Photo credits: Philippe Parickmiler – Daynightpicture
Five years ago, PSYGNOSIS decided to go in a direction that few metal bands have ever taken. Not only did they ditch extreme vocals entirely. They added a cellist to lift their trembling riffs, precision beats and cosmic ambience to lofty new heights.
Today, the French quartet are streaming their stellar new album on the label’s YouTube channel. Listen to ‘Mercury’ HERE.
“Dear Aliens,” write Psygnosis. “We’ve been waiting for this moment for such a long time and now, here we are: MERCURY, our 4th album is OUT THIS FRIDAY!
“The creation of this album took place over several years: we took our time to offer you the best of ourselves. We are very proud of it and we hope you will enjoy this record as much as we do! Thank you to everyone who believed in us and allowed this album to exist.”
‘Mercury’ proves that Psygnosis really are on a different planet. Riffs and cymbals collide with the crushing force of asteroids on album opener “Öpik-Oort”. “Eclipse” floats through deep space, deathly quiet except for a few scattered twinkles, before the band show just how far they can bend the boundaries with balletic cello. By the time you reach 15-minute closer “Uranometria”, this band sound like they’re traveling toward another dimension, burning through the stratosphere with atomic levels of distortion, sawing string squeals and blast beats that rumble like rocket engines.
‘Mercury’ comes out this Friday, September 15. Pre-order the album HERE. Pre-save it HERE.
PSYGNOSIS is a project started in 2009 by Rémi Vanhove, who was eager to gather all of his musical influences into one entity. A first solo EP, “Phrases”, was released in June 2009 and lays the foundations of PSYGNOSIS’ music: an atmospheric extreme Metal with hints of electronic music. Rémi then surrounded himself with a second guitarist, a bassist and a singer, and continues to program the drums himself.
The first album “Anti-Sublime” was released in January 2012 and allowed the band to continue the artistic process started with “Phrases”. This release also marked the first encounters of the quartet with the public. After the EP “Sublimation” in 2013, Psygnosis came out with a second album in 2014. “Human Be[ing]” shows that the band has gained in maturity, through better digested influences and compositions whose structures become more complex.
The year 2015 marks an important change for PSYGNOSIS: The band made the radical choice to become instrumental by recruiting Raphaël Verguin as a cellist. A first EP “AAliens” followed, followed up by the full length “Neptune” in 2017, an ambitious opus of one hour and seventeen minutes inviting the listeners to travel to the ends of the Solar System.
Despite the instrumental aspect, PSYGNOSIS continues to assert its first intention: that of a Metal mixing nervous riffs, blast beats and atmospheric ambiences. The meeting of Rémi and Raphaël with the guitarist Elise Masliah and the drummer Thomas Crémier enables the quartet to stabilize its formation and to defend on stage PSYGNOSIS’ intense and emotional music.
Mexican-Canadian folk metal artists CABRAKAÄN refine rough metal with the sound of their ancestors. Their new album Aztlán tells of the era of Spanish colonization and slavery in Mexico, which provided the musical fabric of the country with threads of African and Spanish folklore. “Aztlán” is called the home of the Aztecs, though its location remains a mystery to this day. By using historical Mexican instruments, the musicians transform the genre of folk metal into a diverse, open field. One example for this is how prehispanic sound artifacts were rediscovered by researcher Agustin Garcia Reyes (an expert on the history of Mesoamerica), recreated and personally presented on the album.
Cabrakaän now let us take a look behind the scenes of their album production with the just released documentary Journey to Aztlán, which strikes the balance of cultural cohesion and the much needed break with the conventions of Eurocentric folk metal. The documentary dives deep into a world between Aztec culture and the modern way of life. What makes it so special for the inquisitive culture nerds among us metalheads, is the sometimes challenging journey of the people behind the mysterious name Cabrakaän, which is documented in the film. In order to help their ancient cultural heritage to a renaissance free of resentment and restrictions by means of 21st century heavy metal, and to reach a worldwide audience, the band migrated to Canada. This resulted in a moving, self-told musical story of exploration and discovery, learning and deep friendship. The band notes: “Mexico is a land of contrasts and nuances that enchants: a deeply rooted, ancient land.” Impressive images tell of the legacy of ancient folklore through sound, visuals, and the spoken word.
About Cabrakaän
Cabrakaän is a Mexican-Canadian folk metal band that relocated from Mexico to Canada shortly before the global pandemic after a moving performance in Calgary and friendships made as a result. Formed back in 2010 in Mexico by composer, drummer/percussionist, black/death metal shouter and producer Marko Cipäktli and classically trained soprano vocalist Pat Cuikani, the band quickly began to shake up the scene with sensational live shows.
Inspired by their shared love of the diversity of Mexico’s indigenous languages and cultures, the at first glance disparate duo combines a passion for raw metal with folk music and opera added in.
In folk metal, we all have become accustomed to thinking of the Middle Ages or hearing exciting stories from the time of the Vikings. With Cabrakaän, now composed of multi-national musicians from Mexico, Colombia, and Australia, who are based in both Mexico and Canada, Mexican ancestors and their deities get a voice – loud, colorful, yearning, passionate and always poignant. The disruptive nature of their own ancestral roots reach both deep into the Mesoamerican culture of the Mexica/Otomi people and simultaneously into the Spanish culture of their repressive conquerors. This makes Cabrakaän a gang of the driven, of explorers and cultural ambassadors. The appeal of the disreputable – the denied world of the Aztecs (Mexicas), Toltecs, Otomi and Mayas – gets a fair shot at becoming a place of aspiration for metalheads. Finally, because even in today’s times of empowerment, the confession of pre-Hispanic roots is still taboo in large parts of Mexican society.
Cabrakaän on Aztlán are: Pat Cuikani – Vocals Marko Cipäktli – Drums, Rough Vocals Alex Navarro – Lead Guitars David Saldarriaga Tobón – Rhythm Guitar/Bass Chellan Hoffman – Live Organs Reed Alton – Guest Vocals (La Cigarra)
Amongst the Ashes, the Finnish-based band, is poised to unleash a sonic storm with their latest release, “Seeding Hate”. This awe-inspiring track is a testament to the band’s unique ability to blend cinematic metal with compelling storytelling, offering listeners an electrifying journey through the realms of heavy music.
“Seeding Hate” is a tour de force that pushes the boundaries of metal, combining hauntingly harsh vocals, lightning-fast riffs, and mesmerizing Middle Eastern influences. The result is a musical composition that defies conventions, leaving listeners spellbound and craving more.
The lyrics of “Seeding Hate” serve as a metaphorical critique of the oppressive and unjust circumstances that have plagued Iran, where the people have endured unimaginable hardship while courageously resisting. Amongst the Ashes brings this powerful narrative to life with a sonic intensity that is both thought-provoking and cathartic.
What sets “Seeding Hate” apart is its ability to seamlessly transition from relentless heaviness to captivating melodies. The track boasts a catchy chorus that will have you singing along, and a breathtaking bridge that transports you to an entirely new dimension. Amongst the Ashes’ musicianship is nothing short of remarkable, showcasing their dedication to pushing the boundaries of what metal can be.
As listeners embark on this epic musical journey, they will be captivated by the intricate instrumentation, evocative lyrics, and dynamic energy that “Seeding Hate” exudes. Amongst the Ashes invites you to immerse yourself in this sonic masterpiece, urging you to explore the depths of their music and experience the raw power of their artistry.
“Seeding Hate” is now available on Spotify and other major streaming platforms. To stay updated on Amongst the Ashes and their future releases, follow them on social media and visit their website.
Composed by: Mikko Niskanen, Matias Rokio, Heikki Mäki, Antti Ohtonen, Joona Muistola & Aelian Hallaji
Lyrics: Heikki Mäki & Aelian Hallaji
Prepare to be swept away by the cinematic metal prowess of Amongst the Ashes. “Seeding Hate” is here to leave its mark on the world of heavy music, and it’s a journey you won’t want to miss.
About Amongst the Ashes: Amongst the Ashes is a Finnish-based band known for their innovative approach to metal. Their music combines elements of harsh vocals, melodic riffs, and diverse cultural influences to create a truly unique listening experience. With thought-provoking lyrics and a dedication to pushing musical boundaries, Amongst the Ashes is a force to be reckoned with in the world of heavy music.
German melodic metal six-piece sensation SILENT REVENANTShave just released the lyric video for their new single “Siren”, a dark and personal song that explores the haunting power of the past. The track is taken from their upcoming album “The Withering Of The Blue Flower”, which will be out on October 13th, 2023 via Wormholedeath.
Commenting on the track, the band shared, “Siren is one of our darker and personal songs. The song personifies unforgettable memories as a siren leading to doom with her enticing song. The siren thus stands metaphorically for the past, which not only haunts us but also invites us to dwell in it with bittersweet promises. Accordingly, the sound is both brutal and enticing. I think that almost every person knows such experiences and we all have heard the bittersweet singing of this “siren”.
Experience the spellbinding world of Silent Revenants and watch “Siren” on YouTube:
The video was skillfully created by Volume Agency’s team. Visit www.volumeagency.net.
Check out DÅÅTH‘s latest original single “The Silent Foray” featuring Per Nilson of Scar SymmetryHERE. The new digital single was mixed by Jens Bogren and mastered by Tony Lindgren with cover art being handled once more by Adrian Baxter.
Dååth is currently in the mastering phase of their upcoming Metal Blade Records debut full length album, which is due out in 2024. More details coming soon! The band is also pleased to announce that they have completed their lineup by adding Rafael Trujillo as lead guitarist.
Rafael Trujillo Photo by Radka Klein – Nachtfrost Visuals
Founding member and guitarist Eyal Levi comments on the band’s latest single and the addition of lead guitarist Rafael Trujillo:
“Two pieces of great news in the Dååth camp today:
First, we released a new song called The Silent Foray. I used our original demos from 1999 as a primary inspiration while writing this one. I think fans of The Hinderers and Futility will love it, especially the final third, where the synth and guitar layering create this epically lush and creepy climax. Overall, it’s just a slamming song with great riffs, great vocals, and a fantastic guest solo by Per Nilsson. It’s streaming everywhere. CHECK IT OUT!
Second, we have completed our lineup by adding Rafael Trujillo on lead guitar. Back in the summer of 2022, while searching for lead guitarists to feature on No Rest No End, Krimh sent me an Instagram clip of some Austrian guitarist with the same last name as the Metallica guy and told me that we should see if he would do it. Skeptical as I always am, I watched it and had my mind blown. As soon as I heard his playing, I wanted him in the band. So we asked him to contribute a guest solo to No Rest No End, which came out great.
It was so easy to work with him that we collaborated on our The Philosopher cover, which also went great. At that point, we were 2 for 2 with Rafael, and I knew we could work together. Time for the real test: We asked him to help finish writing a song from the upcoming album. His first ideas were all I needed to hear. We were 3 for 3. The rest is history.
You’ll hear his work all over the new album. His style fits us perfectly. He gets it. No matter what state the demos are in, he gets where we’re going with it, and that’s massive! Our classical backgrounds helped us connect musically. He has a history of playing with some of the all-time tech death greats, and he’s incredible at just about any genre you can throw at him. Perfect for this band. Like the rest of us, he has 3 million things going on simultaneously, so he fits right in.
That’s all I’ve got for now. I hope you enjoy The Silent Foray and share it with everyone you know.”
Rafael added:
“Exciting News!
I’m thrilled to share that I’ve officially joined Dååth as their lead guitarist! Over the past year, I’ve collaborated with these fantastic musicians and even had the opportunity to contribute to the upcoming album. It’s an absolute honor to be a part of this band, and I can’t wait to share the music with all of you.
But that’s not all! We’re thrilled to announce the release of our brand-new song, The Silent Foray.
Thank you for your continued support!“
Check out Dååth‘s new singles and covers below: Where the Slime Live (Morbid Angel cover ft. David Davidson) HERE Purified by Vengeance (original single) HERE The Philosopher (Death Cover ft. Dan Sugarman and Rafael Trujillo) HERE No Rest No End (original single) HERE
In other Dååth news, Metal Blade Records recently released the band’s second studio album and Roadrunner Records debut, The Hinderers, which was produced by the band and James Murphy and originally released in March 2007. The now classic album that fused elements of death, thrash, and black metal with technical virtuosity is now available for the first time ever on Vinyl, via Metal Blade Records, in the following colors: Red Smoke, Clear Smoke, and as Gray Black White Marble.
The Hinderers tracklisting: 01. Subterfuge 02. From the Blind 03. Cosmic Forge 04. Sightless 05. Under a Somber Sign 06. Ovum 07. Festival Mass Soulform 08. Above Lucium 09. Who Will Take the Blame? 10. War Born (Tri-Adverserenade) 11. Dead on the Dance Floor 12. Blessed Through Misery 13. The Hinderers
About the band: Dååth is an American progressive death metal band based in Atlanta, Georgia. The band began their journey in 1999 and stayed busy for just over a decade before taking a hiatus in 2011. In that time, Dååth released 4 studio albums (Futility – self-released 2004, The Hinderers – Roadrunner Records 2007, The Concealers – Century Media 2009, Dååth – Century Media 2010) and toured throughout the world with band’s like Dark Funeral, Naglfar, Zyklon, Dragonforce, Goatwhore, Chimaira, Throwdown, Dying Fetus, and Devildriver making a lasting impression with the metal community and its many subgenres. Dååth also landed a coveted spot on Ozzfest playing before tens of thousands of fans in outdoor amphitheaters across the US in addition to the infamous and long-running metal tour, Summer Slaughter.
In their time, Dååth managed to create an extensive fanbase worldwide with their unique brand of experimental death metal, which makes it no surprise that the metal community lit up once rumors of the band’s return began to surface online. The metal community only continued to buzz with support as members began making posts teasing new material. The metal world made it clear they were ready for the return of one of the strongest progressive death metal bands of the first part of the 00’s.
Dååth is now back with an updated lineup and stronger than ever, which can be heard in the group’s new single “No Rest No End” that saw digital release by Metal Blade Records on February 22, 2023. The track features guest solos by Rafael Trujillo (Obsidious, ex-Obscura) and Spiro Dussias and was mixed by Jens Bogren (Sepultura, At The Gates, Kreator, Dimmu Borgir), Mastered by Tony Lindgren (Enslaved, Katatonia, Leprous, Wardruna), with Vocal Production by Andrew Wade (A Day To Remember, Motionless In White, Wage War), and Engineering by John Douglass (Megadeth, Alluvial, The Contortionist).
Dååth followed up the release of “No Rest No End” with a cover of Death‘s “The Philosopher” that features Dan Sugarman of Ice Nine Kills and Rafael Trujillo and was released digitally on April 24, 2023.
On May 30, Dååth released the original single “Purified By Vengeance” that features both Mark Holcomb of Periphery and composer and sound designer Mick Gordon. The track was mixed by Jens Bogren, with Andrew Wade as vocal producer, and John Douglass handling engineering duties.
The band’s latest digital single, a cover of Morbid Angel‘s classic “Where the Slime Live” featuring a guest guitar solo performance by Dave Davidson of Revocation. The track was mixed and mastered by Dave Otero with artwork by Ryan Wolanski.
Technical Death Metal band GORY BLISTER just released their new seventh full-length album Reborn from Hatred via Eclipse Records on September 8, and earlier today, the band dropped a new lyric video for the song ‘Push Out the Venom’. The album was mixed by Ricardo Borges (Sepultura, Kreator, Carcass), and mastered by Peter Brussee (Steve Vai, Yingwie Malmsteen, Michael Bolton). ‘Push Out the Venom’ is the third music video taken from the new album, and it was directed by Maurizio Del Piccolo.
“Push Out the Venom is about rejecting negativity in the world, and healing from trauma” says lead vocalist John St. John. “The only way to find freedom from this negativity is by purging emotional toxins and embracing positivity. I think everyone needs to free themselves from negative influences and past traumas that have darkened their mind and soul. The message of this song invites listeners to expel emotional toxicities and encouraging them to wake up from their nightmare, embrace freedom and release their deepest fears.”
The new seventh album by Gory Blister is entitled Reborn from Hatred. The brutally-technical full-length release contains eleven masterful songs, with artwork by Augusto Peixoto of Iron Doom Design. It was Produced by Raff Sangiorgio and Gianluca D’andria, mixed by Ricardo Borges (Sepultura, Kreator, Carcass) at Fascination Street Studio, and mastered by Peter Brussee (Steve Vai, Yingwie Malmsteen) at Q Point Studio, and it was released on September 8, 2023. The music on the album screams for us to go hard, all the way, face-first into the den of our demons so we can wear their blood on our faces like war paint. The guitars on this record, while scorching, are patterned with such complexity, that there is a raucous intricacy to what is delivered as delicious and violent. The drum licks come in hurricanes of 4/4 and mixed meter time signatures, with the bass replacing our own pounding hearts. This is personal. Gory Blister are not just playing music, but providing our soundtrack as we walk through the fire. There’s a zombie in the funhouse, and we’re going in with baseball bats. There’s a rabid jackal loose in the gift shop, and we’re going in with a net. There’s a circus clown slaughtering people in the freak tent, and we’re going in with machetes, broadswords, and Mineral Mountain Battle Hatchets. The band never tells us to play nice, and like a muse inspires artists to create, Gory Blister shows us the way retool the darkness.
Gory Blister lineup Raff Sangiorgio (guitar/bass/synths), Gianluca D’Andria (drums), John St John (vocals)
THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
