To celebrate the 20th anniversary of the release of Perpetual Fire’s debut album, the band and Wanikiya Record are proud to announce the release of a new edition of “Endless World”, now available in a brand-new remix/remaster version.
The band’s debut album, led by Steve Volta, has been revisited and reworked by Volta himself, who also handled the mixing and mastering for this new edition.
The tracklist features all the original songs from the album, along with a new recording of “Castle Of My Soul”, this time performed by Riccardo Re, the band’s new vocalist.
“Endless World – 20th Anniversary Edition” is now available on all major digital platforms.
Wanikiya Record/Promotion is extremely proud to announce that Bai Bang have officially joined their international roster.
Hailing from Helsingborg, Sweden, Bai Bang are one of the most representative names of the Swedish rock scene, bringing together the energy of glam rock, sleaze rock and melodic hard rock, with a career built on great songs, international tours and countless prestigious stages.
Founded by frontman and songwriter Diddi Kastenholt, Bai Bang were originally inspired by legendary bands such as T. Rex, Sweet and Kiss. Over the years, they have developed an international career that has taken them across Europe, Canada, Japan and the United States.
Throughout their journey, Bai Bang have shared stages and toured with some of the biggest names in rock history, including:
Nazareth Alice Cooper Dio Ratt Pretty Maids L.A. Guns Union
…and many more international rock legends.
The band have also performed at some of the world’s most renowned rock and metal festivals, including:
Wacken Open Air Sweden Rock Festival Rocklahoma Hard Rock Hell Sleaze Hard Rock Hell AOR Hard Rock Hell HEAT Festival
In December 2023, Bai Bang welcomed Magnus Rosén, legendary former HammerFall bassist, to the band. His live debut with Bai Bang took place in Greece on January 12, 2024.
A legendary name in Swedish rock. A truly international career. A new partnership with Wanikiya Record/Promotion.
Founder and frontman Diddi Kastenholt is currently working on the band’s upcoming album, with Bai Bang promising to return with big songs and big rock ‘n’ roll shows.
And we are proud to be part of this new chapter.
“The best melodic rock you can get this month!” — Dave Ling, LouderSound.com
“Captivating and well-crafted songs with killer melodies, crisp guitars, and choruses you’ll be singing for days.” — Heavy Paradise
Finnish fuzz rock quartet Heezer have released their highly anticipated sophomore album Stereolith. Hailing from Imatra, the four-piece delivers an impressive and versatile collection that brings together the traditions of stoner rock with infectious choruses and memorable melodies. Thick, fuzz-laden tones and driving riffs keep the record firmly rooted in organic rock, while its unexpected melodic elements give the album plenty of character.
On Stereolith, Heezer seamlessly combine the raw energy of desert rock and stoner with the melodic traditions of classic rock. The band’s vocal arrangements are enhanced by backing vocals from Heikki Pöyhiä, while the album closing track “Desert” features soulful saxophone by Aino Heikkonen. Stereolith is available on both CD and vinyl here.
The band approached their second full-length with a considerably more meticulous process than their 2022 debut Sungrinder. Songwriting began immediately after the release of the first album, with a series of singles and the Mushroomhill Boogie Tapes EP (2023) serving as an important stepping stone towards the new record.
“We approached the second album from a completely different starting point than the debut,” explains drummer Ville Häsä. “The band had only been together for a short time when we made the first album, and the songs were mostly composed by jamming together. We even arranged some of them in the studio. We didn’t use a click track, and that sense of freedom and excitement is still very audible on the record.”
With Stereolith, it was time to take things up a few notches, and focus on professional production:
“This time, we wanted to do things properly, with a solid production at a top-level studio and plenty of attention given to pre-production. In fact, we recorded the songs three times: first with Sami and me in my home studio, then with the whole band alongside Kimmo Koskinen, and finally at Petrax Studios with Miitri Aaltonen. By then, the songs were deeply ingrained in us and the arrangements were solid. We had also played dozens of shows together, so the chemistry between us had developed considerably. Still, we wanted to preserve the approach that made the debut feel authentic and energetic, so all the basic tracks were recorded live.”
On Stereolith, Heezer manages to appeal both to underground rock enthusiasts and listeners drawn to strong melodies and memorable hooks. “Stone I Am”, chosen as the album’s lead single, is a prime example of Heezer’s ability to bring seemingly different musical worlds together.
“The riffing in ‘Stone I Am’ was inspired by Down, and the song sat in the vault for quite some time before all the pieces finally fell into place,” says guitarist Ville Räsänen. “Once they did, it became pure Heezer. We made the arrangement more direct in the studio, and Miitri Aaltonen came up with the pulse in the verses, which turbocharged the groove even more!”
Singer-guitarist Sami Kääriäinen says the lyrics grew out of the twists and turns of the human mind:
“The spark for the lyrics came when a friend asked me if I know that feeling when you’re so pissed off that you’re past the point of even raging about it. When the frustration gets so massive that you simply stop caring. And yeah, I’ve been there. There’s a bit of dark humour in it – the idea of being so numb to pain that you can only laugh at it.”
“Stereolith” tracklist: 1. Horse 2. This Town 3. Stone I Am 4. Let It Burn 5. Moonshine 6. Mountain 7. Crazy 8. The Van 9. Desert
With Stereolith, Heezer take the sound and songwriting of their earlier work several steps forward without sacrificing the raw grit that defines the band. The result is an album where fuzz-drenched heaviness, memorable melodies and an unmistakable DIY spirit come together in a surprisingly diverse package.
The band has enjoyed an active summer of live shows, winning over rock audiences both on streaming platforms and on stage. Heezer’s next show will take place at Fuusio Fest in Turku on August 14, with Swedish fuzz rockers Le Mondays and Katkos also on the bill. Further information and tickets are available here.
Heezer line-up: Sami Kääriäinen – vocals, guitar Ville Räsänen – guitar Antti Vesikko – bass Ville Häsä – drums
Portuguese instrumental metal power-trio 7Keys present the official music video for “Echoes Of Renewal”, taken from their album Gæa, out now via Wormholedeath.
The track revisits one of the band’s earliest compositions, reimagined with a modern production approach while preserving its original melodic identity. Rooted in classic heavy metal influences such as Iron Maiden and Judas Priest, “Echoes Of Renewal” blends legacy and evolution in a single instrumental statement.
Built on dual-guitar harmonies and strong melodic focus, the song expands its sound palette with sharper, contemporary riff structures, occasionally leaning toward metalcore-inspired intensity. The result stays anchored in traditional heavy metal songwriting while pushing toward a more modern edge, designed to remain accessible beyond the core metal audience.
The concept behind the track reflects transformation and continuity—revisiting the past without repeating it.
7Keys build their sound around strong melodic writing, precise musicianship, and a modern heavy metal identity shaped without vocals. The result is music that leans on atmosphere and structure, while still carrying weight and momentum throughout each track. Their style sits in a space that will feel familiar to fans of Trivium, Avenged Sevenfold, and Iron Maiden, while staying firmly rooted in their own instrumental approach.
The project was initiated by guitarist Márcio Teixeira, whose relationship with heavy metal started in early childhood. After picking up the guitar at a young age and developing his skills independently, he later studied under renowned guitarist Paulo Barros, refining both technique and musical direction. During a live music production in Portugal, he met bassist Igor Rodrigues, marking the beginning of what would become 7Keys.
The lineup is completed by Gabriel Pereira on rhythm guitar and Igor Rodrigues on bass, bringing a solid and cohesive foundation to the band’s layered sound.
With “Gæa”, 7Keys present a collection of tracks focused on melody, progression, and emotional weight. Each piece stands on its own, yet contributes to a wider narrative shaped entirely through instrumentation. It’s a record built to engage both technically and emotionally, without relying on vocals to lead the story.
Legendary singer Engelbert Humperdinck will release his new single “Beth,” a stirring interpretation of the classic rock song by KISS, as part of the highly anticipated launch of his new album Faithfullyvia Cleopatra Records on August 28. “Beth” will release on August 12, 2026. The project continues Humperdinck’s bold new chapter blending his timeless vocals with iconic rock material.
Engelbert will also make a special appearance at Barnes & Noble at The Grove in Los Angeles on Sunday, September 6, 2026 at 11am PT celebrating the release of the new album Faithfully. The musical icon will meet and greet fans during the in-store event. Barnes & Noble is located at The Grove at 189 The Grove Drive, Los Angeles, California 90036. To get tickets: https://stores.barnesandnoble.com/store/2089
The appearance and the new single are in support of his new album Faithfully featuring Humperdinck’s interpretations of songs originally made famous by rock n’ roll bands Journey, Ozzy Osbourne, KISS, Aerosmith and others, along with the original track “Always My Love.”
The album includes guest appearances by an impressive roster of musicians, including Jonathan Cain (Journey), Rick Wakeman (Yes, David Bowie), Al Di Meola, Harvey Mandel (Canned Heat), Ian Anderson (Jethro Tull) and Eric Gales.
Media can reserve space to cover the event at The Grove by emailing or calling the press contact listed below. Interviews with Engelbert Humperdinck can also be scheduled.
2026: Engelbert releases Faithfully, a stunning collection of classic rock covers delivered in the inimitable Englebert style.
2022: Engelbert’s recording “A Man Without Love” features in the Marvel movie Moon Knight.
2003: Engelbert’s album Always Hear The Harmony: The Gospel Sessions is nominated for a Grammy.
1996: Engelbert grabs headlines with his recording of “Lesbian Seagull,” for the movie Beavis and Butthead Do America.
1989: Engelbert wins a Golden Globe for Entertainer of the Year.
1980s: Engelbert makes guest appearances on such shows as Fantasy Island and The Love Boat, while continuing to sell out in Vegas.
1979: Engelbert scores another massive US hit with “This Moment In Time,” subsequently ranked “the most played jukebox record of the year.”
1976: Now a Vegas regular, Engelbert’s latest single, “After The Lovin’,” is a Top 10 hit in the USA.
1967-1968: “The Last Waltz,” “There Goes My Everything,” “Am I That Easy To Forget” and “A Man Without Love” maintain Engelbert’s hold on the upper reaches of the UK chart.
1967: Engelbert’s single “Release Me” prevents The Beatles from claiming the UK #1 spot for the first time in four years. The Jimi Hendrix Experience are the opening act when Engelbert tours – in fact, Hendrix played with Engelbert one night when the headliner’s regular guitarist was unavailable.
1965: Balladeer Gerry Dorsey changes his stage name to Engelbert Humperdinck.
When they officially arrived on the scene in 2022, after crawling through Italy’s underground, Miscreance were likened to Death, Sadus, Voivod and other immortal beings who have shaped the alternate timeline that is the history of extreme metal. The band’s thrashing riffs and blistering tempo shifts recall death metal’s golden age, but their upcoming second album, Reminiscence, is far from just another blast from the past.
“Miscreance has proved they’re not a copy of legendary bands, but they’re a beast of their own”, Infernal TV wrote upon interviewing Miscreance guitarists Andrea Granauro and Tommaso Cappelletti about Reminiscence.
Today, Miscreance are releasing the third and final advanced single from Reminiscence. On “The Moaning Hill”, the band perform a deadly tech-thrash ritual that shreds through the folds of our reality.
“Through a collective hallucination, a voyage through time led us to discover a moment in human history that was lost”, the band says about the far-out path they took to Reminiscence. “‘The Moaning Hill’ is the site of a murky and feverish dream, where the intertwining of bodies merges with the ravaged sound of percussion. A horrible ritual of deformity and bloodshed await you under the moonlight!”
Can’t wait for Reminiscence? Hear the entire album before it comes out by RSVPing to Miscreance’s upcoming Bandcamp Listening Party.
Reminiscence Bandcamp Listening Party: August 18 @ 1:00 pm Eastern Time – RSVP
While recorded in Italy, Miscreance discovered the concept for Reminiscence by sifting through the sands of time. The album recalls time-warping virtuosos Atheist as much as technical surgeons Coroner, but it envisions a prehistoric future, where hunting and cave paintings are just as commonplace as the didgeridoo beckoning across “The Moaning Hill”. Anyone who’s faint of heart might not live to see the end of the song’s opening sprint. Its heart-pounding pace is so hellish that drummer Andrea Feltrin is left growling his lyrics in strange, unknown tongues.
Re ux sjn a’kiseh Mtweri ot Aquningu Ion inebsyob
“We are all very happy with how our first album turned out but we wanted to go bigger by tying Reminiscence to a specific concept”, Cappelletti says.
Bassist Jean-Claude Rossignol explains further. “What we’ve created is a ‘lost album’, sent from an unknown civilization that’s both futuristic and extremely primitive. Through psychic powers and capabilities that transcend earthly comprehension, these primordial extraterrestrials have achieved total neural unity. Yet innate wickedness still lures inside of them, harboring the need for preys, scalps and lust”.
Old-school heshers will feast upon the orgy of riffs and carnal grooves that Miscreance stack atop “The Moaning Hill”. “We still play old-school tech-thrash”, assures Granauro. But while faithful to their influences, Reminiscence isn’t an attempt to recall death metal’s glory days. As the band push their new single to a climax behind a surge of bloodlust, they unlock a new dimension that leads to tech-trash nirvana.
Tracklist
1. Trait d’Union (4:31) 2. Vision (3:59) 3. Scalp Ceremony (3:14) [WATCH] 4. Synaptic Cortex Dissection (5:02) 5. Oracle’s Rift (5:06) [LISTEN] 6. The Moaning Hill (2:45) 7. Symbiosis (4:12) 8. Zenith of a Dying Sun (4:19) 9. Mirage (4:27)
As is the custom in Italy, even the most obscene artists are well-versed in the classics.
Upon signing with Season of Mist in 2022, Northern Italia’s Miscreance were likened to Death, Sadus and other undying greats from the alternate timeline that is the history of extreme metal. Fashioned in high-top sneakers and sleeveless band shirts, bassist Jean-Claude Rossignol, guitarists Andrea Granauro and Tommaso Cappelletti, and drummer/vocalist Andrea Feltrin proudly reflect the genre’s old-school spirit. But while its tech-thrash riffs and proggy tempo shifts will remind battle-tested heshers of the golden years, their second album isn’t just another blast from the past.
“Through a collective hallucination, a voyage through time led us to discover a moment in human history that was lost”, the band says about the far-out path they took to their new album. “Reminiscence is a testimony of what we have seen, heard, perceived and imagined, told through our own perspective on old-school, thrashy, technical death metal”.
In 2018, Miscreance quickly emerged onto the metal scene as a welcome mutation. While their initial incubation period under prior name Atomic Massacre fit the mold of Slayer, Kreator and Sodom, the band turned their morbid fascination with classic horror films and late ‘80s to early ‘90s tech-thrash into a debut that, while faithful to both Atheist and Dark Angel, gave the OSDM revival a much-needed jump scare. Convergence not only drew the favor of France’s premiere metal label but also attention from Decibel, New Noise and other international press.
“We’re left wondering how band members who look so young also seem so well-steeped in so many different genre influences, and how technically masterful and wildly inventive they are in their songwriting”, No Clean Singing wrote upon the album’s release in 2022. “They seem inherently resistant to taking the easy way forward, and equally resistant to just mimicking their most prominent thrash metal forebearers”.
Reminiscence isn’t an attempt to recall metal’s glory days. Opener “Trait d’Union’ doesn’t begin with blast beats but funky, bouncing, tribal percussion one associates with a time long before the dawn of Charvel guitars. “We still play old-school tech-thrash”, assures Granauro. With its eerie handcam footage, the music video for the album’s lead single will give tape collectors warm and fuzzy memories. However, while the band shred at a blood-thirsty pace, “Scalp Ceremony” bangs the long-haired heads of their captive audience with a flurry of bongos.
“We are all very happy with how our first album turned out, but we wanted to go bigger by tying Reminiscence to a specific concept”, Cappelletti explains. “Adding the tribal instruments to certain songs deepens the connection to the overall story that the album is telling”.
While recorded in Italy, Miscreance discovered the concept for Reminiscence by sifting through the sands of time. Along with splintering riffs and trippy tempo shifts, the band uncovered a hidden world where jungle-dwelling hunters and digeridoo coexist with strange tongues, telepathic surgeries and a burning celestial corpse. As imagined by Iranian artist Mona Shiraz, the album’s cover art is a modern interpretation of the kind of painting that was all the rage during the Stone Age. “What we’ve created is a ‘lost album’”, Rossignol says. “It comes from an unknown civilization that’s both futuristic and extremely primitive. Through psychic powers and capabilities that transcend earthly comprehension, these primordial extraterrestrials have achieved total neural unity. Yet innate wickedness still lures inside of them, harboring the need for preys, scalps and lust”. Climbing “The Moaning Hill” is not for the faint of heart, but the intricate twists along its perverse path lead to truly sacred pleasures.
“You’ve never known the face of death / But now it becomes yours”, Feltrin growls amidst the many peaks hidden within “Oracle’s Rift”. As the band tear through a torturous passage with ruthless precision, the last thing you see – or hear – is death metal’s future mutating right before our eyes.
With Reminiscence, Miscreance unlock a mind-altering experience of old-school technical death metal.
Lineup Andrea Feltrin – Drums and Vocals Jean-Claude Rossignol – Bass Tommaso Cappelletti – Guitars Andrea Granauro – Guitars
Guest musicians Leo Di Angilla – Percussion, Digeridoo, Flute, Berimbau
Recording and Production Credits Recording Studio – Bridge Produzioni Audio in Susegana, Italy Mixing and Mastering Studio – Majestic Studio in Silea, Italy Producer – Marino De Angeli Mixing, Mastering and Sound Engineer – Marino De Angeli
THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
Metal Shock Finland (World Assault ) 