Swedish melodic hard rockers GATHERING OF KINGS third studio album “Enigmatic” will be released on July 29th via RN Records.
Now the band has released a final single “Long Kiss Goodnight” from the upcoming album.
The “Enigmatic” album was mixed and mastered by award-winning producer Thomas “Plec” Johansson in Skövde, Sweden with Ron Dahlgren, Nina Dahlgren and Victor Olsson as executive producers. The songs was written and produced by Victor Olsson. Drums were recorded at Nordic Sound Lab in Skara by Mikko Viitala and Victor Olsson. The cover artwork was created by Markus Vesper, who also handled the art on the previous two albums.
The album features a guest appearance from the Swedish pop group One More Time. Its members are the singers Nanne Grönvall, one of the most beloved and popular artists in Sweden, Maria Rådsten and Peter Grönvall, the son of ABBA’s Benny Andersson, on keyboards.
Their first single Highland, 1992, hit the charts all around in Europe. In 1995 they composed a song for the Swedish Melodifestivalen, “Det Vackraste” that won a grammy for best song of the year, and in 1996 they won the Swedish Melodifestivalen and represented Sweden in the Eurovision Song Contest with their song “Den Vilda”, which ended in 3rd place.
Gathering Of Kings are the successful project built by Ron & Nina Dahlgren, bringing together top musicians from the current hard rock scene in Sweden. The idea was to create an AOR/Melodic Hard Rock project/band like Tom Galley’s Phenomena or even Tobias Sammet’s Avantasia, with multiple vocalists and instrumentalists. Victor Olsson quickly became the main songwriter. The superlatives have hailed over Gathering Of Kings, which takes you straight back to the golden age of 80’s melodic hard rock and it is without a doubt one of the hottest acts in Sweden, now with two critically acclaimed records in the bag and the third album, “Enigmatic”, will be released in July.
After the debut album “First Mission”, Ron & Nina remodelled Gathering Of Kings from being a project to becoming a band with permanent members.
“Enigmatic” Track listing:
01. Galacticus 02. Vagabond Rise 03. Here Be Dragons 04. Firefly 05. How The Mighty Have Fallen 06. A Rainbow And A Star 07. The Prophecy 08. Feed You My Love (feat. One More Time) 09. Clone Trooper 10. Long Kiss Goodnight 11. New Life 12. Lionheart 13. Fool’s Cabaret (CD Bonus Track)
Musicians:
Jonny Lindkvist – Vocals Rick Altzi – Vocals Apollo Papathanasio – Vocals Tobias Jansson – Vocals Alexander Frisborg – Vocals Victor Olsson – Guitar Magnus Mild – Guitar Mikael Planefeldt – Bass Jonas Källsbäck – Drums Efraim Larsson – Drums Joel Selsfors – Keyboards
Special Guests:
ONE MORE TIME Nanne Grönvall – Vocals on Feed You My Love Maria Rådsten – Vocals on Feed You My Love Peter Grönvall – Keyboards on Feed You My Love
Additional backing vocals: Theresia Svensson
GATHERING OF KINGS – UPCOMING SHOWS:
28/7 Skogsröjet Festival, Rejmyre, Sweden (Acoustic Set) 29/7 Skogsröjet Festival, Rejmyre, Sweden (Electric Set) 5/8 Time To Rock Festival, Knislinge, Sweden 4/9 Indoor Summer, Hamburg, Germany
Following their much acclaimed, second album Translucent Blades (2020), October 14, 2022 will see heavy psych-doom outfit GRIN, the Berlin-based duo consisting of unshakeable power couple Jan and Sabine Oberg (Earth Ship, Slowshine) return with their forthcoming album, entitled Phantom Knocks.
Nothing has changed yet everything is different when it comes to Phantom Knocks, a collection of eight shamanic desert rituals that emanate from the mysterious space between the supernatural and the extraterrestrial. The manic tribal beat of album opener and previously-released, first single “Transcendence”, comes rolling in like a psychic thunderstorm, extrapolating the collision of millions of tiny aqueous ions to the mighty thunder of Sabine Oberg’s bass, which continues to send seismic shockwaves throughout the rest of the album to leave you shaking on your feet. Meanwhile Jan Oberg’s clean voice and spectral grunts create a haze through which high pitched droning guitars fade in and out, like tones of supernatural frequencies cutting through the haze of reality. Phantom Knocks takes you on a rocking ride across shifting extraterrestrial desertscapes, while your spirit flies high above in a mystic transportation through the astral plane.
But give ear, as GRIN has just unleashed a brand new track taken of their Phantom Knocks, check out the video for “Shiver”, featuring some footage of the recording sessions at Hidden Planet Studio, Berlin, here:
The groundwork of GRIN’s trademark heavy drum and bass sound was already laid as early as their 2018 debut album Revenant, which is no surprise, since Jan and Sabine have been actively making heavy riff-laden tunes for over ten years. Translucent Blades in 2020 further solidified GRIN’s brand of sludgy psychedelic doom metal with the addition of high pitched guitar drones and eerie soundscapes. Again recorded in Jan Oberg’s own Hidden Planet Studio, Phantom Knocks has the same earth-shattering qualities as its predecessors, but is in every way more vivid and more powerful, aptly demonstrating how the Berliners have perfected their chemistry.
Phantom Knocks will be available as CD, Tape Cassette and Digital formats on October 14, 2022, with a Vinyl release to follow soon. The album will be issued by the band’s own label imprint The Lasting Dose Records, you can pre-order your copy at THIS LOCATION!
(Album Artwork by Manuel Lambertz)
Phantom Knocks track listing:
Transcendence
Shiver
Aporia
Arcane
Apex
Rivulets
Servants
Spectral
GRIN Line-Up: Sabine Oberg – Bass Guitar Jan Oberg – Drums, Vocals, Guitars, Soundscapes Additional Musician: René Noçon – Hammond Organ on ARCANE
Jimmy Kay from Canada’s The Metal Voice recently spoke in depth to Queensrÿche singer Todd La Torre and Producer Zeuss (Rob Zombie, Over Kill, Sanctuary, Hatebreed) about the writing and recording of the bands upcoming new studio album Digital Noise Alliance that will be released on October 7 via Century Media.
Chris “Zeuss” Harris, previously worked with Queensrÿche on 2015’s “Condition Hüman” and “The Verdict” LPs.
When asked who did the drumming on the new album? “It was a 100% Casey. The only thing I was just inputting was ideas. Like oh man I thought of a cool thing here and I might talk to Casey or I would get on the drums and show him the part that I was hearing and if he liked it or the band liked it or it might have been implemented. I did not play one single drum bit nothing. This was a hundred percent Casey. I was just a co-collaborator as is everyone else in the band.” Todd
“We did some writing sessions in a mansion in Florida at Hulk Hogan’s old house. So we were working there and they have this huge ass room that’s just simply amazing and I said to Todd, we have to do the drums here (mansion) This has got to happen, we need to make this happen. And the kind folks that owned the house let us go there to record the drums. It’s probably some of the best drum sounds I’ve ever gotten. And by the way, to all the jackoffs out there that think they are fake (drums) or they’re all sound replaced, trust me there’s a mic on the top and bottom of every drum, everything that you hear is 100 percent .” Zeuss
When asked how many songs they wrote for the new album “I think the hardest part with the new album was choosing the songs because we had a lot of good stuff this time. We had like 20, 23, 24, songs ideas. I would say some of them might have been not as far along but they could have been probably made into a song. We also have to think like how the album is going to be. So sometimes there was a choice on picking a song not that it was better than another one. For example we need like a faster paced song on the record because we have like 6 mid tempos songs ” Zeuss
“At some point Zeuss was like, guys we have to commit and pick the songs and then we’ll refine those and if there’s a chunk from something else that we really love we can try to find a way to incorporate that into the chosen tracks.” Todd
When asked about if there was a strict a deadline when making the new Album “When Zeuss was down here (Florida) right before we went out on the Judas Priest tour, I was still cutting vocal tracks to finish up some loose ends, even some lead vocals like the night before he had to tear all his (studio) stuff down and and he went to bed at 3, 4 in the morning. It was like down to the last literally, last second. The record label has a deadline and there’s a lot of stuff that is involved behind the scenes. Not just well, we’ll put the record out whenever we want. There are deadlines and commitments and tours routed around a release date so if we didn’t put this thing out we wouldn’t be doing the touring that’s already scheduled to support the record and so on. So there’s a lot of things involved. ” Todd
“But obviously if you know that it’s totally not ready you have to say it’s just not ready, which we’ve done before. When you get to a certain point, like on this record, we knew that we could complete it but it was just down to the wire.” Zeuss
When asked about the second single Forest “This is one of my favorite songs on the new record by the way. What I love about the song is the space. It’s spacious, it’s mature, there’s layering, it’s not linear and on 11 the whole time. There are peaks and valley’s. This song to me is a mature piece of music. it’s simple but it’s very effective, it’s profound and I love the the spatial qualities about it, it’s just such a refreshing change from the constant sing high notes or chugs on the guitars. That music too is all fine and good but the beauty of Queensrÿche is the backyard is pretty big and we can do stuff like this and the song is still kind of within the boundaries of the yard that we have.” Todd
“The great thing about the band is I can suggest something really weird and odd and it would still work with the band because they have done so much in their career with experimenting and trying things and they have a lot left in the tank.” Zeuss
When asked about the lyrical theme on first two singles, ‘In Extremis’ and ‘Forest’ “I write dark content, I don’t usually write happy sounding stuff. That song ‘In Extremis’ is about being on your deathbed and you’re in the hospital and your hearing is the last sense to go when you pass away. So it’s about that perspective they think that you’re not responsive, that you probably can’t hear them, that you’re just laying there, they’re talking to you but you’re not responding. If I’m writing something that’s grim or dark or whatever or it’s in the less comfortable side of life that people should try to shy away from or they don’t want to go there. That song has a profound meaning. That’s where I live and there are a lot of times I will approach it this way, not a pessimistic way but a very pragmatic way. But then it will evolve into there’s light at the end of the tunnel and in the song ‘Forest’ it says help me find a way through this maze of misery lost without a trace, yesterday’s a memory. But then it says come see me in my dreams you know it’s inviting that presence to come see me I’m not afraid of you come, l embrace. I think everybody was expecting another rocker and we were like you know what they’re going to get all that exactly let’s really put this out because we believe in it and it is something different there’s a million bands doing hard heavy stuff we are not we’re gonna cut right through all that because we’re just doing something different. On this song it’s such a an important topic I have blown away by the support and the feedback people are sharing their stories, things like I just lost my mom two weeks ago or I buried my 15 year old daughter a year ago, all these stories that people want to share. They’re grown men, man I’m crying as I type this thank you, you really this is this is that’s what music’s all about you know striking a nerve.” Todd
When asked about other lyrical topics on the new album “There’s another song I’m not gonna say which one yet because there’s a music video for that song coming soon but it talks about today’s generation with this constant almost like a lack of respect you know there’s this overstepping, this traffic. It’s all this fast-paced stuff and it talks about this social change that’s happening with people on Tick Tock, look at me but they don’t promote anything. Everyone is so attention starved. This song on the album talks about this newer age that we live in. If I didn’t have to promote Queensrÿche or my music, I would delete my Facebook today. I would delete my Twitter today. I’m very thankful of the interaction and the positive feedback and the support that people give through those platforms, so it’s not to undermine them for using those platforms. That is not what I am saying. What I’m saying is I have no need to say look at me just because I feel like I need attention believe me I would rather be off the grid but because I do have this thing that I’m trying to promote and it’s how I earn a living that’s why I have it. And that is not knocking other people that don’t have anything to promote that are on these platforms that support the bands, that’s it’s just me personally. I do engage with the audience that supports what I do. That being said I really could be totally happy probably happier if I weren’t involved on the grid. ” Todd
When asked about the musical direction of the new album for someone who has never heard of the band before ” I would say this, it can be heavy at times, it can be intimate at times, the vocal range is all over the map. There’s dual leads for the guitar players out there and there’s really classic dueling harmony solos, creative drumming and interesting keyboard work. As far as the compositions on the record there’s a lot of variety, there’s a lot of ups and downs there’s a few surprises for sure. This record has some really cool industrial- ish ear candy. On Rage for Order’ they had all this like sampling and programming and sequencing and stuff like that and there’s some of that stuff in this record too ” Zeuss
“I would say it’s a melodic hard rock band with metal and progressive elements, there’s softness and real heavy stuff and there’s everything in between so there’s a nice variety.” Todd When asked what Queensrÿche album in the back catalog it can be compared to “It has elements of all their best material. I would say if you took all of the songs the are summarized from albums one to six. The first thing I wanted to do when I first started working with the band is get the F- guitars back (higher in the mix) and I think we succeeded with that ” Zeuss
What’s the meaning behind that of the album title Digital Noise Alliance “It’s actually more complicated than I can explain it. When we you look at the DNA of the Tri-ryche and you’re like what does that mean? You have this evolution of society where we are in a digital age. There are people that meet online that never met in person before, there are people that are part of support groups online that they feel comfortable whether it’s they were abused or it’s substance abuse problems. There’s a lot of support and help with groups and things that are online. People might not have the courage to go in person but there’s this buffer because they’re behind their computer but they can still be part of this network. There’s so many things that are intertwined with the digital aspect of the title it’s how we’re evolving as a society right. The noise aspect, it’s pretty noisy out there it’s there’s a lot happening, social media is a big example. For example if you if you took away the internet what would the political divide really be in the United States. There’s a lot of there’s a lot happening, it’s a very noisy environment. Then the Alliance you know we are Queensrÿche and we are evolving, societies are are evolving. I’m probably doing a disservice to the title right at the off the top of my head but it’s all encompassing of society, geopolitical things, human nature and the evolution of the human species and the human condition and all of that is encompassed in the lyrics of this record. That was one of the things we loved about the album title and Zeuss was there coming up with the album title with us. We were talking about these concepts and he said you know what about this this it sounds really cool. And Michael Wilton and the guys have always said you know it’s in our DNA. ” Todd
” A fan messaged me and he said something about the DNA of the band and I kept bringing up DNA, not Digital Noise Alliance but just DNA as a as a topic, and I was like well I wonder if we could like take that as and run with that somehow and it ended up working out.” Zeuss
Track List for Queensrÿche Digital Noise Alliance
In Extremis Chapters Lost in Sorrow Sicdeth Behind the Walls Nocturnal Light Out of the Black Forest Realms Hold On Tormentum Rebel Yell (Cover)
There is less than a month left until the major operation that should change the life of the legendary singer Paul Di’Anno. At the end of August in Zagreb, Croatia, Paul will undergo three operations, the most significant of which is one of the most difficult and complicated orthopedic operations; installation of custom-made bone, which extends from the thigh to the lower leg. According to the doctor’s observations, Paul should, after 7 years, get up from the wheelchair and start walking again in September 2022.
Numerous fans around the world gathered to help him achieve this goal in various actions, which was preceded by eight months of treatment in Croatia. Likewise, Iron Maiden did not forget their singer from the first two albums and covered a huge part of the costs. Paul founded his new band/project WARHORSE in Croatia and recorded the first songs. On that occasion, he released a special DVD single with two songs and a series of videos showing his treatment and progress in Croatia. All fans have the opportunity to receive a signed DVD single together with an event t-shirt from the Zagreb concert on May 21. Only 666 singles were released for this occasion, and less than 40 are left for sale. If you want to get this unusual bundle signed by Paul Di’Anno, hurry up, because all the sizes of the t-shirt are slowly disappearing and will only be available this month. For those who don’t get to buy this special bundle, from August 1 at http://www.maidencroatia.com/riggs they will be able to buy a special t-shirt with an illustration made for Paul Di’Anno by the legendary Derek Riggs, the father of the famous monster Eddie.
Finnish symphonic power metallers EVERFROST share a brand new single “Flyers” taken from “Frostbites”, an EP of anime opening song covers coming out November 2022.
The band adds about the track: “‘Flyers’ by the band BRADIObecame a big hit in the Japanese anime scene when it was used as the opening for cult classic show Death Parade. It’s a song we’ve wanted to cover for a long time because of its infectious groove and anthemic chorus, perfect for EVERFROST!
On this song we had the privilege of working with featuring vocalist Rob Lundgren, well-known for his bands Mentalist and Reveal, and vocal work on Youtube. His fun, energetic style was perfect for the track and he gave a great performance! Aside from arranging the song into a heavier genre, main songwriter Benji wanted to elevate the chorus specifically with a huge vocal sound. This lead to us having the pleasure to work with a group of excellent singers in Finland to provide the large group sound heard on the track. This group consisted of Yannis Papadopoulos (Beast In Black), Bini Silvennoinen (Blame Me!), Mikael Salo (ex-EVERFROST, Thy Row, Dyecrest) and Sara Strömmer (Shereign, ex-Fear of Domination).”
“It’s time to crank ‘Flyers’, put your hands up and have a blast this summer!”
EVERFROST is a Finnish symphonic power metal band known for incorporating Japanese anime and manga influences into their music, visuals and storytelling.
Metal fans and anime enthusiasts alike have described EVERFROST numerous times as the band they were always looking for as the music is created from a passionate desire to energize you, make you happy and take you away from the struggles of everyday life.
The familiar influences of classic and modern Finnish heavy metal (Nightwish, Beast in Black, Sonata Arctica, Wintersun etc) are present in the EVERFROST sound, however the band’s trademark wintery style combined with elements from non-metal genres such as eurobeat, dance pop and anime music bring a unique freshness to the mix. The result is an addictive cocktail that has proven to find its way into a wide variety of playlists, DJ sets, parties and live events.
Another big reason people fall in love with EVERFROST is because of how immersive the band’s universe is. Each album features ongoing stories of a group of characters living in a cursed city, sealed off from the world. The concept is inspired by the ‘secret cities’ experiments established during the Cold War. The band’s latest full length album ‘Winterider’ was in particular quite a unique release in the metal world, being a concept album featuring this world and characters in a fully coherent manga comic, following the story and working in tandem with the songs. It received critical acclaim and high scores from multiple well-known metal media outlets such as Kaaoszine, Powerplay Magazine, Bravewords Magazine and Tuonela Magazine. “9/10 The next great power metal band.” -BRAVEWORDS
The album also made it to Disk UNION Japan’s top 10 charts for two weeks, charting at number 1 for the first week. The band also won Tuonela Magazine’s ‘best new discovery’ award for 2019.
While the music may sound energetic and cheery, the lyrical themes are usually dark, melancholic and vulnerable, dealing often with escapism through fantasy and entertainment, death and loss, social isolation and hardship. These feelings and ideas are manifested in the stories and characters, however the core inspiration stems from how cruel and cold the real world can be at times. This combination of happy music with sad lyrics empowers listeners in whatever stage they are going through or have been through in their lives.
The band features keyboardist and songwriter Benji Klint-Connelly, guitarists Samuli Heiskanen and Joose Ylianttila, bassist Roi Partanen and drummer Jope ‘James’ Salminen. Past members have included vocalists Hew Wagner and Mikael Salo (Thy Row, Dyecrest). The band has also featured and worked with many other esteemed musicians such as Rob Lundgren (Mentalist, Reveal), Yannis Papadopoulos (Beast in Black), Asim Searah (Damnation Plan, ex-Wintersun), Sara Strömmer (Shereign, ex-Fear of Domination) and Bini Silvennoinen (Blame Me!).
Chief Shock Video
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
Ads
Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video