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Legendary Supergroup ASIA to Release Live Album “Asia – Live In England” on March 13th

Posted by tarjavirmakari on December 13, 2025
Posted in: Int. News, News. Tagged: Asia, Nightwish. Leave a comment
Photo Credit: Scruffy Bear Media

Legendary English rock supergroup Asia are thrilled to announce the release of the live album “Asia – Live In England”, out on March 13, 2026, via Frontiers Music Srl. 

To celebrate the announcement, the band unveil the live version of the hit song “Heat Of The Moment”, along with a live video available below.

Geoff Downes commented: “Heat Of The Moment” has an interesting story behind it. It was actually the final track John and I wrote for the ASIA album, and it ended up being the opening track and lead-off single. We threw it together in one afternoon. I had the verse, John had the chorus, although this was a guitar picking country-style piece in 3/4 time. We straightened it all out and bingo, there it was!”

“A couple of days later we wrote the middle 8 section, rehearsed it in the studio and recorded it straight down with band. Ironically, it still remains our most famous track to this day”, he continued. “Without it, I doubt the album would have been as big as it was, so I am very grateful to have been a part of the creation of HOTM. It’s still a really fun track to play live, and I hope it will bring back memories, and give pleasure to the listeners and fans all over the world for many years to come.”

Harry Whitley added: “Playing ‘Heat Of The Moment’ live is always such an incredible experience, it’s always electrifying and this recording was no different – it was such an exciting night and a thrill to revisit all of Asia’s catalog over the three nights. We’re really looking forward to fans hearing this whole live album and the others to follow…”

“This song carries decades of history – every note, every moment – and we hope listeners feel the same passion we pour into it night after night”
, Virgil Donati said.

John Mitchell also expressed his love for this track: “Heat Of The Moment” is a very dear song close to my heart. Having performed it a vast number of times over the years both previously with the John Wetton solo band and with John and Geoff in Icon, from the quiet introspective acoustic version at The Borderline to the full band amped up version in front of 12000 strong in St Petersburg, it is both an uplifting anthem and a quiet tonic for the soul which never fails to bring warmth to the many”.

Asia are back and roaring in their new, exhilarating line-up! Recorded live on the first of three unforgettable nights at Trading Boundaries in Sussex, in April 2025, this release captures the band performing their iconic 1982 debut album “ASIA” in full, along with a selection of their greatest hits.

Featuring Geoff Downes (keys), Virgil Donati (drums – ex-Planet X), John Mitchell (guitars – Arena, It Bites etc.) and the astonishing Harry Whitley (on bass and vocals), this fresh incarnation of Asia brings both reverence for the classics and a thrilling new energy to the stage. The setlist includes fan favourites like “Heat Of The Moment”, “Only Time Will Tell”, “Sole Survivor”, “One Step Closer” and “Time Again”, alongside video-era and bonus tracks such as “Ride Easy”, “Video Killed The Radio Star”, “The Heat Goes On” and “Daylight” (video exclusive).

Geoff Downes said: “Revisiting the entire first ASIA album brought all the great memories flooding back from 43 years ago. In the studio with John, Steve, Carl and, of course, the great Mike Stone at the production helm. I think at the time we knew we’d made a good album but could not have predicted the enormous success that followed, that made the band a household name across the world, and particularly in America. That said, it was a result of much hard work and effort from everyone involved. So, when I had the opportunity to put together the live album with the current and fantastic line-up of ASIA and in collaboration with Frontiers Music, it was really a no-brainer”.

“I was reminded of what a collection of great songs and performances made up the album – variety and musical dynamics to the fore. When we recorded it again earlier this year, I was drawn to some of the less featured tracks and realized how much they played an important part of overall album, in addition of course to the signature tracks such as ‘Heat Of The Moment’, ‘Only Time Will Tell’ etc.”, he continued. “We did this for you, the fans, and hope you really enjoy hearing these songs in the live setting performed in their entirety once again and enjoy it as much as we did creating and performing it”.

With Asia’s legacy spanning over 40 years – from multi-million selling albums like “ASIA”, “Alpha”, and “Astra” to defining the sound of the MTV era – this new line-up proves that the Year of the Dragon is bringing the legendary songs to life for a whole new generation of fans.

This is just the first of three live releases from Trading Boundaries, each capturing a full classic album from their initial trilogy in concert in audio and video. Experience the magic of Asia, live, where past and present collide in a spectacular display of musicianship and passion.

“Asia – Live In England” Tracklist:

1.    Heat Of The Moment        
2.    Only Time Will Tell    
3.    Sole Survivor
4.    One Step Closer
5.    Time Again
6.    Wildest Dreams    
7.    Without You    
8.    Cutting It Fine    
9.    Here Comes The Feeling    
10.    Ride Easy (Bonus track)
11.    Video Killed The Radio Star (Bonus track)    
12.    The Heat Goes On (Bonus track)

Line Up:
Geoff Downes
Virgil Donati
John Mitchell
Harry Whitley

Follow ASIA:
Website
Facebook
Instagram
X

WINDSWEPT Resurrect Historic Witch Trials on New Album “The Devil’s Vertep”, Out Now

Posted by tarjavirmakari on December 13, 2025
Posted in: Int. News, News. Tagged: WINDSWEPT. Leave a comment

In 2017, Roman Sayenko of Drudkh started a new band built on raw black metal. Now, Windswept are casting a cold spell over a dark moment in Ukrainian history with their upcoming third album The Devil’s Vertep.

“True Ukrainian Black Metal through and through”, This Is Black Metal writes in a review of The Devil’s Vertep. “Another stellar accomplishment out of Windswept.

“…a fiercely intense album that at times can be quite melodic and very raw” The Metal Pit says.

The Devil’s Vertep was released, Friday, December 12, 2026 on Season of Mist Underground Activists, and you can hear all six blazing tracks by listening to the full album stream at Black Metal Promotion.

Order the album here: https://orcd.co/windsweptthedevilsvertep

Across The Devil’s Vertep, Windswept retrace the witch trials that took place in Western Ukraine between 1753 and 1754. The album blisteringly unfolds across six acts: the grim discovery narrated in “Infanticide,” the escalating procedures of “Investigation” and “Torture & Confession,” the witchdoctor’s craft in “The Potion,” the broader networks of sorcery in “Nest of the Witches,” and the judicial reckoning in “Verdicts.” With a cold hard gaze, Windswept transform archival records into unflinching black-metal.

Tracklist

  1. Infanticide (6:10)
  2. Investigation (7:18)
  3. Torture & Confession (8:38)
  4. The Potion (6:58)
  5. Nest of the Witches (4:57)
  6. Verdicts (7:54)
    Full runtime: 42:09

WINDSWEPT return with The Devil’s Vertep, a new full-length rooted in historical documentation and stark musical expression. Inspired by The Black Book of Kremenets Castle 1747–1777, the record traces the witch trials of 1753–1754 in Western Ukraine, unfolding as a conceptual narrative across six compositions. Each track immerses listeners in a chilling atmosphere of accusation, confession, and execution, rendered through raw black metal shaped by both immediacy and conviction.

The project was founded in 2016 by Roman Sayenko, best known as the driving force behind Drudkh, alongside two close collaborators. Conceived as a space for spontaneity and instinctive creation, Windswept sought to capture black metal in its most unfiltered form. Sessions were approached with minimal preparation, often recorded in only a matter of days, ensuring the vitality of live performance informed every moment. While echoes of Sayenko’s other work could be felt, Windswept’s essence lay in improvisation and a raw fidelity to the Ukrainian black metal tradition.

Their debut, The Great Cold Steppe (2017), was stark and unforgiving, reflecting the desolate landscape of its title. The record quickly distinguished itself for its icy atmospheres and direct execution, a distillation of black metal at its harshest. This was followed in 2018 by the Visionaire EP on Ván Records, which deepened their exploration of fleeting, improvisatory intensity. A year later, The Onlooker (2019, Season of Mist: Underground Activists reaffirmed the band’s commitment to spontaneity. It offered a fierce, stripped-down sound that echoed early traditions while maintaining Windswept’s hallmark rawness.

With The Devil’s Vertep, Windswept turn toward historical narrative. Drawing on trial records preserved in the Black Book of Kremenets Castle, the album reconstructs testimonies of women accused of witchcraft, their brutal interrogations, and the violent judgments passed upon them. Each piece is tied to a specific chapter: “Infanticide” opens with the grim discovery of a newborn’s corpse, “Investigation” and “Torture & Confession” trace the harrowing interrogations, while “The Potion,” “Nest of the Witches,” and “Verdicts” reveal the network of accusations and the sentences delivered.

While The Devil’s Vertep marks Windswept’s first venture into Ukrainian demonology and witchcraft, these themes trace back much earlier in Roman Sayenko’s creative path. In the autumn of 1996, Sayenko began developing an unfinished project titled KOZLONOGYI (Goat-Footed):  a concept rooted in the same folkloric and mythological territory that would later resurface within The Devil’s Vertep. Although KOZLONOGYI never moved beyond a few rehearsals, its sketches and early riffs became the foundation for Windswept’s latest work. By reviving and re-working these ideas nearly three decades later, Sayenko bridges eras of black metal evolution, imbuing The Devil’s Vertep with a distinctly 1990s sensibility and reverence for the early traditions that shaped his artistic identity.

Recorded, mixed, and mastered at Viter Music with production handled internally, The Devil’s Vertep balances immediacy with conceptual cohesion. Its stark presentation reflects the gravity of the source material, while the cover art by Obsidian Bone situates the work in a visual landscape as unsettling as the music itself. By channelling the voices of the past, Windswept expand their raw black metal vision into a work of historical remembrance, turning archival fragments into a haunting artistic statement.

Line-up:
R. — Vocals & Guitars
T. — Bass
V. — Drums

Production Credits:
Recorded at Viter Music. Produced & engineered by R. & V. Mixed & Mastered by V. at Viter Music.

Cover Art: Obsidian Bone

A.A. WILLIAMS Releases New Single ‘Just A Shadow’ + Announces Signing to Reigning Phoenix Music

Posted by tarjavirmakari on December 13, 2025
Posted in: Int. News, News. Tagged: A.A. WILLIAMS. Leave a comment
Photo Credit: Jake Owens

Reigning Phoenix Music (RPM) proudly announces the signing of acclaimed singer, songwriter, and multi-instrumentalist A.A. WILLIAMS, whose work blends haunting melody with a distinctly heavy edge. This marks a powerful new chapter in the artist’s evolution.

To inaugurate the partnership, WILLIAMS unveils her new single “Just A Shadow”, a work of stark intimacy and emotional gravity. The new single appears alongside a striking animated video by Costin Chioreanu, which can be viewed here:

RPM co-founder Gerardo Martinez celebrates both the new release and the label’s partnership with WILLIAMS: “A.A. WILLIAMS is one of the most compelling voices in contemporary music. She is unafraid to explore vulnerability with a rare poetic depth. We’re honored to welcome her to the RPM family, and ‘Just A Shadow’ is a stunning introduction to what we’ll build together.”

“Just a Shadow” lands before her highly anticipated 2026 UK and EU tour. The tour kicks off on January 27 in Norwich and continues across the UK and Europe through March 7. Tickets are available HERE. 

Tour Dates — UK & Europe 2026

JANUARY

27 UK Norwich, Arts Centre
28 UK Milton Keynes, Craufurd Arms
29 UK Nottingham, Bodega
30 UK Manchester, Deaf Institute
31 UK Glasgow, G2

FEBRUARY

01 UK Leeds, Brudenell Social Club
03 UK Birmingham, Hare & Hounds
04 UK Bristol, Strange Brew
05 UK London, Bush Hall
06 UK Southampton, Papillon
07 BE Diksmuide, 4AD
08 FR Paris, Nouveau Casino
10 FR Toulouse, Le Rex
11 ES Barcelona, La Nau
12 ES Madrid, Villanos
13 PT Lisbon, Casa Capitão
14 PT Porto, Mouco
15 ES Donosti, Dabadaba
17 FR Grenoble, L’Ampérage
18 IT Milan, Legend Club
19 CH Aarau, KiFF
20 DE Munich, Live/Evil
21 AT Vienna, Chelsea
22 CZ Prague, Subzero
24 PL Warsaw, VooDoo
25 DE Berlin, Neue Zukunft
26 DE Cologne, Gebäude 9
27 NL Eindhoven, Effenaar
28 NL Utrecht, Tivoli Cloud Nine

MARCH

05 RO Bucharest, Control Club
07 TU Istanbul, Blind

About A.A. WILLIAMS

Having made her debut live appearance at the prestigious Roadburn Festival in the Netherlands off the back of a self-titled EP, A.A. WILLIAMS has since toured across the globe with the likes of CULT OF LUNA, EXPLOSIONS IN THE SKY, RUSSIAN CIRCLES, SLEEP TOKEN and THE SISTERS OF MERCY, as well as establishing herself as a headline artist – including a show at the iconic Queen Elizabeth Hall inside London’s Southbank Centre.

Standout festival appearances have dovetailed with two album releases – 2020’s Forever Blue and 2022’s As The Moon Rests, which both received widespread critical acclaim and put A.A. WILLIAMS firmly in the slipstream of the wave of female vocalists taking textured, epic and folk-rooted heavy music into new and progressive directions. A BBC session at the legendary Maida Vale Studios only bolstered WILLIAMS’ credentials.

Not one to rest on her laurels, she has also released a selection of ‘companion pieces’ – a collaborative single with Japanese post-rock titans MONO (“Exit In Darkness”); a solo covers collection recorded during 2020’s pandemic lockdown — Songs From Isolation — that garnered praise from THE CURE’s Robert Smith and SMASHING PUMPKINS‘ Billy Corgan for her unique take on their original songs; and perhaps most impressively, 2021’s arco saw the multi-instrumentalist completely rework her debut EP from rock instrumentation to a string ensemble, utilising her classical training and arrangement skills to stunning effect.

With new label partner Reigning Phoenix Music, 2026 will serve as a major milestone for A.A. WILLIAMS.

More on A.A. WILLIAMS:

Website: https://aawilliamsmusic.com
Instagram: https://instagram.com/aawilliamsmusic
Facebook: https://facebook.com/aawilliamsmusic
Twitter/X: https://twitter.com/aawilliamsmusic
YouTube: https://youtube.com/@aawilliamsmusic
Bandcamp: https://aawilliams.bandcamp.com
Spotify
Apple Music

GODSNAKE Release Standalone Single ‘No Happy End’ with Video

Posted by tarjavirmakari on December 13, 2025
Posted in: Int. News, News. Tagged: GODSNAKE. Leave a comment
[photo: Franz Schepers]

Hamburg’s modern melodic thrash/metal force GODSNAKE return with a standalone single: “No Happy End”, a previously unreleased track originally recorded during the sessions for their latest studio album Eye For An Eye.

Singer Torger comments: “‘No Happy End’ is a great piece of music that was originally recorded for our last album Eye For An Eye… and unfortunately had to be put on hold due to limited vinyl capacity/time. We are more than happy to finally release this sexy baby. Take it as an ear-candy to sweeten the waiting time for the new album. A typical GODSNAKE pearl: straight, powerful and catchy. We proudly present… ‘No Happy End’.”

Stream “No Happy End” HERE: https://save-it.cc/massacre/no-happy-end

The band is ready to open a new chapter in their journey. GODSNAKE will soon announce the full details of their upcoming studio album, promising a powerful follow-up to their acclaimed records Poison Thorn (2020) and Eye For An Eye (2023).

A few weeks ago, the band also unveiled the official video for “Blood Brotherhood”, featured on their album Poison Thorn.

Watch it here: https://www.youtube.com/watch?v=4XxlhIc8feM

The video was produced by Ingo Spörl / Hard Media, recorded at Poppodium Boerderij (Zoetermeer) on October 12th 2024, with additional Drum Cam footage by Graham Brown on October 10th during the Through Times Tour with Threshold and Grace And Fire.

Known for their sharp riffing, hook-driven songwriting and explosive live presence, GODSNAKE have spent the last years conquering stages across Germany, Belgium, Holland and Switzerland, performing with acts such as Rage, Brainstorm, Motorjesus, Emil Bulls, The Unity, April Art and most recently as main support on Threshold’s Through Time Tour. Their fanbase continues to grow steadily, carried by the band’s unmistakable blend of power, melody and modern aggression.

GODSNAKE are:
Torger – Vocals
Stevo – Guitars
Pepe – Guitars
The Walt – Bass
Sidney – Drums

GODSNAKE online:
http://www.godsnake.com
http://www.facebook.com/godsnakemetal
http://www.instagram.com/godsnakemetal
http://www.tiktok.com/@godsnakemetal
https://godsnakeofficial.bandcamp.com

HIRAKI Reveal New Single And Live Piano Session Video for ‘Thee Ode’

Posted by tarjavirmakari on December 13, 2025
Posted in: Int. News, News. Tagged: HIRAKI. Leave a comment
Photo Credit: Kim Andersen

Danish trio HIRAKI have revealed their new single ‘Thee Ode’ via famed German progressive label Pelagic Records.

Stream here: https://orcd.co/hiraki-theeode

HIRAKI have also revealed a live piano session video which you can watch here:

After spending the last few years channelling their explosive energy as co-conspirators with projects like the doom-rave collective JOHN CXNNOR, the synthpunk trio are now back in control of their own realm.

Brace yourself for a tidal wave of aggressive noise rock, an aggressive style of progressive synthpunk from the edge of the abyss. As a part of Denmark’s flourishing underground scene for dark and heavy music, the three-piece present a sonic assault to accompany the inevitable fact: our world is sick and we are all responsible for this. 

With foam at their mouths, HIRAKI sing, scream, and recite their way through songs about corrupted data and moral decay. Encouraged by boundless acts like Botch, Street Sects, and The Body, HIRAKI were formed in 2016, when the progressive rock band Liserstille went into hibernation. Jon Gotlev and Tue Schmidt Rasmussen then recruited their old friend and collaborator, Tim Frederiksen, to form a noisy trio unlike anything else on the Danish scene at the time.

In May 2017, the band self-released their EP Modern Genes digitally, on cassette, and as vacuum-sealed art prints. Later, it was also issued as a split vinyl with post-hardcore band We Are Among Storms (now EMBLA).

In 2021, the highly acclaimed debut album Stumbling Through The Walls was released through American label Nefarious Industries, which firmly cemented HIRAKI as a vital force within Denmark’s thriving underground scene for dark and heavy music.

In 2022, the songs found new life with ALTERER – Stumbling Through The Walls REWORKED, also released on Nefarious Industries – featuring ten unique reinterpretations by visionary and stylistically diverse artists. Pressed on recycled vinyl and hand-assembled by HIRAKI themselves, all profits were donated to Doctors Without Borders.

HIRAKI have played countless club and festival shows across Denmark, including Ilter Festival in Odense, SPOT Festival in Aarhus, and Store VEGA in Copenhagen during A Colossal Weekend. The band has also supported the American act The Armed in Hamburg and Berlin and toured in Norway.In recent years, HIRAKI have focused heavily on collaborative projects across genres and musical backgrounds – including vocal performances at large-scale shows with the doom-rave collective JOHN CXNNOR at Roskilde Festival and Copenhell, and most recently, a creative partnership with the Danish-Korean indie ensemble Meejah, with new music on the way.

For more:
https://www.instagram.com/hirakiband
https://www.facebook.com/HIRAKIband
https://pelagic-records.com

DIEVERSITY Release New Single + Video ‘Trees of Yesterday’ from Upcoming Album

Posted by tarjavirmakari on December 13, 2025
Posted in: Int. News, News. Tagged: DIEVERSITY. Leave a comment

DIEVERSITY release another single from their upcoming album “IV” (release date: January 16, 2026).

“Trees Of Yesterday” literally showcases the band’s diversity. Modern metal—melodic, despite or perhaps because of the growls, spiced up with atmospheric keyboards! 
It definitely sounds like it will be a catchy tune!

The album will be released on CD and colored vinyl (gatefold cover)!
Pre-sales are already underway: dieversity.epr.rocks

Digital single: save-it.cc/epr/trees-of-yesterday or directly on Spotify

Who is DIEVERSITY?
Franconia is known not only for its beers, wines, and sense of humor, but also for its outstanding heavy metal bands. One of these bands is DIEVERSITY from Würzburg. Founded over a decade ago, they forged a modern metal sound that delivers explosive power and is bursting with melody. The band name is no coincidence – diversity is the guiding principle for these creative musicians. DIEVERSITY made a strong impression with their debut album Last Day Tomorrow  and showed that modern metal doesn’t just have to come from Scandinavia. – even though Swedish influences have always played a role, as shown by the guest appearance of Björn “Speed” Strid (SOILWORK) on their follow-up album ReAwakening. A new chapter was written with the album Age Of Ignorance.   Now it’s time to turn the page again. In 2025, DIEVERSITY presents itself with a new lineup – both musically and personally refreshed. Their sound has undergone a striking transformation, shaped by modern genre heavyweights like Architects, Monuments, and Wage War. Heavier, more technical, more progressive – and yet still unmistakably DIEVERSITY.  This evolution culminates in the upcoming fourth studio album: IV, set for release in  January 2026. A statement. A new beginning. A band that doesn’t reinvent itself – but evolves. Consistently, uncompromisingly, and in tune with the times. DIEVERSITY 2025: modern metal from Franconia – as sharp-edged as ever, but with a new blade.

Tracklist:
01 – IV
02 – Piece Of Mind
03 – Blame Me
04 – Animal
05 – Gears Of Society
06 – Tyrant
07 – Trees Of Yesterday
08 – Short Fuse
09 – Free
10 – The Hunt
11 – Phantom Silhouette

The story of DIEVERSITY begins in 2010. Olav Langer and Daniel Heß founded the band, and shortly afterward, Chris Walther, Michael Steger, and drummer Dominik Waldorf joined the lineup. The musical concept was clear from the start – modern, melodic, yet aggressive metal with socially critical lyrics. In 2012, the band successfully released their debut album Last Day Tomorrow, with the title track even reaching #1 in the metal charts. Their second album ReAwakening followed in 2015. Two professionally produced videos were released for the songs Stop War Inferno and In Your Dreams. Numerous festival appearances (including Christmas Bash, Bonebreaker, and Metal Franconia) and club shows across Germany reflect the band’s growing popularity. Over the years, DIEVERSITY has shared the stage with acts such as ORDEN OGAN, DEW SCENTED, BLIND GUARDIAN, HÄMATOM, ICED EARTH, and HOLY MOSES – proof of the stylistic range that the Franconians bring to the table. Lineup: At the end of 2021, the third album Age Of Ignorance was released. High-quality music videos accompanied the singles End Of The Line, The Bitter Taste Of Sin, and Clouds Of Misery. The current lineup is completed by vocalist Robin Mattner. Recently, Max Sommerlad has joined as the new bassist. While the band has decided to move forward without a permanent keyboard player, they will continue to incorporate modern sounds and electronic elements – synthesizers and programmed arrangements remain an essential part of their style. With their upcoming fourth studio album IV, scheduled for release in early 2026, DIEVERSITY is set to write the next chapters of their band history.

Live:
January 16, 2026 “IV – The Unleashing” – Album Release Show – Würzburg | B-Hof
February 14, 2026 Sputnik Metal Night IV – Münster

Line-up:
Robin Mattner – Vocals
Daniel Heß – Guitars
Olav Langer – Guitars
Max Sommerlad – Bass
Dominik Waldorf – Drums

More Info:
www.facebook.com/Dieversity
www.instagram.com/dieversity_band

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