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A HEAVY QUIET Confront Technology’s Dark Side on Powerful New Single ‘Downsider’

Posted by tarjavirmakari on June 29, 2026
Posted in: Int. News, News. Tagged: A Heavy Quiet. Leave a comment

Blending alternative rock, hard rock, and metal, A Heavy Quiet‘s new single, “Downsider,” delivers a powerful commentary on the growing influence of technology and its impact on human connection, mental health, and modern society. The single will be released on June 26, 2026, and can be pre-saved via this link: https://orcd.co/a5pqawa

Created by musicians working across three continents, A Heavy Quiet combines the talents of Derek Graham (guitars, bass programming, and production) and Brett Ditgen (vocals, lyrics, and arrangements), with Jon Symons of Sonic Drive Studio handling mixing, mastering, and drum programming. Guitar and bass tracks are recorded in Shenzhen, China, vocals are recorded in Kansas City, Missouri, and final production takes place in the Netherlands.

Musically, “Downsider” will appeal to fans of Tool, A Perfect Circle, Ghost, and Red Line Chemistry. The track pairs heavy, atmospheric instrumentation with lyrics examining the unintended consequences of technological dependence, including social media addiction, algorithm-driven behavior, isolation, and the increasing role of artificial intelligence in everyday life.

According to Graham, the song’s inspiration came from a simple observation during his daily commute in Shenzhen.

“I always listen to music while going anywhere in Shenzhen,” Graham explains. “I started to notice that no one spoke to other people. There were lines of people sitting and standing and literally every one of them had their heads bowed staring at their phones. That’s when I realized that technology has really become too addictive.”

The song began with a series of rhythm guitar ideas that quickly evolved into something larger. After building the arrangement and recording an initial demo, Graham sent the material to Ditgen, who helped shape the structure and contributed key vocal ideas, including the song’s dramatic middle section.

A Heavy Quiet emphasizes that in addition to “Downsider’s” criticism of the unchecked growth of technology, the band’s own creative process remains entirely human, without the use of AI.

The band’s music is rooted in real-life experiences, drawing inspiration from personal struggles, loss, perseverance, and the challenges people face in everyday life. Their goal is to create songs with emotional depth while addressing issues that resonate across society.

“We are trying to write songs with deep meaning that describe the human condition,” says Graham. “Rock used to be a form of people’s folk music to speak out against things like oppression and the struggles of life. It seems rock got more commercialized and lost its way a bit. Now rock as a genre is growing again, so there is an important resurgence happening. We would be proud to be a part of that.”

Expanding on the song’s message, Ditgen describes “Downsider” as a reflection on the accelerating pace of technological integration and the unintended consequences that accompany it.

“Cell phones, apps, social media, AI, information tracking, psychologically directional algorithms, and so on,” Ditgen says. “All these aspects of technology seemingly beneficial to human progress, interaction, connection, efficiency, complete access to everything in reality are causing the uncontrollable overload of stimulation to levels of decreased mental health and increased dependencies.”

With “Downsider,” A Heavy Quiet delivers a timely and thought-provoking statement wrapped in powerful riffs, memorable melodies, and an unmistakably human perspective.

For fans of emotionally driven alternative metal and hard rock, “Downsider” offers both a warning and a reflection on the world we are creating for ourselves.

More info: aheavyquiet.com

NETHERWILDS Bring Fantasy, Fury & Feudal Rebellion to Live in New ‘Return The Goat’ Video

Posted by tarjavirmakari on June 29, 2026
Posted in: Int. News, News. Tagged: NETHERWILDS. Leave a comment

The goat is gone.

And for Worm Chewer, the dirt-covered peasant hero whose bizarre and beloved TikTok adventures have captivated millions of viewers and spawned the ever-expanding world of NETHERWILDS, that can only mean one thing: war, adventure, and perhaps a slightly better life.

Today, NETHERWILDS unveils the official music video for “Return The Goat,” the first chapter in an ambitious fantasy-driven saga that blends extreme metal, medieval folk influences, dark humor, and epic storytelling. The track serves as the opening salvo from the project’s forthcoming debut album, due later this fall via King Volume Records.

Directed by Noah Douglas and Jake Thompson and produced by Nathaniel Min, the video follows Worm Chewer and his newly assembled fellowship as they embark on a quest to recover a missing goat. What begins as a seemingly simple mission quickly unfolds into something far stranger, introducing viewers to the bizarre and captivating world of NETHERWILDS—a realm populated by peasants, kings, mystics, executioners, and revolutionaries.

Regarding the video, Worm Chewer states:

“Though mine goat hath vanished, I hath gained a fellowship of minstrels. Together we roam the kingdom performing our peasant metal in search of the goat, glory, and slightly improved living conditions.

The moving visions within this tapestry mark the start of our legend together and thou art hereby invited to become a part of it. Verily, the next time your lord is distracted by counting his coins, take up thine orb and ponder upon our quest. There are dark and strange times ahead and we shall require every peasant, serf and village fool we can muster.“

Stream “Return The Goat“: https://stayleveldistro.com/netherwilds_returnthegoat

Born from the imagination of Tokyo Police Club’s David Monks, NETHERWILDS has grown from a cult online phenomenon into a fully realized musical world where medieval fantasy collides with modern anxieties. Beneath the chainmail, mud, and absurdity lies a story about power, survival, inequality, and the enduring spirit of ordinary people.

Musically, “Return The Goat” offers a glimpse into NETHERWILDS‘ singular approach, combining thrash metal intensity, industrial grit, punk energy, folk instrumentation, and theatrical world-building into something wholly its own. The song marks the beginning of a larger narrative that will continue to unfold throughout the coming months as additional music and details surrounding the project’s debut album are revealed.

Follow NETHERWILDS: 
Instagram | TikTok | Bandcamp | Spotify | Apple Music

MORTIIS Drops New Album “Ghosts of Europa”, Out Now

Posted by tarjavirmakari on June 28, 2026
Posted in: Int. News, News. Tagged: Mortiis. Leave a comment
Photo credits: Claudio Marino

MORTIIS released last Friday, on June 26, 2026, the iconic Norwegian artist‘s eagerly awaited new full-length “Ghosts of Europa“, now finally revealed in its full dark glory!

MORTIIS comments: “Creatively, this album has been very liberating, in the sense that I just didn’t care about anything but the music itself”, the Norwegian emphasises. “I suppose, I always did that, but in the past, although I kept making highly experimental music, my work was usually considered to remain ‘within this or that genre’; with one or two exceptions. As ‘Ghosts of Europa’ was born out of just making music that reflects every conceivable idea, I could think of, it also explains why it seemed to take me forever to complete. I have left hardly a stone unturned in my experimentation. I am aware that the result will probably be dubbed as ‘yet another Mortiis sound’ although that pallete has become pretty wide at this stage, but this is simply what I do: I love to try out new things, to find new ways. I enjoy many sounds. And I refuse to follow any sort of ridiculous rule about ‘staying in your lane’!”

“Ghosts of Europa” is now streaming here:

With “Ghosts of Europa”, the enigmatic Norwegian artistic entity known as MORTIIS presents an album that he views as a creative liberation. During its long and winding creation process such concepts as genre, rules or experimenting with sounds dissolved while simply making music that reflected every conceivable idea on his mind without accepting any limitations became his guiding principle.

Of course, MORTIIS‘ musical handwriting is ever present. Echoes from the often quite divergent phases of his previous works can be found across “Ghosts of Europa”. Yet the creator of musical worlds left hardly a stone not turned in his epic quest for genuinely new ways of expression. As a result, this cinematic and visionary album often feels expansive, strange, and darkly dystopian. In this, “Ghosts of Europa” reflects its maker’s struggles while creating the album – as for him, these tend to come into existence at the cost of friendships and relationships as well as much soul searching. 

“Ghosts of Europa” has also been shaped to some extent by the original idea that involved a collaboration of MORTIIS with Stephan Groth from APOPTYGMA BERZERK based on their mutual fascination with the highly influential old German school of electronic music, and particularly TANGERINE DREAM and Klaus Schulze. When this fell apart, MORTIIS decided to continue on his own, and a long process of transforming the early recorded materials began.

Relics of this early stage remain in hints of the influences from Berlin as well as a host of guest contributions, but visions of bleak, desolate, and timeless alien landscapes warped and mutated the songs. This carried “Ghosts of Europa” also into spaces where MORTIIS never existed before.

In order to reflect both, the album’s general orientation towards electronic and industrial rock as well as the particularly wide range of stylistic influences reaching beyond its core, the choice of sound engineer fell on a most renowned specialist for precisely such sonic experiences: Luckily, Sean Beavan agreed to mix “Ghosts of Europa”. His credits include working with NINE INCH NAILS, DEPECHE MODE, SYSTEM OF A DOWN, GUNS N’ ROSES, and SLAYER among many other greats.

Cover artwork by Nihil – Layout by Laurent Clément (Dead Seed Productions)

In the beginning of the artistic entity MORTIIS there was black metal. The artist Håvard Ellefsen known as the musical entity MORTIIS started out as a bass player in and during the formation of legendary Norwegian band EMPEROR in 1991 and 1992. After parting ways with these black metal pioneers, MORTIIS embarked on a solo career, the so called ‘Era I’. From 1993 until 1999, the Norwegian released six full-length albums that were entirely composed on synthesizers and are considered to constitute a fundamental influence on the later Dungeon Synth genre.

In the next decades, MORTIIS evolved and redefined his sound through several eras that embraced experimental & heavy industrial rock, a new wave of gothic & electronic influences, experimental studio works, and back to his roots. 

During most of his career MORTIIS has performed with a mask and face prosthetic that turned his stage persona into an otherworldly being. Over the year, his looks have changed and evolved. For a time during ‘Era 0′, his live concept even abandoned the wearing of the iconic mask. MORTIIS’ stage entity has often been compared with a troll – a creature of Nordic folklore, which it was never intended to be according to the artist.

“Ghosts of Europa” is the sonic testimony of an experienced and matured musician, who created what he loves most and does best: electronic rock with stylistic influences from many genres while not being bound by any that creates dark soundscapes, cinematic sonic visions, and a plethora of emotions. Just when you think that you have finally figured “Ghosts of Europa” out, MORTIIS will surprise you with another facet and fresh aspect of his richly detailed masterpiece.

Tracklist
1. Ghosts of Europa
2. Return to the Old Fields
3. The Faith That Fades Away
4. Violent Silence
5. Transcending Morpheus
6. Tundra, Heart of Hell
7. Tribes of Dystopia
8. Farewell Romero

Line-up

Håvard “Mortiis” Ellefsen – vocals, keyboards, vocoder, bass guitar, programming

Guest musicians
Benedicte Computorgirl (COMPUTORGIRL) – vocals on track 4
Christopher Amott (ARCH ENEMY et al.) – guitar solo on track 7
Christopher Rakkestad (ELVARHØI, BOLVERK) – vocals on track 1-6
Emil Nikolaisen (SERENA MANEESH, BRIAN JONESTOWN MASSACRE et al.) – fuzz & noise guitars & additional FX on track 3 & 4
Iliana Basileios Tsakiraki (ENEMY OF REALITY, SEPTICFLESH et al.) – vocals on tracks 1, 2, & 5
Laurie Ann Haus (BLIZZARD GAMES) – vocals on track 1, 2, 5 & 7
Matthew Setzer (SKINNY PUPPY, LONDON AFTER MDNIGHT) – throat singing on track 7
Michal Kielbasa (BLACK MAGIC RITES et al.) – tubular bell & vibraphone on track 2, tubular bell on track 6 & tabla loops, additional synths & FX on track 7
Sarah Jezebel Deva (THE KOVENANT, CRADLE OF FILTH et al.) – vocals on tracks 1-3, 5 & 6
Thomas Bolverk (RAGNAROK, BOLVERK) – distortion, clean & sampled guitars on track 6
Thorsten Quaeschning (TANGERINE DREAM) – additional synths & sequencers on track 1
Vegard Blomberg (MOCK) – e-bow & guitars on track 2, additional Copicat, Space Echo, fuzz & e-bow guitars) on track 4, Copicat, Space Echo & fuzz guitars on track 4, fuzz guitars on track 6, fuzz & ambient guitars on track & guitars on track 8
Erling Blomberg – additional guitars on track 8

Recorded (re-recorded, re-animated & eternally tweaked and re-tweaked) at various locations over a thousand sessions during years of misery, poverty, and disdain (2020-2026) in Fredrikstad (NO)
Early vocal recording by co-producer Stephan Groth at Pitch Black Drive, Fredrikstad (NO)
Mix by Sean Beavan at The Grey Room, Crestline, CA (US)
Mastering by Jules Seifert at Epic Audio Media, London (UK)

Artwork by Nihil
Layout by Laurent Clément (Dead Seed Productions)

Shop
https://spkr.store/collections/mortiis
https://mortiiswebstore.com/pages/ghosts-of-europa

More info:
https://mortiiswebstore.com
http://www.facebook.com/officialmortiis
http://www.instagram.com/mortiisofficial

VOODOO HIGHWAY Release First Single & Video ‘Serpent’s Choir’ from Upcoming Album

Posted by tarjavirmakari on June 28, 2026
Posted in: Int. News, News. Tagged: Voodoo Highway. Leave a comment

Italian Classic Hard Rockers Voodoo Highway have released the first single and video, “Serpent’s Choir” from their new album “The Satan Inqviesta” (out: Septeber 18, 2026) via Pride & Joy Music today!

Voodoo Highway was formed in Ferrara, Italy, in 2010. In the same year, the band released their self-produced debut album, Broken Uncle’s Inn. The album quickly gained strong feedback from both critics and listeners, selling out its first pressing and receiving warm responses from the specialized rock and metal press. Classic Rock Magazine UK selected the album’s opening track, Till It Bleeds, as Track of the Month.
 
Only a few months later, Voodoo Highway entered the studio to record the follow-up release, Showdown, working with the production team DysFunction Productions (John Wetton, Fear Factory). The album was released in April 2013 through the German label Dust On The Tracks Records. Once again, the record received strong critical and public acclaim, selling out its first pressing within a few months and ranking among the hottest releases on several online distributors. Craig Gruber, former bassist for Ritchie Blackmore’s Rainbow, Gary Moore and Black Sabbath, described the band as “the new Deep Purple.”
The artwork for Showdown was created by Storm Thorgerson, the legendary Hipgnosis designer known for his iconic work with Pink Floyd, Black Sabbath, Led Zeppelin and many others. Voodoo Highway remain the only Italian band to have had an album cover created by the late British artist.
 
Following the release of Showdown, the band toured extensively across Western Europe until 2014. In 2015, Voodoo Highway recorded and released the EP Pervert County. In 2016, they began work on their third full-length album, The Ordeal, again recorded with DysFunction Productions. The album was released in 2017 through the Greek label Sleaszy Rider Records.
After a year of live activity, mainly in Italy and the Netherlands, the band entered an indefinite hiatus for personal reasons.

Between 2018 and 2025, Voodoo Highway performed only occasionally in their hometown. During a 2025 concert in Ferrara, the band decided to record their first live album, Made in Kachot, capturing what has always been their natural environment: the stage. The album was self-released later that same year.
Also in 2025, Voodoo Highway began recording their comeback album, The Satan Inqviesta, at Sonika Studios in Ferrara, once again working with producer Eddy Cavazza, also known as Silent Ghost and formerly of DysFunction Productions. 

Line-up: Federico Di Marco – vocals; Filippo Cavallini – bass, backing vocals; Massimiliano Sabbadini – hammond organ, backing vocals; Filippo Romeo- guitars, backing vocals; Giacomo Bazzani – drums

More info: Facebook

ROCK JUSTICE’s Debut Album “You’ve Been Served” Out Now

Posted by tarjavirmakari on June 28, 2026
Posted in: Int. News, News. Tagged: ROCK JUSTICE. Leave a comment

ROCK JUSTICE finally release their debut album „You’ve Been Served“, which is available on CD, ltd. Vinyl (incl. signed autographcard) and digital. On Bandcamp you also find exclusive shirt-bundles. 

You can get „You’ve Been Served“ here:

  • Order the album: https://save-it.cc/fireflash/youve-been-served
  • Get the album & exclusive bundles on Bandcamp: https://ff-rockjustice.bandcamp.com/merch

ROCK JUSTICE is a new hard rock/metal act featuring singer Maggy Luyten (Ayreon, Beautiful Sin, The Prize, ex-Nightmare) and guitarist Bas Maas (Doro, After Forever). The upcoming debut album, „You’ve Been Served“ blends varied song styles, tied together by a nostalgic vibe and well-crafted production. The musical direction was clear: Rock ’n’ Roll! Anything between hard rock and metal was welcome as long as it came from the heart. With ’70s and ’80s hard rock and metal running through their veins, the chemistry felt natural.

ROCK JUSTICE is completed by bass player Nick McGrath, a close friend of Bas since the late ’90s and drummer Mischa Aussems. „You’ve Been Served“ was produced by Bas Maas, co-produced by Maggy Luyten, and mixed and mastered by Luca Princiotta (Doro, a.o.). The album will be released on June 26th, 2026, via Fireflash Records. It’s an album meant to inspire, lift spirits and celebrate life. For Maggy and Bas, the goal is clear: “To touch people, bring positive energy and keep real shit alive, now more than ever!”

ROCK JUSTICE is:
Maggy Luyten – Vocals
Bas Maas – Guitars, backing vocals
Nick McGrath – Bass, backing vocals
Mischa Aussems – Drums

ROCK JUSTICE online:
Homepage: http://www.rockjustice.band
Facebook: https://www.facebook.com/rockjustice.band
Instagram: https://www.instagram.com/rockjustice.band
YouTube: https://www.youtube.com/channel/UCUhWLBgQUx2pATkTxojV4ow

Buzzed-About Rockers RETURN TO DUST Share New Video & Single “Sweet Escape’

Posted by tarjavirmakari on June 28, 2026
Posted in: Int. News, News. Tagged: RETURN TO DUST. Leave a comment
Photo Credit: Briana Sista

Buzzed-about rock band RETURN TO DUST — Matty Bielawski [guitar, vocals], Graham Stanush [bass, vocals], Sebastian Gonzalez [guitar], and London Hudson [drums] — are back with a brand new track and it blows the roof off with the buzzsaw guitars and haunting, lingering vocal melodies the band is known for.
 
Today, the band shares the video for new single “SWEET ESCAPE.” Watch it here.
 
“Sometimes the hardest thing to do is to stop holding on to a losing situation,” the band shares about the song.
 
2026 has been quite a banner year for Return to Dust thus far. They have led the rock revival, as their recent single “BORED” ascended to the top of the Active Rock Radio charts and the band won the iHeartRadio Music Awards “On The Verge” award. They hit the road on a headline tour and also supported Yungblud throgh the spring. RTD also shared its cover of OutKast’s genre-smashing, 2003-released, Grammy-winning, and chart-topping mega hit “Hey Ya!,” which was listed as No. 10 on Rolling Stone’s “Greatest Songs of All Time List “(2021). Return to Dust’s cover featured synth production from Puscifer‘s Mat Mitchell. Ultimately, they took an upbeat, feel good pop classic and given it an edgy, rock ‘n’ roll makeover, infusing the track with a darker, gloomier vibe — making it truly their own.

Watch the band’s performance of “Hey Ya!” at Red Rocks HERE
 
The band also shows zero signs of slowing down, and will remain on the road through the fall, as the stage is band’s most natural habitat. They will appear at festivals, support Breaking Benjamin and Chevelle in Europe, feature on a handful of Yungblud makeup dates, and will then return to the U.S. to support Theory of a Deadman and Sevendust. All upcoming dates are below and here.

RETURN TO DUST ON TOUR:
6/28—Helsinki, FI—Tuska Festival
7/3—Galicia, ES—Resurrection Festival

SUPPORTING BREAKING BENJAMIN + CHEVELLE:
7/6—Paris, FR—Pan Piper (Headline)
7/7—Paris, FR—Bataclan
7/8—Amsterdam, NL—AFAS Live
7/10—Birmingham, UK—O2 Institute
7/11—Glasgow, UK—O2 Academy
7/13—Belfast, IE—Telegraph Building
7/14—Dublin, IE—National Stadium
7/16—Manchester, UK—O2 Ritz
7/17—London, UK—O2 Forum
7/18—London, UK—Barfly (Headline)(SOLD OUT)

RESCHEDULED YUNGBLUD DATES:
7/28—Indianapolis, IN—Everwise Amphitheater
8/2—Kemba Live—Columbus, OH
8/4—Council Bluffs, IA—Stir Concert Cove-Harrah’s

SUPPORTING THEORY OF A DEAMAN + SEVENDUST:
8/7—Duluth, MN—DECC Arena
8/8—Rochester, MN—Mayo Civic Center
8/9—Omaha, NE—The Astro Theater
8/11—Fargo, ND—Scheels Arena
8/12—Bismarck, ND—Bismarck Event Center
8/15—Cedar Rapids, IA—Club 5 at Alliant Energy Powerhouse
8/16—Green Bay, WI—EPIC Event Center
8/18—Milwaukee, WI—The Rave
8/19—Decatur, IL—The Devon Lakeshore Amphitheater
8/21—Gary, IN—The Hard Rock
8/22—Grand Rapids, MI—GLC Live at 20 Monroe
8/23—Detroit, MI—Fillmore
8/25—Poughkeepsie, NY—MJN Convention Center
8/27—Hampton Beach, NH—Hampton Beach Casino Ballroom
8/28—Hampton Beach, NH—Hampton Beach Casino Ballroom
8/29—New Haven, CT—College Street Music Hall
9/4—Anderson, SC—Wendell’s Dippin’ Branch
9/5—Atlanta, GA—The Tabernacle
9/6—Dothan, AL—The Plant
9/8—New Orleans, LA—Fillmore
9/9—Houston, TX—Bayou Music Center
9/10—San Antonio, TX—Boeing Center at Tech Port
9/12—Corpus Christi, TX—Concrete Street Amphitheater
9/13—Midland, TX—Wagner Noël Performing Arts Center
9/15—El Paso, TX—Abraham Chavez Theatre
9/16—Tempe, AZ—Marquee Theatre
9/18—Las Vegas, NV—Bel-Aire Backyard
9/19—Del Mar, CA—The Sound
9/20—Riverside, CA—Riverside Municipal Auditorium
9/22—Salt Lake City, UT—Rockwell at The Complex
9/23—Idaho Falls, ID—Mountain America Center
9/25—Garden City, ID—Revolution Concert House
9/28—Great Falls, MT—The Newberry
9/29—Bozeman, MT—The Gallatin County Fairgrounds

ABOUT RETURN TO DUST:
Every ending sparks a new beginning. Return to Dust embody the sound of shedding the weight of the past while embracing the promise of tomorrow. The Los Angeles-based quartet brings a fresh perspective to alternative rock.

The band settled in Los Angeles to record standout single “Belly Up,” which rose through the Active Rock chart and was praised by Distorted Sound as “a grungy, punky thrill ride,” while Revolver applauded the group’s “Alice In Chains-inspired form of modern-day grunge.” 2024 saw RTD unveil their independent self-titled full-length debut with producer Jim Kaufman [Everclear, Night Riots, Helmet]. 

Return to Dust signed to Lava Records/Republic Records and released their Speak Like The Dead EP in 2025, featuring the breakout single “Bored,” which climbed to No. 1 at Active Rock radio. They quickly became a must-see live act, igniting stages at major festivals including Inkcarceration, Welcome To Rockville, and Sonic Temple, and sharing bills with rock heavyweights Chevelle, Three Days Grace, Breaking Benjamin, and Billy Corgan.

Return to Dust carried that momentum into 2026, earning an iHeartRadio Music Award win in the “On the Verge” category, tour dates with Yungblud, and announcing their first European appearances at Rock am Ring, Rock im Park, Nova Rock, Download, Graspop, and Tuska Festival. With a rapidly growing global presence, the band is poised to stand at the forefront of the next generation of rock music.

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