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LARRY WALLIS Lets The Motörhead Classic Out ‘On Parole’

Posted by tarjavirmakari on June 3, 2026
Posted in: Int. News, News. Tagged: Larry Wallis. Leave a comment

When Lemmy initially contacted Pink Fairies guitarist Larry Wallis about forming a new band together, Larry was both astonished and delighted – “It was just as if the serendipity fairy had arrived. Now he was flexing his leathern wings.” In much the same month as Lemmy was relieved from his duties in Hawkwind, the Pink Fairies shattered. The pair got together for a drink, a jam, a dream “It just had to be.”

​Larry bought a clutch of his own compositions with him into the band – when the newly christened Motörhead (now joined by drummer and future Pink Fairy Lucas Fox) went into the studio in June 1975 to record their first album, “Vibrator,” “Fools” and the Pink Fairies favorite “City Kids” were all on the schedule.  And so was “On Parole,” a lasciviously-grinding stomp that remained in Motörhead’s live repertoire long after Larry and Fox left the band, and followed  the guitarist onto the next stage of his career, as the b-side to his first solo single, 1977’s “Police Car.”

​A short while after, it was still there as Larry went into London’s Eden Studios with Man guitarist Deke Leonard, Elvis Costello drummer Pete Thomas and bassist Big George Webley to record what could have become his first solo album had Larry not moved on yet again, leaving the tapes incomplete.

Close to 50 years later, June 12 finally brings those sessions out into the world. I’m Not An Archivist, titled for Larry’s explanation whenever he was asked about old tapes, is a lovingly compiled and curated glimpse not only into what the album might have looked like (the occasional guide vocal or instrumental notwithstanding), but also a clutch of out-takes and alternate versions, rounding out the CD in dramatic fashion.  

​“We went into Eden Studios ready to lay down taped dynamite,” Larry said years later, and I’m Not An Archivist backs him up all the way.  Both “Police Car” and “On Parole” were rerecorded, apparently at the new bands express request. “No disrespect to the [musicians who played on] the first versions,” said Larry, “but I was so excited to be working with George, Pete, and Deke in a big studio with unlimited time; how could I say no?”  

​Released today as the second single from the album (following last month’s “Crying All Night”), this new version of “On Parole” might well be the definitive version of a song that Larry regularly returned to later in his career – how could it not be with Deke Leonard on board as one half of the most adventurous guitar duo of the age?

SINGLE: https://orcd.co/larrywallis_onparole

Yet the album itself bristles with new-to-most-ears joys, from the freshly reupholstered “Police Car” – present as both an instrumental overture and a coruscating set closer; Larry’s personal take on “As Long As The Price Is Right,” a song he had already seen hit the UK chart with Dr Feelgood; the dynamic blueprints for his mid-80s single “Leather Forever”/“Seeing Double”; and a clutch of killer covers.

​Wreckless Eric‘s “There Isn’t Anything Else” was transformed from the endearing punky thrash that Larry produced for Eric’s first album, into what verges on a stadium rock monster. George Gershwin‘s “Rhapsody in Blue” traveled in the opposite direction entirely, as “a load of wasted individuals” played the tune, while Webley and Thomas had “what they considered to be a ‘New York Argument’”; and writer/poet Mick Farren’s “Godzilla” rampaged unapologetically through the studio. (Larry later retitled the song, aptly, “I Think It’s Coming Back Again”).

​Several of the tracks have appeared on other Cleopatra albums – The Sound of Speed (2017)​and Police Car – The Anthology (2024). This, however, is the first time that the full session has been brought together.  And its unfinished state means while it’s not quite the album that Larry originally intended it to be. Still in terms of untrammeled energy, unstinting adrenalin and white hot guitar and songwriting, it stands loud and proud alongside any of Larry’s other accomplishments.  

​Indeed, almost half a century after that week in the studio, it remains as fresh and frenetic as it did as it was being recorded.

CD/VINYL: https://cleorecs.com/search?q=larry+wallis&options
​DIGITAL: https://orcd.co/larrywallis_imnotanarchivist

Track listing

1. Police Car Overture (Instrumental)
2. On Parole (Alternate Version)
3. Godzilla
4. As Long As The Price Is Right
5. I Can’t See What It’s Got To Do With Me
6. Seeing Double (Alternate Version)
7. There Isn’t Anything Else (Instrumental)
8. Story Of My Life
9. Crying All Night
10. Leather Forever
11. Rhapsody In Blue (Instrumental)
12. Police Car (Alternate Version)
13. Godzilla (Version 2) [CD ONLY]
14. Crying All Night (Version 2) [CD ONLY]
15. I Can’t See What It’s Got To Do With Me (Version 2) [CD ONLY]
16. As Long As The Price Is Right (Version 2) [CD ONLY]
17. Leather Forever (Version 2) [CD ONLY]
18. Story Of My Life (Version 2) [CD ONLY]
19. Seeing Double (Version 2) [CD ONLY]
20. Rhapsody In Blue (Instrumental) (Version 2) [CD ONLY]

GENTLE GIANT’s “In a Glass House” Returns in Newly Remixed & Remastered Edition, Out July 31st

Posted by tarjavirmakari on June 3, 2026
Posted in: Int. News, News. Tagged: GENTLE GIANT. Leave a comment

One of progressive rock’s most daring and influential albums, In a Glass House by Gentle Giant returns in a powerful new form, newly remixed and remastered by Grammy Award-winning producer Eber Pinheiro alongside the band’s own Derek Shulman.

Originally released in 1973, In a Glass House stands as a bold artistic statement that pushed the boundaries of composition, musicianship, and studio experimentation. With its intricate arrangements, shifting time signatures, and thought-provoking themes, the album remains a cornerstone of progressive rock and one of Gentle Giant’s most celebrated works. The album features some of the band’s most enduring compositions, including “The Runaway,” “Experience,” and the epic closing title track “In a Glass House.”

For the first time ever, In a Glass House has been newly mixed and made available in both 5.1 surround sound and Dolby Atmos, opening up the album’s dense arrangements and intricate performances in an entirely new way. 

“When we made In a Glass House, we were pushing ourselves musically and creatively in every direction,” said Derek Shulman. “Hearing the recordings again and being able to remix them with today’s technology has revealed details and textures that were always there but never fully heard. We wanted to present In a Glass House the way we always hoped it could sound, clearer, more dynamic, and true to the original vision. The detail in the performances really comes through in this new mix.”

“The Dolby Atmos and surround mixes really allow the listener to step inside the music,” Shulman added. “It’s incredibly rewarding to hear the album take on a new life while still staying completely true to what we created in 1973.”

For longtime fans and new listeners alike, this new edition of In a Glass House presents the album with greater power, depth, and transparency than ever before, reaffirming its place as one of the defining recordings of the progressive rock era.

The release will be available in multiple formats, including a standard 180g vinyl LP, limited edition clear vinyl, CD, and a deluxe CD/Blu-ray edition featuring stereo, 5.1 surround sound, and Dolby Atmos mixes.

‘In a Glass House’ Track Listing:

  1. The Runaway (7:24)
    2.An Inmates Lullaby (4:28)
  2. Way of Life (7:52)
  3. Experience (7:48)
  4. A Reunion (2:11)
  5. In a Glass House (7:39)
  6. Index (1:20)

Pre-Order: https://linktr.ee/gentlegiantband

ODDLAND Announce New Studio Album “Unilluminate To Illuminate”, Out August 21st

Posted by tarjavirmakari on June 3, 2026
Posted in: Int. News, News. Tagged: Oddland. Leave a comment
Photo by Teo Pyykkönen

Finnish progressive metal band Oddland are thrilled to announce the release of their new studio album, “Unilluminate To Illuminate”, out on August 21, 2026, via Frontiers Music Srl.

Having previously released two tracks from the album, “Eternal Erode” and “Freefall”, the band now unleash the new single “Soar”, along with an official video, available below.

They commented: “’Soar’ is a song that tells a story of what happens when there is an absence of a father in your life and, more importantly, how that empty space in your life is filled with images that rise from stories that are told, from images within, and from the needs one experiences growing up. It is a song touching deeply on longing and wanting to hide from the world in shame but also about finding your strength and light within. The video follows the theme of the album, reflecting the interplay of light and shadow.”

Oddland are also set to embark on a handful of tour dates across Europe, the full list of shows can be found below.

Pre-Order “Unilluminate To Illuminate” HERE

Oddland return with their highly anticipated new album “Unilluminate To Illuminate”, reaffirming their status as one of the most innovative and compelling forces in modern progressive metal. 

Talking about the record, the band stated: “Unilluminate To Illuminate” reflects the need for polarity in life, the need for darkness in order to find joy in light, and the dance of these qualities that deepen the human experience. In the modern age there is a constant chase for dopamine rushes and shortcuts to euphoria. A constant state of happiness is not only impossible but an unfulfilling and untruthful way to live. There is darkness in all of us like there is light in all of us. And, in order to find your light, you must sometimes deeply explore your darkness. This is what the album aims to reflect in the songs and atmospheres we have created.”

Known for their intricate compositions and fearless approach to songwriting, the band continues to push boundaries while refining their already distinctive sonic identity.

The experience gained while supporting Soen on tour has clearly elevated the band to an even higher level, sharpening their performance edge and strengthening their sense of dynamics and impact. That growth is fully reflected in this new record, which feels more focused, confident, and mature than ever before.

This new album expands Oddland’s complex musical universe with heightened intensity, atmospheric depth, and razor-sharp precision. Shifting seamlessly between crushing heaviness and cinematic expanses, “Unilluminate To Illuminate” showcases a band operating at the peak of their creative powers, delivering a listening experience that is both technically impressive and emotionally resonant.

With a bold sense of dynamics and a strong conceptual undercurrent, the album captures the essence of a band that refuses to stand still. Each track reveals new layers upon repeated listens, blending progressive complexity with memorable themes and a powerful sense of direction.

“Unilluminate To Illuminate” stands as a striking statement from one of the finest names in modern progressive metal – a record that challenges, captivates, and ultimately elevates the listener.

“Unilluminate To Illuminate” Tracklist:

1.    Amokinus
2.    Eternal Erode
3.    Soar
4.    Ascent
5.    Freefall
6.    Unilluminate
7.    Illuminate
8.    Act Of Solace
9.    Red Canvas
10.    Unbound In Time
11.    Waterdrops

UPCOMING TOUR DATES:

29.08: DK – Næstved @ Næstved Metalfest
04.09: FI – Turku @ Logomo
 
Split headliner EU tour with Mother Of Millions:
17.09: DE – München @ Feierwerk
18.09: DE – Stuttgart @ Klub Zentral
19.09: NL – Zoetermeer @ Boerderij
20.09: BE – Diest @ Hell
22.09: Tba
23.09: HU – Budapest @ A38
24.09: SK – Bratislava @ Randal Club
25.09: RO – Cluj @ Machines Venue
26.09: RO – Bucharest @ Quantic

Line Up:
Sakari Ojanen – Vocals, guitars
Joni Palmroth – Bass
Ville Viitanen – Drums
Jussi Poikonen – guitars

Follow ODDLAND:
Website
Facebook
YouTube

BESVÄRJELSEN Unveil Video Single ‘Didn’t Come to Party’ & Details of New Album “Till Glömskan Ad Oblivionem”

Posted by tarjavirmakari on June 3, 2026
Posted in: Int. News, News. Tagged: BESVÄRJELSEN. Leave a comment

Swedish forest rockers BESVÄRJELSEN drop the first advance single from their third album “Till Glömskan Ad Oblivionem” (Swedish and Latin for: “Into Oblivion”), accompanied by a slightly disturbing music video ‘Didn’t Come to Party‘ about that guy, the one nobody ever wants at their social gathering.

“Till Glömskan Ad Oblivionem” is scheduled for release on August 28, 2026, via Magnetic Eye Records.The album is available for pre-order here: https://spkr.store/collections/besvarjelsen

BESVÄRJELSEN comment: “There’s a scene in the Titanic movie that has always stayed with me, when the musicians keep playing as everything falls apart around them“, vocalist Lea Amling Alazam muses. “This is one of my all-time favorite moments in cinema, because it captures something important about music: the devotion, the need to create, and to hold onto something beautiful, even in the face of disaster. Like, we’re literally going under, but hey, let’s play. Dance to the sirens. In this day and age, it’s hard not to be affected by the chaos of the world. ‘Didn’t Come to Party’ is not a political statement but rather a cry of frustration. We’re living on this incredible planet, so why are we destroying it? Why war, why poverty, why harm the most vulnerable, when we have the resources to make life better for everyone? This quite reminds me of people who show up to parties just to ruin it for everyone else. Why is there such a drive to hurt, to dominate, to tear things apart in the pursuit of power? It’s senseless.“

Tracklist
01. The Greatest Sin
02. Accelerating Hearts
03. Battles
04. Counting Flies
05. Drifters on a Quiet Stream
06. The Mountain
07. Pulse
08. Interlude
09. Didn’t Come to Party
10. Black Wave
11. Oblivion

Swedes are supposed to be cool, and musically, BESVÄRJELSEN sure live up to that stereotype in the best possible way. What the self-proclaimed forest rockers deliver on their third full-length “Till Glömskan Ad Oblivionem” is so cool, in fact, that it’s a hot early candidate for rock album of the year.

The ‘forest rock’ moniker is the Swedes’ tongue-in-cheek answer to the term ‘desert rock’, which stylistically provides a great starting point to describe their particular musical brand. Being surrounded not by an abundance of sand but trees in their home province of Dalarna, it was also an obvious choice. On “Till Glömskan Ad Oblivionem”, BESVÄRJELSEN keep a profound punk-infused attitude, but have broadened their sound with a wide variety of sonic colours including blues, ska, metal, jazz and everything around and in between as long as it fits the mood of the song.

Add exceptional vocalist Lea Amling Alazam, who developed her passion for punk and stoner rock at the local skate park when she was just 13 years old, to the band’s plethora of riveting hooks and riffs, and you get an album that feels fresh and ready to deliver surprises for months if not years to come. If there is any justice, “Till Glömskan Ad Oblivionem” should make BESVÄRJELSEN as famous as the iconic wooden Dala horses that every tourist who visits the country takes home to put on their shelves.

That BESVÄRJELSEN were on the road to greatness became apparent on their previous album, “Atlas” (2022). This record received the prestigious Swedish Manifestgalan Award for “Metal Album of the Year” by the Swedish Independent Music Producers and partners, which crowned a string of excellent reviews around the globe.

BESVÄRJELSEN were co-founded by guitarists and vocalists Andreas Bajer and Staffan Vinrot in 2014. Their musical vision was based on the idea to channel the spirit and traditions of the vast Dalarna forests into a contemporary urban context. On this ancient crossroads of Norse and Finnish cultures, the echoes of runes and gods, shamans and spirits still linger. While drawing heavy inspiration from local lore, mysticism, and the dark, old musical traditions of their homeland, the band name was found in the old Swedish word for “conjuring”: BESVÄRJELSEN.

While the band’s story has its roots in the past of the land, the present came boldly knocking to demand its due. With the discovery of Lea Amling Alazam and her captivating vocals, the plot took a fascinating twist: She had grown up with her feet in more than one world. Accordingly, the charismatic singer added a fresh approach by embracing melodies and phrases of the grunge and emo sounds that defined her youth as well as African and Middle Eastern music with characteristic bluesy undertones.

In 2015, BESVÄRJELSEN released their debut EP “Villfarelser”, followed by the “Exil” EP in 2016. At the time, former DOZER and GREENLEAF drummer Erik Bäckwall joined the line-up as a permanent member. Although both EPs were self-financed and released with minimal promotion, they ended up well-received, and even got airplay on Swedish national radio.

The Swedes’ debut full-length “Vallmo” (2018) merged crushing riffs and storming drums with increasingly sophisticated melodies and thoughtful themes, even earning the band a festival slot opening for DEEP PURPLE. This paved the way for BESVÄRJELSEN to record their sophomore album “Atlas” with producer and drummer Karl Daniel Lidén (GREENLEAF, DOZER, CRIPPLED BLACK PHOENIX) in 2021.

With “Till Glömskan Ad Oblivionem”, BESVÄRJELSEN have conjured ‘Into Oblivion’ twice, in both Swedish and Latin, but the spellbinding five-piece also deliver a cathartic rock album that will rank among the finest heavy releases of the genre and beyond in 2026

Line-up
Lea Amling Alazam – vocals
Staffan Vinrot – guitars, vocals (& accordion, violin, keys, keyed fiddle)
Andreas Bajer – guitars, vocals
Erik Bäckwall – drums
Marcus Lindqvist – bass

Guest musicians
Fred Burman (SATAN TAKES A HOLIDAY) – lead & backing vocals on ‘Accelerating Hearts’ & backing vocals on ‘Didn’t Come to Party’
Pelle Andersson (LOWRIDER) – organ on ‘Black Wave’

Recorded by Andreas Baier & Marcus Lindqvist at Glashuset, Ludvika (SE)
Mix & mastering by Karl Daniel Lidén at Tri-Lamb Audio Studios, Solna (SE)

Cover art by Björn Olars
Layout by Erik Bäckwall

Links
www.facebook.com/besvarjelsen
www.instagram.com/besvarjelsen

CHRIS WICKED Unveils Cinematic Cover of ‘Enjoy the Silence’

Posted by tarjavirmakari on June 3, 2026
Posted in: Int. News, News. Tagged: CHRIS WICKED. Leave a comment

Photo by Francisco Munoz

Norwegian artist CHRIS WICKED returns with a dark and atmospheric reinterpretation of the iconic ‘Enjoy the Silence’ — originally immortalized by Depeche Mode.

Blending gothic melancholy, cinematic textures and alternative rock energy, Chris Wicked breathes new life into one of the most beloved synth-driven songs of all time. The result is a version that honours the original while simultaneously transforming it into something darker, heavier and deeply emotional.

“Enjoy the Silence has always been a song that resonated with me. The atmosphere, the sense of longing and the timeless darkness within the melody have inspired me since I was young. We didn’t want to copy the original — we wanted to reinterpret it through own musical universe,” says Chris Wicked.

The release follows an intense period for the artist, who recently concluded the 20th anniversary celebration of Malice In Wonderland with the acclaimed single “Dying Breed.” In recent years, Chris Wicked has embraced an increasingly darker and more cinematic sound, drawing inspiration from artists such as Nick Cave, Paradise Lost, The Sisters of Mercy and of course Depeche Mode.

This new version of “Enjoy the Silence” combines haunting synth landscapes, pulsating rhythms and Chris Wicked’s unmistakable vocal style, resulting in a release that feels both nostalgic and modern at the same time.

The single is available now on all major streaming platforms.

ABOUT

Chris Wicked is best known as the frontman of Malice In Wonderland, a band that gained international attention during the 2000s with their unique blend of glam, goth and hard rock. In recent years, he has focused on darker and more personal solo material, where cinematic goth, dark wave and alternative rock take center stage.

Details:
City: Bergen
Country: Norway
Artist: Chris Wicked
Single title: Enjoy The Silence
Release date: September 02, 2026
Record label: Raven Black Productions

Description:
A cover song of Depeche Mode’s “Enjoy The Silence” is the third single from the upcoming EP “Black Horns & Black Hooves”.

More info: https://linktr.ee/chriswicked

ACCEPT Celebrate 50 Years of Heavy Metal with Newly Re-Recorded Version of ‘Fast as a Shark’

Posted by tarjavirmakari on June 3, 2026
Posted in: Int. News, News. Tagged: accept. Leave a comment
[Photo Credit: Robert John]

German heavy metal legends ACCEPT kick off their celebration of 50 historic years with a new version of their classic hit, “Fast as a Shark”, originally released on Restless and Wild in 1982. This new rendition of one of the genre’s most iconic songs features metal legends Phil Anselmo, Kirk Hammett, Mikkey Dee, and Billy Sheehan, alongside ACCEPT members Wolf Hoffmann and Mark Tornillo. This ‘metal supergroup’ performance truly sets the tone for the entire upcoming album, Teutonic Titans 1976-2026, which is to be released on September 4, 2026 via Napalm Records. The album serves as both a celebration of the band’s history and the heavy metal genre itself, in which they played a pivotal and highly influential part. 19 timeless tracks, 50 iconic guests—and they’re starting “Fast as a Shark”!
 
Wolf Hoffmann about “Fast as a Shark”:
“This song was so much fun! We even re-recorded the intro in a Bavarian oompah style… a friend of mine lives in Bavaria, and he was in contact with one of those traditional Bavarian woodwind outfits, and they recorded the traditional German folk song ‘Ein Heller und ein Batzen’ for us, which was fantastic. We were lucky to get Phil Anselmo on vocals, Billy Sheehan on bass, and of course Kirk Hammett on guitar, which is amazing, and Mikkey Dee on drums, so that’s a pretty nice supergroup, isn’t it?”
 
Kirk Hammett about “Fast as a Shark”:
“A real honor to pay back the great inspiration ACCEPT had for me!”

German heavy metal legends ACCEPT celebrate 50 years of pure power, bringing together the scene’s A-list musicians for a landmark release. Teutonic Titans 1976–2026 stands as a definitive statement of the band’s legacy, forged in steel and driven by unmistakable riffs. Arriving September 4, 2026, via Napalm Records, the album delivers some of the most iconic songs ever written in heavy music.
 
Led by guitarist Wolf Hoffmann, the longtime architect of ACCEPT’s sound, the band is joined by a staggering 50 guests across 19 reimagined versions of their biggest tracks. Teutonic Titans 1976-2026 is ACCEPT’s most ambitious and star-studded release to date, reaching far beyond the borders of their country of origin. Featuring the biggest names in heavy music paying tribute to the German icons, the record cements the band’s standing on the global stage. This is more than an album; it is a manifesto of metal! Pre-orders are now available in various exclusive formats.
 
Wolf Hoffmann about Teutonic Titans 1976-2026:
“There is no better way to celebrate this 50-year anniversary than to have our musical peers, friends, and inspirations come together with us to record these classic ACCEPT songs, which I am honored and proud to share with the World. I hope everyone enjoys this very special record as much as we all enjoyed making it.”

Get Your Copy Of Teutonic Titans 1976-2026 NOW

Progressing through albums from their formative years, from I’m a Rebel (1980) to Eat the Heat (1989), ACCEPT present their songs with an all-new, all-star lineup, alongside the signature voice of Mark Tornillo and Wolf Hoffmann’s unmistakable riffs. By enlisting a Who’s Who of metal, no two songs on Teutonic Titans 1976-2026 are the same. Every track features a different combination of vocals, guitars, bass, and drums, giving each classic a fresh edge.
 
Tobias Forge delivers a commanding performance on the track “Save Us” (I’m a Rebel, 1980), joined by Ray Luzier on drums. “Balls to the Wall” surges with the powerful range of Metal God Rob Halford, alongside the guitar work of Matthias Jabs, while the reimagined “Love Child” is elevated by Billy Corgan and David Ellefson (both songs from Balls to the Wall, 1983).
 
Other guest stars on ACCEPT’s extraordinary release include K. K. Downing, Sebastian Bach, Bobby Blitz, Hansi Kürsch, Chris Jericho, Ralf Scheepers, Ola Englund, and Jeff Loomis. The album also features a re-recording of “Hellhammer” (Eat the Heat, 1989), performed by ACCEPT’s current lineup: Wolf Hoffmann, bassist Martin Motnik, guitarist Philip Shouse and drummer Christopher Williams, joined by Jason McMaster on vocals. The album masterpiece was produced, mixed and mastered by legendary producer Zeuss.

Teutonic Titans 1976-2026 track listing:

  1. Fast as a Shark
  2. Balls to the Wall
  3. Aiming High
  4. Run If You Can
  5. Hellhammer
  6. Metal Heart
  7. Losers and Winners
  8. Save Us
  9. Up to the Limit
  10. Wrong Is Right
  11. Starlight
  12. Fight It Back
  13. Love Child
  14. Breaker
  15. Demon’s Night
  16. T.V. War
  17. London Leatherboys
  18. Monsterman
  19. Restless and Wild

ACCEPT Live 2026
 
Festivals
05.06.26 CZ – Pilsen / Metalfest
18.06.26 BE – Dessel / Graspop Metal Meeting
19.06.26 FR – Clisson / Hellfest
04.07.26 ES – Barcelona / Rock Fest
10.07.26 DE – Nideggen / Tollrock Festival
12.07.26 DE – Herten / Zeche Ewald
25.07.26 TR – Istanbul / Maximum Uniq Open Air
27.07.26 BG – Sofia / National Palace of Culture
29.07.26 RO – Ghimbav-Brasov / Rockstad Extreme Fest
07.08.26 FI – Helsinki / Hellsinki Metalfest
29.08.26 UK – Newark / Stonedead Festival
 
Guests: TAILGUNNER
27.08.26 UK – Wolverhampton / KK’s Steel Mill
28.08.26 UK – London / Indigo at The O2
 
Guests: DYNAZTY & TAILGUNNER
19.11.26 DE – Leipzig / Haus Auensee
20.11.26 DE – Lingen / Emsland Arena
21.11.26 DE – Oberhausen / Turbinenhalle
22.11.26 FR – Paris / L’Olympia
24.11.26 DE – Balingen / Volksbankmesse
25.11.26 FR – Lyon / Transbordeur
27.11.26 ES – Valencia / Auditorio
28.11.26 ES – Madrid / La Cubierta
29.11.26 FR – Toulouse / Le Bikini
01.12.26 CH – Zurich / Komplex 457
02.12.26 IT – Milano / Alcatraz
04.12.26 AT – Vienna / Gasometer
05.12.26 CZ – Zlin / Sports Hall Datart
06.12.26 HU – Budapest / Barba Negra
08.12.26 DE – Berlin / Uber Eats Music Hall
09.12.26 PL – Gliwice / Arena Gliwice
11.12.26 DE – Hamburg / Inselpark Arena
12.12.26 DE – Offenbach / Stadthalle
13.12.26 BE – Brussels / AB
15.12.26 DE – Herford / Kulturwerk
16.12.26 NL – Tilburg / O13
18.12.26 DE – Neu-Ulm / Ratiopharm Arena
19.12.26 DE – Geiselwind / Eventhall
20.12.26 DE – Munich / Zenith

ACCEPT are:
Wolf Hoffmann – Guitar
Mark Tornillo – Vocals
Philip Shouse – Guitar
Christopher Williams – Drums
Martin Motnik – Bass
 
ACCEPT online:
WEBSITE
FACEBOOK
INSTAGRAM
TIKTOK
NAPALM RECORDS

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