SLYTHER Unleash New Single ‘Flask N’ Bone’ from Upcoming Debut LP

Posted by tarjavirmakari on September 12, 2025
Posted in: Int. News, News. Tagged: . Leave a comment

SLYTHER return with their brand new single, “Flask N’ Bone”, offering another fierce taste of their upcoming debut album “Chronicles of Despair”, due out October 10th via Time To Kill Records. The track sees the Italian thrashers firing on all cylinders, delivering a whirlwind of cutting riffs, hardcore-fueled aggression and infectious groove.

With “Flask N’ Bone”, SLYTHER sharpen the contrast between razor-edged thrash precision and the wild, unhinged energy of crossover. The single channels the ferocity of Overkill while injecting the irreverent spirit of Municipal Waste, capturing the band’s ability to honor thrash tradition while pushing it forward with a raw, youthful intensity.

Streaming: https://ffm.to/slyther-flask-n-bone

The band comment:

“’Flask N’ Bone’ – Remorse, self-destruction, and the emptiness left by a corrupted conscience .
Opening the concept album Chronicles of Despair, Flask N’ Bone tells the downward spiral of a corrupt lawyer, a symbol of power wielded without justice or ethics. The turning point comes with the suicide of a mother to whom he denied custody of her child and any means of support, marking the beginning of an emotional collapse where guilt becomes overwhelming. Crushed by the weight of his actions, the protagonist seeks refuge in alcohol and addiction, spiraling into a self-destructive cycle that leads to depression and ultimately suicide.
Yet even this final act offers no redemption: he realizes that nothing will erase the harm he has caused. Within the album’s broader narrative, Flask N’ Bone introduces a deeply personal reflection on the abuse of power and the failure to leave behind anything meaningful. The very title “Flask and Bone” becomes a symbol of the emptiness he leaves behind: no values, no legacy, just the physical remains of a life marked by moral decay”.

“Chronicles of Despair” is a powerful and visceral concept album that explores, track by track, the darkest tensions of the human soul and contemporary society. In a world marked by war, corruption, media manipulation, and existential crisis, the album unfolds a journey that moves from despair to inner awakening, tackling pressing themes with raw, direct, and emotionally charged language.

The journey begins with “Flask N’ Bone”, an intense narrative of self-destruction and remorse, portraying a corrupt lawyer haunted by guilt—a symbol of a conscience that finds no peace. From there, the album expands into a collective dimension with “Madness”, a denunciation of nuclear war insanity, and “Shut The Fuck Up”, a rebellious track targeting disinformation and the dominance of media power.

“Violent Fist” gives voice to the blind rage that fuels conflict, while “Visions” pulls the listener into the haunting realm of sleep paralysis—a metaphor for the unconscious fears triggered by global tension. The inner journey turns more intimate with “Memories”, a melancholic instrumental that evokes childhood recollections and lost innocence.

“Awake-4” marks a turning point: a painful awakening from nostalgia, necessary to confront harsh reality. The final chapter, “The Sleepwalker”, closes the album with a powerful allegory of insecurity and illusion, culminating in a clear and resonant message:

“Awake from the lies, pursue the good, and never surrender.”

“Chronicles of Despair” is a scream, a reflection, and a call for awareness. An emotional chronicle of the afflictions of our time, but also an invitation to inner resistance.

Tracklist:

​1. Flask N’ Bone
2. Madness
3. Shut The Fuck Up
4. Violent Fist
5. Visions
6. Memories
7. Awake-4
8. The Sleepwalker

Preorders:

SLYTHER is a young thrash/crossover band hailing from Pescara, Italy, and active since 2020. Formed by musicians born between 2005 and 2007, the group delivers a direct, high-energy sound rooted in modern thrash with strong crossover influences.

Since 2022, SLYTHER has been active on the live circuit, performing at major events such as the Day 0 of Frantic Fest 2023 and sharing the stage with well-known names in the Italian underground like Game Over and Fingernails. Among their first releases is the single “Shut The Fuck Up” (July 2023), which has surpassed 10,000 streams and offers a taste of the debut album currently in the works.

Line-up:

Marco Aquino – Vocals, rhythm guitar
Federico Pavese – Drums
Federico Pistilli – Lead guitar
Giovanni De Bonis – Bass

https://www.instagram.com/slyther.official
https://slyther.bandcamp.com/
https://www.facebook.com/profile.php?id=100089231523446

STEVE MORSE BAND Announce Brand-New Album “Triangulation”, Out November 14th

Posted by tarjavirmakari on September 12, 2025
Posted in: Int. News, News. Tagged: . Leave a comment
Photo (c) Nick Nersesov

Steve Morse Band have announced details of their brand-new album, Triangulation, which will be released on 14 November via Music Theories Recordings (Yngwie Malmsteen, Ayreon, Paul Gilbert, Vandenberg). To celebrate, they have unveiled the official video for their new track, Break Through.

Break Through is the first new music since the release of 2009’s Out Standing In Their Field.  Talking about the track, Steve says, “This may start with a guitar riff, but the bass carries the melody.  It’s just a great feel to play over, and a positive vibe to start the album.”

Whenever we think of the greatest guitar players of all time, Steve Morse is a name that’s always in the conversation. This album sees Morse teaming up once again with Dixie Dregs, Steve Morse Band, and Flying Colors bassist Dave LaRue, with Van Romaine [Steve Morse Band/Enrique Iglesias] joining on drums.
 
Steve beams, “Dave and Van have been the bedrock of this trio, and this recording shows why. These guys are unique and incredible musicians on their own, and together, our chemistry is magical. While making the album, we played together, working through parts, riffing off each other,  and collaborating on arrangements. I’d bring an idea, and hear it instantly — and then hear it improved. We made this album together, and you can hear it.”
 
There are also some stellar guest features, from Eric Johnson’s majestic contributions to TexUS and John Petrucci bringing his inimitable progressive metal thunder and, of course, Kevin Morse joining his father on “Taken by an Angel.”.

Executive producer Bill Evans noted, “The compositions are among Steve’s best. And audiences can finally hear every detail of Van and Dave’s performance…the band’s collaborative musicality.” Steve added, “Brian captured me brilliantly, and Carl Roa created more sonic and performance clarity than we’ve ever had.”
 
Morse started his career in the mid-1970s, playing mind-melting jazz-rock with The Dixie Dregs, which earned him multiple Grammy nominations in the process. The following decade, he formed the Steve Morse Band, grabbing an additional Grammy nod, and joined arena heavyweights Kansas, before being recruited by rock and roll originals Deep Purple in 1994. And despite being in one of the world’s biggest bands, he continued to innovate in other projects like Living Loud, Angelfire, and Flying Colors – as well as guitar supergroup G3 – showing the world just how much versatility there was in those magic fingers. He announced his departure from Deep Purple in 2022, choosing to care for his wife, who passed away in 2024, by that point having become their longest-serving guitarist.
 
Naturally, the last few years have been the most personally traumatic of his life, which is perhaps why this year’s creative comeback with the new Steve Morse Band album Triangulation embodies the spirit of a master returning to do what he does best. Its nine tracks are a thrilling ride through the mind of a musician who seemingly knows no bounds, crossing over into a cornucopia of sounds and styles from funk and blues to classical and metal.

“The album title Triangulation comes from the concept of aviators, navigators, and sailors looking at two points to pinpoint their exact location at a specific moment in time,” says Steve. It’s a geographical concept that also applies to human life on a broader level, and given the journey Morse has been on in recent years, it’s only natural that he’s been on a path of self-discovery and reflection.

Perhaps the most poignant of the nine tracks is “Taken By An Angel” – a tribute to Steve’s beloved wife Janine. Steve left the music world behind to care for her, remaining by her side until her final days.. “That song is new territory for me,” explains Morse. “It was put together for my late wife’s memorial service, with my son Kevin playing along. It brought tears to many folks’ eyes because Janine was a huge part of my life and career. People knew her from the Steve Morse Band tours. She was the smiling face opening CDs for me to sign, selling t-shirts, listening to people’s stories in the crowd, and taking photos for VIP visits.”
 
After all the heartache and anguish of the last few years, you can’t help but feel grateful Morse is once again ready to share his creative genius with the world around him. Given his stature among the guitar community – often lauded as ‘your hero’s hero’ in the same way people spoke about Jeff Beck – his creative return marks a new phase of inspiration and brilliance. In that sense, you can tell the release of this record means a lot to him.

Track listing
1. Break Through
2. Off the Cuff
3. TexUS (ft. Eric Johnson)
4. The Unexpected
5. March of the Nomads
6. Ice Breaker
7. Tumeni Partz
8. Triangulation (ft. John Petrucci)
9. Taken by an Angel (ft. Kevin Morse)

Steve Morse Band – Tour Dates
 
Thur, October 9th, 2025 – Headliner’s, Louisville, Kentucky
Fri, October 10th, 2025 – CMA Theater, Nashville, Tennessee
Sun, October 12th, 2025 – Charleston Music Hall, Charleston, South Carolina
Mon, October 13th, 2025 – Variety Playhouse, Atlanta, Georgia
Tue, October 14th, 2025 – The Neighborhood Theatre, Charlotte, North Carolina
Wed, October 15th, 2025 – The Rialto Theatre, Raleigh, North Carolina
Thur, October 16th, 2025 – Rams Head On Stage, Annapolis, Maryland
Sat, October 18th, 2025 – Elkton Music Hall, Elkton, Maryland
Sun, October 19th, 2025 – Mickey’s Black Box, Lititz, Pennsylvania
Mon, October 20th, 2025 – The Vogel, Red Bank, New Jersey
Tue, October 21st, 2025 – Sellersville Theater, Sellersville. Pennsylvania
Thur, October 23rd, 2025 – Somerville Theatre, Somerville, Massachusetts
Sat, October 25th, 2025 – Cohoes Music Hall, Cohoes, New York
Sun, October 26th, 2025 – Ridgefield Playhouse, Ridgefield, Connecticut

STONED JESUS Show How They Reached New Highs on Latest Single ‘Low’

Posted by tarjavirmakari on September 12, 2025
Posted in: Int. News, News. Tagged: . Leave a comment
Photo by Daina Forys

While they’ve blazed through folk, prog, pop and alternative rock following their first sip of doom metal, after 15 years, Stoned Jesus are still reaching new creative peaks. On the latest single from the band’s mind-melting new album, Songs to Sun, the heavy progressive rockers rose above personal lows by doing something they’ve never done before: blast beats and harsh vocals.

Today, frontman Igor Sydorenko is releasing a new video that shows how to play and how he wrote “Low”. Thanks to a simple riff and instant chemistry shared between Sydorenko and his new rhythm section, the band stopped worrying about pleasing people and blasted out the heaviest song in Stoned Jesus’ wide-ranging discography.

“This is probably the happiest I’ve been creatively in Stoned Jesus”, Sydorenko says. “With both Andrew and Yuri now in the band, we can experiment as deep as we can.

“Even though, we are currently working on the darker follow-up to Songs to Sun“, he continues, “the three of us are constantly laughing all the time”.

Watch Igor Sydorenko explain how to play and how he wrote “Low”:

Songs to Sun comes out September 19, 2025 on Season of Mist. 

Pre-order & Pre-save: https://orcd.co/stonedjesussongtosun
Pre-save on Spotify: https://open.spotify.com/prerelease/4CYNwXVJHZn9MMtOIvLApx

Can’t wait to hear Stoned Jesus’ mind-melting new album? Hear all of Songs to Sun before it comes out during the band’s upcoming listening party on Bandcamp.

Songs to Sun Bandcamp Listening Party – RSVP
Tuesday, September 16 @ 1:30 pm CEST / 7:30 pm CEST

Songs to Sun is the first album in a forthcoming trilogy that once complete, will stand as the pinnacle of what’s been a decades-long trip for Stoned Jesus. While picking up where the band’s last album, Father Light left off, Sydorenko and his new mates still nod to their early classics Seven Thunders Roar and The Harvest. But by merging metal’s fiery intensity with mind-melting grooves, vintage prog and their catchiest choruses yet, they bring the many distinct phases of Stoned Jesus to a bright, burning head.

The video for “Shadowland: how to play it & how I wrote it” was written and filmed by Igor Sydorenko. It was edited by Radion Yakumenko.

Tracklist
1. New Dawn (8:53)
2. Shadowland (4:38) [WATCH]
3. ​Lost in the Rain (7:49)
4. Low (4:09) [WATCH]
5. ​See You on the Road (5:45)
6. Quicksand (9:52)

Hear Stoned Jesus perform “Low”, “Shadowland” and other new songs off Songs to Sun during their upcoming European festival appearances and tours of Australia and Latin America.

Get tickets: https://linktr.ee/stonedjesusband

2025 European Festivals
September 13 – Crest, FR @ Bridge To Hell
September 20 – Bilbao, ES @ Kristonfest
November 8 – Bochum, DE @ Tombstoned Fest
November 14 – Magny-Les-Hameaux, FR @ Foud Rock
November 15 – Eindhoven, NL @ Helldorado

2025 XV & Debut Australian Tour
September 28 – Perth @ The Rosemount
October 1 – Canberra @ The Baso
October 2 – Sydney @ The Underground
October 3 – Brisbane @ Soapbox Beer
October 4 – Melbourne @ The Leadbeater
October 5 – Adelaide @ The Crown & Anchor

2025 Latin American Tour
October 21 – Rio De Janeiro, Brazil @ Rock Experience
October 22 – Porto Alegre, Brazil @ Gravador
October 23 – Florianopolis, Brazil @ Desgosto
October 24 – Curitiba, Brazil @ Beveldere
October 25 – Sao Paulo, Brazil @ Jai Club
October 26 – Belo Horizonte, Brazil @ Caverna
October 28 – Buenos Aires, Argentina @ Uniclub
October 29 – Santiago, Chile @ Club Ambar
October 31 – Mexico City @ Sangriento [FIRST-EVER SHOW IN MEXICO]

Since 2009, Stoned Jesus has served as one of Europe’s leading forces in heavy rock. Igor Sydorenko, a veteran of the Ukrainian underground music scene, started it as a solo project after stumbling upon some heavy and angry riffs that would become the song “Occult.” He fed off his Black Sabbath and Led Zeppelin influences and was soon turned onto Electric Wizard and Sleep, two bands who mastered the art of bold, lurching heaviness, thus creating a sonic template to abide by. 

The Kyiv-based project was initially dubbed “Stoned Jesus from the Outer Space” but shortened to the much crisper Stoned Jesus. The name was trimmed down out of necessity — Sydorenko wanted to legitimize the band immediately. “I realized that this may cause some problems,” he told Psychedelic Baby in 2010. “Some people wouldn’t take our music seriously, then. I don’t mind jokes and having fun, but music is always the most serious thing for me.” 

Two demos ensued before Stoned Jesus’s debut LP, 2010’s First Communion. Recorded with the first line-up in two hours, First Communion was a promising offering that dove headlong into the world of heavy stoner rock, with three songs going over the 10-minute mark for hypnotic effect. The album eventually saw a proper reissue in 2020, introducing it to a new group of fans. The first change of rhythm section brought Seven Thunders Roar in 2012, which included “I’m the Mountain,” a 13-minute epic that has since become a live staple. The album also introduced a bevy of acoustic guitar and softer vocal approaches from Sydorenko. 

The Harvest came next in 2015 with a new drummer, deftly transitioning Stoned Jesus into the new terrain, with more alternative and progressive rock leanings. This is a credit to Sydorenko’s evolving songwriting style and desire to never allow Stoned Jesus to repeat itself. “It works brilliantly for the likes of Motörhead or AC/DC, but we’re not that legendary yet,” he told Outlaws of the Sun in 2015. “So, let’s experiment, shall we? Let’s play with the genres, the sound, the song structures, the melodies, the time signatures — yes, my favorite trick!” 

With another change of the drummer, the fourth LP, Pilgrims, arrived in 2018. A bold and experimental record, it showed the growing maturity of both musical and lyrical sides of Igor’s ever-progressing songwriting. After a year-long The Pilgrimage Tour and yet another year on the road celebrating the band’s 10th anniversary with the greatest hits setlist, Stoned Jesus’ original plans were to record its follow-up in 2020. That, of course, was sidelined by the pandemic. The band then entered Spivaki Records in Kharkiv in July 2021 to record nine songs at 75 minutes. Two-thirds of the material was mixed and mastered before the 2022 invasion of Ukraine, leaving the final run-time of six songs at 43 minutes. 

The result was Father Light, the band’s first for Season of Mist, which caught Stoned Jesus in full bloom. The foundational elements of Stoned Jesus’s sound remained (fuzzed-out rock, driving bass lines and maximum groove), once again augmented by the combination of Sydorenko’s gentle clean vocals and hook-laden chorus choices, along with an array of ornamental guitar melodies. And, in true Stoned Jesus fashion, the journey is often the reward. The cuts on Father Light expand and shift — all the while, the band’s trademark heaviness serves as the guide. 

Mother Dark, the gloomier introspective twin of Father Light, while partially recorded was shelved due to Igor’s dissatisfaction with the working dynamics of the latest Stoned Jesus line-up. Dissolving said line-up was a difficult decision to make, but Igor’s relocation to Europe brought a surprising reunion with his old friend Yurii, a talented drummer Igor had known even before writing the first Stoned Jesus song. Adding bassist-vocalist Andrew Rodin to this new line-up solidified its reliability, and now, after the whole year of relentless 25th Anniversary Tour schedule, the reinvigorated Stoned Jesus is more than ready for their next chapter.

Songs to Sun is the first album in a forthcoming trilogy that once complete, will stand as the pinnacle of what’s been a decades-long trip for Stoned Jesus. While picking up where Father Light left off, Sydorenko and his new mates still nod to Seven Thunders Roar and The Harvest along the way. But by merging metal’s fiery intensity with mind-melting grooves, vintage prog and their catchiest choruses yet, they bring the many distinct phases of Stoned Jesus to a bright, burning head.      

Lineup
Igor Sydorenko – Vocals, Guitar, Bass, Keyboards
Andrew Rodin – Bass, Backing Vocals
Yurii Ciel – Drums, Backing Vocals      

Production Credits
Produced by Igor Sydorenko
Recorded by Ignancy Gruzecki
Mixed and Mastered by Karl Daniel Lidén at Studio Tri-Lamb, Sweden

Recording Studio
Monochrom Studio in Poland

Cover Art
Vadym “Karaska” Karasiov

Follow Stoned Jesus:
https://linktr.ee/stonedjesusband
https://music.apple.com/sg/artist/stoned-jesus/396799004
https://open.spotify.com/artist/23lyMLxYNPS15hpVvFNptR
instagram.com/stonedjesusband
http://facebook.com/stonedjesusband
twitter.com/stonedjesusband
https://www.tiktok.com/@stonedjesusband
youtube.com/c/StonedJesus
stonedjesus.bandcamp.com

Cleveland Punk Legends THE DEAD BOYS Return with Riotous Christmas Single

Posted by tarjavirmakari on September 12, 2025
Posted in: Int. News, News. Tagged: . Leave a comment

Hallowe’en is less than six weeks away and you know what that means! It’s time for the stores to start putting up their Christmas decorations, and that bloody Paul McCartney song is already playing on repeat in the local drug store.

But do not despair, for The Dead Boys are here with some festive cheer of their own, a seething cover of The Ravers’ 1977 classic “(It’s Gonna Be A) Punk Rock Christmas.”

The Ravers themselves were intended as a joke, a parody punk band dreamed up by members of Daddy Maxwell, an American group best remembered today for their sterling contribution to the UK’s Junkshop Glam obsession, 1973’s “Rave’N’Rock.”  And the song’s lyrics did not disguise its intentions.

Even Santa’s gonna be
A Sex Pistol for a day
All those Christmas trees swinging safety pins from their leaves

A few of the original’s lines do feel dated today… so Cleveland’s finest have changed them. Now it’s the King, not the late Queen, who will sing “Anarchy in the UK,”  and the little boy’s Christmas list includes a subscription to Vive Le Rock, and the new single by the Dead Boys. Sensible lad.

And let’s not forget the most alarming vision of them all: “Johnny Rotten will sing ‘Jingle Bells’ out of his bottom.”  

Mark Thorn

“It’s rare for Christmas to arrive in September any year,” says Cheetah Chrome, “but the way this year has been going, all is out the window, up is down and honesty is no longer respected.  Not in this case, though.  Dead Boys are truly proud to have Mark Thorn as our new singer and this is yer first chance to hear him on record doing a Christmas song in Sept, with myself, Clem Burke [Blondie – RIP] and Glen Matlock [Sex Pistols, Rich Kids] backing him!” 

For many of us, this will be our first opportunity to hear this new line-up in action, and it doesn’t let us down. Above an archetypal Dead Boys roar, Thorn unleashes his most perfect mock-Cockney yowl, while Cheetah sounds as young, loud and snotty as he ever has.

Thorn admits, “I hadn’t heard this buried treasure before, and it’s such a great fun and cool song… ‘cool’  not being an adjective usually associated with a Christmas record!  But ultimately, it’s just a great Punk Rock number that just happens to have a Christmas theme.

“I had a whole lotta fun getting to grips with it and putting my own twist on it, taking the liberty of adding a few lyrics of my own for good measure, to the point of making my own Christmas wish list for Santa! There’s a cool humour to it and I can’t wait to road test it. It’s gonna be a whole lotta fun to play live and yeah, Christmas definitely came early this year and with bells on!” 

Indeed, on this evidence, the band’s 50 year legend remains in the very best hands it could hope for.  And there’s plenty more to come, not only in the form of the Dead Boys now-swiftly gestating new album, but also their upcoming West Ghost west coast tour… our chance, at last, to truly welcome Mark to the fold, alongside the present line up of Cheetah, Tony Garza, Chris Alaniz (The Turkish Elvis!) and Monk Burris.

So yes, maybe it does feel a little early to be jingling bells and saying “ho ho ho,”  But someone’s got to start the ball rolling, and who would you prefer? The Dead Boys sounding as ferocious as ever? Or… [exit stage left, singing “simply having a wonderful Christmas time.”]

SINGLE: https://orcd.co/yje9km4

The Dead Boys on the road:

  • September 14: The Glass House, Pomona, CA
  • September 17: Voodoo Room at House of Blues, San Diego, CA
  • September 18: Alex’s Bar, Long Beach, CA
  • September 19: The Ritz, San Jose, CA
  • September 20: DNA Lounge, San Francisco, CA
  • September 22: Hawthorne Theatre, Portland, OR
  • September 23: The Funhouse, Seattle, WA
  • September 25: Strummer’s, Fresno, CA
  • September 26: Whisky A Go Go, West Hollywood, CA
  • September 27: The 44 Sports Grill & Nightlife, Glendale, AZ

D.B.C. to Re-Issue First Classic Albums “Dead Brain Cells” & “Universe” on November 14th

Posted by tarjavirmakari on September 12, 2025
Posted in: Int. News, News. Tagged: . Leave a comment

Hammerheart Records have announced the reissue of two D.B.C. thrash metal classics, Dead Brain Cells (1987) and Universe (1989), which will see the light of day on 14th November, 2025.

Both albums can be pre-ordered here: https://deadbraincells.lnk.to/deadbraincells

1987 was a big year for Canadian thrash. Bands like Voivod, Razor, Piledriver and Sacrifice had already done the groundwork over the previous few years but 1987 would be the year that saw the local scene taking the next step in its evolution with a new generation of bands making their initial forays into the world of recorded music. 

D.B.C. had only formed in February of the previous year but had wasted no time in delivering their self-titled debut album in partnership with well-respected New York metal label Combat Records who had already made quite a name for themselves in the underground scene. Combat brought in experienced campaigners Steve Sinclair & Randy Burns to handle the production & engineering duties; each possessing some imposing resumes. It almost sounds too good to believe for a young Canadian band that had yet to make a name for themselves but such was the scenario D.B.C. saw themselves in when they made their way into the studio for the first time.

This is some top notch thrash right here which sees Dead Brain Cells and Universe sitting very comfortably under the ‘undiscovered gem’ banner. 

Track-list:
1. Deadlock
2. Monument
3. Lies
4. Power And Corruption
5. Tempest
6. Public Suicide
7. Negative Reinforcement
8. Outburst
9. M.I.A.
10. Terrorist Mind
11. The Vice
12. Trauma X
13. Final Act

Track-list:
 1. The Genesis Explosion
 2. Heliosphere
 3. Primordium
 4. Exit the Giants
 5. Rise of Man
 6. Estuary
 7. Humanity’s Child
 8. Phobos and Deimos
 9. Threshold
 10. Infinite Universe

VERBA SERPENTIS Release New Music Video ‘Monuments Of Dust’

Posted by tarjavirmakari on September 12, 2025
Posted in: Int. News, News. Tagged: . Leave a comment
Photo-Credit: Stefan Sereinig (Stefansergio)

Founded in 2024, VERBA SERPENTIS released their debut EP “Ophidic Gnosis” shortly thereafter in October of the same year. Melodic songs, evocative, atmospheric, and with the necessary bite, brutally degenerate vocals. The competent production by Stefan Traunmüller at Soundtempel Studio gave the material the right sound.

Now, with the new music video for “Monuments Of Dust” the talented Austrians are presenting their skills to the entire Black Metal community.

🎥 🎬 ⚙️ Filming and Editing by S. Sergio and Verba Serpentis

Statement of the band: 
“‘For those who chase the hollow light of false gods and deny the power of darkness, will be left with monuments of dust‘ – a song about the transience of all forms and the realization that destruction, chaos, and the death of the ego are necessary stages on the path to self-awareness.

Many people indulge in the supposedly easy approach of not seeking responsibility and hope within themselves and place their lives in the hands of others, literally waiting to be devoured instead of becoming aware of their existence and personal responsibility.

The music video was recorded in a church ruin, filmed and produced by Stefan Sergio. The location perfectly captured and visualized the theme. Desolate, empty, and in the midst of collapse. A monument turning to dust …”

Artwork by Serpentchron

TRACKS
01. Leviathan 05:35     
📺 02. Monuments Of Dust 05:46
03. Purging Fire Ritual 05:25
04. Satan’s Eye 04:04 
05. Conjuring The Legions 05:41

Symbolists of the Voice of the Serpent:
Founded in 2024, these double-tongued conjurers whisper dark truths through their music. The result is an echo of ancient wisdom:
the words of the serpent, weaving a tapestry of haunting melodies.
They channel the essence of the forbidden and invite listeners to embrace the shadows.
The timeless words of the serpent speak of defiance, darkness, and the freedom found in the embrace of the night … [ … learn more here ]

LINE-UP
○ Achlycet • Guitar & Vocals
○ Malphas • Guitars
○ Somnifer • Bass
○ Tenebris • Drums