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BESTIA ARCANA Announce “Holókauston” Reissue, Out July 17th

Posted by tarjavirmakari on May 3, 2026
Posted in: Int. News, News. Tagged: BESTIA ARCANA. Leave a comment

“And the third angel sounded, and there fell a great star from heaven, burning as it were a lamp, and it fell upon the third part of the rivers, and upon the fountains of waters; And the name of the star is Wormwood: and the third part of the waters became wormwood; and many men died of the waters, because they were made bitter.” (Revelation 8:10-11)

Originally released in 2017 by Dark Descent Records and long sold-out, “Holókauston” is – for now – the crowning achievement of BESTIA ARCANA, the occultist Black Metal outlet for Naas Alcameth  (AKHLYS,  AORATOS,  NIGHTBRINGER) alongside current and ex-members of NIGHTBRINGER.

The successor to 2011’s acclaimed “To Anabainon ek tes Abyssu” is a stark reminder of the labyrinthine depths Alcameth had mined prior to recent achievements with oneiric and nightmarish entity AKHLYS – outlandish, shadow-crafted, compulsive and still vital.

Tracklist:

01. Hellmouth
02. Obscurator
03. Howling
04. Iniquity

The artwork was created by David Herrerias (AKHLYS, GRAVE MIASMA, IRKALLIAN ORACLE).

BESTIA ARCANA is:

Ophis – main vocals
Naas Alcameth – vocals, guitars, bass, keyboard
Menthor – drums

Additional vocals recorded by T. Kaos.

All music composed by Naas Alcameth, all lyrics by Naas Alcameth & Ophis. Mixed and mastered by Dave Otero (AKHLYS, COBALT, KHEMMIS).

In celebration of this heretical and apocalyptic black opera, DMP will reissue “Holókauston” on CD, vinyl – including an exclusive DMP edition – and digital on July 17th. This edition reaffirms the album’s enduring and strikingly prescient cataclysmic stance, as Naas Alcameth reflects:

“When we recorded “Holókauston“, it expressed eschatological vision and apocalyptic dread, reaching toward archetypal depths. Nearly a decade later, we find ourselves in a time of greater uncertainties and eroding paradigms. Its themes feel less like distant myths or parables and more like something fearfully close and inevitable. This re-release reminds us that “Holókauston” was never tied to a single moment but continues to resonate wherever the looming shadow of Armageddon falls.“

Listen to the album via Bandcamp!

Pre-orders for “Holókauston” on CD, vinyl and digital are available via DMP’s EU, US and Bandcamp shops – including a new specially-crafted t-shirt design.

Heretical black opera forged in adverse esoteric and eschatological tradition. A marriage of cacophonous pandaimonic black metal and amorphic ritualistic death ambient. The gnosis of the Old Enemy espoused within the clamor of Apocalyptic Revelation.

BY MILLION WIRES’ New EP “Not Over” Out Now – a Raw And Mature Story of Survival

Posted by tarjavirmakari on May 3, 2026
Posted in: Int. News, News. Tagged: BY MILLION WIRES. Leave a comment

BY MILLION WIRES is a Polish Tarnów-based band navigating the borders of alternative rock, progressive rock, indie rock, post-rock, and dream pop.
Founded in 2007, the group quickly gained a reputation as one of the most intriguing acts on the Polish independent scene. Following their enthusiastically received debut, “Letters to the Absent” (2012) — which garnered stellar reviews both at home and abroad — the band entered a phase of intense sonic exploration.


Fourteen years after the debut, the Polish band By Million Wires breaks their silence. Their newest release, the EP titled “Not Over“, is a chronicle of the journey the band has taken from dreamlike post-rock to a more mature, alternative form.

“Not Over” is material that was forged in the shadows. Although the first recordings were made several years ago, the band chose to release them only now, feeling that these sounds resonate most fully today. The most significant change is the vocal layer – guitarist Mirek Skrok has taken over frontman duties. His deep, emotional voice perfectly complements the dense guitar textures the band has been known for for years.


Musically, the new record is still the By Million Wires we remember – music full of contrasts, tension-building, and space – but in a more direct and raw version. It’s a record about survival, continuity, and the fact that some stories simply never end.

Today, By Million Wires returns with new energy and the self-produced album stands as a testament to maturity, patience, and an unwavering belief in the power of sound. 

New EP is available on all streaming services (link here) starting May 1st, 2026. Music was recorded at Raven Studio (Merkabah, Disperse)  in Skrzyszow, and was mixed and mastered by Krzysztof Krupa (Acid Drinkers, AnVision). Album cover artwork was done by leader of the band, Mirek Skrok.

TRACKLIST:

1. Over
2. Glass Gouses
3. I Know Better
4. Lost or Won
5. Runaway

Listen to the “Not Over” EP:

LINE-UP:
Mirek Skrok – vocal, guitar
Dawid Moździerz – guitar
Mateusz Ostafil – bass
Dawid Remian – drums

More info: WWW | Facebook | Bandcamp | Instagram | LinkTree

THROATCUT. Deliver Pure Heat with New Video Single ‘Moloch.’

Posted by tarjavirmakari on May 2, 2026
Posted in: Int. News, News. Tagged: THROATCUT.. Leave a comment

THROATCUT. deliver a crushing statement of intent, raw, unfiltered and unapologetically violent with new single ‘MOLOCH.’. Blending relentless metalcore aggression with a dark, almost ritualistic intensity, the track captures a world defined by manipulation, blind obedience and the collapse of false authority.

Stream here: https://arisingempire.com/throatcut

Driven by themes of guilt, negligence and control, ‘MOLOCH.’ dives deep into the psychology of submission and revolt. Lines like “Negligence is just a different way to say ‘I’m not responsible” cut through the noise, exposing the hollow justifications of those in power, while the recurring imagery of false prophets and rigged systems paints a bleak but familiar reality. Yet beneath the suffocating weight of it all lies a breaking point, a moment where silence turns into resistance.

Sonically, the track lives up to its message. Crushing riffs collide with punishing drums and feral, unrestrained vocals, creating a soundscape built for chaos, a soundtrack for circle pits, walls of death and total release. There is no subtlety here, only impact. Every breakdown feels like a collapse, every scream like a refusal to submit.

Rising rapidly from Germany’s underground scene, THROATCUT. have already made waves with viral releases and an increasing presence on festival stages. With ‘MOLOCH.’, they push their vision even further, sharper, darker and more confrontational than ever before.

This is more than just a song. ‘MOLOCH.’ is a reckoning.

Catch the band live:
 
02.05.2026 I VEB Bandhaus I Erfurt, DE
09.05.2026 I KJH Hüweg, Essen, DE (Shifter support)
13.06.2026 I Mobilat I Heilbronn, DE
22.08.2026 I LOGO I Hamburg, DE (Avoider support)

THROATCUT. online:
https://www.instagram.com/throatcut.hc

INFERNO Announce New Album “The Anthropic Sophisms”, Out July 17th

Posted by tarjavirmakari on May 2, 2026
Posted in: Int. News, News. Tagged: Inferno. Leave a comment
Photo credits: Necrohorns

Czech Black Metal legends INFERNO – actively shaping the genre since the mid ’90s – return with a successor to 2021’s highly acclaimed “Paradeigma“. The band’s electrifying ninth full-length, “The Anthropic Sophisms“, contains four epic tracks where deep space Black Metal, Industrial brutalism, malevolent motorik rhythms, crackling electronics and obscure vocals collide in an ecstatic, perma-climatic trance without hope of resolution or a semblance of light.

Tracklist:

01. Fission of the Soul
02. Dekranos Katexochen (Mých smrtí je bezpočet, mých nemocí mnoho)
03. With Raving Mouths They Utter Things Mirthless, Unadorned and Unperfumed
04. Circulus Vitiosus Deus (The Infinity Ravages All)

Cover paintings are by Dávid Glomba (ASCENSION, CULT OF FIRE, MALOKARPATAN) and the layout was designed by Heresie Studio. All music and lyrics composed by Ska-Gul, Sheafraidh, Morion, Adramelech, Matron Thorn & Spící hrdlo Antikrista.

“The Anthropic Sophisms” was mixed by Tim de Gieter at Much Luv Studio (AMENRA, DOODSESKADER, TREHA SEKTORI) and mastered by James Plotkin (KHANATE, THOU, BONG-RA).

Conceptually “The Anthropic Sophisms” rejects a human-centered, anthropocentric perspective. As the band states:

“The human being is neither measure nor destination here, only a witness. An infinitesimal point within a field of forces that surpass it. The senses fail, reason loses its footing, and yet something is happening. Something unnameable, existing beyond language and beyond control. This is not music that tells a story or offers consolation in a refrain. It is a movement unfolding regardless of expectation.“

INFERNO now unveil a first and only single for their ninth opus, supported by a surrealist video from Fabio Rincones (SELBST). ‘Circulus Vitiosus Deus (The Infinity Ravages All)‘ combines viscous deep space atmospherics and Industrial force into a relentless, hallucinatory spiral of tense dissonance.

INFERNO had this to say about the track:

“Every deed turns to dust, washed away by the waves of oblivion, and yet he walks forth, renouncing, silent and blind. Such a grotesque spectacle, which, however, lacks witnesses and script. It lays bare the fateful truth: Man is a mere footnote in the work of spontaneous creation without end. But are we not the heroes of the role given to us? The proud beings of free will?!“

Follow the band on Facebook and Instagram for updates!

“The Anthropic Sophisms” will be released on CD, vinyl – including an exclusive DMP version – and digital on July 17th. A specially designed t-shirt accompanies the release. Pre-orders are possible via DMP’s EU, US and Bandcamp shops.

INFERNO came into existence 1995 in the Czech Republic, with first demo offerings “Peklo Na Zemi” (1996) and “Temná Poselství Dávných Předků” (1997) gaining significant acclaim in the Czech scene and beyond, opening many possibilities within the Black Metal underground.

Following a number of successful split releases, in the first decade of the new millennium INFERNO recorded two full-length albums of defiant and warlike Black Metal – “Duch slovanské síly” (2001) and “V návratu pohanství…” (2003) – the raw and ominous “Nikdy nepokřtěni” (2006) and concluded this period of rabid Black Metal traditionalism with “Uctívání temné zuřivosti” (2008) which merged old currents into a more refined offering, aggressive yet triumphantly melodic.

The release of pivotal album “Black Devotion” (2009) reshaped and regenerated the creative forces within the band. INFERNO subsequently entered Necromorbus Studio to create the cacophonic and malevolent “Omniabsence Filled By His Greatness” (2013) another step-up which imbued band-members with the will to transcend their previous self-imposed limitations.

In the following years, INFERNO performed on prominent stages around the world, securing a reputation for being a savage and mystical live act. Dedicated to self-transformation and unconscious dialogue with the great other, the monumental and idiosyncratic “Gnosis Kardias (Of Transcension and Involution)” (2017) helped redefine contemporary Black Metal Art.

In 2021, INFERNO unveiled their most transcendent and dynamic work to-date, “PARADEIGMA (Phosphenes Of Aphotic Eternity)“, through Debemur Morti Productions. In the ensuing years, the band carried this singular vision onto stages across the globe, refining its intensity in the live realm while restlessly shaping new material in parallel. “The Anthropic Sophisms (On the Heights of Despair)” – an electrifying, hypnotic & profound 9th album from these Czech avant-Black Metal voyagers – will be released on 17th June 2026.

INFERNO is: Adramelech, Ska-Gul, Morion, Sheafraidh, Matron Thorn & Spící hrdlo Antikrista

MASTER MASSIVE Release New Single & Video ‘Islands and Bells’

Posted by tarjavirmakari on May 2, 2026
Posted in: Int. News, News. Tagged: MASTER MASSIVE. Leave a comment

Swedish cult act MASTER MASSIVE will release a new studio album, called „White Shadows“, out on July 10th through Fireflash Records. The album is a pure and epic heavy metal gem, and unites traditional metal with progressive and doom elements.

Today, MASTER MASSIVE release their new and second single, along with a music video for the song “Islands and Bells“. 

  • Stream/Download here: https://save-it.cc/fireflash/islands-and-bells
  • Bandcamp: https://ff-mastermassive.bandcamp.com/track/islands-and-bells

“A unique song. The verses were written about 15 years ago. One dark day, I played the first riff out of nowhere and paired it with the 15-year-old verses. That’s when I knew the song would be finished—someday. I envisioned a barren landscape, lonely and wind-scoured: a desolate island with only a few villages. On the surface, it feels safe. The only warmth is found inside the cottages. Later, I read John Donne’s For Whom the Bell Tolls. From that came the words Islands and Bells. That’s where I found my theme. I was a bit hesitant about using this song, but the more we worked on it, the more certain I became that it belonged. It has my own musical language, but at one point I thought, here I want a Tony Iommi riff, and at another, here I want a Candlemass riff. I don’t usually create music that way, but in this song it turned out really well. Max added some really nice heartfelt bass lines. Viktor’s contribution was also crucial. He has that rare ability to sound like a witch and then shift down and sing beautifully, which suits such a dynamic song perfectly”, comments lead guitar player Jan Strandh.

  • Pre-order “White Shadows” here: https://save-it.cc/fireflash/white-shadows
  • Order at Bandcamp: https://ff-mastermassive.bandcamp.com/album/white-shadows

The sound of MASTER MASSIVE is unique. You can hear MERCYFUL FATE, but also CANDLEMASS and early FATES WARNING and QUEENSRYCHE. „I’ve listened a lot to those bands, especially Mercyful Fate („Melissa“ and „Don’t Break The Oath“), and later also Fates Warning („Awaken The Guardian“). Originally, I come from the symphonic rock tradition, with bands like Queen, Genesis, Jethro Tull, and Black Sabbath. My playing style comes exclusively from the guitarists in these bands“, adds Strandh.

There is a lot to discover in „White Shadows“. It is an album that is timeless, that needs full attention and will once in the future be named along with many classics. „We had big ambitions for the album. We decided that there shouldn’t be a single weak song or meaningless note. Even so, it surpassed our expectations. One of the feelings we wanted to capture in our sound was a natural groove, the kind you hear in older artists and in classical music. To achieve this, we chose to make a record entirely without a click track. Johan was the perfect drummer for the challenge, and once everyone who plays and sings on the album had added their parts, the result became far more fluid, alive, and dynamic than we could have imagined.“

Also check out the first single “Blood On The Floor“

  • Watch the video here: https://youtu.be/4tEFXi_0QEw
  • Stream/Download here: https://save-it.cc/fireflash/blood-on-the-floor
  • Bandcamp: https://ff-mastermassive.bandcamp.com/track/blood-on-the-floor

MASTER MASSIVE are:
Tony Niva – lead vocals
Marcus ”Masken” Karlsson – lead vocals
Viktor Gustafsson – lead vocals
Jan Strandh – lead guitar and vocals
Max Warnby – bass guitar
Johan Hautajärvi – drums

MASTER MASSIVE online:
Facebook: https://www.facebook.com/mastermassiveband
Instagram: https://www.instagram.com/mastermassiveband/

Indian MANEATING ORCHID Release New Single & Visualizer ‘Void Engine’

Posted by tarjavirmakari on May 2, 2026
Posted in: Int. News, News. Tagged: MANEATING ORCHID. Leave a comment

Indian prog metal/mathcore outfit Maneating Orchid release new single and visualizer for “Void Engine”. The track is the second offering from their forthcoming album Cold Logic, set for release on June 5, 2026 via Subcontinental Records.

Band says about the single:
“Void Engine: Sonically, “Void Engine” channels manic punk energy before warping into dense, technical riffage, culminating in a massive, obliterating outro that leaves you suspended in a dissolving void. Thematically, it explores a vast, unknowable machine buried in deep space that seems to shape the very fabric of reality. This Lovecraftian mechanism endlessly churns out existence without purpose or intent, reducing life to a byproduct of an indifferent, eternal process.”

Formed in 2011, Maneating Orchid has spent over a decade carving out a distinct space in extreme music. Previously known as “Orchid,” the band has forged a sound that twists progressive metal and mathcore into something volatile and unhinged. With dense, dissonant riffing, abrasive vocals, and song structures that collapse and mutate in real time, they have consistently pushed the boundaries of heavy music while developing a voice that is unmistakably their own.

Their 2016 self-titled EP introduced them as true outliers, earning cult status and critical praise. The debut full-length, Miasma (2019), sharpened that chaotic edge further, cementing their reputation for crafting unpredictable music that defies easy categorisation. By the time Hive Mind (2022) arrived, Maneating Orchid had fully evolved into one of contemporary extreme metal’s most singular and uncompromising voices, with no intention of sounding comfortable or familiar.

Now, with their third album on the horizon, the band is diving even deeper into sonically mercurial territory.

For fans of: Voivod, Watchtower, Dysrhythmia, Gorguts, Spastik Ink, Converge, Cardiacs, Blotted Science, Botch, Discordance Axis, Mico, Behold… The Arctopus

For more info: https://linktr.ee/maneatingorchid

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