Metal Shock Finland (World Assault )

The Magic Of Metal

  • Home
  • Interviews
  • Reviews
  • CHIEF SHOCK VIDEO
  • Metal Shock Times
  • PARTNERS
  • WhoWeAre
    • Advertising
    • Contact Us
    • MSF STAFF
    • We Recommend…

PINO SCOTTO Unveils Official Video for ‘Phantom Humanity’

Posted by tarjavirmakari on March 30, 2026
Posted in: Int. News, News. Tagged: PINO SCOTTO. Leave a comment

March 27th, 2026, marked a new, hard-hitting chapter in the career of PINO SCOTTO: the official music video for “PHANTOM HUMANITY” is now available. A track that strikes with force and without filters, anticipating one of the artist’s most intense and meaningful works to date.

The song is taken from the brand-new studio album “The Devil’s Call”, a record that goes beyond mere listening—it demands to be experienced. Eleven tracks that dig deep into reality, blending personal reflections with sharp social commentary, all delivered through Scotto’s raw, authentic, and unmistakable voice.

“PHANTOM HUMANITY”: A DARK MIRROR OF THE PRESENT

With “PHANTOM HUMANITY”, Pino Scotto lays bare a hollow, disillusioned, almost ghost-like society. A phantom humanity moving without awareness—numb, detached, and unable to recognize itself.

The official video amplifies this message through powerful and symbolic imagery, transforming the track into an intense and unsettling visual experience, perfectly aligned with the artist’s vision.

Maltese SAĦĦAR Signs to Time To Kill Records, New Full-Length Album Coming

Posted by tarjavirmakari on March 30, 2026
Posted in: Int. News, News. Tagged: Sahhar, SAĦĦAR. Leave a comment

Maltese black metal enyity SAĦĦAR has officially joined the roster of Time To Kill Records, marking a new chapter in its ever-evolving path.

Emerging from a scene far removed from the genre’s more saturated circuits, SAĦĦAR brings with it a distinct identity shaped by isolation, heritage, and a deeply personal artistic vision.

The upcoming full-length album promises a refined take on the project’s signature sound: a form of black metal infused with fresh dynamics, subtle melodic undercurrents and a pervasive sense of decay that envelops the material in a bleak, almost otherworldly atmosphere.

Balancing aggression and introspection, the new work aims to push further into expressive territory while maintaining the raw essence that has defined SAĦĦAR’s output to date.

More details about the album will be revealed soon.

SAĦĦAR began as the brainchild of Marton Saliba, with the aim of creating harsh and extreme music rooted in black metal. From the outset, the project has balanced raw, blast-beat-driven tracks with more mid-tempo material enriched by synths and samples, often blending these elements together. Most of the lyrics are written in Maltese, SAĦĦAR’s native language. The first demo, “Genesis of Demise”, followed a year later by the album “Maġija Sewda”, gained attention both locally and within the wider underground scene during the MySpace era.

Following the well-received split “Thine Triumphant Death” and a subsequent album that was never officially released, SAĦĦAR entered an indefinite hiatus. The project returned in 2013 with renewed intensity through the EP “Mera Mkissra”, showcasing a stronger focus on folklore elements, mid-tempo pacing, and synth-heavy arrangements. From then on, SAĦĦAR maintained a steady output, releasing an average of one EP or album per year until 2020, when the pandemic brought activities to a halt—though writing and studio work continued in preparation for future releases.

The release of the 2015 album “Kruha u Kefrija” also marked SAĦĦAR’s live debut, leading to performances supporting acts such as Destroyer 666, black metal legends Mayhem, and industrial outfit Gothminister. During the pandemic, SAĦĦAR remained active by contributing to online events, including Metal Injection’s “Slayathome” series and the Grimfest online festival.

In early 2020, SAĦĦAR was nominated at the Malta Music Awards in both the “Metal” and “Album in Maltese” categories for “Qilla tal-Qrun”, which was well received within the scene. In late 2022, the project embarked on its first tour with a live lineup, spanning nine consecutive days across four countries (Hungary, Slovakia, Bulgaria, and Romania), marking an important step forward in its live evolution.

SAĦĦAR’s sound can be described as “ruinous” black metal—combining grand, larger-than-life symphonic elements with minimal, almost doom-like riffs, as well as intense tremolo-driven passages and ambient, synth-based compositions. This wide-ranging approach is reflected in a discography of over 100 songs. Lyrical themes range from occult and folklore-inspired narratives to death, misanthropic catastrophes, and occasional critiques of organized religion.

https://www.facebook.com/sahharbm
https://www.instagram.com/sahharbm/
https://sahhar.bandcamp.com/

SOTABOSC Unveil Haunting New Single ‘Freyja’ from Forthcoming Debut Full-Length

Posted by tarjavirmakari on March 30, 2026
Posted in: Int. News, News. Tagged: SOTABOSC. Leave a comment

Barcelona-based atmospheric black metal outfit SOTABOSC unveil “Freyja”, the second single from their forthcoming debut full-length “El Batec dels Maquis”, set for release on April 17 via Dunk!Records. Following the sprawling intensity of their first single, the band delivers a track that fuses mythological symbolism with historical memory into a deeply evocative composition.

“Freyja” started life as an instrumental piece for Ulmus, the solo project of SOTABOSC’s Xavi Forné, inspired by the Norse goddess. In its reinterpretation, the concept shifts into the context of the Maquis, where Freyja becomes a metaphor for the women of the resistance. Like the goddess – associated with war, death, and fertility – these women embody strength, care, and determination amidst conflict. Not as a distant myth, but as a real, silenced, and essential presence.

Stream the single HERE

Founded in 2023 in Barcelona by Oscar Linares and Manel Song (Syberia) alongside Xavi Forné (Ulmus, Error! Design), the band solidified in 2025 with vocalist David Rodríguez and bassist Gerard Serrano, completing a lineup deeply connected to the Catalan underground. Firmly rooted in an anti-fascist ethos, SOTABOSC convey their message entirely in Catalan, pairing lyrics with a carefully crafted visual identity spanning artwork, logos, and stage aesthetics.

Tracklist:

01. Nerthus
02. Heimdall
03. Freyja
04. El batec dels Maquis / Records vius en la foscor

“El Batec dels Maquis” unfolds in two halves – The first reimagines three compositions from Ulmus, originally instrumental and written for acoustic instruments, now transformed into a sound shaped by atmospheric black metal with strong post-rock influences. The new lyrics focus on animals, forests and the natural environment, forming a narrative arc that connects with the second half of the album.

The second part consists of a single track exceeding 15 minutes, where SOTABOSC expresses its purest musical identity: raw black metal roots, expansive instrumental passages and experimental structures inspired by post-rock. The vocals – harsh and evocative – pay tribute to the Maquis and their anti-Francoist resistance in Catalonia during and after the Civil War.

With this debut, SOTABOSC establishes a project in which identity, narrative intent and sonic depth merge into an artistic statement that is both musical and political.

“El Batec dels Maquis” was recorded, mixed and mastered at Siete Barbas Studio in Barcelona by Daniel Gil, with layout design handled by Error! Design and symbology created by Woodcvtter Illustration. 

Line-up:
Xavi Forné (Error! Design, Malämmar, Ulmus)
Òscar Linares (Syberia)
Manel Song (Amargor, Syberia)
David Rodríguez (Arna)
Gerard Serrano (Hurricäde, Llacuna, Leavs)

Links:
https://www.instagram.com/sotabosc_official/
https://www.facebook.com/sotaboscofficial/
https://sotaboscband.bandcamp.com/

DEVORZHUM Unleash New Song ‘Czas Zemsty’ from Upcoming Mini-Album “O królestwie, którego nigdy nie było…”

Posted by tarjavirmakari on March 30, 2026
Posted in: Int. News, News. Tagged: DEVORZHUM. Leave a comment

DEVORZHUM is a quite fresh band on the Polish metal scene formed in 2021 where in the line-up we can find experienced musician – Szymon “Simon” Bieńkowski well-known of playing in the past in such bands as Morbus Mortifer, Supreme Lord, Vomigod, Depravity and Rigor Mortis.

Less than three years ago, the band released their debut album, “Exigens Monumentum,” which was very well received by both the media and listeners. The band has been working hard on their new release and will soon release a nearly 30-minute concept mini-album that tells a dark tale, full of blood, pain, and suffering.

The Poznań-based black metal band takes us on a journey to the burning, blood-soaked Middle East. “O królestwie, którego nigdy nie było…” is a tale of suffering, death, and revenge. A story that is not a myth or a fictionalized narrative, but a long-standing reality for families, ethnic groups, and entire nations. A reality that is still largely shaped by religious fanaticism.

The new release is a four-song concept in which the band expands their music with new layers and a more complex narrative. Devorzhum develops their existing sound, but gives it even greater intensity and weight. The band does not abandon its identity, but rather pursues it further – towards greater space, tension, and emotional depth.

“O królestwie, którego nigdy nie było…” is a cohesive work both musically and thematically – raw in its message, yet more mature in its form. And this is just the beginning of a story the band is already announcing its continuation.

The music for upcoming record was recorded, mixed and mastered by Simon. Cover artwork was done by ET-40. Band logo by Kontamination Design (Akhlys, Dimmu Borgir, Taake). Band live photo was done by A. Werens. New album will be released on April 10, 2026 in digital format and CD by Polish label Via Nocturna (pre-order).

Stream song “Czas Zemsty“:

TRACKLIST:

01. Initium Belli
02. Czarne Ptaki Października
03. Czas Rozpaczy
04. Czas Zemsty
05. Płacz królestwa, którego nigdy nie było

More info: Facebook | Instagram | Bandcamp

SKINLAB to Cover Hatebreed’s ‘Last Breath’, Out April 10 + Announce Tour w/ Exhorder

Posted by tarjavirmakari on March 30, 2026
Posted in: Int. News, News. Tagged: Skinlab. Leave a comment

San Francisco Bay Area groove metal veterans SKINLAB are back with their heaviest move in years. On April 10, 2026, the band releases a full cover of “Last Breath” — the iconic track from Hatebreed’s landmark 1997 album Satisfaction Is the Death of Desire. Produced, mixed, and mastered by Ulrich Wild (Pantera, Static-X, White Zombie, Deftones), the cover is not a replication — it is a full reimagining, dragged deep into Skinlab’s groove metal world and built to hit hard.

KEY DETAILS

■ “Last Breath” releases April 10, 2026 on all platforms
■ Original by Hatebreed — from Satisfaction Is the Death of Desire (1997)
■ Produced, mixed & mastered by Ulrich Wild (WURMgroup)
■ Features new guitarist Angelo Miles — his first recorded music with the band
■ Current lineup: Steev Esquivel (vocals/bass), Marcos Melina (guitar), Angelo Miles (guitar), Fabian Vestod (drums)
■ Skinlab is on the road NOW as direct support for Exhorder on The Tour of Unsound Minds — 18 dates, April 2–19

ON TOUR: THE TOUR OF UNSOUND MINDS

Skinlab is currently on the road as direct support for Exhorder on The Tour of Unsound Minds. The 18-date run kicked off April 2nd in Morgantown, WV and wraps April 19th in Cadillac, MI, hitting the East Coast and Midwest.

The April 10 single release date falls mid-tour in Harrisburg, PA — making for a release-day show experience that night at Capital City Music Hall.

Skinlab | Instagram, Facebook | Linktree

Indian MANEATING ORCHID Announce Third Album “Cold Logic”, Out June 5th

Posted by tarjavirmakari on March 30, 2026
Posted in: Int. News, News. Tagged: MANEATING ORCHID. Leave a comment

Indian prog metal/mathcore powerhouse Maneating Orchid will release their third full-length album, Cold Logic, on June 5th, 2026. The album will be available internationally via Subcontinental Records.

Maneating Orchid’s third full-length album, Cold Logic, continues the evolution of the band’s manic soundscape. Abrupt left turns, uneven song forms, and caustic harmonic passages shape a suffocating 34-minute experience. Jagged, angular riffs collide with violently dynamic blast beats, warped and syncopated low-end patterns, and hellish screams, forming a shifting wall of sound that feels perpetually on the brink of collapse.

With the addition of new drummer Vishnu Reddy, the band’s already volatile sound is pushed even further, amplifying its feral intensity just when it appears to have reached its limits. The result is a relentless collision of dissonant death metal, aggressive punk urgency, and math-leaning progressive passages, assembled in deliberately uneven proportions.

Lyrically and thematically, Cold Logic grapples with cosmic dread, deep space isolation, and the psychological horror of confronting a reality stripped of narrative and intention. Across the album, perception fractures, identity dissolves, and the self mutates beyond recognition. Post-human transformation and body horror emerge not as spectacle, but as symptoms of existential decay. Time, meaning, and consciousness begin to fold under an indifferent universe’s cold scrutiny. This marks a decisive shift away from the more socio-political themes of the band’s previous releases.

Track list:
01 Dimension Exile
02 Cosmic Shroud
03 Ionized Green
04 Void Engine
05 Hollow World
06 Arcological Horror
07 Binary Contagion
08 Dreaming
09 Neon Static
10 Malformed Horizon
11 Astral Codex

Formed in 2011, Maneating Orchid has spent over a decade carving out a distinct space in extreme music. Previously known as “Orchid,” the band has forged a sound that twists progressive metal and mathcore into something volatile and unhinged. With dense, dissonant riffing, abrasive vocals, and song structures that collapse and mutate in real time, they have consistently pushed the boundaries of heavy music while developing a voice that is unmistakably their own.

Their 2016 self-titled EP introduced them as true outliers, earning cult status and critical praise. The debut full-length, Miasma (2019), sharpened that chaotic edge further, cementing their reputation for crafting unpredictable music that defies easy categorisation. By the time Hive Mind (2022) arrived, Maneating Orchid had fully evolved into one of contemporary extreme metal’s most singular and uncompromising voices, with no intention of sounding comfortable or familiar.

Now, with their third album on the horizon, the band is diving even deeper into sonically mercurial territory.

For fans of: Voivod, Watchtower, Dysrhythmia, Gorguts, Spastik Ink, Converge, Cardiacs, Blotted Science, Botch, Discordance Axis, Mico, Behold… The Arctopus

For more info: https://linktr.ee/maneatingorchid

Posts navigation

← Older Entries
Newer Entries →
  • THE ROCK ALCHEMIST – Italian Rock Band from Turin with a strong sonic identity that blends modern rock with progressive, hard, alternative, and pop elements!
  • Kimmo Kuusniemi’s SARCOFAGUS return with a Historic 2010 Concert Video Premiere on YouTube! Click image to watch the video
  • Ads

  • Metal Shock Finland

    Metal Shock Finland
Website Powered by WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    Metal Shock Finland (World Assault )
    Join 948 other subscribers

    Have a WordPress.com account? Log in now.

  • Metal Shock Finland (World Assault )
    View site in Reader
    Manage subscriptionsSign upLog in
    Report this content
    Collapse this bar