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WITCH OF THE VALE’s Triumphant Return with “Lovesongs For The Damned” Album

Posted by tarjavirmakari on May 13, 2026
Posted in: Int. News, News. Tagged: Witch Of The Vale. Leave a comment

It’s been a long time… way too long, in fact… since we last heard from Witch Of The Vale… It was back in 2021 that Cleopatra Records released their debut album Commemorate and, while the self-released digital singles “Love of a Father” and “Power of Love,” and the masterful 100 Ways To Leave Volume 1 EP certainly fed the fans’ hunger, Lovesongs For The Damned is sure to fill an aching void regardless.

Ethereal and haunting, Witch Of The Vale hail from the serene shores of Scotland’s myth-ridden Loch Lomond, and the remote – but so beautiful – Outer Hebrideas, and made their public debut in 2018, with the single “The Way This Will End.” They followed up with “Trust The Pain” and “Changeling” – evocative and emotional electronic soundscapes woven around Erin’s delicate but never less than captivating vocal.  That’s when Cleopatra discovered them.

And while it is easy to see how the duo have built such a loyal following among the Goth community, their sound expands way beyond any expected parameters – and into wider pastures too, with their music soundtracking such modern horror classics as Cocaine Werewolf, Baphomet and Scavenger.

Initially intended as a companion volume to 100 Ways To Leave Volume 1, but swiftly outgrowing the EP format, Lovesongs for the Damned is sensual and seductive, the kind of album that makes you yearn for darkness to fall – or which could cause it to do so, whatever time of day it is.  

Opening with an alternate version of  ”Love of a Father,” with Erin’s spectral vocal colliding with brutal,  brittle percussion; and delivering, too, an unheard revision of 100 Ways’ “Porcelain and Ivory,” Lovesongs for the Damned features remixes, too, of two of the collection’s most dramatic songs, “What’s Left of Me” and the title track.

And then there’s “The Curse,” which sounds exactly like the title says it ought to, and a contrarily fragile take on Johnny Cash/Nine Inch Nails’ “Hurt” – most recently heard as the very last recording ever made by the Witch’s Cleopatra label mate, the so sadly missed Melanie. Which is probably the right place to mention a future Witch of the Vale project, bringing their magic to another Melanie recording, “All The Pretty Little Horses.”  Watch this space for further details.

For now, however, we have Lovesongs for the Damned, a gorgeous collection that steps out of your dreams to foster a whole new, fresh reality.

DIGITAL: https://orcd.co/witchofthevale_lovesongsforthedamned

Track listing

  1. Love of a Father (alternate version)
  2. What’s Left Of Me
  3. Porcelain and Ivory (alternate version)
  4. Lovesong For The Damned
  5. The Curse
  6. Hurt
  7. What’s Left Of Me (Promenade Cinema Remix)
  8. Lovesong For The Damned (Minimalist Version)

SELFISH THINGS Announce New Album “Receptivity”, Out October 9th

Posted by tarjavirmakari on May 13, 2026
Posted in: Int. News, News. Tagged: SELFISH THINGS. Leave a comment
📸: Eden Graham

Alt-rockers SELFISH THINGS are thrilled to announce the release of their new studio album, ‘Receptivity,’ set for release on October 9, 2026 via FLG.

After releasing their single “Sunlight” in March, the band now unleashes their new track “Effigy,” along with an official video, available below.

Frontman Alex Biro comments:

“Admittedly – this was a song I hated that quickly became everyone’s favourite. I wrote the lyrics in an hour at the lowest point of my sobriety in 2022. I can’t say anything about it beyond it was stream of consciousness, clearly blistering, and is something I can’t listen to often without feeling sh*t I’ve tried to bury. I hope it brings you peace.”

SELFISH THINGS’ ‘Receptivity’ is a raw and unflinching portrait of frontman Alex Biro’s reckoning with collapse and recovery. Born from the ashes of a life derailed – years of relentless touring, addiction, and the stillness of a pandemic that forced reflection – ‘Receptivity’ is both a lifeline and a rebirth. Created alongside longtime collaborators Michael Ticar and Mike Tompa, and mixed by Sam Guaiana (Bayside, Neck Deep, Against The Current), the album took shape during Biro’s earliest days of sobriety. It’s not just a return – it’s a declaration. Brutally honest, emotionally charged, and rooted in redemption, ‘Receptivity’ stands as a testament to survival, accountability, and the strength to rebuild when everything falls apart.

Originally a moniker for Biro, SELFISH THINGS released their debut EP ‘Vertical Love’ (A Wolf at Your Door Records) produced by James Paul Wisner (Paramore, Underoath, Dashboard Confessional). The release earned the attention of BBC Radio 1’s Dan P. Carter and earned the band a 2017 cover spot on Spotify’s New Noise playlist.

Their 2019 debut LP ‘Logos’ (Pure Noise Records) produced by Drew Fulk (Knocked Loose, Beartooth, Lil Peep) landed the band on multiple Billboard charts before the COVID-19 pandemic cut the album cycle short, forcing the band into hiatus.

In the years since, Biro and bandmate Michael Ticar have collaborated with Juno Award–winning producer Mike Tompa, writing music born from the tail end of addiction and carried into sobriety.

Now four years sober and working in peer support within the touring community, Biro says the band’s return feels less like a comeback and more like a reckoning – a chance to speak plainly about addiction, mental health, and the danger of freezing people at their worst moments.

‘Receptivity’ is a triumph of the human experience. It is a story of a man who understands the depths of his own shadow, unafraid to face the thunder of his past. In a society obsessed with division and virtue signalling, the three friends have created something inextricably tied to challenging the status quo. An album meant to tell the story of a man willing to stand in front of the world and acknowledge his brokenness and its impact without blame. A man tired of division and anger. A man who is changed for the better.

Biro states:

“This wasn’t supposed to be an album. It’s still not really an album to me, or to any of us. More just… closure, I guess. I was at the beginning of my full-blown addiction on the last tour we ever did before COVID stopped the world in 2020. I hated myself and I hated the world more than I really knew at the time. I’m four years sober on the 18th of May, working as a sober coach and clinician with folks who struggle with the same things I do, even in my recovery. The profits will be donated to the hospital where I went to rehab, and (admittedly), we don’t really know where to go (or if we’ll go anywhere with it) afterward.”

“The only thing that’s brought me peace in the aftermath of the cataclysm of my addiction is being of service to others. I think deep down, releasing this for whoever needs to hear it is an extension of that. Everything beautiful blooms from the mud. Everything beautiful grows from the dirt”, he added. “This is for those who can accept that the things they’ve been through can either be the poison cup they sip from or the counterweight that lifts themselves and others up. That being imperfect is being human. And that suffering is singular, and universal.”

Pre-order the album here: https://ffm.bio/selfishthings-receptivity

Receptivity’ Track List:

  1. Intro
  2. Plant The Seed
  3. Sunlight
  4. Violence
  5. Effigy
  6. Cracks
  7. Liability
  8. Mugshot
  9. Eye For An Eye
  10. Outro

SELFISH THINGS are:
Alex Biro
Michael Ticar

More info: https://www.facebook.com/selfishthingsband

ROTTING CHRIST Announce Reissue of “Khronos”, Out July 10th

Posted by tarjavirmakari on May 13, 2026
Posted in: Int. News, News. Tagged: Rotting Christ. Leave a comment
Photo by © David Parham

ROTTING CHRIST, are reissuing their album Khronos. First released in 2000, the sixth album from the Greek legends stands as the final pillar of the band’s Gothic period, which started in the mid-1990s, before they turned toward the mythology and cultural roots that characterize their later albums.

Season of Mist will reissue Khronos on July 10, 2026. Pre-order: https://redirect.season-of-mist.com/RCReissues

Recorded in the dead of a Nordic winter at Sweden’s Abyss Studios, Khronos carries a sense of cold. Keyboards pull back beneath the guitars rather than ride above them. The album’s overall atmosphere leans toward shadow rather than sheen. Songs like “Thou Art Blind” and “Aeternatus” hit with a ferocity closer to Rotting Christ’s uncompromising 1993 debut Thy Mighty Contract than to the polished gothic sound of the recently reissued Sleep of the Angels. “My Sacred Path,” “Art of Sin,” and the title track hold onto the melodic intelligence of the band’s late-90s records, threading dark wave undercurrents through slower, more insinuating structures. The eleven-minute closer “Glory of Sadness” eventually yields to an industrial-inflected hidden passage—a signal, in its own oblique way, that a door is closing.

Among the most debated moments on Khronos is Rotting Christ’s cover of Current 93’s “Lucifer Over London”. The band’s restrained and deliberate reading of David Tibet’s Neofolk original drew divided responses on release and has continued to do so since.

Tracklist:

  1. Thou Art Blind (02:47)
  2. If It Ends Tomorrow (04:28)
  3. My Sacred Path (05:38)
  4. Aeternatus (03:15)
  5. Art of Sin (05:18)
  6. Lucifer Over London (05:16)
  7. Law of the Serpent (02:08)
  8. You Are I (03:27)
  9. Khronos (06:37)
  10. Fateless (04:10)
  11. Time Stands Still (05:04)
  12. Glory of Sadness (11:26)
    Full runtime: 59:39

Current Lineup:
Sakis Tolis — Vocals, Guitar
Kostis Foukarakis — Guitars
Kostas Cheliotis — Bass
Themis Tolis — Drums

Khronos recording Line-up:
Sakis Tolis — Guitars, Vocals
Kostas Vassilakopoulos — Guitars
Andreas Lagios — Bass
Georgios Tolias — Keyboards
Jan Roger Halvorsen — Drums (session)

Follow Rotting Christ:
Official Website: https://www.rotting-christ.com/en/
Facebook: https://www.facebook.com/rottingchristofficial/
Instagram: http://www.instagram.com/rottingchristofficial/
Twitter (X): https://twitter.com/athanatoieste/
YouTube: https://www.youtube.com/user/RottingChristOfficia/
Bandcamp: https://rottingchristofficial.bandcamp.com/
Apple Music: https://music.apple.com/artist/rotting-christ/28441629/
Spotify: https://open.spotify.com/artist/7FhkwcO8Jd7BRWdllBpXBJ/

Sátan Fest Announces Day Split for 2026 Edition

Posted by tarjavirmakari on May 13, 2026
Posted in: Int. News, News. Tagged: Sátan Fest. Leave a comment

The Icelandic Sátan Festival has announced the time table and day split for their 2026 edition, which will be held on 4-6 June in Stykkishólmi, Iceland. With the recent addition of Icelandic rock legends Sólstafir, the line-up for this year’s edition is now complete – with prestigious acts including The Haunted, Hamferð, Múr, Aborted and many more.

A full list of confirmed acts and the timetables per day can be found below. (Day) tickets are available here: http://satan-festival.com/tickets

Thursday June 4
Sót
Bootlegs
Carpe Noctem
Tailgunner
Cadaver
Voivod
Sventevith (Misþyrming and Nergal)
Stripshow

Friday June 5
Barnaveiki
Nexion
Gavin Portland
Múr
Necrowretch
Hamferð
Aborted
Sign

Saturday June 6
Kookaveen
Wistaria
Devine Defilement
Power Paladin
Skitsystem
Misþyrming
The Haunted
Sólstafir

Sátan is a three day metal festival happening in Stykkishólmur on the Snæfellsnes peninsula. The festival focuses on offering a variety of Iceland’s best metal bands as well as a carefully curated selection of international bands.

The organization behind Sátan consists of metalheads and musicians that have been active in the Icelandic scene for up to 30 years and have extensive experience of organizing music festivals and concerts as well as general band related activities.

Sátan prides itself on inclusivity and a good time for all; our goal is that everyone goes home with a smile!

Sátan Festival online:
https://www.facebook.com/SatanMetalFestival
https://www.instagram.com/satanmetalfestival
https://www.youtube.com/@SatanMetalFestival

DARKTRIBE Release Instrumental Version of Latest Album “Forgotten Reveries”

Posted by tarjavirmakari on May 13, 2026
Posted in: Int. News, News. Tagged: DARKTRIBE. Leave a comment
photo by Darktribe

Darktribe has released the instrumental version of their latest album “Forgotten Reveries”, originally released on November 2025 by Scarlet Records.

The fourth studio album for the cult progressive power metal act, “Forgotten Reveries” embodies the sonic and lyrical essence of the very own Darktribe universe. 

Join the French band in this whirlwind of catchy riffs and captivating rhythms, an essential call to arms for all fans of swirling, dynamic and melodic prog power metal. “Forgotten Reveries” explores themes such as fear, solitude, childhood, the journey of life, family, and the cultural heritage unique to each human being. 

Powerful, modern and forward-thinking, this record will immerse you in a world where time makes you lose your mind and humanity is left to its own devices. 

Life or death, hope or despair, you’re now at the crossroads of your legacy – step into the dark tribe!

artwork by Baptiste Araujo

“Forgotten Reveries” tracklist:

1 Paradox
2 I Walk Alone
3 The Fallen World
4 Sicilian Danza
5 Ghost Memories
6 Eden And Eclipse
7 From Star To Dust
8 Reality
9 Kings In The Sand
10 Mornings Of Fear
11 Son Of Illusion

Total running time – 53:51

STREAM IT – the latest album “Forgotten Reveries” available: ORDER IT/STREAM IT

In other news, Darktribe has announced the “Japan Reveries Tour ’26”:

28.08 Nishinari Club Water (Osaka)
30.08 Kanda Myojin Hall (Tokio) – Evoken Fest
31.08 Holiday Shinjoku (Tokyo)

Darktribe:
Anthony Agnello – vocals
Loïc Manuello – guitars, keyboards
Bruno Caprani – bass
Guillaume Morero – drums

YOTH IRIA Unleash New Video for ‘Harut, Government, Fallen’

Posted by tarjavirmakari on May 13, 2026
Posted in: Int. News, News. Tagged: YOTH IRIA. Leave a comment
Photo by Alex Haritakis

Hellenic black metal outfit YOTH IRIA presents their new video for “Harut, Government, Fallen.” The track appears on the band’s stellar third album, Gone With The Devil, out now on Metal Blade Records.

Comments bassist Jim Mutilator, “My path into occultism began in the late ’80s, shaped by revelations from my own demonic frequencies. This track is a tool for meditation and daily work with the demonic current. Real magic never breaks another’s free will – it leads to your own freedom and rebirth. Speak the words, visualize health and fearlessness, and change will begin.”

Watch the band’s previously released video for “The Blind Eye Of Antichrist” HERE and “Blessed Be He Who Enters” HERE.

Preview/purchase the record at: metalblade.com/yothiria

ABOUT THE BAND:
YOTH IRIA‘s trajectory has been on a steep ascent since crafty 2021 debut As The Flame Withers and 2024’s hypnotic Blazing Inferno, but there has audibly been a concerted determination to develop and expand in sinister new directions. “The creative workflow was similar to Blazing Inferno, yet we deliberately pushed ourselves to bring new elements into our music. We kept the immediacy of Blazing Inferno, the psychedelia of As The Flame Withers, and all the characteristics people expect from Hellenic black metal, while adding fresh sounds and atmospheres never before heard from YOTH IRIA.”

Predominantly stately tempos ensure the dark riffs, memorable melodies and flamboyant leads have space to breathe their fire, so that the blastbeats, when they come, devastate even more utterly. Flecks of Mediterranean folk and gothic cadences further expand the band’s sonic palate, while there are countless melodies so atavistically simple and primally satisfying they could be a thousand years old.

There’s a thrilling balance of ancient and modern, good and evil, harmony and dissonance on Gone With The Devil advancing YOTH IRIA as a hungry contender for extreme metal’s big leagues – an ever-improving unit with a glorious future. Appropriately, however, Gone With The Devil is best summed up with a line already coined by the band to describe their ongoing body of work: “Every note tells a story of rebirth, tradition, and the relentless pursuit of musical transcendence.”

The daemonic avatar YOTH IRIA was first explicitly summoned on Rotting Christ‘s legendary debut Thy Mighty Contract in 1993. Bassist/lyricist Jim Mutilator formed that band as Black Church in 1984, before also becoming a founding member of cult Athenian BM heroes Varathron for their first five years. Renewing the otherworldly atmospheres and occult ravishment for a new era, YOTH IRIA functions almost as the third panel in an apocalyptic triptych of Hellenic black metal excellence.

YOTH IRIA:
HE – vocals
Jim Mutilator – bass
Nikolas Perlepe – guitar
Naberius – guitar
Bill “Vongaar” Stavrianidis – drums

https://yothiria.com
https://www.facebook.com/yothiriaofficial
https://www.instagram.com/yoth.iria
https://www.youtube.com/@yothiria
https://www.tiktok.com/@yothiriaofficialpage

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