Metal Shock Finland (World Assault )

The Magic Of Metal

  • Home
  • Interviews
  • Reviews
  • CHIEF SHOCK VIDEO
  • Metal Shock Times
  • PARTNERS
  • WhoWeAre
    • Advertising
    • Contact Us
    • MSF STAFF
    • We Recommend…

German RANĂ to Release New Album “Richtfeuer” on June 16th

Posted by tarjavirmakari on April 30, 2023
Posted in: Int. News, News. Tagged: RANĂ. Leave a comment

German black metal punks RANĂ will be releasing their new album, “Richtfeuer”, on June 16th 2023 via Breath Sun Bone Blood, making it the band’s debut to the label.

With “Richtfeuer“ RANĂ returns at full force in collaboration with Breath Sun Bone Blood with their second full length album. The album’s title “Richtfeuer” translates to “Leading Fire” or “Beacon”, and that is exactly what this album does…. Leads us into the burning down of this world with the hope of building a better
one.

Four tracks of raging black metal punctuated with elements of d-beat driven neo-crust, chanted atmospheres, and mournfully oppressive doom, laced with melancholic guitar themes and vocal desperation.

Starting with the devastating and crushing power of the 11 minute opener “Läutern”, RANĂ sets the course for the coming 40 minute despair riddled assault. “Flamura”, the second track sets the tone with a more d-beat blackened crust tone which quickly deteriorates into furious blast beats… Desperation and urgency creating a feeling of relentless anxiety. The third track “Richtfeuer” opens with chanted vocals and mournful picked guitars that devolve into slabs of doom thrown at the listener, with heartbreaking melodic lines supported and then obliterated by black buzz. “Our Smouldering Grief / Im Brand”, the album’s final chapter (the first half also appeared on 2022’s “Black Metal Rainbows” Compilation) features melancholic guitar lines weaving in and out of hope and despair. Between life and death. The second half of the closing aural assault, “Im Brand”, leaves the listener in a pile of ash and rubble, tripping over the remnants of the world and frameworks this album wishes to destroy. And deeply ingrained in the gut-wrenching grief of this album is a hopeless call to arms. A futile attempt to strive and rebel to find a crack in the circle…. And to find solace in potentially failing in the process, only to rise again, burning.

Beautiful. Utterly brutal.

Antifascist Black Metal.

CD packaged in oversized A5 offset print with metallic gold, recycled natural ultra matte stock. Two sided poster and printed canvas logo patch inside.

Cassette j-card offset print with metallic gold on recycled natural ultra matte stock. Two sided poster and printed canvas logo patch included.

Tracklist:

01. Lautern
02. Flamura
03. Richtfeuer
04. Our Smouldering Grief / Im Brand

More information at

  • https://ranacrust.bandcamp.com/
  • https://www.facebook.com/Ranacrust
  • https://www.instagram.com/ranacrust/

One-Man Band ANCIENT RUINS Signs with Wormholedeath for Upcoming Album “Hexahedron”

Posted by tarjavirmakari on April 30, 2023
Posted in: Int. News, News. Tagged: ANCIENT RUINS. Leave a comment

Epic/doom metal one-man band ANCIENT RUINS, formed by guitarist and vocalist Paul Delgado, has joined forces with Wormholedeath for the launch of his upcoming album Hexahedron. The album is scheduled to be released on May 26 2023 and will be available on all major digital platforms including Spotify and Apple Music.

Hexahedron is a powerful 7-track album that takes listeners on a journey of self-healing and understanding. The concept behind the album is the importance of forgiveness and letting go of past trauma and pain to live in the present moment. As Delgado explains, “One day our loved ones may not be there, but they are here now, so love all those around you, cause one day you won’t get the chance to. I believe that my message of self-healing and forgiveness is important”. The album is a combination of Iced Earth Death and Candlemass, influenced by Ancient Ruins’ love of mythology and mysticism.

Tracklist:

  1. Zero One
  2. Self Reflection
  3. Mental State
  4. Entombed
  5. Transformation
  6. Here
  7. Hexahedron

Ancient Ruins’ previous album, its self-titled debut, was released independently in 2021 and quickly gained popularity among metal fans worldwide. The second track, The Black Arts, was released as the album’s single and has received critical acclaim for its powerful lyrics and dynamic instrumentation.

By partnering with Wormholedeath, Ancient Ruins can now reach a wider audience and share its music with fans around the world.

For more information on Ancient Ruins and the upcoming album “Hexahedron”, visit:
www.instagram.com/ancient_ruins_official_
www.facebook.com/ancientruinsofficial

Take a look at the lyric video for “Here”:

German Thrash Veterans NECRONOMICON Unleash New Album “Constant To Death”, Out Now

Posted by tarjavirmakari on April 29, 2023
Posted in: Int. News, News. Tagged: Necronomicon. Leave a comment

Yesterday, April 28th, German Thrash Veterans NECRONOMICON unleashed their highly acclaimed 11th full-length album “Constant To Death”, via El Puerto Records. The album has already received many great reviews worldwide!

The band’s frontman, Freddy, shared:

“Today is release day and I am very proud of our new album “Constant To Death”. For me the album is a journey to our roots of punk and thrash metal but also a step into a new musical direction. It’s an album that I always wanted to write. Without cliché, without musical obligations. I wanted to write an album that I personally want to listen to day after day, and even after years I can still say: That’s exactly what I wanted.
I am happy to be able to present this album today.
With thrashy greetz
Freddy”

Order the album at http://necronomicon.epr.rocks/

With their eleventh studio album “Constant To Death”, NECRONOMICON embark on an explosive tightrope walk between Thrash, Punk and Power Metal. It was recorded and produced it in the band’s own headquarters and mixed and mastered by Achim Köhler.

Frontman Freddy describes “Constant To Death” as his most modern and at the same time most personal album: “There’s everything in these 12 songs, from typical NECRONOMICON sounds to catchy Power Metal to my musical origins of Punk.”

Due to the worldwide events, the album title “Constant To Death” is also the main theme of the lyrics. The Russian war of aggression on Ukraine, churches and their sexual abuse, child poverty and hunger…there are very serious and sociocritical lyrics, which turn out accordingly dismal.

Freddy, about the album coverart:
The album’s cover was designed by Kattrin Peter of Kudulounge. We wanted a cover that was similar to our ‘Monster’ [mascot] but somehow more mysterious, with a little more fantasy touch and still forms a reference to the name. Kattrin Peter worked on it completely. She is [also] responsible for the inner sleeve design and the back cover. I am very happy and satisfied with the result.”

Tracklist:

  1. Constant To Death
  2. They Lie
  3. Redemption
  4. Stored In Blood
  5. The Guilty Shepherd
  6. A Voice For The Voiceless
  7. Black Rain
  8. Children Cry Alone
  9. Bloodrush
  10. Down From Above
  11. The Blood Runs Red
  12. Poverty Show
  13. Outro

Watch the videos from the album
‘Constant To Death’ – https://youtu.be/MvL2ZD27GfU
‘They Lie’ – https://www.youtube.com/watch?v=IyxzCtusZQU

NECRONOMICON ….The Thrash Cult!

++++++

NECRONOMICON released their latest effort, “The Final Chapter” studio album on March 26th, 2021 via El Puerto Records.

Check out the singles from “The Final Chapter”:
“The Stormreaper” (Official Lyric Video) – https://youtu.be/S_11EObVAQI
“Purgatory” (Official Lyric Video) – https://youtu.be/hkq-Xks9CI8
“Me Against You” (Official Lyric Video) – https://youtu.be/X0BjYyGc-HQ
“Wall Of Pain” (Official Lyric Video) – https://youtu.be/p8UlLyEi0aM

NECRONOMICON’s Studio albums:
1985: Necronomicon
1987: Apocalyptic Nightmare (Gama-Records)
1988: Escalation (Gama-Records)
1994: Screams (D & S Records)
2004: Construction of Evil (Remedy-Records)
2008: Revenge of the Beast (Xtreem Music)
2012: Invictus (Massacre Records)
2015: Pathfinder… Between Heaven and Hell
2018: Unleashed Bastards (El Puerto Records)
2021: The Final Chapter (El Puerto Records)
2023: Constant To Death (El Puerto Records)

Line-up:
Freddy – Vocals / Melody & Rhythm Guitar
Marco Lohrenz – Bass
Rik Charron – Drums
Glen Shannon – Solo Guitar

More information at
BAND: https://www.facebook.com/necronomiconofficial | http://www.necronomicon.eu
MANAGEMENT: https://www.facebook.com/SplitScreenManagement | http://www.splitscreenproduction.com
LABEL: https://el-puerto-records.com

US Alt-Rock Outfit DAKAR Release First Single + Lyric Video for Title Track of Debut Full-Length ‘Say It Again’

Posted by tarjavirmakari on April 29, 2023
Posted in: Int. News, News. Tagged: DAKAR. Leave a comment

US Alt-rockers DAKAR are back with a blast with their debut full-length album “Say It Again”! Today the band reveals the first single and lyric video for the title track of the album!

Watch ‘Say It Again’ lyric video below.

“Say It Again” was recorded at Friends of Friends Studio in Jacksonville Fl, engineered, mixed & mastered by Brok Mende, who apprenticed with Butch Vig!

The band shared on “Say It Again”:
“We’re really thrilled with the way it came together with Brok”, said Edmunds. “Things clicked right away, and I think that comes out clearly with the work.”

Benfield: “It was a lot of hard work, and it’s great to be able to share this with everyone.”

AVAILABLE on All major streaming platforms worldwide

  • Apple Music: https://music.apple.com/us/album/say-it-again/1664355951
  • Spotify: https://open.spotify.com/album/5OL56bOz5BFS1twYaXAIvR

“Say It Again” track-by-track:

  1. Not Gonna Be Yo Sucka
    “Not Gonna Be Yo Sucka” is the rousing opening anthem of the album Say It Again, a dont-take-shit-from-nobody call to arms that appeals to the listener’s sense of purpose (what will inspire you/to fight for which you stand?/is it for power/or to serve your fellow man?”) to rally to challenge the forces that have convinced people to fight amongst one another. The song opens with thunderous toms from drummer Luke Jean, followed by the first of many overdriven, power chord riffs by guitarists David Benfield and Darrell Edmunds. While Edmunds’ vocals run point on this track, the harmonies and balance with Benfield settle in quickly and remain throughout the LP. “NGBYS” crescendoes into the crowd chant of the song’s namesake, setting a high bar that Dakar hits like a proverbial cowbell from track to track.
  2. Chase Scene
    A hook-driven ode to racing that hearkens to the band’s namesake, “Chase Scene” mixes a hard-charging rhythm riff, bending lead guitar elements and soaring, swooning vocal melodies with lyrical imagery that dares the listener to “catch me if you can”. The band expands its sound with a dreamy wah pedal-filled interlude and vocal ranges that push the boundaries of the band’s previous work.
  3. Say It Again
    While it may have been a last-minute edition to the album, Say It Again’s title track serves as an excellent microcosm for the band’s sound. Driving rhythms, powerful hooks, towering vocals; Say It Again checks all of the boxes of an epic rock song. “I Said it once, you can say it again!”
  4. Over the Line
    With no-frills, straight-to-the-point rock riffs and anthemic hooks, “Over the Line” describes a longview into a dystopian future resulting from acceptance of the overreach by powerful authoritarian forces into the rights and lives of everyone. The imagery of the lyrics couples with a pogo-inducing backbeat to produce chant-worthy refrains and the timeless feel of a foot-stomping hard rock romp.
  5. Come and Get It
    One of the first releases by Dakar from their initial EP, “Come and Get It” is a frenetic mini-medley within one composition. The twists and turns reflect a foray into the bases songwriters David Benfieldand Darrell Edmunds covered in their guitar-focused, rock-forward sound. The lyrics are an appeal to the attraction of the speaker’s love interest, a flirty missive backed by raucous guitar hooks and chants.
  6. Ronnie Jean
    Inspired by a trip to Ireland and fueled by Southern roots, Ronnie Jean is the story of two childhood misfits that grow into lifelong friends. The bouncing rhythms and chord progression are youthful and ambitious, while the chorus is an infectious sing-along that’ll have even the most serious of cynics tapping their feet.
  7. Clutches
    Dakar takes a respite from pumping the hard rock for “Clutches”, an off-beat off-ramp that features the bass work of Alejandro Soto under the surfy guitar color by Edmunds and Benfield. Edmunds’ vocals denote the despair of a lover who belatedly realizes it’s over. The fatalistic tone stands in contrast to the band’s usual high-energy optimism, but hints at the depth still to come as the band releases more work.
  8. Grab Your Reigns
    Uplifting, powerful riffs compliment the inspiring lyrics on Grab Your Reigns. With its straightforward hooks and dynamic harmonies, Grab Your Reigns is the perfect song to boost self confidence or inspire that extra push to conquer your dreams. “You can be who you want to be, it’s up to you to decide.”
  9. Reason
    It shouldn’t take listeners long to get a sense of Dakar’s penchant for bouncing between decades of guitar ethos – sometimes, in the same song. Such is the case with “Reason”, a cautionary love tale combining vocal hooks with shapeshifting sounds that could be placed in 70s punk, 80s glam or 90s alternative. With a lyrical theme of wisdom after love lost, the band’s writing reflects a certain maturity – or, at least, the scars of hard lessons.
  10. Animal
    Dakar doesn’t shy away from social commentary, and “Animal” fits comfortably in the catalog of tracks that delve into the uncomfortable – in this case, domestic violence. Drummer Luke Jean’s old-school punk beat leads the song into Darrell Edmunds’ radiant lead guitar hooks. Edmunds’ harmonies with fellow guitarist and vocalist David Benfield stand out as part of the band’s consistent sound throughout the ebb and flow of the album’s genre influences.
  11. Projection
    This no-frills kick to the earworm machine wastes no time eviscerating the subject of the song as a malignant narcissist (sometimes when you’re fucking with my head/I must remind myself not to believe a word you said/accusing me instead/of killing all the skulls under your bed) before delving into the group’s go-to vocal harmonies that evoke thoughts of mid-90s new-school punk.
  12. Escape From New York
    “Escape” was written as a reflection of Benfield’s homesickness while living in Brooklyn, New York. Fed up with snow in April and nowhere to stretch his legs, he packed his guitars and dog into his car and set off for home. Powering guitars, raw vocals, and southern undertones paint a clear picture “I can see it in my mind’s eye, I’m kicked back, drinking water from my spring.”
  13. Empire Dreams
    What happens when democracy gives way to autocracy and fascism? When capitalism is left unfettered? You start having empire dreams… With its blues-derived riffs, screaming guitars, and Dakar’s punk rock DNA, Empire Dreams dives into the dark possibilities of what happens when we stop fighting for what’s right, and let plutocrats and oligarchs take total control.

About the artwork the band shared:
“An ode to analog, the extreme close-up photo of the guitar amplifier tubes point to the intent of the band to refrain from heavy digital music production influences such as synthesizers as well as the current paradigm of an eternally “plugged-in” society.”

++++++

More on DAKAR:

DAKAR is the capital of Senegal. Dakar is a rally race. Dakar is also an American rock band from Duval County, Florida: named after the street in the Murray Hill neighborhood of Jacksonville where it was founded by David Benfield, Darrell Edmunds and Luke Jean in 2019.

Benfield and Edmunds initially based their songwriting in the style of 90s guitar-driven alternative hard rock with 2020’s Come and Get It EP and evolved from there, incorporating indie, punk, modern, and southern with an unabashed penchant for pro-democracy, anti-facist, pro-diversity, and anti-racist themes.

In 2021, Dakar followed up with their EP Over the Line, leading off with a raucous dystopian cautionary title track blending overdriven classic rock guitars with an anti-police state theme reflecting the sentiment of the previous year’s political strife in the U.S.

After a few attempts with a fourth member, the band recruited bassist Alejandro Soto and recorded their debut full-length, Say It Again, at Friends of Friends studio in Jax with engineer Brok Mendes. The band was unanimous in their account of the nine-month production process as arduous, but gratifying.

Of all the meanings of Dakar, the boys prefer the name derived from the Senegalese local Wolof word meaning “whoever settles here will be in peace”.

DAKAR are:
David Benfield – Guitar/Vocals
Darrell Edmunds – Guitar/Vocals
Alejandro Soto – Bass
Luke Jean – Drums

More information at:

  • Facebook: https://www.facebook.com/dakartheband
  • Instagram: https://www.instagram.com/dakartheband
  • Twitter: http://twitter.com/dakartheband
  • Bandsintown: https://www.bandsintown.com/a/383353
  • Reverbnation: https://www.reverbnation.com/dakartheband
  • Soundcloud: https://soundcloud.com/dakartheband
  • YouTube: https://www.youtube.com/c/dakartheband
  • Official Website: http://www.dakar.band

200 STAB WOUNDS Release “Masters of Morbidity” EP Feat. New Track ‘Fatal Reality’

Posted by tarjavirmakari on April 29, 2023
Posted in: Int. News, News. Tagged: 200 STAB WOUNDS. Leave a comment
Photo by Stephanie Cabral

Being released on April 28 digitally and as a 7″ – Masters of Morbidity contains two tracks including the title track that was originally released as a digital single on November 11, 2022 and the new track Fatal Reality, both of which were produced by Mark Lewis (The Black Dahlia Murder, Nile, Deicide, Krisiun, Whitechapel, Fallujah).

“Masters of Morbidity marks a whole new level for us as a band. Having fun writing and being open to incorporating some different things into our music that maybe we wouldn’t have done a year or two ago. We’re very happy with what we’ve put together and can’t wait to get more out to the masses. See you on the road!“

Check out the release at: metalblade.com/200stabwounds – and make sure to catch the band live while they tour the US on the Decibel Magazine Tour featuring Dark Funeral, Cattle Decapitation, 200 Stab Wounds, and Blackbraid out May 11 thru June 10. See full list of tour dates, including some solo shows leading up to the tour, below and get tickets at: 200stabwounds.net

The band recently sat down with Metal Blade Records while in Los Angeles in December 2022 and filmed a Rapid Fire Q&A with us. Check it out here: youtu.be/bzR7zT09Y-w

200 Stab Wounds
05/04 Memphis, TN – Growlers
05/05 Oklahoma City, OK – 89th Street
05/06 San Antonio, TX – Vibes Underground
05/07 El Paso, TX – Rockhouse Bar & Grill
05/09 Tucson, AZ – The Rock
05/10 San Diego, CA – Brick By Brick

Decibel Tour featuring Dark Funeral, Cattle Decapitation, 200 Stab Wounds, and Black Braid
05/11 Santa Ana, CA – The Observatory
05/12 Mesa, AZ – Nile Theater
05/13 Albuquerque, NM – El Rey
05/15 Dallas, TX – Granada Theater
05/16 Austin, TX – Empire Control Warehouse
05/17 Huston, TX – The Warehouse
05/19 Tampa, FL – Orpheum
05/20 Atlanta, GA – Variety Playhouse
05/21 Charlotte, NC – The Underground
05/23 Baltimore, MD – Baltimore Soundstage
05/24 New York, NY – Irving Plaza
05/26 Montreal, QC – Club Soda
05/27 Toronto, ON – Phoenix Concert Theatre
05/28 Pontiac, MI – Crofoot Ballroom
05/30 Chicago, IL – The Metro
05/31 Minneapolis, MN – First Avenue
06/02 Denver, CO – Summit
06/03 Salt Lake City, UT – The Complex
06/05 Seattle, WA – El Corazon
06/06 Vancouver, BC – The Vogue Theater
06/07 Portland, OR – The Roseland Ballroom
06/09 San Francisco, CA – The Regency Ballroom
06/10 Los Angeles, CA – Regent Theater

About the band: Formed in 2019, the Cleveland death metal quartet that Brooklyn Vegan refers to as “Stupidly Heavy” pays homage to old-school death metal in the vein of Cannibal Corpse, Dying Fetus, and Mortician while carving out their own brutal sound in this new wave of death metal starting to boil up in the metal scene.

BLACKBRIAR Release New Song + Video ‘My Soul’s Demise’

Posted by tarjavirmakari on April 29, 2023
Posted in: Int. News, News. Tagged: BLACKBRIAR. Leave a comment

Having refined their broody, mesmerising vision of gothic/symphonic metal to cinematic levels, with three EPs and a full-length album behind them, BLACKBRIAR continue to set their sails towards the future. The Netherlands based band are currently working towards their second full-length album, accompanied by long-time collaborator, Joost van den Broek. Today, the band have released a brand-new song titled ‘My Soul´s Demise’.

Stream ‘My Soul´s Demise’ here: https://blackbriar.bfan.link/my-soul-s-demise

Singer, Zora Cock about the new song: 

“My Soul’s Demise is a song about love and pain, where you’re willing to do anything for the one you love, no matter what, even if that means that it will destroy you in the meantime. Yet sometimes you wonder, would that person do the same for you? It’s inspired by the medieval practice of sin-eating, a ritual where mourning families hired a sin eater to consume their loved ones’ sins. The sin eater would eat food left on the dead person’s chest. The food was believed to have absorbed the deceased’s lingering sins. Sin eaters were paid next to nothing for their service, they were reviled, and seen as filthy people, full of sins. Villagers even avoided looking them in the eye. I learned about the sin-eater when watching an episode of Outlander, where a sin-eating ritual got introduced. 

Now it gets a bit more personal. While reading about the sin-eating ritual, and writing the lyrics, it reminded me of a story my dad once told me. A long time ago, my dad suffered from psychosis and was admitted to a psychiatric clinic. He told me a lot about his experiences, what it was like, and how his mind worked at that moment. He thought he was the devil incarnate, possessed by something dark, and he felt like everyone felt his evil presence as he walked by, everyone would flinch away from him. This made me write the bridge of the song “No one can even look me in the eye, everybody is flinching away from me as I pass by”. Somehow the story of a medieval sin-eater reminded me exactly of the way my dad explained how he felt, as if he had consumed the world’s sins and darkness. 

I read about the last known sin eater of England as well, which was a very heartfelt story. His name was Richard Munslow, and he died in 1906. It is believed that the tragic loss of four of his children at very early ages that died within one week may be the reason he resurrected the macabre ritual. This made me write the song from the perspective of willing to do anything for the ones you love.

The songwriting process of My Soul’s Demise went pretty fast. After writing the lyrics, I recorded some of my vocal ideas a cappella. This is how we mostly start writing a new song. I then sent it to René, with a note saying that it sucks and that he could probably throw it in the bin right away. Haha! Luckily he didn’t throw it away, and he actually liked what he heard, and made the basics for the song that same night. We brought the draft version of the song to our producer Joost van den Broek, and worked on it some more. Another instrumental part was added, so I needed to come up with some more vocals for that extra part. This was the more ‘quiet’ bridge part where I am doing some weird stuff. I wanted to do something with my voice as if I just consumed so many sins that I couldn’t handle it anymore, as if it had taken over my body, sort of possessed, and got inspired by Anna von Hausswolff.

We shot the music video at a medieval 12th-century church in the north of the Netherlands, and it took us two days to shoot it all. I always get fascinated by the atmosphere of standing in such an old building, shooting this video there felt perfect and so fitting. We were very lucky to be able to get all the freedom and time to be creative. 

Another thing that was perfect, is that the whole band portrayed a role in this story, even our ex-bass player Frank. Frank played the corpse, and it felt like we held a funeral for his bass-playing years for Blackbriar, celebrating the awesome time we spent together. A symbolic farewell. For this video we needed some extra actors to witness the ritual. We opened up a casting call to my Patrons, so the people you see sitting in the benches are all Patrons. But not only Patrons, you can also see my parents! For me, the video story itself was more challenging than other videos we did so far. I can say that I gave it my all, and I hope that you feel something when watching it. It’s one of the more personal songs of the album.” 

Posts navigation

← Older Entries
Newer Entries →
  • THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
  • Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
  • Ads

  • Metal Shock Finland

    Metal Shock Finland
Website Powered by WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    Metal Shock Finland (World Assault )
    Join 947 other subscribers

    Have a WordPress.com account? Log in now.

  • Metal Shock Finland (World Assault )
    View site in Reader
    Manage subscriptionsSign upLog in
    Report this content
    Collapse this bar