Japanese Alt-Rock Visual Kei band MISUI presents their new mini-album “Doku ni mo Kusuri ni mo”, creating a space where what hurts may also heal. This work has been available on digital platforms since April 8, 2026, with the physical release scheduled for May 20.
“Doku ni mo Kusuri ni mo” is a six-track mini album compiling four consecutive singles released in recent months, along with two brand new songs. The physical edition also includes a DVD featuring the music videos for the promotional track “Boku no mono ni wa naranai kimi e” and “Heroine shikkou”.
Vocalist Ryu shares a statement on the release:
“We are Misui, a band built around the concept of ‘weakness.’ Our third mini album, ‘Doku ni mo Kusuri ni mo’ (‘Neither Poison nor Medicine’), will be released on May 20. ‘Poison’ and ‘medicine’ may seem like complete opposites, but they are actually two sides of the same coin. For example, foods considered unhealthy are often the most delicious, while an overdose of medicine can even lead to death. Depending on the listener, it might be ‘poison.’ Depending on the moment, it might be ‘medicine.’ This six-track release embodies that idea. This work may reveal whether Misui is ‘poison’ or ‘medicine’ to you. Ahead of the official release, it is now available for worldwide streaming as a pre-release. We recommend giving it a listen first. Won’t you also become a ‘Yowamushi’ (Weakling, as Misui calls their fans) too?”
Misui is currently gearing up for the final date of their spring tour in Japan, to be held on May 30, at Akabane ReNY alpha in Tokyo.
Misui – “Doku ni mo Kusuri ni mo” [ 毒にも薬にも ] Mini-album Digital Pre-release: April 8, 2026 Release Date: May 20, 2026 Label: PARAGUAS inc.
Tracklist CD
Hedogaderu [ 反吐が出る ]
Heroine shikkou [ ヒロイン失効 ]
Haijin oukaseyo [ 廃人、謳歌せよ ]
Yogoreta tsubasa [ 汚れた翼 ]
Uchuhikoushi [ 宇宙飛行士 ]
Boku no mono ni wa naranai kimi e [ ぼくのものにはならないきみへ ]
DVD
Heroine shikkou [ ヒロイン失効 ]
Boku no mono ni wa naranai kimi e [ ぼくのものにはならないきみへ ]
Boku no mono ni wa naranai kimi e (Music Video):
Heroine shikkou (Music Video):
About Misui Misui (ミスイ) is a Japanese Alt-Rock Visual Kei act that explores the depths of human weakness, crafting dramatic and emotionally charged songs. Misui’s sound combines intense rhythms and dynamic twin guitar work, complemented by a blend of clean vocals and powerful screams, which together create an atmosphere filled with raw sentiment. Ranging from dark, piercing tones to impactful, catchy melodies, their music serves as a refuge for those who seek strength while embracing vulnerability.
Cleopatra Records proudly announces “Bullets Ready,” the latest release from the iconic thrash metal group, KINGS OF THRASH – featuring former Megadeth bassist and co-founder David Ellefson and ex-Megadeth guitarist Jeff Young.
The band’s newest original song delivers a powerful vocal duet between KINGS OF THRASH vocalist Chaz Leon and Gabriel Connor – frontman of the rising Los Angeles theatrical rock group Red Devil Vortex. The track also features a special guest appearance by former Exodus vocalist Steve “Zetro” Souza. “Bullets Ready” was mixed by Grammy winning producer Cameron Webb, known for his work with Motörhead, Danzig and Godsmack.
Guitarist and co-composer Jeff Young reflects on the origins of the song:
“During the making of the Nick Menza film, I acquired several demo recordings of Nick playing various drum progressions. In essence, the introduction, verses & chorus of ‘Bullets Ready’ came from playing along to one of Nick’s energetic grooves. During the So Far, So Good… So What! tour, it was often David, Nick & myself that would conduct the soundchecks. It was a surreal & nostalgic feeling to be playing along and writing riffs with my long, lost friend. Nick’s playing inspired so much of this song and his spirit is forever encapsulated inside this recording.”
TOUR DATES FOR 2026
05.01.26 ROCKPILE WEST TORONTO, ONTARIO 05.02.26 PIRANHA BAR MONTREAL, QUEBEC 05.03.26 THE RAINBOW BISTRO OTTAWA, ONTARIO
05.05.26 THE VAULT NEW BEDFORD, MA 05.06.26 EMPIRE UNDERGROUND ALBANY, NY 05.07.26 HALFTIME NEWARK, DE 05.08.26 REVERB READING, PA 05.09.26 MORSBERGERS CATONSVILLE, MD
05.22.26 CAPITAL MUSIC BOGOTA, COLUMBIA 05.23.26 ROCK PLAZA PEREIRA, COLUMBIA 05.24.26 THE GREEN MEDELLIN, COLUMBIA 05.26.26 MUNICIPAL MUSICA VIVA BUCARAMANGA, COLUMBIA
08.25.26 THE UNDERWORLD LONDON, UK 08.26.26 THE PATRIOT CRUMLIN, WALES, UK 08.27.26 QUEENS HALL NUNEATON, UK 08.28.26 STONEDEAD FEST CHESHIRE, UK 08.29.26 WATERLOO BLACKPOOL, UK 08.30.26 WAREHOUSE LIMERICK, IRELAND 09.01.26 THE SOUND HOUSE DUBLIN, IRELAND 09.02.26 VOODOO BELFAST, IRELAND
THE STORY OF KINGS OF THRASH
KINGS OF THRASH was formed in April 2022, following a special appearance by Ellefson and Young at Ultimate Jam Night at the legendary Whisky A Go-Go in Hollywood, California. The event was honoring the legendary “Big Four” of thrash metal—Metallica, Megadeth, Slayer, and Anthrax.
During the evening, Ellefson and Young performed three classic Megadeth songs alongside vocalist Chaz Leon. The electrifying performance sparked an immediate chemistry that led to the formation of Kings of Thrash.
The band was built around a concept envisioned by Ellefson: creating a live experience celebrating early Megadeth albums and rarely performed deep cuts from his decades-long tenure with the thrash metal pioneers. This vision became known as “The MEGA Years.”
In November 2022, Kings of Thrash took to the stage with four proof-of-concept concerts in San Diego, Phoenix, Las Vegas, and Hollywood. Their performance at the Whisky A Go-Go on the Sunset Strip was filmed and recorded resulting in the acclaimed release “The Best of the West – Live at the Whisky A Go-Go.”
The double live album and DVD were released by Cleopatra Records in Spring 2023 in both digital and vinyl formats.
ORIGINAL MUSIC
In 2025, Cleopatra Records released the band’s first thrash\punk inspired trek, “Lockdown.” With its accompanying music video, directed by KOT drummer Fred Aching, the group distinguished themselves as more than just a nostalgic tribute band.
The new music video for “Bullets Ready” was shot in Hollywood, California and again, directed by Fred Aching. Additional scenes were filmed at the infamous Nelson Valley Ghost Town in El Dorado Valley, Arizona – the same location as seen in the movie, 3000 Miles to Graceland.
Now, with the progressive strains of “Bullets Ready,” Kings of Thrash continues expanding its musical scope, while performing worldwide on their massive Global Thrash Tour. Dates in Canada, US, Norway, Ireland and U.K. are on the docket at www.kingsofthrash.com
“BULLETS READY” – CREDITS Written by: music: Jeff Young, David Ellefson lyrics: Jeff Young, David Ellefson, Chaz Leon, Fred Aching, Gabriel Connor
Musicians: Jeff Young – Rhythm & Lead Guitars David Ellefson – Bass Fred Aching – Drums Chaz Leon – Vocals Gabriel Connor – Lead Vocals Steve Souza – Guest Vocals
Mixed by: Cameron Webb Engineer Arizona: John Aquilino Engineer Las Vegas: Jason Froberg Song Produced by: Kings of Thrash Video Directed by: Fred Aching and Holly West A&R by Fred Aching
KING ULTRAMEGA have released a powerful interpretation of “Dead Wishes” featuring Brann Dailor (MASTODON) at the helm performing lead vocals. Recorded in loving memory of Chris CornellKING ULTRAMEGA are also raising funds and awareness for MusiCares, the Recording Academy’s nonprofit that provides mental health services, addiction recovery support, and emergency assistance to members of the music community.
Originally written and performed by Chris Cornell, the compelling, emotive and introspective “Dead Wishes” appears on his 2015 album Higher Truth. In this latest tribute offering from KING ULTRAMEGA, lead vocals are performed by Brann Dailor (MASTODON), with both acoustic and electric guitars performed by Angel Vivaldi. Strings conducted by Mark Menghi in addition to arrangements and composition of all orchestral instruments (including sleigh bells, shakers, hand drums, xylophones, violins, cellos), and bass performance, keyboards provided by Frank Mitaritonna, with drums and percussion by Kenny Aronoff. “Dead Wishes” was produced by Mark Menghi, with the cover artwork created by Costin Chioreanu.
The “Dead Wishes” Lineup Is: Vocals: Brann Dailor Acoustic & Electric Guitar: Angel Vivaldi Bass: Mark Menghi Keyboards: Frank Mitaritonna Drums & Percussion: Kenny Aronoff
Producer and bassist Mark Menghi comments on the creative direction and inspiration for the release, “I would constantly listen to the original version in moments of clarity, times of reflection, sitting in a sauna post-work out and/or cool down periods, etc. any time I needed to wind down or relax, I listened to it. As time went on, I became more and more connected to the song. I just love the simplicity of the song, the depth of the instrumentation, the acoustic guitar tone, etc. when tracking and producing our version, I wanted to stay true to the original but add things I was hearing in my head, hence the violins, cellos, keyboards, percussion, Leslie effects, xylophone, sleigh bells, etc. I wanted to create an atmospheric soundscape that would pay homage to the original.”
For Frank Mitaritonna, “Working on ‘Dead Wishes’ showed me the depth of his writing and helped me develop a deeper appreciation from my younger years, only consuming music through MTV or whatever records I could get my hands on. His lyrics are haunting and poetic, but feel relatable and personal which creates an incredibly deep, human experience for me as a listener, before any contributions.”
Kenny Aronoff adds, “Mark’s sound, feel and ideas are perfect on not only this track, but in all the KU tracks I’ve been a part of. When recording a song like this, it’s very important what you don’t play as much as what you decide to play.”
Menghi discusses his decision to recruit Brann Dailor on lead vocals, “As I was thinking on who could potentially sing this song, I heard a version of Mastodon covering “Stairway to Heaven” where Brann is singing lead vox and I just thought to myself “Well, he would be interesting on ‘Dead Wishes’.”
Brann Dailor shares, “First of all, I have to say what an incredible honor to even be asked to try and attempt a cover of one of Chris’s songs. The fact that Mark thought I could even come close to it is beyond flattering, and to be honest, my knee jerk reaction was to say “uh, no thank you, I’m not interested in embarrassing myself if I can help it” haha! The track itself was totally out of my wheelhouse so I thought it would be a great challenge and an opportunity to try to honor one of my favorite musicians and vocalists for a great cause.”
On leaving the drum kit behind, Dailor reveals, “It was actually really freeing, I felt like I could let loose a little bit knowing I wouldn’t have to also be playing drums.”
On balancing the arrangement of guitars on the track, Angel Vivaldi explains, “It’s very much about reading the room in terms of truly listening to what the song wants while being honest with what you have to offer it to expand its possibilities.”
About KING ULTRAMEGA:
KING ULTRAMEGA is a passion-driven musical project honoring the life, voice, and genius of Chris Cornell, one of the most gifted artists of our time. It launches in conjunction with SOUNDGARDEN’s long-overdue induction into the Rock and Roll Hall of Fame.
This project did not begin with a single, dramatic moment. Instead, it grew quietly and gradually, an organic result of years of conversations, inspiration, and deep reverence for a musician whose impact remains immeasurable.
“There is not a singular moment in time that led to this project,” says bassist and producer Mark Menghi, the driving force behind KING ULTRAMEGA. “It was a trail of events that led to the formation of KING ULTRAMEGA and the evolving creation to pay tribute to the voice of a generation.”
It started in 2020, in the midst of the pandemic, when Menghi recorded a version of “Rusty Cage” with friends. What began as a creative release soon became something larger. With every step forward, the project deepened in meaning and purpose. “I kept crossing the mental roadblock of ‘you are entering uncharted waters, are you sure you wanna do this?'” Menghi reflects. “Chris is one of those dudes if you cover, you better do it justice.”
The decision to continue became clear when SOUNDGARDEN guitarist Kim Thayil joined the project and re-recorded one of his own iconic tracks. “Once Kim got involved and re-recorded one of his own songs, I knew something was brewing,” Menghi says.
Thayil embraced the project wholeheartedly. “I’m super honored to record alongside all the amazing musicians appearing on the KING ULTRAMEGA project,” he says. “I’m equally proud that it celebrates SOUNDGARDEN in this tribute to the songwriting of Chris. Ultra-admirably, everyone’s participation is supporting the work of the MusiCares Foundation. Thank you Mark Menghi, Charlie Benante and Reigning Phoenix Music (RPM).”
For Menghi, this project is as personal as it is musical. “I went through some very difficult times in my life. I should not be here right now, but I am,” he shares. “I like to think my past trials and tribulations helped me understand Chris just a little, hence the formation of KING ULTRAMEGA.”
Song selection was guided by instinct. “My mood. It’s really that simple,” Menghi explains. “‘Rusty Cage’ was recorded simply because it’s one of my favorite songs featured on one of my favorite records.” Other songs came to Menghi during moments of reflection and inspiration. “There is a bunch more in the can right now, all with drums fully recorded, which are currently being worked out for future releases.”
The goal was never to reinvent Cornell’s work. It was about honoring it with the respect it deserves. “It really is only about honoring the legacy of Chris Cornell. Nothing more,” Menghi says. Each musician brought their own voice, but always in service to the song and to Cornell’s memory.
“Each musician has their own individual musical stamp,” Menghi explains. “You hear the absolute best of each one of them. You are talking about musicians who helped invent and shape musical genres and helped define their generations in popular culture, not just music, but society as a whole.”
The cast of collaborators is remarkable. Kim Thayil, Charlie Benante, Joe Satriani, William DuVall, Bill Kelliher, Alissa White-Gluz, Kenny Aronoff, Menghi himself, among many others. The mix of past friendships and new connections created a unique bond among them. “I think back and go ‘did I really ask Joe Satriani to do an instrumental reinterpretation of one of the greatest modern vocal songs ever recorded?’ or ‘what the fuck was I thinking asking the great Kim Thayil to re-record one of his own classic Soundgarden songs?'” Menghi laughs. Yet, no egos entered the room. “Each participating musician saw the vision and understood that this is about honoring the legacy of not only an inspiring musician, but an amazing husband, father and man.”
For Menghi, Cornell’s music has always been a constant presence. “Chris Cornell has been one of only a very small handful of musical constants in my life,” he says. “I never waivered, not once.”
Certain moments in the process were surreal. Recording with Thayil was one of them. “I remember thinking back saying to myself ‘holy fuck, I’m on a SOUNDGARDEN song with Kim Thayil. What planet are we on?'”
Throughout it all, Menghi served as the project’s creative director, always guided by one central question. “How would Chris like this?” Every choice, from guest musicians to mixes to artwork, was measured against that standard. “If there is even a shred of uncertainty at any point in the process, back to the drawing board we go.”
The recordings were completed remotely over several years. The final tracks were mixed with care to ensure a cohesive sound that still captured the raw emotion of the performances.
Hope is the underlying theme that runs through KING ULTRAMEGA. It is an offering to longtime fans and an invitation for younger listeners to discover the timeless brilliance of Cornell’s work. “KU is just a blip in the Chris Cornell universe,” Menghi says. “We are a subtle reminder that Chris was a true musical genius.”
For Menghi and his collaborators, KING ULTRAMEGA is both a deeply personal labor of love and one of the greatest honors of their musical lives. “To be here thirty-plus years later paying tribute to whom I believe was the king of those times is one of the greatest musical honors of my life.”
French melodic heavy/power metal band Kingcrown return with “Lost Horizon“, the first single taken from their forthcoming album “Moonfall“, due for release on September 4th, 2026, via Rockshots Records.
Following the strong reception of “Nova Atlantis“, the band opens a new chapter with a track that immediately reinforces their identity while expanding the narrative framework introduced in previous releases.
“Lost Horizon” serves as a direct sequel to “Endless Journey“, continuing a storyline rooted in time distortion and speculative fiction. The track follows a WWII B-17 pilot suddenly caught in a temporal vortex and propelled into the year 2045, merging amazing storytelling with a tightly constructed heavy/power metal framework.
Musically, the single is driven by fast-paced riffing, dynamic vocal delivery, and an anthemic, hook-oriented chorus, balancing immediacy with structural precision. The band’s approach remains firmly grounded in the European heavy/power metal tradition. At the same time, the production handled by Kingcrown and refined through mixing and mastering by Simone Mularoni (Domination Studio) delivers clarity, weight, and definition across the entire sonic spectrum.
Founded by brothers Jo Amore (vocals) and David Amore (drums), former members of Nightmare, Kingcrown have progressively built a cohesive and recognizable identity within the European metal landscape. The current lineup – Jo Amore, David Amore, Sébastien Chabot (bass), Bob Saliba (guitars), and Ced Legger (guitars) – continues to operate with a strong sense of continuity, a key factor in the band’s increasingly focused sound.
With “Moonfall“, Kingcrown further develops a conceptual direction centered on dystopian themes, technological evolution, and the fragility of human existence. Within this context, “Lost Horizon” stands as a fundamental entry point – introducing both the narrative scope and the sonic approach that define the album.
A heavy, groove drenched journey that pushes the band’s signature sound into the stratosphere.
Rock heavyweights CROBOT are set to detonate speakers worldwide with the release of their highly anticipated new album, Supermoon, arriving today. Known for their thunderous riffs, infectious hooks, and larger than life swagger, the band returns with a record that is both a natural evolution and a bold expansion of their sonic identity.
With Supermoon, CROBOT tap into something bigger, something louder, dirtier, and undeniably cosmic. The album channels the band’s raw energy into a collection of tracks that blend crushing hard rock, fuzzed out grooves, and psychedelic textures into an experience that feels as expansive as it is explosive.
From the first note, Supermoon hits with undeniable force. Gritty, groove heavy anthems collide with soaring melodies and hypnotic rhythms, creating a soundscape that feels both grounded in rock tradition and unafraid to break new ground. Each track carries CROBOT’S unmistakable DNA while exploring new dimensions of intensity and atmosphere.
Lyrically and sonically, the album reflects a band fully locked in confident, creative, and ready to take listeners on a ride that’s as electrifying as it is immersive. Whether it’s the swaggering, riff driven stompers or the more expansive, mood driven moments, Supermoon proves CROBOT are operating at full power.
The band shared: “Supermoon marks CROBOT’S return to their Dirty Groove Rock roots, heavy riffs, swaggering blues grit, and undeniable hooks sharpened by years on the road and deeper self-reflection. Filled to the brim with the unmistakable CROBOT sound fans love, the record pairs fuzz-soaked riffs with more mature, polished songwriting. All killer, no filler built to create instant CROBOT classics.”
They’ve burned down the temple just to see what would crawl out of the ashes.
CROBOT have always been the house band for the apocalypse — all sweat-stained riffs, swampy swagger, and enough grease under their fingernails to make the saints choke — but this time, the inferno’s aimed inward.
Frontman Brandon Yeagley sounds like he’s howling through a séance, summoning every demon he’s ever danced with and daring them to stay for the encore. Beside him, Christopher Bishop peels off guitar lines that swing somewhere between scripture and sin, his tone dirtier than a bar mat in a Texas roadhouse. The low end rumbles under the command of Willie Jansen, whose bass hits like a sermon in a steel mill, while his brother Nico Jansen drives the kit like a preacher possessed — a rhythm section born to baptize you in groove.
The new record was tracked between the hallowed boards of Willie Nelson’s Pedernales Studio and the Machine Shop in Dripping Springs, then mixed and mastered by Alberto de Icaza, who captured every ounce of holy delirium. But it wasn’t just a recording — it was a ritual. There were smoke cleansings, moon rites, gemstones humming on console tops, meditations between takes, and lyrics treated like spells. Every session felt like a sweat-lodged dream in which the band tried to drown their egos and come back clean.
Lyrically and philosophically, it’s a fever dream stitched from Buddhism, Taoism, Christianity, and Jung, with pages torn from Siddhartha, Reality Transurfing, Black Elk Speaks, and Castaneda’s Don Juan scattered on the studio floor. The result is a raw-nerve meditation on ego death, rebirth, and the dirt-under-your-nails work of becoming a whole human again — a trip through shadow and light, anchored in the red pulse of the root chakra but aiming for something far higher.
If the last few years found CROBOT flirting with heavier metal machinery, this era drags the beast back to the groove pit — to the swamp funk and snarling riffs that made their early believers fall in line. It’s the sound of four weirdos rediscovering the primordial ooze beneath their boots and realizing that enlightenment still needs distortion.
CROBOT have always preached the gospel of Dirty. Groove. Rock. Now they’re living it, leaner, meaner, and wired straight into the source.
Japanese horror-inspired USBM outfit SAIDAN is pleased to now reveal that its highly anticipated fourth LP, ‘FANGDRILLER: Scars Beneath Memory’s Wrist,’ will be released on June 19 via Avantgarde Music! To celebrate the forthcoming opus, the band is now sharing the first single, “Kara no Bara,” which can be found along with a music video at THIS LOCATION.
A prequel to 2023’s ‘Visual Kill,’ ‘FANGDRILLER’ follows The Student (Junko) as she tries to heal her fractured heart. Haunted by wistful solitude, her isolation makes her the perfect victim for a mysterious cult known as Ethereal Blood.
SAIDAN vocalist and instrumentalist Splatterpvnk comments, “‘Kara no Bara,’ which translates to ‘Empty Rose,’ is a song that highlights Junko, the main character of our latest album ‘FANGDRILLER,’ by shining a spotlight on her struggles with isolation before her unfortunate encounter with a cult named Ethereal Blood, while also serving as a metaphorical analysis of my own struggles with loneliness and depression.”
While lyrically dealing with topics of depression, heartbreak, loss, and loneliness, the album is musically inspired by the lo-fi nature of classic Visual Keiand gothic black metal. Saidan strives to deliver an album that sounds nostalgic for an era of music that doesn’t exist. Blistering solos, deranged vocals, anthemic-riffage, and diabolical drumming are slammed together with doses of modern breakcore and wrapped in a black metal bow, garnering a feeling of familiarity while offering something that’s boldly unique.
In the neverending quest of supporting young and boundary-pushing bands from the underground around the world, Avantgarde Music is proud to announce their collaboration with Saidan, a Japanese horror-themed black metal band from Nashville, TN.
Spawning from tragedy in 2020, Saidan rapidly released a string of demos and splits that caused a stir in the underground Black Metal scene. With their anthem-like riffage, violent imagery, deranged vocal delivery, and heavy metal flair, Saidan has risen above their contemporaries and stood out in a bustling USBM scene. In five short years, Saidan has gone on to release three LPs: ‘Jigoku: Spiraling Chasms of the Blackest Hell’ (2021), ‘Onryō II: Her Spirit Eternal’ (2022), and ‘Visual Kill: The Blossoming of Psychotic Depravity’ (2024), all to critical success. The band’s latest offering, ‘FANGDRILLER: Scars Beneath Memory’s Wrist,’ will be arriving on June 19, 2026 exclusively through Avantgarde Music.
‘Fangdriller’ is the fourth studio album born from the minds of multi-instrumentalist Splatterpvnk and drummer Hundosai, a new chapter in the narrative concept that links together all Saidan releases. A prequel to 2023’s ‘Visual Kill,’ ‘FANGDRILLER’ follows The Student (Junko) as she tries to heal her fractured heart. Haunted by wistful solitude, her isolation makes her the perfect victim for a mysterious cult known as Ethereal Blood.
While lyrically dealing with topics of depression, heartbreak, loss, and loneliness, the album is musically inspired by the lo-fi nature of classic Visual Kei and gothic black metal. Saidan strives to deliver an album that sounds nostalgic for an era of music that doesn’t exist. Blistering solos, deranged vocals, anthemic-riffage, and diabolical drumming are slammed together with doses of modern breakcore and wrapped in a black metal bow, garnering a feeling of familiarity while offering something that’s boldly unique.
‘Fangdriller’ was mixed and mastered by Splatterpvnk and once again comes with a cover art by Japanese visual artist Seiyak17.
All songs written and performed by Splatterpvnk & Hundosai All songs mixed and mastered by Splatterpvnk Recorded at The Booth / Glowing Moon Studios (Nashville, TN, USA) Artwork by Seiyak17
For Fans Of: Spectral Wound, X Japan, Cradle Of Filth, Malice Mizer
THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
