“The world has changed forever; we must be reborn for a new life. And we hear the anthem of the new world, it sounds in our hearts!” – Raizer
The rise of RAIZER begins in Eastern Europe, as four human beings fight to survive the future apocalypse. The only weapon at their disposal – the electronic / rock music hybrid music they’ve created to push back the encroaching alien invasion and ignite the hearts and minds of the last remaining members of the human resistance.
Each single from Raizer can best be described as a battle of musical styles in a high energy onslaught of bombastic synths, biting guitars, uplifting melodies, and resonating vocals that come together and deliver the optimism to stand up in defiance and the energy to make you dance, jump, and most importantly – fight. With an arsenal ranging from driving synth-wave, volatile drum n’ bass, anthemic rock and roll, caustic metal riffs and breakdown, and so much more – whatever kind of invasion you’re facing down, Raizer is the soundtrack to your survival.
Signed to FiXT in 2015, Raizer released their debut album, We Are The Future, in 2017 featuring aggressive, electronic drum & bass, intense guitars, bombastic synths and melodically resonant vocals. Their genre defying second album, Resurrection, dropped in late summer 2021, featuring the group’s hit singles, “Phoenix,” “Explode,” and “Free”. Resurrection has garnered over 5 million streams, landing official playlists on Spotify, Apple Music, and Yandex. Raizer’s single “Free” appears on the acclaimed VR music rhythm game Synth Riders.
British husband and wife blues rock duo WHEN RIVERS MEET have released the official music video for their new single “Testify.”
The music video is available to watch on YouTube HERE.
The Essex-based band return to the music fold with their highly anticipated sophomore album “Saving Grace” released by One Road Records on Friday November 19th 2021.
Saving Grace follows hot on the heels from the band’s critically acclaimed debut album We Fly Free that was released in November 2020, and their previous two EPs, The Uprising and Innocence of Youth. The past year has been a non-stop thrill-ride for WRM, who are comprised of Grace Bond (lead vocals, mandolin, violin) and Aaron Bond (guitar, vocals).
WRM set a record first in May 2021, by becoming the first-ever artist or band to win four awards at the UK Blues Awards including “Blues Band of the Year,”“Blues Album of the Year,” “Emerging Blues Artist of the Year,” and “Most Inspirational Online Performance of the Year.” WRM were also voted “Best New Band” by the listeners of Planet Rock at the radio station’s “The Rocks” Awards.
With their highly anticipated sophomore album Saving Grace, WRM have set out to produce a blues rock album with a more upbeat, punchy, and exciting sound.
“Wife-and-husband duo When Rivers Meet are heavy enough to get your attention and quirky enough to hold it.” – Classic Rock
“This is urban blues with the brakes off.” – Vive Le Rock
“They may be a duo, but they sure make a big noise.” – Powerplay
“We were very conscious that our debut album We Fly Free was a step up in production from our two EP releases previously The Uprising EP and Innocence of Youth,” says Grace. “We also wanted to keep a live, authentic vibe to the new album to retain the energetic feel in the music.”
Says Aaron, “We wanted the album to have more of an upbeat rock feel. We knew exactly what we wanted before we set off to record Saving Grace. We set our expectations high. We’re so pleased with the result and just hope everyone else loves it as much as we do!”
As with their debut album, We Fly Free, a lot of care and attention given to the detail, not only went into the song-writing, but also went into the production on each track, and telling a story from start to finish.
“Although we wanted to do something different from our previous work, we still wanted all the same elements that make our music distinctive and recognisable as When Rivers Meet,” says Grace.
As with their previous album and two EPs, the new album Saving Grace was recorded at the Boathouse in Suffolk with producer and engineer, Adam Bowers.
“He just gets everything we do and want,” says Grace. “As Adam says, ‘Bring me a drawing, and I will colour it in’, which is a great analogy of how we work together.”
SAVING GRACE – TRACK LIST
1. I Can’t Fight This Feeling (2:56) 2. Never Coming Home (3:30) 3. He’ll Drive You Crazy* (3:35) 4. Don’t Tell Me Goodbye (3:52) 5. Do You Remember My Name (3:10) 6. Have No Doubt About It (3:58) 7. Eye of A Hurricane (Friend of Mine Pt. 2)* (5:34) 8. Testify (3:24) 9. Shoot The Breeze* (2:51) 10. Lost & Found (3:45) 11. Talking In My Sleep (4:20) 12. Make A Grown Man Cry* (2:28)
The new album is mastered by Mike Curtis. Says Aaron, “the mastering is always the most exciting part of the process. We always look forward to receiving the mastered tracks from Mike.”
As with all their previous recordings, Grace, Aaron, and producer Adam have massive input with instrumentation. Aaron plays guitar and sings vocals, Grace sings vocals, plays mandolin and fiddle, while Adam plays bass, drums, and keyboard and pretty much anything else that Grace and Aaron need added including trumpet on specific songs.
“It’s a case of going into the studio with a song,” reflects Grace. “Aaron will play it on guitar, I’ll lay down the vocals, whilst Adam adds the drums. We start to get a feel as to what the song is and what it means, it then grows from there into the direction we think it should go.”
Continues Grace, “Sometimes it can take a while before we get the right feel for example the drums or the tone of the song. But we always have a clear plan for each song going into the studio and a good idea on the feel that we want to create. Our ethos is that we keep it sounding authentic, whether that be vocals, instrumentation, or any effects. It’s always got to sound organic and real.”
After the success of their debut album, We Fly Free, how does the sophomore album Saving Grace differ? “Saving Grace sophomore has a more upbeat rock feeling than We Fly Free,” says Aaron. “We were very conscious when we started to record this album that’s the direction that we wanted to move in, and it was exactly the kind of result that wanted to achieve.”
Continues Aaron, “As well as being inspired by classic blues including John Lee Hooker and Muddy Waters, we also draw a lot of influence from classic rock bands that include Led Zeppelin, Bad Company, Cream, and Free. To emulate some of the feel or tone of these legendary blues pioneers and seminal rock bands is something that we strive to do, and hopefully people will hear that in our music and relate to it.”
When Rivers Meet’s passion for blues rock shows through with an underpinning of traditional blues and classic rock. The duo make a concerted effort to keep to a genuine, gritty sound using authentic techniques, including tube tape echo and reverb chambers, which have created a live sound that keeps a truly vintage vibe that not only has energy but is also a true representation of the ever evolving sound this duo produces.
WRM show great delight that a Hammond organ has been introduced into some of the tracks on this album. This classic blues rock feel will transport you back in time while also inducing a contemporary When Rivers Meet twist.
WHEN RIVERS MEET APRIL & MAY 2022 HEADLINE TOUR
With special guestTroy Redfern
Planet Rock 48-Hour Ticket Pre-sale – Wednesday 8th September 2021 – Planet Rock Tickets
Stepping into the brand-new Marshall Studio with legendary producer Chris Sheldon (Foo Fighters, Gun, Feeder), BAD TOUCH have recorded a rocking cover of Edwin Starr’s soul classic Twenty-Five Miles. Bad Touch’s lead singer Stevie Westwood said ‘This was one of the most fun song’s we have recorded, putting a rock spin on such a classic Motown track we felt like we had a bit more freedom with where we could take it. It’s loud, it’s funky and most importantly; it’s got soul.”
Released ahead of their November 2021 UK tour, Bad Touch were one of the first bands to enter the new state of the art Marshall Studio Recording Studio.
The Marshall Studiois a state-of-the-art recording facility located at Marshall Amplification’s global headquarters in Bletchley, Buckinghamshire built around a 70’s Neve 8048, heavily modified and customised for Marshall by Neve specialist Blake Devitt.
Stevie Westwood described working there as “an amazing opportunity. After such an awful 18 months for the music business, to be invited to such a space was a real gift… and we thank Chris for making our tunes sound interstellar.”
Bad Touch embark on their “Better Late Than Never” UK tour in November and December 2021, previously rescheduled from April 2021 (all original tickets remain valid). Special guests on all shows except Leo’s Red Lion are Midlands rockers PISTON.
The 15-date tour includes their hometown Norwich (Nov 17), Newcastle (Nov 19), Glasgow (Nov 20), Southampton (Dec 1) and London (Dec 2), plus many more dates.
Bad Touch will perform songs from their critically acclaimed current studio album Kiss the Sky, as well as songs from their vast catalogue. Known for having a reputation as one of the UK’s hardest working bands, Bad Touch are looking forward to performing live for their UK fans in November and December.
Bad Touch are Stevie Westwood (vocals), Rob Glendinning (guitar), Daniel Seekings (guitar), Michael Bailey (bass) and George Drewry (drums).
Iconic singer, songwriter, guitarist, and ALICE IN CHAINS co-founder JERRY CANTRELL has released of the title track from his new LP “Brighten”. The full LP will be released on October 29, 2021 and is available for pre-order and pre-save. HERE
Consequence premiered the video and lauded the song and video, saying, “True to its title, “Brighten” is an uplifting late-summer jam. Heavy chords blend with Cantrell’s sweetly sung melodies, accentuated by lush and organic production. The video sees Jerry and company joyously rocking out, showing off an impressive arsenal of electric guitars.”
Talking about “Brighten”, Jerry says, “Pretty early on, I knew “Brighten” was the cornerstone track of the album, and it seemed to fit the body of work as a title. There’s plenty of darkness and edge, but there’s also some light, space, and good vibes.”
The video, directed by Gilbert Trejo, son of renowned actor Danny Trejo, is loosely based on the fabled “Lotus Eaters” from Homer’s Odyssey. It depicts a story of a man having a psychedelic experience as a result of eating flowers; a “Lotus Eater” is a person who spends their time indulging in instant gratification, pleasure and luxury rather than dealing with anything practical. The story is interspersed with an impassioned live performance from Jerry,Tyler Bates on bass, Greg Puciato on backing vocals and guitar, drummer Abe Laboriel Jr, and pianist Vincent Jones.
Upon release of the previous song, Rolling Stone writer Jon Blistein said, “Atone” is a heavy track, although it’s undergirded by a sinister twang while the guitar riffs hit with grit and menace, as well as a bit of psychedelic unease. “Running out of time,” Cantrell wails right before the hook, “Gotta find a way to atone/Gotta find a way to atone/Trying to find a way to atone.”
Over the past year, he co-produced Brightenwith film composer Tyler Bates [300, John Wick], and Paul Fig (long-time Engineer). Reflecting a classic spirit, they welcomed a dynamic cast of supporting players including, Duff McKagan [Guns N’ Roses, Loaded] on select bass tracks, Greg Puciato [Dillinger Escape Plan] contributing to backing vocals and drummers Gil Sharone and Abe Laboriel, Jr. (Paul McCartney). Additional musicians on the album include, pedal steel master Michael Rozon, Vincent Jones on piano, Wurlitzer, and organ, Jordan Lewis on piano, Matias Ambrogi-Torres on strings, and Lola Bates on select additional backing vocals. Joe Barresi [Tool, Queens of the Stone Age] handled the mixing of Brighten.
Brighten is available for pre-order everywhere and limited edition “Brighten” single merch and vinyl is available via Jerry’s webstore now.
“Brighten” Video Credits Directed by: Gilbert Trejo Produced by: Emma Carlson Featuring: Misha Lindes as the Lotus Eater Director of Photography: Amina Zadeh Editor/Colorist: Paul Duran-Lemos Production Designer: Sunny Mills Key Makeup: Mimi Meyer Key Hair: Joseph Chase 1st AC: Victor Grossling Gaffer: Yannis Schmid Key Grip: Brian Scott Special thanks to Thrift Shop Studios
Brighten Track List
Atone
Brighten
Prism of Doubt
Black Hearts and Evil Done
Siren Song
Had To Know
Nobody Breaks You
Dismembered
Goodbye
The Cast of Players on Brighten Jerry Cantrell – Guitar, bass, vocals, keys Greg Puciato – Backing vocals Duff McKagan – Bass Gil Sharone – Drums Abe Laboriel Jr. – Drums Tyler Bates – Strings, percussion, guitar Vincent Jones – Piano, keys, & strings Jordan Lewis – Piano Michael Rozon – Pedal steel Lola Bates – Backing vocals Matias Ambrogi-Torres – Strings
Three weeks before the official release of their second album “Charnel Noir” via Debemur Morti Productions, LIGHT OF THE MORNING STAR unveil their new composition ‘There Are Many Shadows‘. Atmospheric and truly sinister, this song displays the band’s adoration for dark Gothic Rock with a deadly twist. Though hints of Black Metal influences are present, the dynamic songwriting as well as the flamboyant fascination for subtle melodies and whispery vocals define their composition. Those who adore the eerie beauty of a great Gothic novel will immediately fall prey to LIGHT OF THE MORNING STAR‘s sinister magic.
‘There Are Many Shadows‘ can now be streamed via Bandcamp and on YouTube:
In essence, ‘There Are Many Shadows‘ captures the feeling of dread and horror when being haunted in an old, abandoned Victorian manor. Those who are aware of Black Metal’s finest might find a mysterious reference here…
Nine seductive compositions form “Charnel Noir“:
01. Charnel Noir 02. Our Night Hours 03. Ghost Moon 04. Hymn In Hemlock 05. Lid Of A Casket 06. There Are Many Shadows 07. The Endless Procession Of The Guillotine 08. Spectres 09. Fangs In The Tree Of Life
“Charnel Noir” will be released on CD and digitally on October 1st. The vinyl version will be available on December 10th. Pre-orders are possible now via the label’s EU, US, and Bandcamp shops.
LIGHT OF THE MORNING STAR is an unending prayer to the darkness of the world. It is the glow of graves at midnight. It is the voidshadows that shiver and move between crumbling tombs. It is the fangs in the tree of life.
LIGHT OF THE MORNING STAR is a ritualistic summoning of gloom, unholy radiance, and the ghosts of darker times.
LIGHT OF THE MORNING STAR is vampirism, necromancy, and Devil worship.
BLOOD OF ANGELS were asked to be apart of the Black Sabbath tribute compilation that was released last April by Antichrist Megazine. They have always been huge fans of Black Sabbath and especially the song Sabbath Bloody Sabbath. The song has so many layers and textures that the band wanted to give it our best effort. After consideration, they decided to release it as single in tribute to the God Fathers of metal.
The song was orginally released on the Black Sabbath album Sabbath Bloody Sabbath in 1973.
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Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video