Finnish thrash metal force Bloodride are already on the road with their “Deafening Tour 2026,” and the next run of dates is now in full focus as the band moves into spring and summer.
“Bloodride has started the second leg of touring around their new album “Deafening”. At the end of 2025, they thrashed around Finland and also visited Germany and Nuclear Intervention Fest in the Czech Republic. This part will bring more gigs, both domestic and abroad:
“This weekend we’re going to places where Bloodride has already been,” said bassist Esa.” Fontaine in Liepaja and Lemmy Club in Kaunas, which have been really great venues. Later, we’ll be visiting Marienhamn in Åland and Tuuri for the first time. After these, we’ll go on a great trip to Poland, Krakow (once again), and then we’ll trash Harryfest in the Czech Republic. Some more gigs are to come, but talk to you later about them. Now, hope to see you people at our shows, mosh!”
Upcoming Dates:
10.04.2026 – Liepaja (LV), Fontaine Palace 11.04.2026 – Kaunas (LT), Lemmy Club 09.05.2026 – Maarianhamina (FI), Pub Bastun 22.05.2026 – Tampere (FI), Bar Kotelo 23.05.2026 – Tuuri (FI), Tuurin NS 24.07.2026 – Krakow (PL), Sny 25.07.2026 – Baska (CZ), Harryfest XI
From small club stages to festival crowds, “Deafening Tour 2026” is set to deliver fast riffs, sharp hooks, and a live set built to hit hard and leave a mark.
Check out the band’s latest video, “Kill Without Hate”:
About Bloodride
Fierce Finnish thrash metal veterans Bloodride formed in 2000. They debuted with the EP Bloodridden Disease in 2004, followed by their first full-length album Crowned in Hell in 2011. Their fourth album, Idiocracy (2021), earned critical acclaim worldwide. Their sound blends old-school thrash with darker death metal tones and the raw edge of hardcore—pure neck-breaking intensity. Over the years, Bloodride has torn through stages across Europe, sharing the stage with acts like Exhumed, Exodus, Nunslaughter, Toxic Holocaust, Whiplash, and Prestige. Live, they deliver nothing short of a perfect storm
Shrouded in mythic devastation and divine revelation, MELECHESH has unveiled the new digital EP Sentinels Of Shamash via Reigning Phoenix Music.
The international Mesopotamian metal pioneers reveal tales of a forgotten age with commanding riffs, distinctive ritualistic rhythm arrangements produced by combining six-string and 12-string electric guitars, and incantatory vocals across apocalyptic soundscapes.
To celebrate the release, the band has shared a new lyric video for “The Seventh Verdict”, available here:
Sentinels Of Shamash, stands as a ceremonial descent into ancient law, fire, and cosmic vigilance. Drawing from Mesopotamian myth and the solar judgment of Shamash, god of truth and justice, MELECHESH crafts an offering steeped in divine wrath and esoteric order. Each composition unfolds like a sacred inscription, invoking forgotten gods, fallen kings, and the eternal tension between chaos and balance.
Through commanding riffs, relentless rhythms, and a sonic architecture that bridges ancient cosmology with modern extremity, Sentinels Of Shamashdelivers a mythological statement rooted in fire, judgment, ruin, and restoration. The sentinels stand eternal guard over fate itself.
Sentinels Of Shamash was produced by Ashmedi and co-produced by Rob Caggiano and Kristian “Kohle” Kohlmannslehner. Bass lines and backing vocals on were recorded by Rob Caggiano, who also contributed rearrangements to “In Shadows, In Light”. Drums were performed by Nikitas Mandolas, with engineering and mixing and mastering by Kristian “Kohle” Kohlmannslehner, and engineering and tracking by Daniel Claar. “The Seventh Verdict” features guest vocals by Jessica Pimentel.
Sentinels Of Shamash Tracklist: 1. The Seventh Verdict 2. In Shadows, In Light 3. Raptors of Anzu
About MELECHESH:
MELECHESH was formed in 1993 in Jerusalem with the intent to forge what the band defines as Mesopotamian Metal. Rooted in black metal and thrash, their sound draws deeply from Sumerian and Mesopotamian mythology, as well as cosmic and occult themes, while incorporating Mediterranean and Middle Eastern musical elements into an extreme metal framework. Over the decades, MELECHESH has evolved into an international musical and cultural phenomenon, known for its distinct identity, scholarly mythological focus, and uncompromising artistic vision (that is referenced by an upcoming generation of bands). This trajectory inadvertently mirrors the life journey of its nomadic, globe-trotting founder and composer, Ashmedi. The band remains a singular force within extreme metal, standing apart through both concept and sound.
With ‘Heal Me To Death’, Any Given Day deliver one of their most intense and emotionally charged tracks to date, a crushing metalcore anthem that blurs the line between healing and harm. Driven by razor-sharp riffs, thunderous breakdowns, and a haunting melodic undercurrent, the song dives deep into the toxicity of control disguised as care.
‘Heal Me To Death’ explores the suffocating weight of relationships where love becomes manipulation, and salvation turns into destruction. It’s a raw confrontation of inner conflict and external pressure, where the promise of being “fixed” comes at the cost of losing yourself. Lyrically, the band paints a dark and vivid picture: golden façades hiding inner demons, faith twisted into force, and words that cut deeper than wounds. The recurring line “Pour your cure like poison, watch me bleed” encapsulates the track’s core, a powerful metaphor for the danger of imposed healing and the violence of misunderstood intentions.
Catch the band live: October 31, 2026 — Kaiserslautern, Germany — Kulturzentrum Kammgarn November 1, 2026 — Haarlem, Netherlands — Patronaat November 3, 2026 — London, United Kingdom — The Underworld November 5, 2026 — Eindhoven, Netherlands — Dynamo November 6, 2026 — Cologne, Germany — Kantine
Arising Empire have never been ones to play it safe, but with their newest signing, they’ve doubled down on something far more volatile. Enter Banks Arcade and their ferocious new single ‘Severance’, a track that doesn’t just blur genre lines, it tears them apart and leaves the pieces smoldering.
Built on a collision of punishing metalcore, glitchy electronic textures, and the swagger of modern hip-hop, ‘Severance’ feels less like a song and more like a system overload. It’s aggressive, cinematic, and calculated chaos, exactly the kind of statement you’d expect from a band that has never acknowledged the idea of staying in one lane. ‘Severance’ captures that momentum at full speed. There’s a maximalist intensity running through the track, industrial electronics colliding with downtuned riffs, hooks that feel like they’ve been dragged through a rave at 3am, and a sense that everything could fall apart at any second, but never does. It’s controlled destruction.
Catch the band live: June 10, 2026 — Leipzig, Germany — Naumanns (Felsenkeller Leipzig) June 14, 2026 — Brighton, United Kingdom — Chalk June 16, 2026 — Stuttgart, Germany — Proton The Club June 25, 2026 — Hannover, Germany — Musikzentrum July 10, 2026 — Cheltenham, United Kingdom — 2000trees Festival
Canadian speed/thrash metal trio WARSENAL haveofficially released their new studio album “Endless Beginnings…”, out now via Massacre Records.
Following the previously released singles “Feeding the Wildfire” and “Mass Grave Mass”, which showcased both the band’s relentless aggression and conceptual depth, “Endless Beginnings…” is now fully available, marking the band’s most ambitious and fully realized work to date.
With “Endless Beginnings…”, WARSENAL push their signature blend of speed, precision and controlled chaos to new extremes, delivering a record that is as ferocious as it is meticulously crafted. Packed with razor-sharp riffs, high-velocity drumming and uncompromising intensity, the album represents a significant step forward in both songwriting and sonic identity.
At the core of the record lies a dystopian conceptual framework: a world ruled by an elite known as the Dawn Mowers, living in a floating city above a planet cast into perpetual darkness. Through systems of religion, addiction, labor and false hope, humanity is trapped in an endless cycle of control and submission.
Musically, the album showcases a dynamic and diverse approach, blending classic speed metal urgency with modern precision and subtle black metal undertones. This evolution is further reinforced by the presence of drummer Zack Osiris, whose performance adds new levels of aggression, tightness and technical finesse to the band’s sound.
Produced by Mathieu Rondeau together with Ryan Battistuzzi, and mixed and mastered by Olof Wikstrand at Hvergelmer Studios, “Endless Beginnings…” delivers a powerful and cutting production that perfectly captures the band’s intensity and vision. The striking cover artwork, created by Justin Cournoyer (4CII), visually complements the album’s dark and immersive concept.
WARSENAL firmly establish themselves as one of the most exciting and uncompromising acts in the modern speed/thrash metal scene.
WARSENAL live:
15.04 – Paris (FRA) – Le Klub 16.04 – Épinal (FRA) – Souris Verte* 17.04 – Aarburg (SUI) – Musigburg* 18.04 – Remchingen (GER) – No Playback Festival* 19.04 – Martingny (SUI) – Sunset Bar* 20.04 – Barberaz (FRA) – Le Brin de Zinc* 21.04 – Lyon (FRA) – Rock n’ Eat* 22.04 – Belval (LUX) – Mix n’ Kawa* 23.04 – Fontaine-l’Évêque (BEL) – MCP-Apache* 24.04 – Oss (NLD) – Groene Engel* 25.04 – Kiel (GER) – Mosh Im Mai Festival 26.04 – Ghent (BEL) – Asgaard 02.05 – Joliette (CAN) – L’Albion
Suicidal Angels
WARSENAL are Mathieu Rondeau – Guitars and Vocals Francis Labine – Bass Zack Osiris – Drums
As promised, enigmatic black metal horde UADA is now streaming its new acoustic album ‘Interwoven’ in its entirety at THIS LOCATION!
While the original April 10 release date is still being honored digitally, the physical copies will not be shipped until late May due to delays at the manufacturing plant. The album represents an acoustic journey tracing one song from each chapter of UADA’s discography as well as various covers from the bands who’ve inspired them. ‘Interwoven’ will be released via Eisenwald and physical copies can be pre-ordered HERE.
In addition, UADA is now hitting the road! The band has joined forces with industrial metal artist MORTIIS for a very special co-headliner, featuring exclusive anniversary sets and supporting performances by Jerome Reuter’s ROME and WRAITH KNIGHT. UADA will be performing their seminal 2016 debut album ‘Devoid of Light’ in its entirety + a special CERMONIAL CASTINGS 30-year anniversary set featuring Wraith Knight. In addition, MORTIIS shall be performing songs from his groundbreaking 2001 full-length, ‘The Smell Of Rain,’ along with other volumes of dystopian despair. The tour kicks off tonight, April 10, in UADA‘s hometown of Portland, OR. The full itinerary can be found below while tickets are now available HERE.
UADA is also celebrating the 10 year anniversary of their debut album, ‘Devoid of Light,’ with a special reissue! Originally released in 2016, ‘Devoid of Light’ remains a remarkably focused debut – just five tracks, a little over thirty minutes – and yet a fully formed statement. The ‘Devoid of Light (10th Anniversary Edition)’ returns in an expanded form. Remastered by Arthur Rizk, who previously handled mixing and mastering for UADA’s sophomore album ‘Cult of a Dying Sun’ and mastering for the acoustic album ‘Interwoven,’ the material gains depth without losing the character of the original recordings. This edition also includes previously unseen photography by Peter Beste, alongside rare archival material, expanded liner notes, and an exclusive bonus track. It will be released on July 17, 2026 via Eisenwald in CD format and 3 vinyl color variations; it is now available for pre-orders HERE.
Moreover, after much demand from fans, UADA will be returning to Milwaukee Metal Fest for the second time since leaving their mark during the 2024 edition. The festival will take place at The Rave/Eagle’s Club from June 4 – 7, with UADA performing on the 7th. More info and tickets can be found HERE.
The cover art for ‘Interwoven’ was photographed by Peter Beste and can be found below along with the tracklisting.
Tracklist for ‘Interwoven’: 1.Djinn 2.Devoid of Light 3.The Dark Winter 4.The Purging Fire [WATCH] 5.Der Brandtaucher (ROME cover) [LISTEN] 6.Something in the Way (NIRVANA cover) [WATCH]
THE WITCHES OF DYSTOPIA TOUR MMXXVI (UADA + MORTIIS w/ Jerome Reuter’s ROME + WRAITH KNIGHT), remaining shows:
04/13/26: Calgary, AB @ Dickens 04/14/26: Edmonton, AB @ Starlite 04/16/26: Winnipeg, MB @ Sidestage 04/17/26: Minneapolis, MN @ Skyway at Studio B 04/18/26: Madison, WI @ Annex 04/19/26: Chicago, IL @ Reggies 04/20/26: Detroit, MI @ Sanctuary 04/21/26: Indianapolis, IN @ Black Circle 04/22/26: Covington, KY @ Madison Live 04/23/26: Pittsburgh, PA @ Preserving Underground 04/24/26: Toronto, ON @ Lee’s Palace 04/25/26: Montreal, QC @ Cafe Campus 04/26/26: Quebec City, QC @ La Source 04/27/26: Boston, MA @ Brighton Music Hall 04/28/26: Brooklyn, NY @ Meadows 04/29/26: Bensalem, PA @ Broken Goblet 04/30/26: Baltimore, MD @ Metro 05/01/26: Raleigh, NC @ Chapel Of Bones 05/02/26: Atlanta, GA @ 529 EAV 05/03/26: Orlando, FL @ Conduit 05/05/26: Houston, TX @ Warehouse Live 05/06/26: Austin, TX @ Come And Take It Live 05/07/26: Dallas, TX @ Club Dada 05/08/26: Albuquerque, NM @ Launchpad 05/09/26: Denver, CO @ HQ 05/10/26: Salt Lake City, UT @ Urban Lounge 05/11/26: Las Vegas, NV @ Swan Dive 05/12/26: San Diego, CA @ Brick By Brick 05/13/26: Los Angeles, CA @ The Echo 05/14/26: San Jose, CA @ The Ritz 05/15/26: Eugene, OR @ John Henry’s 05/16/26: Seattle, WA @ El Corazon
Additional UADA Tour Dates: 06/07: Milwaukee, WI @ Milwaukee Metal Fest
“The idea of ‘Interwoven’ – an acoustic journey tracing one song from each chapter of our discography – was first envisioned on the very day UADA was conceived: October 1st, 2014,” says UADA founder and frontman Jake Superchi. “In those early conversations, when laying out the future I sought to create, I recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings – cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.”
“UADA has always drawn from a wide spectrum of influences – many of which extend far beyond the traditional boundaries of black metal,” he continues. “With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.”
“More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial – a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing – until an improvised vocal passage in “Djinn” revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began – without a script, without rehearsal, and with full commitment to spontaneity and truth.”
Recording lineup: Jake Superchi – All Vocals, Guitars, and Percussion Nate Verschoor – Bass
Special Guest: C.E. Brown – Cello
Cover Art: Peter Beste
Album Credits: Engineered and mixed at Obsidian Spells between Summer 2023 and Spring 2024 by Jake Superchi Mastered by Arthur Rizk
Kimmo Kuusniemi’s ASA unveil the long-overdue release of "Collective Failure" + first music video for title-track! Check it out and stay tuned for more news! Click image to watch the video
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video