is now available on all major streaming platforms.

Return to the world of Beyond The Stars, and experience “Horizon – Acoustic”: https://valhalore.rpm.link/acoustichorizonPR

Beyond The Stars Line-Up:
Anthony Willis – Guitars
Lachlan Neate – Vocals, Cello, Mandolin
Sophie Christensen – Wind instruments
Morgan Cox – Drums
Lucas Fisher – Guitars, Vocals
Joseph Dipisa-Fiorenza – Bass

Connect with VALHALORE:
Facebook | https://www.facebook.com/valhalore 
Instagram | https://www.instagram.com/valhalore 
X | https://twitter.com/Valhalore 
YouTube | https://www.youtube.com/@Valhalore 
Website | https://www.valhalore.com 

Finnish Synthwave Metal Project MAGNETAR Release New Single ‘The Fading’

Posted by tarjavirmakari on August 5, 2026
Posted in: Int. News, News. Tagged: MAGNETAR. Leave a comment
Photo by Matti Autio

Finland-based synthwave metal project Magnetar has released its new single, “The Fading,” a modern metal/rock track that combines crushing guitars, cinematic synths and an anthemic chorus with radio-friendly songwriting.

LISTEN to ‘The Fading’ on streaming services: https://push.fm/fl/magnetar-the-fading

–Composed by Panu Lehtoniemi, Juha Tretjakov
–Lyrics by Juha Tretjakov
–Arranged, produced, mixed & mastered by Panu Lehtoniemi
–ISRC: QT6EE2685468
–Single cover by Juha Tretjakov

Founded by producer and instrumentalist Panu Lehtoniemi together with vocalist and lyricist Juha Tretjakov (Pressure Points, ex-Vansidian), Magnetar delivers a polished independent production. Every aspect of the release—from songwriting and production to mixing and mastering—was completed in-house.

“The Fading” explores themes of letting go, moving forward and embracing life’s constant change, balancing emotional depth with powerful hooks and modern production.

Fans of Nothing More, Bad Omens and Dayseeker will recognize familiar influences while discovering a fresh Nordic take on modern metal/rock.

BIOGRAPHY:

Formed in Tampere, Finland in 2025, Magnetar is a forward-thinking synthwave metal project driven by producer Panu Lehtoniemi and vocalist Juha Tretjakov. The band explores the intersection of heavy music and retro-futuristic electronic soundscapes, crafting tracks that feel equally at home in alt metal/rock playlists and cinematic digital environments.

With a fully self-produced workflow, Magnetar maintains complete creative control—from composition to final master—resulting in a polished, modern sound that competes with international releases. Their music is characterized by driving rhythms, expansive synth layers, and emotionally charged vocal performances.

Magnetar’s debut release Product Zero marks the beginning of a project focused on consistent output, strong visual identity, and playlist-driven growth in the global alternative and electronic metal scenes.

Line-up:
Juha Tretjakov – Vocals
Panu Lehtoniemi – Guitar, keyboards, bass & drum programming
Olli Tasala (Every Green In May) – Guest guitar solo

Links: https://linktr.ee/Magnetarband_official

GÅTE Release New Single ‘Strandvaskar’ from Upcoming Album

Posted by tarjavirmakari on August 5, 2026
Posted in: Int. News, News. Tagged: GÅTE. Leave a comment
Photography: Ole Ekker

Gåte are one of the most distinct bands to come out of Norway. The band have topped the Norwegian charts, won a Norwegian Grammy and represented Norway in the 2024 Eurovision Song Contest. Now, they are expanding their groundbreaking mix of Nordic folk and modern rock on their upcoming new album Sigil.

Today, Gåte are releasing “Strandvaskar” as the second advanced single from Sigil.  With Hardanger fiddle and mystical electronics, the song pulls from the Norwegian superstition that a body washed ashore must be given a proper burial, lest the sea return to reclaim what it’s lost.  

Sigil comes out September 25 on Season of Mist.

Pre-order: https://orcd.co/gatesigil
Pre-save on Spotify: https://open.spotify.com/prerelease/2kiURuXN7GZ84VD9HDnbsf

Sigil is Gåte’s most ambitious album yet. The album recounts ancient legend and folk narratives to ask what survives once illusion falls away.

“Strandvaskar” names the drowned rather than the finder. The song stages a quiet, unresolved dialogue between the two: a voice with no sound that speaks, eyes that flicker and slowly fill with blue as the sea reclaims its own. The narrator is pulled toward the dead and pulls back, not from horror but fear, letting go rather than being able to hold on.

Tracklist:

  1. Bergteken (04:44)
  2. Oskorsreia (03:08) [WATCH]
  3. Sannsiger (03:43)
  4. Nokon (03:10)
  5. Bòd frå djupet (03:45)
  6. Strandvaskar (03:27)
  7. Songen (03:38)
  8. Aude (03:54)
  9. Mi Jord (03:44)
  10. Jostedalsrypa (03:39)
    Full runtime: 36:53

Gåte’s upcoming fall tour will bring the band to nine cities across Norway, plus one date in Istanbul, Turkey. During this ten date run, they will perform  new songs from Sigil, along with fan favorites from their celebrated discography.

Gåte Concerts 2026

October 23 – Trondheim, Norway @ Havet [TICKETS]
October 30 – Drammen, Norway @ Union [TICKETS]
October 31 – Oslo, Norway @ Sentrum Scene [TICKETS]
November 5 – Haugesund, Norway @ Høvleriet [TICKETS]
November 6 – Stavanger, Norway @ Folken [TICKETS]
November 7 – Bergen, Norway @ Verftet [TICKETS]
November 12 – Skien, Norway @ Parkbiografen [TICKETS]
November 13 – Moss, Norway @ Verket Scene [TICKETS]
November 14 – Hamar, Norway @ Festiviteten [TICKETS]
November 21 – Istanbul, Turkey @ IF Performance [TICKETS]

Rooted in the intersection of Nordic folk tradition and contemporary rock, GÅTE have spent over two decades developing a sound that feels both ancient and fiercely present. Drawing on centuries-old ballads, oral traditions, and traditional vocal forms, the band transform these sources into music that is physical, emotionally direct and unmistakably their own.

Emerging in the early 2000s, GÅTE quickly became one of Norway’s most distinctive bands for their groundbreaking mix of Nordic folk tradition and modern rock. In 2002, their debut album, Jygri, entered at #1 on the Norwegian Albums chart and won them the Spellemann Award (Norwegian Grammy) for Best Newcomer.

“GÅTE have been drawing from traditional music and transforming it with modern means into something new right from their beginning”, Metal Hammer writes.

After two studio albums, three EPs and one live album, GÅTE took a twelve-year hiatus before returning to critical acclaim and sold-out performances with 2017’s Svevn. Following their folk-leaning LP Nord in 2021, the band went on to represent Norway in the 2024 Eurovision Song Contest with a contemporary re-imagining of “Ulveham”, a traditional Norwegian ballad. In 2025, they toured throughout Europe with Leprous.

Rather than treat tradition as a fixed reference, GÅTE approach it as a living force. Old material is not preserved for its own sake, but reworked and recontextualized, allowing it to resonate with contemporary urgency and relevance.

“Our music comes from a place where tradition is not something fixed, but something alive” the band says. “We draw from old sources because they still speak to us, and because they allow us to express something honest and human today.”

GÅTE have now completed their sixth studio album, which will be released on the band’s new label home Season of Mist. While the band has focused primarily on Norway in the past, signing with the international label reflects both the growing interest they have received from around the world and their desire to reach a wider audience.

During the fall of 2026, GÅTE will perform the album’s lead single “Sannsiger” and other new songs during a headline tour of Norway and one date in Istanbul, Turkey. Their concerts are well-known for being immersive and intense, balancing raw energy with a ritual-like focus that has earned them a glowing and growing reputation beyond the Nordic region.

Line-up:
Gunnhild Sundli — Vocals
Magnus Børmark — Guitars, Nyckelharpa, Sounds, FX, Programming, Percussion, Backing Vocals
Jon Even Schärer — Drums, Percussion, Programming, Mouth Harp, Backing Vocals
Arent Todal — Hardanger Fiddle, Nyckelharpa, Violin, Sounds, Backing Vocals
Mats Paulsen — Bass, Backing Vocals

Production Credits:
Recorded at MagnuStudio; Øra Studio.
Produced by Kristian Fanavoll Tvedt & Magnus Børmark.
Mixed & Mastered by Jacob Hansen at Hansen Studios.

Guest Musicians:
Kristian Fanavoll Tvedt — Synths, Programming, Sounds, Guitar, Backing Vocals
Maria Franz — Guest Vocals on “Sannsiger”
Olav Luksengård Mjelva — Hardanger Fiddle on “Bergteken”, “Oskorsreia”, “Strandvaskar”, “Songen”, “Aude”
John Stenersen — Hurdy-Gurdy on “Mi Jord”
Knut Anders Vestad — Concert Grand Piano on “Jostedalsrypa”
Marit Aspås — Cello on “Jostedalsrypa”
Sylvelin Sundli — Upright Piano on “Bòd frå djupet”

Cover Art:
Martine Solstad Larsen (Sigil Artist); Martin Kvamme (Cover Art and Design).

Photography:
Ole Ekker

Follow GÅTE:
Official Website: https://www.gåte.com/
Bandcamp: https://gaate.bandcamp.com/
Facebook: https://www.facebook.com/Gaateband/
Instagram: https://www.instagram.com/gaate_official/
TikTok: https://www.tiktok.com/@gaateband
YouTube: https://www.youtube.com/c/G%C3%A5temusic
Spotify: https://open.spotify.com/artist/3YxkGgMvqCQA75aFpy6524
Apple Music: https://music.apple.com/artist/g%C3%A5te/73355577
Deezer: https://www.deezer.com/artist/16043
Tidal: https://tidal.com/artist/12122/

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