Mantra Of The Cosmos As an all-star band featuring iconic names in the shape of Happy Mondays / Black Grape duo Shaun Ryder and Bez with Andy Bell (Oasis, Ride) and Zak Starkey (Oasis, The Who, Johnny Marr), Mantra of the Cosmos captured a wave of interest with their first two singles ‘Gorilla Guerilla’ and ‘X (Wot You Sayin?)’ as well as a memorable Glastonbury debut, headlining the Glade Stage.
That fascination was naturally amplified when they were joined by Oasis legend Noel Gallagher for the single ‘Domino Bones (Gets Dangerous)’ which instantly sold-out its first limited edition vinyl pressing. Now Mantra of the Cosmos aim to reach a much larger audience with the release of ‘Domino Bones (Gets Dangerous)’ on Clear limited edition Vinyl.
Named after Bez’s first band, ‘Domino Bones (Gets Dangerous)’ is a whirlwind of psychedelic chaos, a maximalist explosion of heady psychedelia, thumping big beat and sprawling acid rock. Or as Zak Starkey states, “It’s ‘Free Bird’ for mods.” Zak Starkey says, “The Cavern gigs were amazing, as was the reaction to the vinyl release. Working with people like Noel, Shaun, Andy and Bez is always a pleasure – these are the greatest musicians of their generation. We have more singles coming this year with some VERY special guests – this is the year of the Mantra!”
In a conversation with The Times, Noel Gallagher stated: “It’s Dylan, Dali, Ginsberg and a bit of cosmic jibber-jabber. Add in Bez, who dances on the tunes like Zak plays the drums and Andy Bell plays all things stringed, and you have it.”
The accompanying video for the track was filmed by Zak Starkey using his four year old daughter’s toys, and edited by Nick Franco at 1185Films.
The track’s original launch received media coverage across, amongst others, NME, Radio X, The Guardian, Rolling Stone, Evening Standard and Clash. The collective celebrated the release of the single by playing two shows at Liverpool’s storied Cavern Club: the venue where Zak’s father, Ringo Starr, cut his teeth with The Beatles.
The idea behind Mantra of The Cosmos started when Zak Starkey formed a supergroup – featuring Liam Gallagher, Roger Daltrey, Ian Broudie, Bonehead and Jay Mehler – to perform ‘My Generation’ during a revival of the TV show ‘TFI Friday’ in 2015. Zak met Shaun Ryder that night, and soon followed up to suggest forming a band in which Shaun’s charismatic lyrics were the focal point. Shaun volunteered Bez to join the fun during that same conversation, before Zak completed the line-up with his old Oasis bandmate Andy Bell.
The connection between Zak and Noel Gallagher started in 1995 when the guitarist dropped in to see the drummer rehearsing with his band Face. Zak subsequently met Liam Gallagher at Oasis’s Earls Court shows in 1996. As he remembers, “We’re mods, so we got on straight away.” Zak joined Oasis in 2004 and remained until 2009, playing on the albums ‘Don’t Believe The Truth’ and ‘Dig Out Your Soul’.
With less than six weeks until the arrival of their eighth studio album on January 9, 2026, ALTER BRIDGE return with their brand-new single, “Playing Aces.” The track bursts open with the band’s trademark dual-guitar firepower as Myles Kennedy (vocals/guitars), Mark Tremonti (guitars/vocals), Brian Marshall (bass), and Scott Phillips (drums) lock into the muscular groove that has defined their sound for more than two decades. The propulsive verses build into a soaring, unforgettable chorus, highlighted by Kennedy’s declaration: “If I risked it all, I hope you’ll understand that I had to play my hand…”
“Playing Aces” is available now across all digital service providers. The accompanying music video—directed by J.T. Ibanez—is also out today and can be seen below.
Myles Kennedy explains: “The term ‘Playing Aces’ ties in with the gambling analogy of risking everything regardless of how many times you’ve failed in life. It’s a last-ditch effort to come out on top.”
With over twenty years as one of rock’s most consistently acclaimed bands, ALTER BRIDGE continue to push forward. Renowned for their towering riffs, infectious melodies, and masterful guitar interplay, the quartet will release their self-titled eighth studio album on January 9, 2026 via Napalm Records.
The forthcoming album features 12 brand-new tracks that capture some of the band’s most compelling work to date. Songs like “Rue The Day,”“Disregarded,” and “Scales Are Falling” stand tall alongside staples from the ALTER BRIDGE catalog. “Trust In Me” showcases the powerful vocal chemistry between Kennedy and Tremonti, with Myles taking lead on the verses and Mark commanding the chorus—an approach they flip on “Tested and Able,” one of the band’s heaviest introductions to date. “Hang By a Thread” is primed for the live stage, echoing the energy of fan-favorite anthems, while album closer “Slave to Master” delivers an epic finale and marks the longest track the band has ever recorded.
The first single, “Silent Divide,”continues its ascent at Active Rock and has already surpassed 4 million views on YouTube. Longtime producer Michael “Elvis” Baskette once again joins the band for the project, recorded over two months this spring at both the legendary 5150 Studios in California and at Elvis’ studio in Florida.
Alter Bridge track listing: 1) Silent Divide (5:06) 2) Rue The Day (4:46) 3) Power Down (4:08) 4) Trust In Me (4:48) 5) Disregarded (3:55) 6) Tested And Able (4:36) 7) What Lies Within (5:07) 8) Hang By A Thread (4:11) 9) Scales Are Falling (5:54) 10) Playing Aces (4:05) 11) What Are You Waiting For (5:00) 12) Slave To Master (9:03)
To coincide with the new album, ALTER BRIDGE will hit the road in support of the release on the What Lies Within Tour. The 31-date European run kicks off January 15 in Germany and wraps March 5 in Nottingham, UK, with Daughtry and Sevendust joining as special guests. The band has also announced a headlining U.S. tour featuring Filter or Sevendust and Tim Montana on select dates. The trek begins April 25 in Orlando, FL and concludes May 24 in Tampa, FL. Full ticketing information and VIP package details can be found at www.alterbridge.com.
European What Lies Within Tour 2026: Jan 15 – HAMBURG, GERMANY – Sporthalle Jan 17 – OSLO, NORWAY – Sentrum Scene Jan 18 – OSLO, NORWAY – Sentrum Scene Jan 20 – STOCKHOLM, SWEDEN – Annexet Jan 22 – HELSINKI, FINLAND – Ice Hall Black Box Jan 24 – COPENHAGEN, DENMARK – KB Hallen Jan 25 – BERLIN, GERMANY – Columbiahalle Jan 27 – GLIWICE, POLAND – Prezero Arena Gliwice Jan 28 – BUDAPEST, HUNGARY – Barba Negra Jan 30 – VIENNA, AUSTRIA – Gasometer Jan 31 – ZAGREB, CROATIA – Bocarski Dom Feb 02 – ROME, ITALY – Atlantico Feb 03 – BERGAMO, ITALY – ChorusLive Arena Feb 05 – ZURICH, SWITZERLAND – The Hall Feb 06 – LYON, FRANCE – Halle Tony Garnier Feb 08 – BARCELONA, SPAIN – Razzmatazz 1 Feb 10 – LISBON, PORTUGAL – Sagres Campo Pequeno Feb 12 – MADRID, SPAIN – Palacio Vistalegre Feb 13 – BORDEAUX, FRANCE – Arkea Arena Feb 15 – LUXEMBOURG, LUXEMBOURG – Rockhal Feb 17 – OBERHAUSEN, GERMANY – Oberhausen Turbinenhalle Feb 18 – PARIS, FRANCE – Zenith Feb 20 – MUNICH, GERMANY – Zenith Feb 22 – AMSTERDAM, NETHERLANDS – Ziggo Dome Feb 23 – BRUSSELS, BELGIUM – Ancienne Belgique Feb 25 – NEWCASTLE, UNITED KINGDOM – Utilita Arena Feb 26 – MANCHESTER, UNITED KINGDOM – AO Arena Feb 28 – DUBLIN, IRELAND – 3Arena Mar 02 – GLASGOW, UNITED KINGDOM – OVO Hydro Mar 04 – LONDON, UNITED KINGDOM – The O2 Mar 05 – NOTTINGHAM, UNITED KINGDOM – Motorpoint Arena
Jun 27 – CARDIFF, WALES – Blackbird Festival @ Cardiff Castle
What Lies Within U.S. Tour Apr 25 – Orlando, FL – House of Blues – TM Apr 26 – Atlanta, GA – Coca-Cola Roxy – 7D/TM Apr 28 – Houston, TX – Bayou Music Center – F/TM Apr 29 – Dallas, TX – South Side Ballroom – F/TM May 1 – Tulsa, OK – Osage Casino Hotel, Skyline Event Center – F/TM May 2 – Omaha, NE – Steelhouse Omaha – F/TM May 5 – Green Bay, WI – EPIC Event Center – F/TM May 6 – Chicago, IL – The Salt Shed – F/TM May 9 – Atlantic City, NJ – Event Center at Borgata Hotel Casino & Spa – F May 10 – Boston, MA – Citizen House of Blues Boston – F/TM May 12 – Huntington, NY – The Paramount – F/TM May 13 – Montclair, NJ – The Wellmont Theater – F/TM May 18 – Pittsburgh, PA – The Roxian Theatre – F/TM May 19 – Detroit, MI – The Fillmore Detroit – F/TM May 21 – Nashville, TN – The Pinnacle – 7D/TM May 22 – Birmingham, AL – Avondale Brewing Company – F/TM May 24 – Tampa, FL – Seminole Hard Rock Tampa Event Center – F/TM
About ALTER BRIDGE: Back in 2004, four lifelong musicians got together down in Florida. Even though they had traveled separate paths, similar lessons learned, wisdom earned, and dues paid united these gentlemen—Myles Kennedy [vocals, guitar], Mark Tremonti [guitar, vocals], Brian Marshall [bass], and Scott Phillips [drums]—as Alter Bridge. Over the ensuing two decades, the band endured countless trials and tribulations, defied every odd, and rose to the head of the pack as a hard rock juggernaut, cementing a singular legacy by selling out arenas, gathering nearly 1 billion streams, inciting international acclaim, and quietly attracting a diehard audience. Beginning with the Top 5 entry of 2004’s gold certified One Day Remains, the band have scored six consecutive Top 20 debuts on the Billboard 200. Among a myriad of highlights, Guitarist Magazine applauded “Blackbird” for the “Greatest Guitar Solo of All Time,” the ABIII single “Isolation” vaulted to #1 on the Billboard Mainstream Rock Chart, 2013’s Fortress received rare perfect scores from KERRANG! and Total Guitar, and Walk The Sky shook the Top Rock Albums Chart at #1. Beyond packing O2 Arena and Royal Albert Hall, Classic Rock hailed 2022’s Pawns & Kings as “the Rolls-Royce of ALTER BRIDGE records” in a 4.5-out-of-5-star review. Plus, the latter LP garnered praise from American Songwriter, Guitar World, and Loudwire, while Billboard christened them “one of America’s premiere hard rock quartets.” Channeling the same relentless drive, the band continues to expand their legacy with their forthcoming self-titled eighth album—an embodiment of the precision, power, and soaring musicality fans have come to expect.
Mere days before the release of their first live album, PERSEFONE offers another look into the release. Recorded at a special show in their home country, Andorra, the new version of “One Word” again takes the band’s brand of progressive death metal to a new level with the masterful addition of the Orquestra Nacional Clàssica d’Andorra (National Classical Orchestra of Andorra). Performed live, “One Word”—originally released on their most recent EP, Lingua Ignota: Part I (2024)—is even grander than before and captures the impressive energy PERSEFONE brings to the stage with pristine clarity—goosebumps guaranteed. Live In Andorra will be out this coming Friday, December 5, 2025 via Napalm Records.
PERSEFONE about “One Word”: “In every show, there are different moments, but nothing compares to the thrill of the intro that leads to the very beginning. You can feel the energy on stage; you can see the people eager to release their enthusiasm after waiting for the first sonic explosion. For this particular show, the song that was chosen to ignite the whole experience had to be ‘One Word’. It’s one of the last songs we wrote, yet one of our favorites to play live. It’s direct, it’s powerful, and it connects with both the band and the audience in a heartbeat. Hopefully, you can also feel that connection by enjoying this single.”
Progressive death metal masters PERSEFONE let their material shine in a new light on their upcoming live album, Live In Andorra. Recorded at a one-off orchestral show in the National Auditorium of their home country Andorra in May 2024, the six-piece band take their already sophisticated sound to even grander heights, celebrating both their 20-year history and their return home after not having performed in Andorra in ten years. In collaboration with the Orquestra Nacional Clàssica d’Andorra (National Classical Orchestra of Andorra), the symphonic accompaniment adds immense grandeur to a catalog-spanning set, embellishing their unmatched live energy to triumphant highs. Live In Andorra also offers unique recordings of many beloved songs with new frontman Daniel R. Flys, who joined the band in 2023. Making classic tracks his own and bringing new material to the forefront, he emphasizes the musical force that is PERSEFONE.
On Live in Andorra, PERSEFONE’s musical force shines brightly out from their native Andorra. A perfect example of how symphonic support can blend seamlessly into metal songs and enhance them, this intricate record gives the already impressive tracks a whole new context. Progressive, yet catchy; heavy, yet full of emotion!
PERSEFONE about Live In Andorra: “It is not everyday that you can celebrate the history of your band with such a unique set of circumstances. Playing at home after so many years, in front of our people, at the National Hall, with the National Orchestra, was something we never imagined would even be a possibility. But when the opportunity appeared, we just couldn’t say no, and we knew we wanted to have this whole experience immortalized for everyone to take part in it. This show is a way of coming full circle, from a crappy rehearsal room and our first shows in clubs, to being able to perform at such an iconic place in our country. Please join us for this special show. Welcome to PERSEFONE. Welcome to Andorra.”
With 14 songs off their four most recent albums and the latest EP, PERSEFONE show great versatility. Live In Andorra takes listeners on a career spanning journey through a series of album specific vignettes: after starting off with the latest, Lingua Ignota: Part I (2024), the band takes their audience back in time through Aathma (2017) and even reaches all the way to their 2009 album Shin-ken. Then returning to 2022’s metanoia before finally their hit album Spiritual Migration (2013), the Andorran powerhouses garner waves of thunderous applause and howling.
With the intro “Sounds And Vessels” bleeding into “One Word”, both PERSEFONE and the orchestra, led by conductor Albert Gumí and concertmaster Pere Bardagí, show off their strength and mutual enthusiasm right at the start of the show. Performed together, this compilation expands grander than either track was alone, with the pristine clarity of the orchestral sound serving as an awe-inspiring view into what’s to come. The decorated rendition of “Living Waves” is an example of the band’s unique flair and their trademark ability to weld sweeping emotion into jaw-dropping compositions. “Leap Of Faith” deepens the progressive reach of the band, transporting listeners right to the Andorran National Auditorium in Ordino, in which this live rendition was recorded, delivering the spectacular show in vivid color. Other highlights include wonderful contrast between trenchant brutality and symphonic focus on “Stillness Is Timeless”, including an expansive piano outro, which directly moves into “Prison Skin” with a piano intro. On “Kusanagi”, PERSEFONE exemplifies their pristine musical control, taking a step back to grant the orchestra an impressive solo, cleverly sharing the spotlight for a dynamic listening experience.
Live In Andorra tracklisting:
Sounds and Vessels
One Word
The Equable
Stillness is Timeless
Prison Skin
Cosmic Walkers
Living Waves
Kusanagi
Leap of Faith
Merkabah
The Great Reality
Flying Sea Dragons
Mind as Universe
Outro
PERSEFONE LIVE 2026 29.01.-02.02.26 US – Miami, FL / 70.000 Tons Of Metal
PERSEFONE are: Carlos Lozano – guitar Filipe Baldaia – guitar Miguel “Moe” Espinosa – keyboards and vocals Toni Mestre – bass Sergi “Bobby” Verdeguer – drums Daniel R. Flys – vocals
As they continue to celebrate 35 years of evil existence, Rotting Christ are beginning what is sure to be a monumental new year by reinforcing one of the pillars in their mighty discography.
Today, the Greek legends are announcing a re-recorded version of the band’s 11th album. Chiseled with modern production, polished by a rich mix and draped with fresh cover art, the new and improved AEALO enhances every aspect that makes this album a cornerstone from Rotting Christ’s Hellenic era.
“Dear friends”, begins the band’s vocalist and guitarist Sakis Tolis. “We have re-recorded, remixed and remastered our 11th album AEALO with deep respect for the original recording. We are proud to present to you the first sample from the album with a new video for its title track”.
Long-held as one of Rotting Christ’s defining anthems, “AEALO” is a fierce yet tragic portrayal of warfare. In English, the title means “I destroy” or “I thrash”. Martial percussion, ceremonial melodies and a female choir evoke the spirit of ancient Greek rituals and the psychology of the battlefield. The re-recorded version unearths new layers that were once hidden, strengthening the song’s mythic resonance while reflecting on the album’s larger themes of sacrifice and the cost of conflict.
Tracklist:
Aealo (3:33) [WATCH]
Eon Aenaos (3:55)
Daimonon Vrosis (5:00)
Noctis Era (4:55)
Dub-Sag-Ta-Ke (2:57)
Fire, Death and Fear (4:32)
Nekron Iahes (1:37)
Pyr Threontai (4:53)
Thou Art Lord (4:35)
Santa Muerte (5:30)
Orders From the Dead (8:57)
In the dimly lit catacombs of extreme metal, one name stands as a monolith: ROTTING CHRIST. Sakis Tholis and his brother Themis started this band together back in 1987. In the three decades since, these Greek titans have left their blackened imprint all over the metal world. They’ve released 13 studio albums and played more than 1,300 concerts around the globe. Underneath all this hard work, Rotting Christ have but one vision – an urge to not only push the boundaries of extreme metal, but to keep reinventing themselves along the way.
Rotting Christ’s evolution has unfolded across several distinct chapters. After starting out closer to the barely controlled chaos of grindcore, they went on to establish the iconic sound of Hellenic black metal. Their albums often embrace refined gothic soundscapes, only to plunge back into the depths of blasphemous fervour. Each chapter marked another, further exploration, and an unwavering commitment to push boundaries.
But the real turning point came in 2007, when Rotting Christ signed a pact with Season of Mist. They unleashed a series of albums for the French label that defied any and all expectations. From the piercing Theogonia and the symphonic grandeur of Aelo to the ritualistic intensity of Κατά Τον Δαίμονα Εαυτού, the cinematic experiences created by Rotting Christ became a spectacle of bombastic atmospheres, mesmerizing choirs, and neo-classical arrangements. The unexpected is their modus operandi, with the use of various languages (Latin, Arabic, Greek, English) as well as the extensive use of famous poetry woven into their music, like Edgar Allan Poe’s ‘The Raven’ on The Heretics.
In 2019, Rotting Christ’s epic journey continued with The Apocryphal Spell compilation, which offers fans an intimate glimpse into unreleased and rare material. This allowed them to gather strength, preparing for the release of their next, highly anticipated, 14th full-length studio album: Pro Xristou. Pro Xristou(‘Before Christ’ in Greek), serves as a fervent tribute to the last Pagan kings who resisted the onslaught of Christianity, guarding their ancient values and knowledge. In this thematic odyssey, intricately woven through tracks such as ‘The Apostate’ and ‘Ygdrassil’, Rotting Christ delves into the legacies of historical figures such as Flavius Claudius Julianus and Nordic mythological kings, embodying the might of Pagan wisdom in the face of Christian adversity. The album encapsulates the essence of Rotting Christ’s signature style – melodic, yet harsh at times – reinventing themselves yet again, while remaining rooted in their 35-year legacy.
For a three LP-long moment there, at the start of the 70s, the PINK FAIRIES were arguably the most important band on earth.
They had no hits, they sold out no arenas. But as the pathetic ashes of the hippy dream were finally swept into the dustbin of history, the Fairies were the broom that not only cleared away the clutter of the past, it also opened up the pathway that would ultimately lead to punk rock.
The late Brian James, guitarist and songwriter with the original line-up of The Damned, was a die-hard Fairies fan; Alan Lee Shaw of The Maniacs got his first break in ZZZ, a new band led by Fairies drummer Twink, and rejoined him in The Rings in ’77; the first two singles by The Adverts were produced by latter-day Fairy (and Mötorhead co-founder) Larry Wallis. Up there with the MC5, the Edgar Broughton Band and The Stooges, the Fairies’ uncompromising breed of sky-high octane rock’n’roll soundtracked more teenaged dreams of fiery rebellion than anyone else around.
Then they broke up… reformed… broke up… reformed… it’s hard to say precisely how many line-ups the band has had over the years, but as we celebrate the 50th anniversary of their first reunion (and a single on Stiff Records, another of punk’s most alluring midwifes), they’re back once more, following up 2023’s Screwed Up (the title track was penned by guitarist Paul Rudolphand Deviants frontman Mick Farren in 1977) with Covered In Pink – a covers album that is less a collection of great songs, than it is a love letter to the Fairies’ own period of early 70s invulnerability.
With guest appearances from Nik Turner (Hawkwind) and sci-fi author and performer Michael Moorcock adding to the sonic carnage, brutal takes on “American Woman” (The Guess Who), “Mississippi Queen” (Mountain) and “Communication Breakdown” (Led Zeppelin) all hail from the same era during which the Fairies were at their mightiest; “Motörhead,” with Moorcock on vocals, recalls former Fairies Wallis and Lucas Fox‘s earth-shaking role in the first incarnation ofLemmy’s snaggle-toothed throng; “Baby’s On Fire” recaptures Paul Rudolph’s contributions to Eno’s Here Come The Warm Jets debut album; and cuts by Dr Feelgood and David Bowie nod gently in the direction of Wallis and fellow Fairy Mick Wayne’s time with those acts. Yes, the Fairies family tree has many, many branches.
And wait till you hear what they do to the Pretty Things’ “Rosalyn”!
The album itself hits the streets on January 16. But kicking it off today, the first single from the Covered In Pink is, appropriately, a churning new version of the first single the band ever released, the incendiary coruscation of “Do It,” and a riff so ginormous that even The Rollins Band was barely able to tame it – although if you remember the first time you heard their version, you might still be recovering from the volcanic devastation the song unleashed upon the late 1980s.
Paul Rudolph loved it. “I was chuffed that Henry covered the song.”
Rollins recalls his introduction to the Fairies in 1981, during his Black Flag days. “One of the members, Dez Cadena, a great vocalist, guitar player and a truly good guy, had pitch perfect taste in music. He always had cassettes of albums that upon hearing, I immediately liked: live Curtis Mayfield, live James Brown, The Scorpions, Lightnin’ Hopkins, (with whom Dez’s father, the legendary producer Ozzie Cadena worked), Hawkwind and the Pink Fairies.
“I absorbed all this music with great interest. I instinctively liked the straight up gut punch of the Pink Fairies, and when my finances allowed me, I got their records. I thought their song ‘Do It’ was amazing.”
So amazing that, six years later with the Rollins Band, “I asked my bandmates if they wanted to try covering the song. It remained in our set until some of the final shows we ever played.
“Such a cool band – the real thing.”
According to bassist Alan Davey (Hawkwind, Ace of Spades, Gunslinger) it was inevitable that the band would cover the song. “He said do it, she said do it, they wanted us to do it….so we did it..!! DO IT!!!!!!!”
Paul continues, “When I think of ‘Do It,” the first thing that jumped into my mind was The Pink Fairies playing this live to a huge crowd in Trafalgar Square, London. Very powerful. The song was a staple at all our gigs – especially the free ones – and I think it stands the test of time.”
Oh, it does more than that. Live recordings from the early 70s, crowned by the version that highlights the 1971 Glastonbury Fayre album, and numerous latter-day revisitations all capture the sheer immediacy with which “Do It” walloped the audience, and this new version – banged out by the band’s current line-up of Paul, Alan and the mysterious One-Legged Pete on drums (“he once won an ass-kicking contest,” recalls Paul) – roars with exactly the same energy, a call to action that… as the guitarist continues… remains “so relevant today as it seems the world is bogged down in political correctness and bureaucracy. Everything seems to take forever.”
When all we really need to do is… don’t think about it, don’t lie about it, just DO IT!
Aeon Gods will release the new album “Reborn To Light” on February 20 through Scarlet Records.
With “Reborn To Light” Aeon Gods open a new chapter in their myth-driven metal universe, entering the radiant and shadowed realm of ancient Egypt.
The new songs blend power metal might with orchestral texture to create an immersive mythic experience, and the German band delivers a truly cinematic and dynamic work: fast and powerful anthems, dramatic battle hymns, dark atmospheric passages, symphonic grandeur, and a moment of calm emotional depth reminiscent of a ballad.
The concept follows the dramatic nightly descent of the sun-god Re into the underworld – alongside this central solar cycle, “Reborn To Light” incorporates other foundational Egyptian myths; these stories expand the album’s mythological scope and deepen its conceptual arc.
A cinematic journey of darkness, rebirth, and divine triumph elevating Aeon Gods’ signature blend of heavy riffs, grand choirs, and atmospheric depth!
artwork by Peter Sallai
second album for the German epic power metal sensation with a unique myth-driven identity, powerful storytelling and striking visual personas;
mixed and mastered by Simone Mularoni at Domination Studio (Wind Rose, Vision Divine, Twilight Force);
cover artwork by Peter Sallai (Sabaton, Feuerschwanz, Hammer King, Fellowship);
Aeon Gods will support Victorius on their April/May 2026 “Tour Of The Strong” (Germany, Austria, Switzerland); FFO: Manowar, Sabaton, Gloryhammer, Wind Rose, Brothers Of Metal;
“Reborn To Light” tracklist:
1 Birth Of Light 2 Flames Of Ember Dawn 3 Barque Of Millions (Amduat pt. I) 4 The Sacred Union (Amduat pt. II) 5 Soldiers Of Re (Amduat pt. III) 6 Reborn To Light (Amduat pt. IV) 7 Feather Or Heart 8 Rebellion (Re’s Dying Reign pt. I) 9 Blood And Sand (Re’s Dying Reign pt. II) 10 Farewell (Re’s Dying Reign pt. III)
Total running time: 43:04
Aeon Gods: Alex ʹSol’Ra-tuʹ Hunzinger – voice of the Gods (vocals) Anja ʹSu’en -Chelʹ Hunzinger – harmony of the Gods (keyboards) Robert ʹAbzu’Keanʹ Altenbach – power of the Gods (guitar) Pat ʹUr’Athtarʹ Hesse – steel of the Gods (guitar) Elias ʹIš’Taruʹ Knorr – thunder of the Gods (drums)
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Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video