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EVA UNDER FIRE Announce New Album “Villainous” + Share Epic Video for Title Track (Feat. Maria Brink)

Posted by tarjavirmakari on March 28, 2026
Posted in: Int. News, News. Tagged: EVA UNDER FIRE. Leave a comment

Listening to EVA UNDER FIRE is quite literally hard rock therapy, turning scars and demons into anthems of inner strength. As a licensed therapist and singer-songwriter, Amanda Lyberg blends emotional insight with powerful songwriting, delivering lyrics and performances that connect deeply and hit listeners right in the feels.

Today, the Detroit quintet announces the July 10 release of its new album VILLAINOUS via Better Noise Music. It follows their 2022-released debut, Love, Drugs & Misery. Pre-order it here. 

To herald the news, Eva Under Fire have also shared the video for the title track and first radio single, both of which feature In This Moment’s Maria Brink. 

Listen to the song here.

The track is laced with crunchy industrial elements that defined late ’90s and early ’00s-era rock, but Eva Under Fire add a modern punch with the dual-female vocal interplay between Lyberg and Brink.

“They thought I would always be compliant, but they pushed me too far,” declares a defiant Lyberg about the song’s deeper meaning. “I make my own rules now. Standing up for myself, owning my truth leaves me looking like a villain to those I have left behind.”

Regarding the collaboration with Brink, Lyberg enthuses, “I’ve been a Maria Brink fan for years so this is a full-circle moment! Her vocal on this track gives it the energy it needed. I honestly can’t think of a better feature given the song’s message. Two fierce women’s voices on a hard rock song about taking your power back? A match made in villainy for sure.”

Brink weighs in, as well, saying, “I am excited to be a part of the new Eva Under Fire track ‘Villainous.’ When I first heard the song and saw the video, I knew right away I wanted to be involved. I can’t wait for everyone to experience both the music and the visuals.”

In honor of Mental Health Awareness Month (May), and in honor of the themes explored on Eva Under Fire’s new album, the band has added a “DONATE” button to the “Villainous” video released today. By clicking the button, fans can directly donate to To Write Love On Her Arms — a non-profit movement dedicated to presenting hope and finding help for people struggling with depression, addiction, self-injury, and suicide. TWLOHA exists to encourage, inform, inspire, and invest directly into treatment and recovery.

“I’m excited to give back to an awesome organization actually doing the work,” Lyberg offers about the decision to partner with To Write Love On Her Arms. “TWLOHA describes themselves as a non-profit dedicated to presenting hope and finding help for people struggling with depression, addiction, and self-injury. Those are the same demons being fought in the ‘Villainous’ music video so it’s honestly a perfect fit.” This fundraiser will be active through the end of May.

VILLAINOUS TRACK LISTING:
“Awakening“
“My Own Name”
“Survive My Scars”
“Villainous” (Feat. Maria Brink)
“The Words You Say”
“Don’t Say I’m OK”
“Hello Hollow”
“Dark Soul”
“Gasoline”
“Murder Scene“
“Safe Word”
“Teeth”
“A Violent End”

2026 will find Eva Under Fire on tour for most of the year so opportunities to see the band command the stage will be plentiful. The band spent the winter laying waste to venues alongside Jeris Johnson and Butcher Babies. They will return to the road this summer, serving as support for Five Finger Death Punch’s 20th Anniversary World Tour 2026.

EVA UNDER FIRE LIVE:
WITH FIVE FINGER DEATH PUNCH AND CODY JINKS:
7/20 — Camden, NJ — Freedom Mortgage Pavilion
7/22 — Bangor, ME — Maine Savings Amphitheater
7/23 — Saratoga Springs, NY — Saratoga Performing Arts Center
7/25 — Hershey, PA — Hersheypark Stadium
7/26 — Syracuse, NY — Empower Federal Credit Union Amphitheater at Lakeview
7/28 — Gilford, NH — BankNH Pavilion
7/30 — Mansfield, MA — Xfinity Center
8/1 — Montreal, QC — Centre Bell
8/2 — Toronto, ON — RBC Amphitheatre
8/4 — Wantagh, NY — Northwell at Jones Beach Theater
8/5 — Holmdel, NJ — PNC Bank Arts Center
8/7 — Burgettstown, PA — The Pavilion at Star Lake
8/8 — Noblesville, IN — Ruoff Music Center
8/10 — Cincinnati, OH — Riverbend Music Center
8/11 — Cuyahoga Falls, OH — Blossom Music Center
8/13 — Milwaukee, WI — American Family Insurance Amphitheater
8/15 — Grand Rapids, MI — Acrisure Amphitheater
8/16 — Clarkston, MI — Pine Knob Music Theatre
8/18 — Shakopee, MN — Mystic Lake Amphitheater
8/19 — Tinley Park, IL — Credit Union 1 Amphitheatre
8/21 — St. Louis, MO — Hollywood Casino Amphitheater
9/8 — Morrison, CO — Red Rocks Amphitheatre
9/11 — Auburn, WA — White River Amphitheatre
9/12 — Ridgefield, WA — Cascades Amphitheater
9/14 — Wheatland, CA — Toyota Amphitheatre
9/16 — Mountain View, CA — Shoreline Amphitheatre
9/18 — Long Beach, CA — Long Beach Amphitheater
9/19 — Las Vegas, NV — Michelob ULTRA Arena
9/22 — Salt Lake City, UT — Utah First Credit Union Amphitheatre
9/24 — Phoenix, AZ — Talking Stick Resort Amphitheatre*
9/25 — Albuquerque, NM — Isleta Amphitheater*
9/27 — Houston, TX — Cynthia Woods Mitchell Pavilion
9/28 — Austin, TX — Germania Insurance Amphitheater
9/30 — Fort Worth, TX — Dickies Arena
10/2 — Rogers, AR — Walmart AMP
10/3 — Kansas City, MO — Morton Amphitheater
10/5 — Biloxi, MS — Mississippi Coast Coliseum
10/7 — Huntsville, AL — Orion Amphitheater
10/8 — Franklin, TN — FirstBank Amphitheater
10/10 — Tampa, FL — MIDFLORIDA Credit Union Amphitheatre
10/11 — West Palm Beach, FL — iTHINK Financial Amphitheatre
10/13 — Alpharetta, GA — Ameris Bank Amphitheatre
10/14 — Raleigh, NC — Coastal Credit Union Music Park at Walnut Creek
10/16 — Charlotte, NC — Truliant Amphitheater
10/17 — Virginia Beach, VA — Veterans United Home Loans Amphitheater at Virginia Beach
10/19 — Greenville, SC — Bon Secours Wellness Arena
10/21 — Columbus, OH — Nationwide Arena
10/23 — Bristow, VA — Jiffy Lube Live
*No Cody Jinks

For all of EVA UNDER FIRE’s new music, Amanda drew on her career as a licensed therapist to foster open dialogue among the band members, empowering everyone to be heard during the recording. Her work in therapy started in 2018 when she graduated with a Master of Arts degree in Psychology and went on to work at a mental health clinic in Detroit, Transcendence Behavioral Health (owned by Dr. Stephanie Williams). That same year, her father passed away due to a fentanyl overdose. Her mother survived the same batch that killed her father and has been sober for the past six years. In addition to her thriving and busy music career, Amanda is currently a practicing psychotherapist specializing in trauma work, grief, loss, and addiction recovery.

Her story turned into a 2023 short film, My Rockstar, which used EVA UNDER FIRE music throughout and has won over 20 awards at several film fests including Orlando Film Fest, Wild Rivers Film Festival, Toronto WILDfilm Festival, and many others.

Lauded as one of SiriusXM’s 2023 “Ones To Watch,” EVA UNDER FIRE released their critically acclaimed debut album, LOVE, DRUGS & MISERY via Better Noise Music in 2022. Its deluxe version includes the Top 20 Active Rock radio-charting single “Unstoppable” featuring country/rock artist Cory Marks. They’ve toured across the globe with acts including Bush, Bad Wolves, Pop Evil, Skillet, and Finger Eleven, while also appearing at some of rock’s biggest festivals including Aftershock, Inkcarceration, and Rock Fest.

EVA UNDER FIRE—who have amassed over 100 million streams and 10 million YouTube views—substantially expanded their fanbase following their featured appearance in the horror-thriller The Retaliators (Better Noise Films) and the inclusion of their single “Blow (Feat. Spencer Charnas of Ice Nine Kills)” on the film’s soundtrack. Their single “Heroin(e)” was also featured on the soundtrack for the 2020 film Sno Babies (Better Noise Films), which has over 65M global streams. “Heroin(e)” has a combined total of over six million global streams, while “Blow (Feat. Spencer Charnas of Ice Nine Kills)” has over 41.6M global total streams.

FIND EVA UNDER FIRE ONLINE:
WEBSITE | FACEBOOK | INSTAGRAM | TIKTOK | YOUTUBE | SPOTIFY

THREAT SIGNAL’s New Album “Revelations” Out Now

Posted by tarjavirmakari on March 28, 2026
Posted in: Int. News, News. Tagged: Threat Signal. Leave a comment

The long-absent, Canadian, groove, metal powerhouse, THREAT SIGNAL, posts a full stream of its first in nearly a decade new album, “Revelations”, released yesterday, on March 27th via Agonia Records.

Listen to the record here:

Nine long years after “Disconnect” (2017), the Canadian metal powerhouse, THREAT SIGNAL, re-emerges to blur the lines between brutal intensity, energetic delivery and melodic hooks that pierce deep. Born out of personal struggle and inner chaos, “Revelations” weaves an intricate tapestry of tight instrumentation, ornate guitar work, and engaging vocals. It envelopes the listener in its pulsating torrent of emotions, reflective lyrics haunted by deep-seated demons, and immersive songwriting that personifies THREAT SIGNAL’s leading themes of resilience and strife within.

The band’s characteristic blend of metal involves elements of technical thrash metal, melodic death metal, groove metal, and metalcore, distinguished by dynamic vocals, technical proficiency and guitar solos full of flair. Apart from long-standing members – vocalist  Jon Howard, bassist Pat Kavanagh and guitarist Travis Montgomery (ex-Jeff Loomis) – “Revelations” sees the band reunite with drummer Joey Muha, and welcomes guitarist Oswin Wong.

“Revelations” was mastered by Grammy Award winning engineer Tod Jensen (Iron Maiden, Metallica, AC/DC) at the renowned Sterling Sound studio in USA, and mixed, recorded, produced, and engineered by vocalist Jon Howard at his Woodward Avenue studio in Canada. The cover artwork was created by Travis Smith (Death, Cynic, King Diamond).

“Revelations” marks the band’s fifth album since the critically acclaimed debut “Under Reprisal” (2006), which won the Canadian Recording Of The Year Award at Hamilton Music Awards. Their installments – also including “Vigilance” (2009), “Threat Signal” (2011) and “Disconnect” (2016) – have met with unrelenting hype, with each generating growing interest within the metal community. Combining the complexity of thrash metal, with a more contemporary groove sound involving technical rhythms and melodic musical passage, THREAT SIGNAL has expanded its recognizability on an international scale. The band’s last three albums have charted on Billboard and have witnessed the group share the stage with Children Of Bodom,  Soilwork,  Motorhead,  Saxon, Opeth,  Kataklysm, Hatebreed, Epica or Arch Enemy. Their most recent treks have taken them to Europe (with Vader and Hate Eternal), North America (with Sirenia) and their homeland Canada, with a highly energetic performance that matches their potential and intensity.

Tracklisting:

  1. The Great Tribulation
  2. Non-Essential
  3. Exercise The Demon
  4. Fire At Will
  5. Death Will Find Us All
  6. Paralysis
  7. Revelations
  8. NME
  9. Hell And Back
  10. Live For You

Order the album here: www.agoniarecords.com

ONLY HUMAN Premiere Inventive Debut Album “Planned Obsolescence”, Out Now

Posted by tarjavirmakari on March 28, 2026
Posted in: Int. News, News. Tagged: ONLY HUMAN. Leave a comment
Photo by © Nikolaj Bransholm

ONLY HUMAN are already on the brink of a major discovery with their debut album. On Planned Obsolescence, the Danish upstarts invent an existential form of prog metal that speaks to our not-too-distant dystopia.

“Combining the two recent prog micro-genres (post-Tool and post-Periphery/TesseracT) with a clear love of various electronic styles, Planned Obsolescence actually sounds like it was designed to last”, New Noise writes. “The riffs never overpower, the rhythms feel soothing and buoyant, and vocalist Patrick Grønbæch Christensen employs his impressive range in a way that compliments rather than contrasts with the music. In short, this is prog for those who also like brevity”.

“The verses are often airy and light, the vocals tender, and the choruses huge”, says Heavy Metal Philosophy. “While the commentary is scathing, it is not dread that I feel but hope”.

Planned Obsolescence was released yesterday, on March 27 on Season of Mist, and you can hear all eight inventive songs by listening to the full album stream on the Season of Mist YouTube channel.

“The album is supposed to wake people up to all the ways technocracy is encroaching on society”, Only Human vocalist Patrick Grønbæch Christensen says. “Tech companies often design their products to have an expiration date, so that we’re forced to replace them with the newest model. Through our social media and the adoption of influencer culture, we now live in a reality where humans are products to be consumed and disposed of”.

Order the album here: https://orcd.co/onlyhumanplannedobsolescence

Concept albums are standard issue for metal, especially in the prog space. But when the five members of Only Human first put their heads together in 2023, they decided to build the very human fabric of the band around one increasingly prescient idea.

“We like a lot of bands that just play rock music, but we wanted ONLY HUMAN to be about something”, Christensen says. “We’re interested in creating a musical universe that portrays a future on the brink of collapse”.  

Planned Obsolescence reckons with technology’s increasingly hostile takeover. “Techno Fascist” comes crashing down amidst a turbulent downstream of low-tuned chugs. The intrusion of beats, blips and synthetic swirls into the heavy mainframe of “Breach” mirrors not only how technology has seeped into our everyday lives but also the looming threat that it poses in rendering humans obsolete.  

While Planned Obsolescence is full of existential dread, that doesn’t mean the album leaves us no hope. There’s nothing broken or even outdated about Only Human. The band’s fusion of heavy polyrhythmic grooves, anthemic hard rock and haunting electronic soundscapes hits like a deep breath of fresh air. “Defy and learn to walk again”, commands blood-pumping lead single “Automata”.

“When the world is going badly, the reason is because people gave up”, Christensen concludes. “Things aren’t hopeless. We can absolutely fight back. Hopefully, this album gets people to think about valuing humanity over profit”.

On Planned Obsolescence, Only Human invent existential prog metal for our dystopian future.  

Tracklist
1. Drift (4:44)
2. The Sun and the Moon (3:54)
3. Steep Descent (5:56)
4. Death Cult (3:40)
5. Techno Fascist (6:01) [WATCH]
6. Automata (6:12) [WATCH]
7. Aspire (4:22)
8. Breach (5:41) [WATCH]

Full runtime: 40:32

Catch ONLY HUMAN live and in the flesh during their upcoming record release show, as well as at Sweden Rock Festival and Naestved Metalfest.

ONLY HUMAN Live in 2026
May 2 – Copenhagen, DK @ Rust (Record Release Show)
June 3-6 – Sölvesborg, SE @ Sweden Rock Festival
August 27-29 – Næstved, DK @ Næstved Metalfest
September 5 – Grindsted, DK @ Metalbox Festival
November 7 – Hjortshoj, DK @ Viruphuset (with Cold Night for Alligators)

Despite evolving with greater speed and scope than other corners of the metal archives, progressive metal never strays from the cutting edge. ONLY HUMAN are fresh on the scene, having signed with Season of Mist at the beginning of 2026 ahead of an appearance at this year’s Sweden Rock Festival. But the Danish band are already on the brink of a major discovery with their debut album. With Planned Obsolescence, they’ve invented an existential form of prog metal that warns of our not-too-distant dystopia.

“The album is supposed to wake people up to all the ways technocracy is encroaching on society”, says vocalist Patrick Grønbæch Christensen. “Tech companies often design their products to have an expiration date, so that we’re forced to replace them with the newest model. Through our social media and the adoption of influencer culture, we now live in a reality where humans are products to be consumed and disposed of”.

ONLY HUMAN were assembled through online and IRL connections. The band started in 2022 with Christensen on both guitar and vocals and drummer Andreas Pröll. The two were soon joined by bassist Guillaume Blanjean. As their music grew in scope and became more ambitious, they decided to recruit additional guitarists. Martin Hastrup and JaCK Kijne joined in 2024, just as Planned Obsolescence was starting to take shape.

All five members of ONLY HUMAN are brought together by a vast host of shared interests. The band’s name comes from a pivotal scene in The Matrix. Other late ‘90s totems — from drum ‘n’ bass to Linkin Park and Opeth — twisted together with the modern-day influence of TesseracT, Periphery and Bring Me The Horizon to inform their collective DNA. But from the very beginning, they were determined to deviate from the norm.

“We like a lot of bands that just play rock music, but we wanted ONLY HUMAN to be about something”, Christensen says. “We’re interested in creating a musical universe that portrays a future on the brink of collapse”.

Planned Obsolescence reckons with technology’s increasingly hostile takeover. One of the first songs that ONLY HUMAN wrote together, lead single “Automata” expands from a scrolling syncopated rhythms into mainframe-shaking grooves, as the surrounding world narrows in on itself. “We’ve offloaded critical thought”, says Christensen, who also took on all phases of the production process. “We’re not really doing things because we want to do them. It’s because an algorithm has decided that’s what we should do”. Brain rot might be the silent killer for today’s digital age, but the steady intrusion of beats, blips and synthetic patches into the album’s song wiring imitates how corporate greed and invasive technologies fight to control our day-to-day existence. Like a virus, “Techno Fascist” emerges unsuspectingly before it comes crashing down amidst a turbulent stream of low-tuned chugs.

ONLY HUMAN’s vision for the future verges on apocalyptic. “Breach” closes the album by looking past the point of no return. Amidst its crushing despair, even the song’s glowing keys appear like a comet bound for Earth. But while fueled by existential dread, Planned Obsolescence isn’t void of hope. After all, there’s nothing broken, outmoded or dated about this new band. Unlike the attempts of artificial intelligence, their fusion of prog, djent, hard rock and electronic soundscapes is the product of much care and hard work. They had to tinker with several different versions before “Steep Descent” finally reached its climactic bridge. “Cast your flame beyond this bleak reality”, Christensen beckons as dizzying melodies and a stellar guitar solo propel him and his bandmates into the next stratosphere.

“When the world is going badly, the reason is because people gave up”, Christensen concludes. “Things aren’t hopeless. We can absolutely fight back. Hopefully, this album gets people to think about valuing humanity over profit”.

Lineup
Patrick Grønbæch Christensen- Vocals
Martin Hastrup – Guitars
JaCK Kijne – Guitars
Andreas Pröll – Drums
Guillaume Blanjean – Bass

Recording, Mixing and Mastering Studio
Only Human Studio

Production Credits
Producer & Sound Engineer – Patrick Grønbæch Christensen
Mixing Engineer – Patrick Grønbæch Christensen
Mastering Engineer – Patrick Grønbæch Christensen (Digital and CD), Brett Caldas-Lima (Vinyl)

Cover Art
Guillaume Blanjean

Follow Only Human
Official Website: https://onlyhuman.band/
Bandcamp: https://onlyhumandk.bandcamp.com/
Instagram: https://www.instagram.com/onlyhumandk/
Facebook: https://www.facebook.com/OnlyHumanDK
Apple Music: https://music.apple.com/dk/artist/only-human/1742337573
Spotify: https://open.spotify.com/artist/11Cl9Vdw4xGPUMtcurjgg1
Youtube: https://www.youtube.com/@onlyhumandk

LOST IN KYIV Announce New Album “We’re All Going To Be Fine” + Release Video Single ‘Burst’

Posted by tarjavirmakari on March 28, 2026
Posted in: Int. News, News. Tagged: LOST IN KYIV. Leave a comment

Over the course of more than a decade, French quartet Lost in Kyiv have refined a sound that fuses cinematic ambition, electronic precision, and visceral live energy into something unmistakably their own.

Today the post-metal band announce their new album We’re All Going To Be Fine (19th June, Pelagic Records), along with the first single, the transcendent ‘Burst’.

Stream ‘Burst’ and pre-order the album here: https://orcd.co/lostinkyiv

The band state: “‘Burst’ is the perfect introduction to this new chapter for Lost in Kyiv. It really showcases the heavier, more raw direction we took on this record. The addition of our new drummer Jérémie and the use of lower tunings allowed us to create something more brutal and direct, while keeping the atmospheric emotion that defines us.”

On the new album Lost in Kyiv push their identity further than ever; sharpening their production, intensifying their dynamics, and embracing a darker, more immersive sonic architecture.
 
The band state: “We’re All Going To Be Fine explores the tension between hope and inner collapse, and how modern life can disconnect us from ourselves and each other. The songs were inspired by personal experiences, societal pressure, and the idea that we often become our own worst enemy. We were also inspired by the work of Carl Gustav Jung (who is the voice at the end of the album), especially his ideas about exploring the human psyche, as well as themes from movies like Eternal Sunshine of the Spotless Mind or Melancholia.” 

Lost in Kyiv’s music has always thrived on tension between the organic and the synthetic. On We’re All Going To Be Fine, that integration reaches a new level of clarity and depth. The writing and production process was long and exacting, allowing the band to refine every transition and tonal detail. Songs unfold with architectural precision, motifs are introduced subtly before expanding into vast, multi-layered climaxes. Dynamics are handled with patience and control, silence and minimalism are deployed as strategically as explosive crescendos. This careful pacing gives the album a cinematic flow and larger narrative in which struggle and compassion coexist.
 
“We always wanted to write music around strong themes, and for the first time, we decided to focus on something more internal than on previous albums. This time, we wanted to explore the fragility of mental health and the human psyche, the relation we have with ourself.”

This is the first album with new drummer Jérémie Legrand. Rhythm plays a central role in the band’s identity – the drums provide impact and structure, locking into intricate patterns that interact with bass-driven synth pulses. At times the groove feels almost mechanical, echoing the steady insistence of electronic music; at others, it breathes and swells with human elasticity. This interplay creates a powerful sense of movement, an impression that the music is always advancing, even in its most introspective passages.
 
Embracing a more direct connection with their audience, through studio session glimpses and carefully curated visual teasers, Lost in Kyiv are opening a window into their creative process, revealing the human dimension behind the meticulously crafted sound. This balance between mystery and transparency mirrors the music itself; enigmatic yet emotionally accessible, precise yet deeply felt.

The band state: “We almost consider this album as the first record of a new version of the band. That’s why we decided to use the name Lost in Kyiv now. We don’t want to erase the past, but it really feels like a new direction. The choice of spelling Kyiv instead of Kiev felt natural to us. We use this spelling more often now and feel it aligns better with our values and how we see the situation. We had been thinking about it for a long time, but we needed the right moment in the band’s history to do it. It’s a change, but it’s still clear that we are the same band. Artistically, I think this album marks the beginning of a new direction, louder and more metal-oriented than what we did before.”

Track list:
1. Enlightened
2. Burst
3. Mantra
4. Eclipse
5. Becoming
6. Euphoria
7. Liminality

Lost in Kyiv are:
Jean-Christophe Condette : Bass, Synths
Dimitri Denat : Guitars
Maxime Ingrand : Guitars, Synths, Machines, Programming
Jérémie Legrand : Drums, Programming

Lost in Kyiv online:
PELAGIC ARTIST * INSTAGRAM * FACEBOOK * BANDCAMP * SPOTIFY

SPELL Unveil New Single + Music Video ‘Take My Life’

Posted by tarjavirmakari on March 28, 2026
Posted in: Int. News, News. Tagged: SPELL. Leave a comment
Photo by: Caitlin Delaplace

More than half a century into its life, what exactly is heavy metal? Is it a kind of belief system? Is it something to be observed as a relic, or an exhibit in a museum? Or is it, to paraphrase Christopher Lee’s Due de Richeleau in The Devil Rides Out “A living force, which can strike at any moment of the night“? For Vancouver’s SPELL, that question has never been more vital.

The latest single, “Take My Life“, offers one of the most revealing entry points into their new chapter. Released on March 27th, 2026, the track stands as perhaps the starkest embodiment of the album’s central tension – where classic heavy metal confidence collides with profound existential weight. Driven by a swaggering, mid-paced pulse and steeped in the spirit of vintage ’80s metal, the song delivers a chorus built for raised fists and midnight exorcisms alike. Yet beneath its strut lies something far more disquieting. As vocalist and bassist Cam Mesmer explains, “‘Take My Life’ is about an intimate encounter with death, and the power dynamics at play. Where I’ve had to make a decisive move, and been fearful, but others have given me confidence.”

This is a track that captures SPELL at their most direct, dynamic and disarmingly honest. As both a standalone statement and a key moment within Wretched Heart, it signals a band not only at the height of their powers but actively redefining what those powers can be. Stream a music video for “Take My Life“, directed by James Barry and Sean Edwards for Ramble Films, at this location.

Vancouver based hypnotic heavy metal outfit Spell, will release its new LP, ‘Wretched Heart‘, on May 1 via Bad Omen Records. A shadow-drenched journey through desperation, passion and defiance, ‘Wretched Heart‘ sees Spell transform heavy metal into something urgent and human – gothic, cinematic and hypnotic. Not only Spell‘s strongest record to date but also a thunderous celebration of eccentricity which stalks its nocturnal realm with both savage finesse and beguiling charm. ‘Wretched Heart‘ is the follow-up to Spell‘s 2022 LP, ‘Tragic Magic‘, an album hailed as a celebration of “the mystique and darkness within hard rock and heavy metal“.

Pre-order/stream Wretched Heart HERE.

Available on CD, Single LP (spined LP with insert) in Solid Purple, Transparent Red & Blue Marbled, and Red & Black Smoke, and digitally.

‘Wretched Heart‘, in all its gory glory, embodies a very vital paradox – a record made by true believers who yearn for catharsis beyond. The oxymoron of anthems forged from steel, yet with a very human heart. Even the most cynical bystander will likely struggle not to be bewitched.

Track listing:
01.) Dark Inertia
02.) Lilac (stream VIDEO)
03.) Take My Life (stream VIDEO)
04.) Unquiet Graces
05.) Oubliette
06.) Iron Teeth
07.) Exquisite Corpse
08.) Savage Scourge
09.) In Duress
10.) Wretched Heart

Spell is Cam Mesmer (vocals, bass, rhythm guitar, synthesizers), Al Lester, (vocals, lead guitar, rhythm guitar, drums), Jeff Black (lead guitar, backing vocals), and Gabriel Tenebrae, (lead guitar, synthesizers). Follow Spell on Facebook and Instagram.

THE 69 EYES Announce New EP “I Survive”, Out June 5th, New Video Single ‘Cold Sweat’ Out Now

Posted by tarjavirmakari on March 28, 2026
Posted in: Int. News, News. Tagged: The 69 Eyes. Leave a comment
Photo by Marek Sabogal

Finnish rockers THE 69 EYES are thrilled to announce their new EP ‘I Survive,’ set for release on June 5, 2026 via BLKIIBLK. To celebrate the announcement, the band shares a cover of the timeless Thin Lizzy hit “Cold Sweat.”

After touring Europe earlier this year with D-A-D on the Cowpunks & Glampires tour and continuing with shows in Finland, the new single is a fresh-sounding and hard-rocking take on the song, originally released in 1983.

THE 69 EYES version is produced by Erno Laitinen and mixed by Barry Pointer (Ozzy Osbourne, Mötley Crüe). The video for the song was filmed in January during the band’s recent European tour. It features a cameo by Portuguese goth legend Fernando Ribeiro from Moonspell.

Vocalist Jyrki 69 comments:

“A friend of mine sent me our demo of ‘Cold Sweat’ from over ten years ago and asked why we never released it. After hearing the demo, Gabi Hakanen, head of Vallila Music House, said this is exactly THE 69 EYES at their best. Rock for the radio! Every respectable rock band also covers Thin Lizzy at some point, so now that is done as well.”

The band will continue touring in Finland until early April, after which they will return to the rest of Europe. See the updated tour dates HERE.

Once you’ve survived the 80’s rock scene, you become unstoppable – and THE 69 EYES are living proof. Formed in Helsinki in 1989 and still going strong with the same line-up some four decades later, the Helsinki Vampires have earned their legendary status.

In a world with fewer and fewer true believers in leather jackets, midnight sunglasses, and low-slung guitars, THE 69 EYES keep the Johnny Thunders flame burning like an endless sleazy club night back in the days.

Their biggest hit, “Lost Boys” from 2005, was made into an iconic music video by MTV‘s Jackass star and skater Bam Margera and remains on annual Halloween rock playlists.

One foot on glam, another one on goth, THE 69 EYES have released thirteen albums, reaching gold and platinum and a mainstream status in their native Finland, where they are signed to Gabi Hakanen’s Vallila Music House. Their previous studio album, ‘Death Of Darkness,’ was released in 2023, and they have been touring without any notable breaks all over the world for the last twenty years.

Vocals, a lead and a rhythm guitar, a bass, and drums are the classic rock band line-up. THE 69 EYES have that magic on stage that is needed for these elements to carry on beyond the rock’n’roll dreams, theirs and their cult following.

Pre-order the EP here: https://ffm.bio/the69eyes-isurvive

‘I Survive’ Track List:

  1. I Survive (ft. Steve Stevens)
  2. Cold Sweat
  3. In The Misery
  4. Devil’s Rose (ft. Ed Mundell)

THE 69 EYES are:
Jyrki 69 – Vocals
Bazie – Guitar, Backing Vocals
Timo-Timo – guitar
Archzie – Bass, Backing Vocals
Jussi 69 – Drums

Follow THE 69 EYES: 
Website
Facebook
Instagram

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