JAGGED CITY Reveal Debut Single ‘Imaginary Lines’ from Upcoming EP “There Are More of Us, Always”, Out January 30th

Posted by tarjavirmakari on December 6, 2025
Posted in: Int. News, News. Tagged: . Leave a comment
Photo Credit: Pelagic Records

Post-rock trio Jagged City, featuring Jake Woodruff (Defeater) and Carlos Torres (former touring member of Explosions In The Sky) have unveiled their debut single ‘Imaginary Lines’. They have also announced their debut EP, There Are More of Us, Always, to be released on 30th January via Pelagic Records.

Stream here: https://orcd.co/jaggedcity

Jake commented on the single “‘Imaginary Lines’ is a meditation on how all lines are imaginary – all borders are fake, all classifications are arbitrary, all divisions aren’t real. We are all connected, and any line made by force and power is a denial of that. Musically, this is the first full song on the record, and Urian [drums] nailed the groove – it feels natural, even though it’s in 5. I love how the chime-like guitar and fuzzed-out bass tones came together with the drum groove to form a cohesive, intimate, natural-sounding song.”

There Are More of Us, Always is a bold collection that moves between spacious, melodic guitar passages and raucous, swelling climbs. With heartfelt, melodious songwriting, a diverse range of eclectic touches buried within, and eruptions of dense, layered sound, this record delivers wonderfully balanced compositions through raw and personal production.

The project began as a cross-continental art experiment between Jake Woodruff (Defeater) and Carlos Torres (former touring member of Explosions In The Sky). What started as a simple exchange of ideas quickly found real shape through collaborative composition and thoughtful arrangement. Early sessions with David Haik helped refine the songs’ structures and drum frameworks, setting the groundwork for what would become Jagged City’s striking debut.

“We wrote with pure instinct, just tried to add something new to a genre that we love. As we traded ideas, we took some left turns and incorporated elements that may be unexpected.“ commented Woodruff.

When it came time to record, scheduling issues led to an inspired change of plans. Urian Hackney joined the project both behind the kit and behind the board, engineering and performing the drum parts that propel the record. In two intense days at The Box studio in Burlington, VT, Jake and Urian captured the core of the album with an immediacy and urgency that remain audible in every take. 

Carlos recorded bass in Los Angeles alongside longtime musical colleague Michael James (Explosions In The Sky), while Jake added further guitar textures from his home studio, creating layers that thread the compositions together.

This debut is both a statement of intent and an open invitation: Jagged City offer music that rewards close listening and communal experience—an instrumental journey shaped by collaboration and a fierce commitment to feeling. While still post-rock, There Are More of Us, Always utilises a diverse range of influence, giving a freshness to each uniquely realised track.

“This record is a product of collaboration and love and creativity – we hope it inspires people to be connected and think collaboratively and creatively together. That’s the only way forward.” concludes Woodruff.

There Are More of Us, Always track list:

1.    (DON’T DREAM ITS OVER)
2.    IMAGINARY LINES
3.    RAIN AND SIRENS 
4.    OCEAN EAST, OCEAN WEST
5.    HAIRSPRING 
6.    MINUS POWER
7.    (DELUGE IN A PAPER CUP)

Jagged City are:

Jake Woodruff – guitar
Carlos Torres – bass
Urian Hackney drums & production
Featuring Takaakira Goto as guest guitarist on ‘Deluge in a Paper Cup’.

For more: https://www.instagram.com/jaggedcity

ENTHRONED Ascend into the Fire on New Album “Ashspawn”, Out Now

Posted by tarjavirmakari on December 6, 2025
Posted in: Int. News, News. Tagged: . Leave a comment
Photo by © Emanuela Giurano

Belgian black metal institution Enthroned are opening a new chapter in their storied career with their upcoming twelfth album. Conceived during six years of ritualistic creation, Ashspawn now emerges as the band’s most uncompromising statement. Written in collaboration with occult author Gilles de Laval, it descends into spiritual death, only to emerge reborn amongst the flames.

“Longtime leader Nornagest is one of black metal’s great immovable objects”, Blabbermouth writes about Ashspawn, “and on his band’s 12th full-length he comes across as a flame-eyed zealot in thrall to the dark side’s nefarious might”.

“Enthroned has managed to deliver one of the best Black Metal albums of 2025 thanks to their incisive and ravaging sound”, praises Infernal Masquerade.

Ashspawn was released, Friday, December 5, 2025 on Season of Mist, and you can bask in the towering flames of all nine songs by listening to the full album stream on the Season of Mist YouTube channel.

Order the album at https://orcd.co/enthronedashspawn

Ashspawn represents a total unity of vision. Enthroned channel ferocious blast beats, oppressive mid-tempos and progressive structures into an album that moves between violent catharsis and crushing introspection. Solos oscillate from Morbid Angel frenzy to sharp, ascendant phrases that recall classic heavy metal’s virtuosity.

Lead single “Raviasamin” is a chant and a curse, invoking both negation and transformation with frostbitten riffs and serpentine rhythms. The title track embodies the band’s driving ethos, blazing into spiritual destruction as a path toward transcendence. Conceived as the album’s final rite of passage, “Ashen Advocacy” rises in a slow-burning psalm of judgement. With each crack of the judge’s gavel, the song divides the self between accuser and the accused.

Ashspawn now stands darker, heavier, and more personal than anything in Enthroned’s catalogue, crafted as a transformative weapon rather than an act of reiteration.

Cover artwork by Jose Gabriel Alegria Sambogal

Tracklist:

  1. Crawling Temples (5:35)
  2. Basilisk Triumphant (5:53)
  3. Stillborn Litany (6:48)
  4. Ashspawn (4:40) [LISTEN]
  5. Raviasamin (4:26) [WATCH]
  6. Sightless (3:39)
  7. Chysalid (4:32)
  8. Ashen Advocacy (7:58) [LISTEN]
  9. Assertion (6:44)
    Full runtime: 50:17

With the release of their twelfth full-length Ashspawn, ENTHRONED mark a new chapter in their three-decade reign of ritualistic black metal. Conceived across six years of deliberate creation, the album emerges as both an autopsy and a resurrection: a descent into spiritual death followed by the sublimation of rebirth. Written in close collaboration with occult author Gilles de Laval, Ashspawn channels arcane praxis, metaphysical calculus, and esoteric mapping into a work that is as much ritual invocation as it is music. It is the culmination of Enthroned’s uncompromising vision: a weapon of transformation forged in fire and darkness.

Formed in 1993 in Namur, Belgium, Enthroned arose from the ashes of the blackened underground, quickly asserting themselves as one of the most relentless voices of European black metal. Their debut, Prophecies of Pagan Fire (1995), established the band’s reputation for feral speed, occult imagery, and unflinching dedication to the Left Hand Path. Less than a year after their formation, they signed their first record deal, making an immediate impact on the international scene.

Tragedy struck early in their journey when founding drummer Cernunnos took his own life in 1997, shortly after the recording of their sophomore album. Using his preserved rehearsal tracks, the band pressed forward with Towards the Skullthrone of Satan (1997), transforming grief into fury and ensuring Enthroned’s continuation as a vessel of uncompromising black metal. This resilience became a defining trait: through numerous line-up changes, the band’s spirit never wavered, anchored by a vision that was ritualistic rather than trend driven.

Over the following decades, Enthroned’s discography expanded into a formidable catalogue. Albums such as Armoured Bestial Hell (2001) and Carnage in Worlds Beyond (2003) pushed their sound into ever more violent and atmospheric territories. The mid-2000s witnessed a period of reinvention, with Tetra Karcist (2007) and Pentagrammaton (2010) deepening their exploration of occult philosophy and esoteric symbolism. Obsidium (2012) and Sovereigns (2014) continued this evolution, balancing ferocious aggression with ritual atmospheres. By the time of Cold Black Suns (2019), their debut for Season of Mist, Enthroned had crystallized a reputation as one of black metal’s most enduring institutions: a band that both honoured the origins of the genre and transcended them with an intellectual, ritualistic dimension.

Now, in 2025, Ashspawn stands as Enthroned’s most ambitious and personal statement to date. Musically, it embodies a total unity of vision: ferocious blast beats, oppressive mid-tempos, and progressive structures collapse into one another, laced with solos that veer from Morbid Angel-like madness to Judas Priest-inspired virtuosity. Lyrically, it operates as a metaphysical architecture, its verses designed not merely to be heard but to infect and transform. Tracks such as “Raviasamin,” “Ashspawn,” and “Ashen Advocacy” reveal its dual nature: violent catharsis intertwined with crushing introspection, a tribunal where the self is broken and reforged.

More than three decades after their inception, Enthroned remain steadfast in their purpose: not to replicate the past, but to realign with the forces that birthed them. Ashspawn is the testimony of this alignment, a ritual weapon that rejects nostalgia and compromise. It is a resurrection of spirit through suffering, a reaffirmation of Enthroned’s place among black metal’s most visionary entities.

Line-up:
Nornagest — Vocals & Samplers
T. Kaos — Guitars & Bass
Menthor — Drums & Percussion

Production Credits:
Recorded at Ophiussa Studio, London, UK.
Produced by Menthor.
Mixed by Stefano Santi at SPVN Studio, Milan, Italy.
Mastered by Phil Bashford at The Hive, London, UK

Follow Enthroned:
Facebook: https://www.facebook.com/Frater.Silurian
Instagram: https://www.instagram.com/enthronedofficial/
Bandcamp: https://enthroned.bandcamp.com/
YouTube: https://www.youtube.com/@enthronedofficial
Spotify: https://open.spotify.com/artist/5lmT6zZl7aPNg8hv5UrJGz
Apple Music: https://itunes.apple.com/artist/enthroned/47713289
Deezer: https://www.deezer.com/artist/14611
Tidal: https://tidal.com/browse/artist/3604477

MELANIE – The Teenage Prodigy You’ll Never Have Heard – “There Should Have Been A Rainbow”, Out January 2nd

Posted by tarjavirmakari on December 6, 2025
Posted in: Int. News, News. Tagged: . Leave a comment

Think of Melanie and, once past “Brand New Key” and “Lay Down,” the most immediate image is probably a shy, nervous 22 year old stepping out alone onto the Woodstock stage, knowing that hardly anyone in that vast sea of humanity had even heard of her before.

A few had. The previous year, her debut album Born To Be caught some radio play around New York (and spawned a couple of hits in Europe); earlier in ’69, her sophomore set, Melanie, was built around songs she recorded on a much-acclaimed visit to the UK.

Still America regarded her as a total newcomer and, while she was happy to discuss her folk club past, she was equally willing to let people hold onto that preconception.

How wrong, however, it was.  And if history had taken a slightly different turn around 1964, the whole world would already have known exactly who Melanie was.

Dropping on January 2, There Should Have Been A Rainbow is, effectively, Melanie’s true debut album and, as such, it readily stands alongside Bob Dylan’s recently released Bootleg Series examination of this same period, an unerring portrait of a young artist heading for fame.  Indeed, while the CD includes 19 songs from throughout this period, the 11 song vinyl is a direct approximation of how that first LP might have lined up.

Recorded in a New York apartment across four sessions between 1963-1965, There Should Have Been A Rainbow captures the teenager already in full control of the voice and guitar style that would so single her out for attention (and adoration) at the end of the decade – only the songwriting has still to full develop, but even the handful of her own songs that are included here pack plenty of pointers for the future.

It is her grasp on the folk canon that most distinguishes the collection, however.  1963-1964 was the peak of the so-called Folk Revival, a movement that grew out of the Bohemian coffee houses of early ‘60s America, driven not only by its audience’s fascination with grassroots Americana, but also the growing awareness of social injustice that gave the era its other nickname – the Protest Boom.

Melanie was touched by both. Long before she heard the music of Joan Baez, Judy Collins, Bob Dylan et al, she was being teased at school for her “beatnik” tendencies. Her first exposure to traditional song, then, merely let her know that was not alone, and both Malvina Reynolds’ “Look What They’ve Done To The Rain” (included here) and Dylan’s “Blowing In The Wind” were constants in her repertoire.  

But so, too, were past rock and country hits “La Bamba” and “Long Black Veil”; and so was a wild tranche of traditional songs – one of which, “Barbara Allen,” steps out today as the first single and video from this remarkable album.

SINGLE: https://orcd.co/melanie_barbaraallen

It’s a gorgeous performance, and an important song for Melanie, too.  She recalled in 2021, “‘Barbara Allen’ was in an esoteric play called Dark of the Moon that I was in,” which led directly to her meeting future husband Peter Schekeryk; and when Melanie’s second daughter was born, “I named her after the ballad, ‘Geordie’ [also included here]… spelled with a ‘J’  because it looks more feminine to me.”

Elsewhere on the album, her version of “I Never Will Marry,” with its extemporized spoken word passage, meanwhile, illustrates the humor that was already essential to her performing style; and it is illuminating, too, to compare Melanie’s version of  “All My Trials” to Baez’s own, possibly definitive reading. Even at 16, Melanie had no intention of being labeled a copyist.

The most powerful takeaway from this collection, however, is the realization that a full three, even four years before Melanie was finally permitted to record her debut album, she was already in a position to do so. And while history long ago confirmed that Melanie was destined to be ranked among the most visionary songwriters and performers of her era, this album proves that history was late to the party.

–CD/VINYL: https://cleorecs.com/search?q=melanie+there+should+have+been+a+rainbow
–DIGITAL: https://orcd.co/melanie_thereshouldhavebeenarainbow

Track listing

  1. There Should Have Been A Rainbow
  2. Barbara Allen
  3. Gypsy Rover
  4. Geordie
  5. I Never Will Marry
  6. Long Black Veil [CD ONLY]
  7. Silver Dagger
  8. If I Go [CD ONLY]
  9. All My Trials
  10. Twa Brothers
  11. There Is No Better [CD ONLY]
  12. The Mermaid
  13. Songs of Love [CD ONLY]
  14. What Have They Done To The Rain [CD ONLY]
  15. Matty Groves
  16. Summertime Love [CD ONLY]
  17. Puff, The Magic Dragon (Version 2) [CD ONLY]
  18. La Bamba [CD ONLY]
  19. Mary Hamilton

Cinematic Rockers EARTHSIDE Unleash New Track ‘Earthsink’, Featuring Daedric

Posted by tarjavirmakari on December 5, 2025
Posted in: Int. News, News. Tagged: . Leave a comment
Photo (c) Justin Borucki

Today, cinematic rock visionaries Earthside unleash Let The Truth Speak – Deluxe Edition, marking two years since their triumphant return. They have also announced their first live shows in Latin America with an appearance at CL Prog Festival in Santiago, Chile on 14-15 March 2026.

To celebrate, the band reveal ‘earthsink,’ an explosive new collaboration with U.S. experimental metal artist Daedric, featured as an exclusive bonus track. The song rises with celestial beauty before crashing down with Earthside’s trademark, world-shaking intensity. Watch the visualizer HERE.

Keyboardist Frank Sacramone reflects on the milestone: “Let The Truth Speak challenged everything—our writing, our production, our entire creative identity. It defined what ‘cinematic rock’ truly means for us. Now, we’re forging a future that can sustain our grandest visions.”

‘earthsink’ was born when Daedric shared a reel of an original vocal idea over the band’s song Watching the Earth Sink. Earthside were so struck by it that they invited her onstage during their U.S. tour—one of only two times a guest vocalist has performed with them. Inspired, guitarist Jamie van Dyck rebuilt the track around her soaring vocal motif, ultimately flying to Texas to complete the collaboration in person.

Talking about the song, Jamie says, “Kristyn creates worlds. Working with her expanded the mythos and depth of the piece. We hope this won’t be our last collaboration.”

Kristyn Hope from Daedric adds; “When I first heard “Let the Truth Speak” I was blown away by the cinematic impact of the sound paired with each vocalist’s unique quality. I noticed that “Watching the Earth Sink” was purely instrumental so I thought it would be cool to add a short vocal duet over the middle section. When Earthside decided to create an entirely new version to include me on the deluxe release of the album, I was deeply honored. It was quite daunting to approach the full track as I consider their work highly technical, but working with Jamie proved to be rewarding as we finalized the vocals together.”

Listen to the track HERE.

The anniversary follows a breakthrough year that included their first North American headline tour and the powerful single ‘frozen heart ~ burning world’ building on their enthralling 2024 performances on tour with Soen and Leprous.

Since its release, Let The Truth Speak has delivered a series of standout singles, including the haunting “We Who Lament,” and the award-winning video for All We Knew And Ever Loved featuring Baard Kolstad (Leprous), which earned Best Music Video at the United Artist International Film Festival and screened at festivals worldwide.

The album also included the songs We Who Lament featuring Canadian vocals Keturah, Let The Truth Speak with Daniel Tompkins and Gennady Tkachenko-Papizh and Pattern of Rebirth saw a collaboration with AJ Channer (Fire From The Gods).

A decade after their seismic debut A Dream in Static, Earthside continue to push themselves to the brink.  “This album nearly tore our lives apart,” Sacramone admits. “It’s madness—but it’s beautiful.”  Jamie adds:  “If our debut was about the individual, Let The Truth Speak is about humanity. The world changed, and so did we.”

With new live shows on the horizon, Earthside are continuing to build on their cinematic, world-building sound.

Earthside live shows 2026:

4-8 March – Cruise to the Edge – Miami
14th March – CL Prog Festival – Chile
5th June – Ankea Festival – Finland

Follow Earthside
Facebook | Instagram | Youtube | Spotify | Twitter
Website + Merch

ASSIGNMENT Announce New Album “With The End Comes Silence”, First Single & Video ‘Fallen’ Out Now

Posted by tarjavirmakari on December 5, 2025
Posted in: Int. News, News. Tagged: . Leave a comment
Photo credits: FRISO GENTSCH

German progressive power metal force ASSIGNMENT proudly announce the release of their upcoming studio album With The End Comes Silence, due out on February 6th, 2026, available as Digipak CD and limited double vinyl LP via Massacre Records.

To mark the beginning of this new chapter, the band unleashes the album’s opening track and first single “Fallen”, accompanied by a lyric video video.

“In our view the song had all credentials for being the opener of the album, as it perfectly sets the pace and the general of what follows. The song handles one of our main concerns, one we regularly like to make clear. Something is wrong in the world today,” states guitar player Goran Panić.

Powerful, dynamic, and thematically urgent the track opens the album and embodies its themes: societal decay, disillusionment, and the awareness that the world has shifted into darker territory. Musically, it combines expressive vocals, atmospheric arrangements, and emotional impact, making it the ideal introduction to the album’s narrative arc.

STREAM THE SONG HERE: https://save-it.cc/massacre/fallen

With The End Comes Silence showcases ASSIGNMENT’s refined songwriting approach, focusing on tighter structures and elevated production quality, while maintaining the diverse influences that have shaped their sound over the years – from power and thrash to progressive metal and hard rock.

The album features standout guest contributions, including: Thomas Vikström (backing vocals), Marco Ahrens (lead guitars on “Fallen”, “Beyond Recognition”, “Angel Of Berlin”, and “With The End Comes Silence”) and DGM’s mastermind Simone Mularoni (lead guitar on “The Curtains Fall”).

Produced by the band, the record was mixed and mastered by Simone Mularoni at Domination Studio, raising the sonic bar and delivering the sound ASSIGNMENT envisioned.

ASSIGNMENT’s new album With The End Comes Silence stands as their most focused and immersive work to date – a cinematic, emotional, and thought-provoking metal experience that reflects the state of a world in turmoil while celebrating the enduring spirit of the genre.

ASSIGNMENT are
Diego Valdez – vocals
Goran Panić – guitars
Heiko Spaarmann – bass
Michael Kolar – drums

ASSIGNMENT online:
https://www.assignment-music.com/
https://www.facebook.com/AssignmentMusic/

MEGADETH Team with Trafalgar Releasing to Premiere “Megadeth: Behind The Mask” Global Cinematic Event on January 22nd

Posted by tarjavirmakari on December 5, 2025
Posted in: Int. News, News. Tagged: . Leave a comment
Photo Credit: Ross Halfin

Legendary metal titans MEGADETH have teamed with Trafalgar Releasing for MEGADETH: BEHIND THE MASK, a cinematic legacy event that will debut on screens worldwide Thursday, January 22—on the eve of the release of the band’s final studio album out January 23. The film will screen in over 1,000 cinemas across 35+ countries. Tickets go on sale Thursday, December 11 at 6am PT / 9am ET / 2pm GMT / 3pm CET with a trailer available for viewing on the same day. For more information and to sign up for updates, fans can visit megadethfilm.com.

In MEGADETH: BEHIND THE MASK, Dave Mustaine pulls back the curtain on 40 years of MEGADETH, sharing untold stories of the band’s past and the creative fire that drives them.  Interwoven throughout, audiences will get to experience the world premiere of MEGADETH’S new self-titled album in full, brought to life with a 40-year retrospective career-spanning interview and Mustaine’s own track-by-track reflections about the band’s final studio album. This one night only listening event will provide a first-listen to this landmark project. MEGADETH: BEHIND THE MASK is an immersive celebration of one of the most influential bands in metal history, capturing their legacy while heralding a powerful new chapter.

“This listening event is going to be amazing,” says MEGADETH’s DAVE MUSTAINE.  “ I can’t wait to share it with thousands of my closest friends around the world. I have so much gratitude for everyone who helped bring this film to life, especially you, the fans! Now let’s fire this up… and pass the popcorn!”

 “We’re thrilled to bring fans together for an exclusive first listen to Megadeth’s final studio album—that brings their career full circle,” says Kymberli Frueh, EVP Programming and Content Acquisitions at Trafalgar Releasing.  “This isn’t just another Megadeth album: it features a bold reimagining. This cinema event is a celebration of the riffs, the intensity and the uncompromising spirit that have defined Megadeth’s legacy. We can’t wait to share this moment with the fans who’ve been with them every step of the way.”

Leading up to the album and film’s debut, MEGADETH—Dave Mustaine, Teemu Mäntysaari (Lead, Rhythm, and Acoustic Guitars), James LoMenzo (Bass Guitar) and Dirk Verbeuren (Drums)—have released two tracks:  “I Don’t Care” (watch the video HERE and listen to the song HERE) and “Tipping Point,” the album’s first single (watch the video HERE and listen to the song HERE).  MEGADETH have also announced a very special bonus track from the album:  a reimagined version of “Ride The Lightning,” which MUSTAINE co-wrote with Metallica’s James Hetfield, Cliff Burton, and Lars Ulrich and was the title track from the group’s 1984 album.  Pre-order the album, via DAVE MUSTAINE’s Tradecraft imprint in partnership with Frontiers Label Group’s new BLKIIBLK label, HERE.  Read more about the album’s full track listing HERE.

About Megadeth
MEGADETH are always and forever the point of no return for metal. It would be nearly impossible to conceive where heavy music and culture would’ve gone without the band founded, fronted, and fueled by vocalist, guitarist, songwriter, and producer Dave Mustaine. The blast radius of their impact has only magnified since 1983. Thus far, they have sold 50 million records worldwide, received a GRAMMY® Award (with 12 additional nominations), generated billions of streams, notched seven Top 10 entries on the Billboard 200, and enthralled millions of diehard fans in arenas and stadiums across the globe. Their catalog spans indisputable classics such as the platinum Peace Sells… But Who’s Buying? (cited at #8 on Rolling Stone’s “100 Greatest Metal Albums of All Time”), the platinum Rust In Peace, and double-platinum Countdown To Extinction, which captured #2 on the Billboard 200. Meanwhile, Dystopia notched a Top 3 debut and earned a GRAMMY® Award in the category of “Best Metal Performance” with its title track. They only upped the ferocity with The Sick, The Dying… And The Dead! in 2022. It saw them return to #3, receive a “Best Metal Performance” GRAMMY® Award nomination for “We’ll Be Back,” and incite rave reviews. Their influence can be felt practically everywhere—whether it be Post Malone proudly sporting a tattoo of “So Far, So Good… So What!,” Homer Simpson’s iPod displaying their moniker during an episode, or Showtime’s smash hit series Billions and Bill & Ted’s Bogus Journey utilizing MEGADETH in plot points. The band have delivered simultaneously relevant and timeless records in five decades now, setting the pace for the thrash renaissance of the eighties, tearing through the MTV years of the nineties with swagger and style, maintaining their stride in the post-Y2K 2000s, elevating to canonical heights in the social media and streaming era of the 2010s, and unassumingly harnessing the uncertainty and unease of the Post-Pandemic world into their boldest, biggest, and best work yet.

Along the way, MEGADETH extended their influence even further. During 2016, the band entered the spirits world with their very first signature beer À Tout Le Monde followed by Saison 13 in 2019. The brand asserted itself as a player in the beverage space and impressively moved over 15 million pints. Joining forces with Keystone in 2025, they ignite the next phase of Megadeth Beer on the biggest global platform yet.
Beyond his role as a music icon, Dave founded the visionary wine brand HOUSE OF MUSTAINE which uniquely blends music, culture, and fine winemaking.  The brand launched with the 2013 Symphony Interrupted Cabernet Sauvignon which was inspired by Dave Mustaine’s groundbreaking collaboration with the San Diego Symphony. 

More information: WEBSITE | FACEBOOK | INSTAGRAM | X | YOUTUBE

ABOUT TRAFALGAR RELEASING:
Trafalgar Releasing is the global leader in event cinema distribution, connecting fans through unforgettable cinematic experiences in over 15,000 theaters across 132 countries. A subsidiary of Trafalgar Entertainment, the company specializes in the production, acquisition, marketing, and worldwide distribution of live and pre-recorded content to cinemas. Trafalgar Releasing’s diverse slate spans chart-topping concert films and live concert broadcasts, award-winning theatre, acclaimed opera, dance, television, podcasts, and music documentaries—featuring some of the biggest names in entertainment including Taylor Swift, Beyoncé, BTS, Metallica, Pink Floyd, Coldplay, Billie Eilish, The Chosen and the Royal Ballet and Opera. For more information, visit www.trafalgar-releasing.com.