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DEATH ANGEL Announce 10th Anniversary Vinyl Reissue of “The Evil Divide”, Out July 24th

Posted by tarjavirmakari on May 28, 2026
Posted in: Int. News, News. Tagged: Death Angel. Leave a comment
Photo Credit: Kristin Gerbert

Bay Area thrash legends DEATH ANGEL will celebrate the 10th anniversary of their critically acclaimed eighth studio album, The Evil Divide, with a special vinyl reissue arriving July 24th via Nuclear Blast Records.

Originally released on May 27, 2016, The Evil Divide marked another triumphant chapter in the band’s storied career, capturing the ferocity, precision, and relentless energy that have defined Death Angel for more than four decades. Helmed by renowned producer Jason Suecoff at AudioHammer Studios, the album further cemented the band’s standing among thrash metal’s elite, earning widespread acclaim for its explosive songwriting, technical intensity, and emotionally charged performances.

The 10th anniversary LP edition will feature the bonus track ‘Wasteland,’ DEATH ANGEL’s powerful interpretation of the 1986 song originally performed by The Mission. Previously available only on select limited CD digipak editions outside the United States, the track will now make its vinyl debut while also becoming available for streaming worldwide for the very first time.

Revisit The Evil Divide by checking out the music video for the single ‘Lost.’

The reissue arrives as DEATH ANGEL continue celebrating another landmark in their legacy with their ongoing U.S. tour commemorating the 35th anniversary of their landmark 1990 album Act III.

Pre-order The Evil Divide (10th Anniversary Edition): https://deathangel.bfan.link/the-evil-divide-10

DEATH ANGEL Tour Dates, remaining shows:

May 28 – Orlando, FL – The Abbey
May 29 – Ft. Lauderdale, FL – Culture Room
May 30 – Tampa, FL – Orpheum
June 2 – Nashville, TN – Brooklyn Bowl
June 3 – Louisville, KY – Mercury Ballroom
June 5 – Milwaukee, WI – MKE Metal Fest
June 6 – St. Louis, MO – Red Flag
June 8 – Wichita, KS – Wave
June 9 – Greeley, CO – Moxi Theater
June 10 – Colorado Springs, CO – Black Sheep
June 11 – Salt Lake City, UT – The Complex
June 12 – Boise, ID – Shrine Ballroom
June 14 – Seattle, WA – Showbox
June 16 – Portland, OR – Hawthorne Theater
June 17 – Sacramento, CA – Ace of Spades
June 18 – San Luis Obispo, CA – Fremont Theater
June 19 – Santa Ana, CA – The Observatory
June 20 – Ventura, CA – Ventura Music Hall
June 21 – Santa Cruz, CA – The Catalyst

About DEATH ANGEL:

DEATH ANGEL is a pioneering American thrash metal band formed in 1982 in Daly City, California, and a vital force in the legendary Bay Area thrash movement. Emerging as teenage prodigies, the band quickly built a reputation for blistering speed, technical precision, fearless songwriting, and ferocious live performances — qualities that continue to define them more than four decades later.

Formed by cousins Rob Cavestany (guitar), Dennis Pepa (bass), and Andy Galeon (drums), alongside vocalist Mark Osegueda and guitarist Gus Pepa, DEATH ANGEL cut their teeth in local clubs before exploding onto the international stage with their 1987 debut album “The Ultra-Violence”, recorded when Galeon was just 14 years old. Its complex arrangements and explosive energy immediately distinguished them within the Bay Area scene. They followed with 1988’s “Frolic Through the Park”, which featured the breakout single and MTVfavorite “Bored,” even leading to the band hosting Headbangers Ball. In 1990, their major label debut “Act III”(Geffen Records) revealed a more dynamic and melodic dimension while retaining their thrash intensity. With MTV airplay for “Seemingly Endless Time” and “A Room With A View,” and a feature in People Magazine, the album cemented their status as one of thrash metal’s most musically adventurous acts.

After reuniting in 2001, DEATH ANGEL embarked on a powerful second chapter — one that would become among the strongest stretches of their career. Rather than leaning on nostalgia, they delivered a run of acclaimed releases that fused classic Bay Area aggression with sharpened songwriting and modern production. Beginning with “The Art of Dying” (2004) and continuing through “Killing Season” (2008), “Relentless Retribution” (2010), “The Dream Calls for Blood” (2013), “The Evil Divide” (2016), and 2019’s “Humanicide”, the band refined their attack while expanding their dynamics. Across these albums, intricate riff craftsmanship, blistering tempos, and socially aware lyricism became hallmarks of their modern era. “Humanicide”earned DEATH ANGEL a Grammynomination for Best Metal Performance, further solidifying their place among contemporary thrash metal’s most vital and respected forces.

In 2025, the band unveiled two standalone singles, marking their first new material in several years and signaling the next phase of their evolution. “Wrath (Bring Fire)” delivered a high-velocity assault rooted firmly in classic Bay Area ferocity, while “Cult of the Used” emerged as a sharp, socially charged anthem driven by precision riffing, thunderous rhythm work, and commanding vocals. Together, the releases reaffirmed DEATH ANGEL’s creative momentum and uncompromising intensity.

To celebrate the 35th anniversary of “Act III”, DEATH ANGEL launched a special anniversary tour performing the album in its entirety. The run combined full-album performances with select classics from across their catalog, offering longtime fans a rare and immersive experience. The tour included major U.S. markets and multiple hometown Bay Area performances — including two advanced sold out shows at the legendary Fillmore — underscoring the album’s enduring impact. The “Act III” Anniversary Tour continues into 2026 and 2027, with additional dates to be announced.

The current lineup — Mark Osegueda (vocals), Rob Cavestany (guitar), Ted Aguilar (guitar), Damien Sisson (bass), and Will Carroll (drums) — has remained intact for nearly two decades, forming one of the most stable and formidable configurations in the band’s history. That longevity translates powerfully to the stage, where DEATH ANGEL continues to tour extensively across North America, Europe, South America, Asia, and Australia.

Follow DEATH ANGEL:
https://www.deathangel.us/
https://www.facebook.com/deathangel
https://www.instagram.com/deathangelofficial
https://twitter.com/deathangel
https://www.youtube.com/@DeathAngel

Brazilian EPITAPH’s Second Full-Length “Digital Screams” Brings Heavy/Thrash Metal with Reflections about Social Medias & AI

Posted by tarjavirmakari on May 27, 2026
Posted in: Int. News, News. Tagged: Epitaph. Leave a comment

With 26 years on the road and over 100 shows across Brazil, the band Epitaph, formed in Porto Alegre in 2000, announced the release of their new album this Monday, May 25th, 2026.

“Digital Screams”, their second full-length album, consists of 8 unreleased tracks, and the work consolidates the characteristic fusion of Heavy Metal, Thrash and Hard Rock that has marked the group’s trajectory since their first demo, “Waiting for Your Death”, and their debut album “Getting Down to Business” (2009). 

The new album features the acidic and provocative lyrics of writer Denis Winston Brum, and also includes a special appearance by Gustavo Demarchi, from the Brazilian Progressive Rock band Apocalypse, on the title track, where, in addition to collaborating on the lyrics, he once again shares vocals with Joe F. Louder, as in “Death Belt” from the debut album.

Regarding the lyrics of the song “Digital Screams,” Demarchi was inspired by the fierce political and religious polarization on social media, as well as the advancement of Artificial Intelligence (AI) technology, with its controversies, pros and cons, defenders and opponents.

“Digital Screams” will initially only be available in physical format, and can be purchased directly from the band through their official Instagram. The digital release will be available on a date to be announced.

A sample of the new work can be seen on the band’s YouTube channel, in the video for the track “The Girl Who Loves the Dead,” which was released on May 8th at a very special event at Legato studio in Porto Alegre, bringing together fans, musicians, friends, and press.

Regarding the album artwork, created by Rômulo Dias and with graphic design by Juliana Louis, the cover features the character that appears on the first album, and the band photo in the booklet contains various references to pop culture, rock, metal, and other things that have been and are part of the musicians’ lives.

Veterans of historical compilations such as Rock Soldiers VI, Roadie Metal Vol. 11, and the 10th anniversary of Garagem Hermética, Epitaph reaffirms its relevance in the national scene with a mature and relentless sound, and intends to take its metal even further.

Tracklist:
Loser’s Life
The Girl Who Loves the Dead
Epitaph
Road of Fire
Digital Screams
National Guard
Something Better than God
Blue Cave

Lineup:
Joe F. Louder: Vocals
André Carvalho: Guitars
Marlon Steindorff: Guitars
Fabio Figueiredo: Bass
César “Five” Louis: Drums

Instagram: https://www.instagram.com/epitaph.br?igsh=bWw0OWp5Z2hudnIy
Spotify: https://open.spotify.com/artist/0hIBkZQwi5oMyvJfDlxOZR

ARMORED SAINT to Join METAL CHURCH on US Co-Headlining Tour This Fall

Posted by tarjavirmakari on May 27, 2026
Posted in: Int. News, News. Tagged: Armored Saint, Metal Church. Leave a comment
Photo by Travis Shinn

ARMORED SAINT will join Metal Church for a US co-headlining tour this Fall! The Metal Saint Tour 2026 will commence on November 2nd in San Juan Capistrano, California and runs through November 21st in Agoura Hills, California. Additional support will be provided by LiveKill.

Comments ARMORED SAINT vocalist John Bush, “Two classic metal bands from the ’80s on tour together doing headline sets and both with brand new awesome records out [ARMORED SAINT with Emotion Factory Reset and Metal Church with Dead To Rights]. If you call yourself a metalhead and you don’t come to this show when we roll into your town, you better have a damn good excuse. AS and MC. Let’s do this!“

Comments Metal Church guitarist Kurdt Vanderhoof, “It’s incredibly exciting to be getting back on the road with our friends and an honor to be sharing the stage with one of America’s finest metal bands! Definitely a show you won’t want to miss!“

Tickets go on sale this Friday, May 29th at 10:00am local time. VIP upgrades will be available at: nationalactsvip.com/armoredsaint. See all confirmed dates below.

ARMORED SAINT + Metal Church w/ LiveKill:
11/02/2026 Coach House – San Juan Capistrano, CA
11/03/2026 The Glass House – Pomona, CA
11/04/2026 The Nile – Phoenix, AZ
11/06/2026 Sunshine Theater – Albuquerque, NM
11/ 07/2026 Sunshine Studios – Colorado Springs, CO
11/08/2026 The Federal – Denver, CO
11/10/2026 Neurolux – Boise, ID
11/11/2026 The Newberry – Great Falls, MT
11/13/2026 Dantes – Portland, OR
11/14/2026 Redwood Theater – Bremerton, WA
11/15/2026 Rickshaw Theater – Vancouver, BC
11/17/2026 Great America Music Hall – San Francisco, CA
11/18/2026 Goldfield Trading Post – Roseville, CA
11/19/2026 The Whisky – Los Angeles, CA
11/20/2026 Observatory North San Diego – San Diego, CA
11/21/2026 Canyon Club – Agoura Hills, CA

Additionally, ARMORED SAINT has performances confirmed throughout the Spring and Summer months both Stateside and abroad, including a special meet-and-greet at Grill ‘Em All in Long Beach, California. Set to take place on May 28th, the event is in celebration of the band’s Emotional Factory Reset full-length, released last week on Metal Blade Records. The night will feature photo opps, raffles, ARMORED SAINT-inspirited fries, and more!

ARMORED SAINT Live:
5/17/2026 San Luis Metal Fest – San Luis Potosí, MX
5/21/2026 Cafe Nord – Essen, DE * Free Listening Party *
5/22/2026 Rock Hard Festival – Gelsenkirchen, DE * Record Release Show *
5/28/2026 Grill ‘Em All – Long Beach, CA * Meet-and-Greet Event *
6/06/2026 Milwaukee Metalfest @ The Rave/Eagles Club – Milwaukee, WI
7/30/2026 Pumpehuset – Copenhagen, DK w/ Metal Church
7/31/2026 Skogsröjet Festival – Rejmyre, SE
8/01/2026 Pustervik – Gothenburg, SE w/ Testament, Metal Church
8/02/2026 Mejeriet – Lund, SE * w/ Testament, Metal Church
8/05/2026 Brutal Assault – Jaroměř, CZ
8/07/2026 Alcatraz Festival – Dessel, BE
8/08/2026 Poppodium Boerderij – Zoetermeer, NL *ARMORED SAINT headlining show
8/09/2026 Keep It True Legions – Geiselwind, DE
8/11/2026 Progresja – Warsaw, PL w/ Savatage, Nevermore
8/12/2026 Collosseum – Košice, SK w/ Vio-Lence
8/13/2026 Klub Studio – Krakow, PL w/ Testament, Metal Church
8/29/2026 Stonedead Festival – Newark, UK

Emotion Factory Reset, ARMORED SAINT‘s ninth studio album since 1984’s March Of The Saint, is a resurrection of sorts, a tearing down and a rebuilding in eleven songs of diverse musicality and lyrical themes. Produced, as were the previous four albums, by bassist Joey Vera and mixed by Jay Ruston (Anthrax, Stone Sour), the record finds the quintet challenging themselves. Songs like “Close To The Bone,” “Hit A Moonshot,” and “Every Man-Any Man” have ARMORED SAINT honoring their past as one of the most respected and recognizable bands in heavy music while making forward-thinking music rooted in the present.

Emotion Factory Reset was recorded across several studios including 606 Studios, Secret Hand Studios, Skullseven Studios, Constantine Studios, and Bridge Recording, engineered by Oliver Roman, Bill Metoyer, Joey Vera, and Jason Constantine, and features cover art by DDKing.

Order here: metalblade.com/armoredsaint

ARMORED SAINT:
John Bush – Vocals
Joey Vera – Bass
Jeff Duncan – Guitars
Gonzo Sandoval – Drums
Phil Sandoval – Guitars

https://www.armoredsaint.com
https://www.facebook.com/thearmoredsaint
https://x.com/thearmoredsaint
https://www.instagram.com/thearmoredsaint

SEPULTURA Announce Final Career Show in São Paulo – Brazil on 7th November 2026

Posted by tarjavirmakari on May 27, 2026
Posted in: Int. News, News. Tagged: Sepultura. Leave a comment

After more than four decades of bringing Brazilian heavy music to the world’s biggest stages, Sepultura have officially announced the final show of their career. The historic performance will take place on 7 November 2026 at the Mercado Livre Arena Pacaembu in São PauloBrazil, marking the end of one of the most influential journeys in the history of heavy metal worldwide.

The choice of the Mercado Livre Arena Pacaembu holds special meaning for the band. The venue has been part of Sepultura’s history since the early 1990s, especially because of the iconic concert held at Praça Charles Miller, in front of the stadium, which helped establish the band’s strength in Brazil. Decades later, Sepultura returns to the same place to close its story, where part of that legacy was also built.

Tickets for the general public will be available from 30th May via ticketmaster.com and at the official box office.

More than a farewell concert, the night is being conceived as a grand celebration of Sepultura’s history, bringing together different generations, eras and artists who have become part of the band’s journey over the past 40 years. The idea is to transform the final show into a unique moment of tribute, connection and celebration of Brazilian heavy music and its global impact.

Among the international acts already confirmed is Metal Allegiance, featuring some of the most respected musicians in the global metal scene, including Mike Portnoy of Dream Theater, Alex Skolnick and Chuck Billy of Testament, Phil Demmel, formerly of Machine Head, Troy Sanders of Mastodon, and bassist/founder Mark Menghi.

The line-up will also feature confirmed appearances by Krisiun, one of the world’s most respected death metal bands, and American thrash metal band Sacred Reich. Additional special guests will be announced soon.

Former members and musicians connected to Sepultura’s history over the decades are also expected to join the celebration, including Jean Dolabella and Jairo Guedz, who were part of the band’s original line-up.

Formed in Belo Horizonte in 1984, Sepultura helped redefine the boundaries of heavy metal and became the most internationally recognised Brazilian rock band of all time. Through landmark albums such as Beneath The Remains, Arise, Chaos A.D. and Roots, the band influenced generations and opened doors for Brazilian heavy music worldwide.

Throughout its career, Sepultura performed at some of the world’s most important festivals, including Rock in Rio, Lollapalooza, Wacken Open Air, Hellfest and Download Festival, building a legacy that transcends metal and has a permanent place in music history.

Sepultura’s final show at the Mercado Livre Arena Pacaembu promises to be a historic, emotional and unforgettable night, a farewell befitting the band’s importance to both Brazilian culture and the global heavy metal scene.

SEPULTURA are:
Derrick Green – vocals
Andreas Kisser – guitars
Paulo Jr. – bass
Greyson Nekrutman – drums

More info: WEBSITE | INSTAGRAM | YOUTUBE | TIKTOK
X | SPOTIFY | TIDAL | DEEZER | APPLE MUSIC

GORGE Sign to Time To Kill Records for Release of Forthcoming Debut Full-Length Album

Posted by tarjavirmakari on May 27, 2026
Posted in: Int. News, News. Tagged: GORGE. Leave a comment

Italian death metal act GORGE has officially signed with Time To Kill Records for the release of their forthcoming debut full-length album, marking a decisive step forward for one of the most exciting new names to emerge from the Italian underground.

Formed in 2025, GORGE was born from an idea by Edoardo Nicoloso (Fulci, Jorelia, TV-Crimes) and Roberto Sava (Jorelia), with a clear intent to strip death metal down to its most essential and violent form. The project pays tribute to raw two-piece acts such as Retch, Mortician and Christ Denied, as well as solo assaults in the vein of Putrid Pile, while channeling the spirit of ’90s American death metal.

The band’s approach is rooted in a direct, riff-driven philosophy that draws heavily from the foundational era of Suffocation, Dying Fetus, Gorguts and Malevolent Creation, updated with just the right amount of modern weight without compromising its original identity. GORGE blends death metal with a gritty hardcore sensibility, resulting in a groovy yet ferocious sound that avoids overused slam dynamics in favour of tighter songwriting and internal rhythmic variation. At the centre of everything lies the riff, treated as the primary narrative force across all compositions, supported by a constant attention to structural tension and release.

Further details regarding the album, tracklist and first single will be revealed in the coming months as GORGE prepare to fully introduce their debut statement.

Line-up:

Edoardo Nicoloso – Guitar, Vocals, Drum Programming
Roberto Sava – Guitar, Vocals

More info: https://www.instagram.com/gorgebrutality

FLOTSAM AND JETSAM Unleash Video for Title Track of Upcoming Album “Rats In The Temple”

Posted by tarjavirmakari on May 27, 2026
Posted in: Int. News, News. Tagged: Flotsam and Jetsam. Leave a comment
[Photo Credit: Shane Eckart]

Finally, the time has come, the first look into thrash legends FLOTSAM AND JETSAM’s new album Rats In The Temple, out August 28, 2026 via Napalm Records. The album’s title track is a ghoulish hit packing sweeping guitarmonies, thunderous drums, and exalted frontman Eric A.K. Knutson’s haunting wail. After four trailblazing decades, countless world tours, and 15 groundbreaking studio albums, FLOTSAM AND JETSAM remain refined and revered.
 
Eric A.K. Knutson says about the track:
“We’re super excited to release the first single from the album, which is very fittingly the title track, ‘Rats In The Temple’!  This song has a lot to say, and we hope the fans love the song as much as we do. This is possibly one of the most technically challenging songs FLOTSAM has ever recorded, and we look forward to delivering this song live as well!”

Thrash metal icons FLOTSAM AND JETSAM, known for their trailblazing blend of blistering thrash and soaring power metal—established on breakthrough records like the Kerrang! championed classic Doomsday for the Deceiver, (1986), No Place for Disgrace, (1988), and Cuatro, (1992) and refined in their current renaissance with the German chart climbing The End of Chaos, (2019), Blood in the Water, (2021), and I Am the Weapon, (2024)—are back with their newest diamond, and Napalm Records debut, Rats In The Temple, out August 28, 2026. With nearly four decades on the scene, countless world tours, and appearances at prestigious festivals like Wacken, Graspop, Bloodstock, Alcatraz, and Rockhard, they’ve carved their sound down to a fine point, piercing listeners with earth-shattering blast beats, scorching guitars, epic string arrangements, and exalted frontman A.K. Knutson’s unmistakably haunting wail. 
 
Frontman Eric A.K. Knutson about the album:
“This record is a BEAST, truly our best effort to date!! Do yourself a favor. Dim the lights, grab a drink, put the headphones on, and crank this up. You will not be sorry you did!!!”

Pre-Order Your Copy of Rats In The Temple HERE

Rats In The Temple opens strong with the stadium-ready hooks and dizzyingly precise performances of “Harvesting The Hate” and “Damnation”, before delving into thrash virtuosity on “Absolution”. The iconic guitar duo of Michael Gilbert and Steve Conley paint vividly ghoulish images on tracks like “Blame The Knife” and “Rats In the Temple”, then continue to flex their metal muscle on “The Ghost Behind My Door” and “First on the Spike”, invoking pure first-wave excellence with a pummeling modern menace. “The Edge of Nowhere” builds inescapable suspense before firing listeners out of a gun, full throttle into “Last Rites”, another standout track for the band. The legendary rhythm duo of drummer Ken Mary and bassist Bill Bodily take center stage on the anti-war anthem “A Taste For War”, their methodical syncopation invoking images of tanks and boots on the ground. “Her Blood Your Pain” brings ornate, medieval guitarmonies before “Anthem For The Broken” goes full balls to the wall, and “Going Down That Way” hits listeners with heavy riffs and even heavier truths. Rats In The Temple remains enthralling throughout, giving listeners entry to numerous of the band’s metal chambers, sampling a refined and eclectic serving of influences.

Churning like magma beneath the Earth, FLOTSAM AND JETSAM have only been growing more and more fiery with time, and Rats In The Temple sees the band exploding to the surface in a magnificent and awe-inspiring blaze. For fans new and longstanding, you cannot escape them; they’re through the walls.

Rats In The Temple Tracklist:
1. Harvesting the Hate
2. Damnation
3. Absolution
4. Blame the Knife
5. Rats in the Temple
6. The Ghost behind my Door
7. First on the Spike
8. The Edge of Nowhere
9. Last Rites
10. A Taste for War
11. Her Blood your Pain
12. Anthem for the Broken
13. Not Going down that Way

FLOTSAM AND JETSAM LIVE 2026
28.05.26 DE – Schönenberg / Iron Fest
30.05.26 DE – Essen / Turock
31.05.26 DE – Osnabrück / Bastard Club
03.06.26 BE – Kortrijk / DVG Club
04.06.26 DE – Siegburg / Kubana
05.06.26 NL – Zoetermeet / Boerderij
06.06.26 NL – Leeuwarden / Neushoorn
07.06.26 NL – Maastricht / South of Heaven Festival
28.–30.08.26 DK – Næstved / Næstved Metal Fest
30.09.26 AUS – Brisbane / Crowbar
1.10.26 AUS – Adelaide / Lion Arts
2.10.26 AUS – Melbourne / Max Watt’s
3.10.26 AUS – Sydney / Crowbar
27.–28.11.26 DE – Wangels / Metal Hammer Paradise
11.–12.12.26 NL – Eindhoven / Einhoven Metal Meeting

FLOTSAM AND JETSAM Are:
​​Eric A.K. Knutson – Vocals
Michael Gilbert – Guitars
Steve Conley – Guitars
William Bodily – Bass
Ken Mary – Drums
 
FLOTSAM AND JETSAM Online:
WEBSITE
INSTAGRAM
FACEBOOK
NAPALM RECORDS

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