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AVATAR Return with New Single And Music Video ‘Captain Goat’

Posted by tarjavirmakari on May 30, 2025
Posted in: Int. News, News. Tagged: Avatar. Leave a comment
Photo By Johan Carlén

The heavy metal visionaries collectively known as AVATAR — vocalist Johannes Eckerström, guitarists Jonas Jarlsby and Tim Öhrström, bassist Henrik Sandelin, and drummer John Alfredsson — have gone from strength to strength to strength over the past several years.

There’s the critically acclaimed, 2023-released album Dance Devil Dance, which included rock chart topper The Dirt I’m Buried In.

There have been scores of sold-out headline shows across the globe and an actual fossil named after them. The list goes on and on.

But the band is looking forward to an even brighter future with today’s release of the brand new song “CAPTAIN GOAT.”LISTEN HERE

“I think it will be very clear to people hearing ‘Captain Goat’, that the rules once again have changed,” states vocalist Eckerström. “It will always be metal. It will always be Avatar. We will never do the same song twice and we will always find ways to reinvent ourselves. It’s the only way we know how to do this, and the only way to give ourselves a shot at being the best we have ever been. ‘Captain Goat’ uses the

motif of Satan and the spirit’s journey through the underworld as a meditation. It is a negotiation with the harsh state of being and finding acceptance as you navigate the ruthless darkness of life.”


Regarding the accompanying visual, he furthers, “In the video, we find a way to play with that, shamelessly lending imagery from various myths, folklore and legends. Besides, any day I get to see the boys undress for a part is a good day for all of us.”

Additionally, there are forthcoming tours supporting Iron Maiden and Metallica, along with the band’s biggest show EVER in Mexico City — see below for a complete rundown of the band’s planned tour activity for the next two years.

Avatar show no signs of pausing to take a breath in their quest for absolute world domination — much less stopping. There is more new music on the way, as well.

But for now, bow down to the Captain. Captain Goat, that is.

AVATAR ON TOUR:

WITH IRON MAIDEN:
7/3 — Belfort, FR — Eurockéennes
7/5 — Madrid, ES — Cívitas Metropolitano
7/6 — Lisbon, PT — MEO Arena
7/9 — Zurich, CH — Hallenstadion
7/11 — Gelsenkirchen, DE — Veltins Arena
7/13 — Padova, IT — Studio Euganeo
7/15 — Bremen, DE — Bürgerweide
7/17 — Vienna, AT — Ernst Happel Stadium
7/19 — Paris, FR — Paris La Défense Arena
7/20 — Paris, FR — Paris La Défense Arena
7/23 — Arnhem, NL — GelreDome
7/25 — Frankfurt, DE — Deutsche Bank Park
7/26 — Stuttgart, DE — Cannstatter Wasen
7/29 — Berlin, DE — Waldbühne Berlin
7/30 — Berlin, DE —Waldbühne Berlin
8/2 — Warsaw, PL — PGE Narodowy
8/9 — Kortrijk, BE — Alcatraz Festival*

2026 EUROPEAN HEADLINE TOUR:
2/5 — Stockholm, SE — Fållan
2/7 — Helsinki, FI — Kulttuuritalo
2/9 — Oslo, NO — Sentrum Scene
2/10 — Copenhagen, DK — Vega
2/11 — Osnabrück, DE — Die Botschaft
2/12 — Brussels, BE — A.B.
2/14 — London, UK — Exhibition
2/15 — Manchester, UK — Academy
2/16 — Glasgow, UK — Barrowland
2/17 — Nottingham, UK — Rock City
2/18 — Bristol, UK — O2 Academy
2/20 — Amsterdam, NL — AFAS Live
2/21 — Esch-Sur-Alzette, LU — Rockhal
2/22 — Zürich, CH — Komplex
2/24 — Barcelona, ES — Razzmatazz
2/25 — Madrid, ES — La Riviera
2/27 — Lisbon, PT — LAV
2/28 — Bilbao, ES — Santana 27
3/2 — Lyon, FR — Le Cube
3/3 — Milan, IT — Alcatraz
3/4 — Vienna, AT — Gasometer
3/5 — Munich, DE — Tonhalle
3/6 — Cologne, DE — E-Werk
3/7 — Paris, FR — Le Zenith
3/9 — Wiesbaden, DE — Schlachthof
3/10 — Zlin, CZ — Sports Hall Datart
3/11 — Warsaw, PL — Stodola
3/12 — Berlin, DE — Columbiahalle
3/13 — Hamburg, DE — Docks

SUPPORTING METALLICA — SUMMER 2026:
5/24 — Frankfurt, DE — Deutsche Bank Park
6/11 — Budapest, HU — Puskas Arena
6/19 — Dublin, IE — Aviva Stadium
7/5 — London, UK — London Stadium

ABOUT AVATAR:

As a strange light in the sky beckons you towards something forbidden, far away, you see a robed, horned ferryman, rowing across a restless sea at the end of days. Back home a strange sound rolls through your house. It comes from the basement. The news talks about a beautiful corpse, lauded for her magnificent demise on a dance floor by men who could have fixed her. You catch the last broadcast from an outpost succumbing to flames on a distant moon. Its inhabitants try to outrun their own madness. Outside there is a place you’re not allowed to go, no matter how intoxicating the gaze of the eyes among the trees.

You lay awake at night, yet you dream thousand dreams more real than any waking moment.

Strange times call for a strange band. With a life long commitment to the misfit arts, Avatar delves deep into the collective subconscious. They travel beyond the realms of flesh and far past the spiritual barriers broken in past works. No matter how many times they were warned, they keep treading deeper into the woods. There is sense to be made out of the senseless. They lay a soft gaze upon terrifying, almost shapeless inner landscapes, and they have a damn good time doing it.

Don’t go in the forest is a warning said by others, heeded as a challenge for a certain kind freak who just can’t fight the urge to seek truth and feel alive. It is a collection of strange tunes emerging from a circus tent in a meadow in a faraway valley. You can only ever get there by accident, walking a path impossible to remember and map out. Two eyes closed, one eye open.

Formed by John Alfredsson and Jonas Jarlsby as teenagers, soon joined by Johannes Eckerström, Henrik Sandelin and Simon Andersson, Avatar started an evolution that would see a group always looking to connect what you hear with what you see. Once Andersson left and Tim Öhrström joined, they had all the ingredients to a brew so potent it would forge their names into the souls of millions. More than a band, Avatar has evolved to concept art. In order to keep going with the same drive as they had on day one, they make sure that what is made must be done. Every single time must matter more than ever before. No matter how far they get, they are sworn to remain underdogs. There is so much to do, to try. So many ways to rediscover the simple yet sublime power hidden inside an electric guitar.

It’s all about trying new things, on and off stage. Choirs, brass instruments, Moogs, piano, cellos and violas. As long as it all worships at the altar of the riff, the possibilities are as vast as the universe. Don’t go in the forest once again stretches, bends and breaks the boundaries of what Avatar is and can be by providing both the most introspective as well as their most explosive moments. It is all done in a way that can only be achieved after a lifetime in servitude to the madness where all your gathered experiences are used to be reborn. In other words, by embracing discovery as the core tenet for what they do, every new release is as fresh and exciting as their very first time in a rehearsal room.

While the studio experience is becoming a more and more powerful tool for self expression, it is on the stage where Avatar truly comes alive. Every testimonial makes the same claims in all caps. Avatar is a MUST SEE experience. Every album cycle has provided record breaking milestones. A few of the more recent ones being kicking the door in on Latin America, first with Iron Maiden, and then with sold out shows all throughout Mexico and beyond. They have also become the talk of countless festivals across Europe and the United States, being a surefire stage closer and show stealer everywhere they go, all while setting attendance record after attendance record for their headline shows. From Australia to Brazil. From Scandinavia to the Mediterranean Sea. From the Pacific Northwest to the Deep South. Everywhere they go, their unique blend of suggestive theatrics and unabashed, unapologetic good heavy metal times, they have proven that there is only one Avatar and everyone else is playing for second place. Their impact is shown with chart toppers such as “The Dirt I’m Buried In” reaching heights that are hard to imagine from a band that has stepped into the craziest era in music history, taking matters into their own hand with their own independent label, Black Waltz Records.

For centuries the circus would come to town. Now, for the first time in history, the gravitational pull of Avatar is so strong that the town is coming to the circus. A circus deep in the forest. A forbidden place. A taboo you are destined to break.

CELESTIAL WIZARD Release Video for First Single ‘Pale Horse’ from Upcoming Album

Posted by tarjavirmakari on May 30, 2025
Posted in: Int. News, News. Tagged: CELESTIAL WIZARD. Leave a comment
photo by Kai Frawg

Celestial Wizard has released a video for “Pale Horse”, first single taken from the new album “Regenesis” to be released on July 11 by Scarlet Records.

The track opens on an outlaw riding through the desert, fleeing from the figure of death that pursues him. As the song continues on, the outlaw is forced to confront death and his own mortality. He emerges forever changed, and the cycle of rebirth continues. It’s the opener of the album, and teases the concept of endings and beginnings that is ever present throughout the record.

video by Kyle Lamar

“Regenesis”:

  • third studio album for the Colorado relentless unit blending power metal melodies, aggressive riffing and gritty vocals;
  • produced by Celestial Wizard and Nick Nodurft at Rusty Sun Audio;
  • cover artwork by Dan Goldsworthy (Alestorm, Gloryhammer, Orden Ogan);
  • FFO: (early) In Flames, Soilwork, Dark Tranquility, Galaktikon, Killswitch Engage, Carcass (“Heartwork”-era);

PRE-SAVE/PRE-ORDER

“Regenesis” tracklist:
1 Muerte
2 Pale Horse
3 Fangbearer
4 She Is The Blade
5 Shores Of Eternity
6 Into The Abyss
7 Ride With Fire
8 Wicked Master
9 Emerald Eyes
10 Regenesis

Total running time – 45:56

artwork by Dan Goldsworthy

Celestial Wizard burst forth from the Colorado heavy metal scene in 2018 with all guns blazing, and is now an uncompromising sonic force looking to make its mark in the age of modern power metal with a melodic dual lead sound mixed with a death metal vocal styling.

Their third studio-album, “Regenesis” is a heavy, epic, vibrant offering that digs deep with its lyrical approach too. While sonically akin to the classic Swedish melo-death plot, the songs still stay true to the power metal-esque sound that truly defines the band.

The guys from Denver looked inward for their conceptual themes, wanting every track to feel as close-to-the-heart and culturally relevant as possible: from outlaws of the Wild West to cosmic rebirth, this effort covers an incredible amount of ground.

Each episode gives the listener a spirited and emotional experience: featuring a wider dynamic range of material than ever before, “Regenesis” has something for everyone!

Celestial Wizard:
Nick Daggers – vocals, guitar
Amethyst Noir – vocals
William Perkins – guitar
Soren Bray – bass
Tim Gillman – drums

CALVA LOUISE Release Explosive New Single ‘Impeccable’

Posted by tarjavirmakari on May 30, 2025
Posted in: Int. News, News. Tagged: CALVA LOUISE. Leave a comment
Photo (c) Henry Calvert

Calva Louise continues their frenetic vision on the explosive new single, Impeccable. It pulls you with both hands into their complex cinematic sci-fi universe with a mesmerizing blend of punk, metal and electronica. They’ve dropped another incredibly hypnotic video, once again directed with visual effects by singer/guitarist Jess Allinac. Watch it HERE.

Calva Louise will also be performing on 12 July at 2000Trees Festival.
 
The sprawling story of Calva Louise is captivating. The band that found each other from opposite corners of the world—Venezuela, New Zealand, and France—found their home and community in the UK. Their combined influences and experiences create an incredible melting pot of musicality, and with Jess Allinac’s compelling narrative vision, they’ve conceived something truly unique. 
 
Their new studio album, Edge of the Abyss, which is co-produced by Pendulum’s Gareth McGrillen, will be released on 11 July via Mascot Records. 

Set in 1994, Impeccable is a direct sequel to W.T.F., which introduced the protagonist, Louise, who is experiencing bizarre happenings inside her home and encounters a feeling of dread signalling danger: someone is inside her house and stalking her. She catches glimpses of what has been stalking her: an uncanny version of herself, her “double.”  “It is about that feeling of powerlessness that occurs when we are in situations beyond our control, ” said Jess Allanic.
 
Another high-energy collision of futurism, riffs, apocalyptic drums, and haunting electronics, Impeccable continues its journey down the rabbit hole and tells the story of a young man called Jonnie, who has been deadly poisoned and has no choice but to act impeccably to survive. 
 
“I follow you anywhere you go. Death spoke to the warrior, Who was looking for a chance. I follow you anywhere you go. He said to the abyss, On the edge of life, ” the lyrics hypnotically yearn.
 
“For this, he has to follow his double into another world, the Fractalworld, or death will strike him,” the band says. “Jonnie will have to quickly understand who his double is and cross over the threshold to overcome his fate. Impeccable is the direct sequel of W.T.F., where we meet the main character Louise and her own encounter with her double.”
 
‘The Edge of the Abyss’ sees characters travelling between different dimensions, with people who mysteriously resemble doubles of each of us, like shadows that seem to stalk us but who, in reality, seek to communicate. Who are these beings? What do they want from us? How can we reach them?
 
The recent single Lo Que Vale – translated into English as ‘What is Worth,’ became the latest frenzied instalment of the album following  Aimless – a reflective catharsis of human communication. The cinematic sci-fi videos for the album singles show different times and worlds where some characters have encounters with their ‘doubles’. W.T.F is the prequel of the previous singles, La Corriente and Under The Skin – all directed and VFX by Jess.

You can trace the Calva Louise project—the ‘origin’ story, if you will— back to ten-year-old Jess Allanic, drawing in her home in Guarenas, on the outskirts of Caracas, Venezuela. There, the genesis of the idea for her story about a hidden world intertwined with our world began.

Growing up during Venezuela’s most disastrous economic and social crisis, the alternative scene was disappearing. She dreamt of living in the UK. Just before her 16th birthday, she made the courageous decision to move more than 7,500km from Caracas to Rouen in France – because it was close to the UK. She was to live in a convent, where she would be told off by nuns for playing guitar along to System of a Down in her bedroom.
 
Next door was a 1600s “Hogwarts” like school, where she met Alizon Taho.  They would travel to the UK to play shows with limited English and without knowing anyone. This is where they met New Zealand drummer Ben Parker. They took every experience presented to them – and the consequences that came with them. They took on jobs, stayed in garages, sofas, and with “friends of friends”. Robbed, scammed and taken advantage of, they stayed in £10 motels that were sometimes surrounded by rats. They would often have to move at very short notice. “I had one suitcase and my guitar,” Jess says.
 
“Our album is called Edge of the Abyss because that’s how we live. One misstep and everything could fall apart,” Jess says. “I emigrated twice, so I’ve already had a culture shock twice. This hurts a little less because this is where I want to be. I have nowhere to go back to,” she says.
 
They built an impressive DIY spirit and formidable reputation on the UK live circuit through performances at Download and 2000Trees, a headline performance on the BBC Introducing Stage at Reading and Leeds festival, and tours with Psychedelic Porn Crumpets, Razorlight, Boston Manor, and Bloodywood. The US saw a co-headline tour with Vukovi and festival slots at Welcome to Rockville, So What?, Sonic Temple, Riot Fest, SXSW, and Shiprocked.
 
“Our willpower never dies, that’s the thing. It’s been hard learning every day, but look at our friendship. We say that it’s like the path of the warrior”. Jess exclaims.
 
Calva Louise is Jess Allanic (Vocals/Guitar/Keyboard), Alizon Taho (Bass/Backing Vocals) and Ben Parker (Drums/Backing Vocals).

Track Listing

1. Tunnel Vision
2. W.T.F 
3. Aimless
4. Lo Que Vale
5. Impeccable
6. Barely A Response
7. The Abyss
8. El Umbral
9.  La Corriente
10. Hate In Me
11. Under The Skin

More information: Linktree | Facebook |  Instagram | YouTube | TikTok | X | Spotify

AUTOSCOPY to Release Debut Album “The Third Man Factor” on June 13th

Posted by tarjavirmakari on May 30, 2025
Posted in: Int. News, News. Tagged: AUTOSCOPY. Leave a comment
📸by Photos For The Masses — 🐰by Julie Esther

Emerging from the shadows of industrial decay of Łódź, Poland, autoscopy is a visceral new force in the realm of heavy music. Fusing crushing electronic beats, cinematic soundscapes, and metallic aggression, the band conjures a sound that’s both haunting and hypnotic.

With influences rooted in darkwave, post-metal, and EBM, autoscopy explores themes of identity, inner conflict, and the uncanny — inviting listeners to peer into the mirror and confront the reflection that stares back.

This is not just music; it’s an out-of-body experience, so step into a world of distorted dreams and digital shadows.

The album “the third man factor” was mixed and mastered by Kuba Sawicki at Phi Studio, whose portfolio includes collaborations with Averme, Fallen Prophet and Christian Woochuck. The graphic design was done by Bartosz Hervy (Blindead). The debut album is scheduled to be released on June 13, 2025 on CD (pre-order at Bandcamp) and all popular digital platforms (pre-save).

This is how the band comments their album: “The Third Man Factor is an album announcing a new phase of musical madness. It’s a way to face your inner demons and start a new path of reality“.

Below you can watch lyric video for “He Is Me” and the videoclip for the single “Touch of Reality“.

More information: Facebook | WWW | Bandcamp | Instagram

DREADMASK Confront Tragedy with Fierce Emotion on New Single & Video ‘The Light’

Posted by tarjavirmakari on May 30, 2025
Posted in: Int. News, News. Tagged: DREADMASK. Leave a comment

The relentless melodic death metal quartet DREADMASK has released their gripping new single and video, “The Light” — a harrowing and emotionally charged track taken from their critically acclaimed debut EP, Thy Prime Dread, out now via Wormholedeath Records.

The song is about the devastating train crash in Greece on February 2023, showing the chaos, loss, and heartbreak that followed. It’s a harsh reminder of how greed, apathy, and incompetence can lead to tragedies. The lyrics capture the feeling of trying to hold on to hope while everything around you falls apart. It paints a vivid picture of the human cost of neglect and those in power who don’t care, asking for help when everything feels like it’s too late.

Stream the single here: https://orcd.co/thelightsingle

Born in 2023, Dreadmask arose from a collective passion for crafting heavy music with a purpose. Based in Eindhoven and composed of members from Greece, Hungary, and the Netherlands, the band channels personal and societal struggles into their music. Their name, Dreadmask, symbolizes the battle against fear and the facades we construct to navigate a tumultuous world.

Dreadmask’s EP, Thy Prime Dread, explores existential dread and human resilience, delivering a blend of crushing riffs, haunting melodies, and poignant lyricism. With influences ranging from Swedish death metal and blackened melancholy to progressive elements, Dreadmask is carving a unique space in the metal scene.

Stream Thy Prime Dread EP: orcd.co/thyprimedread

Meet Dreadmask:
Zoltan Herczog (Rhythm Guitar, Backing vocals)
John Kourentas (Lead Guitar, Keys)
Antonios Mougiakakos (Lead Vocals, Bass Guitar)
Elger Van Delft (Drums)

Dive into the Dreadmask universe: 

dreadmask.bandcamp.com/album/thy-prime-dread
linktr.ee/dreadmaskband
www.youtube.com/@Dreadmask
www.facebook.com/profile.php?id=61557336575289
www.instagram.com/dreadmaskband

CASTLE Kick Off European Tour Dates

Posted by tarjavirmakari on May 30, 2025
Posted in: Int. News, News. Tagged: CASTLE. Leave a comment

Yesterday, US/Canadian heavy doom outfit Castle kicked off their recently announced European tour dates in support of their album Evil Remains, which was released in September 2024 via Hammerheart Records. A full list of confirmed shows can be found below.

Castle comment on the trek: “We didn’t get enough of Europe on the last Evil Remains Tour so we’re heading back! Absolutely stoked to be playing a few festivals on this run including Muskelrock, Battle Cry Fest… plus a weeks worth of our own headlining shows. We’re also changing up the setlist this time and will have another track from the new album for you all to hear. See you out there on the road!“

Evil Remains Europe 2025, remaining shows:

30/05 Hamburg, DE – Bambi Galore
31/05 Berlin, DE – Reset
01/06 Prague, CZ – Modra Vopice
02/06 Goppingen, DE – Zille
03/06 Düsseldorf, DE – Pitcher
04/06 Rotterdam, NL – V11
05/06 Landgraaf, NL – Nieuwe Nor
06/06 Dresden, DE – TBA
07/06 Essen, DE – Battle Cry Fest

Over the years, Castle have maintained a rigorous touring schedule, performing nearly 700 shows between 2012 and 2019. They have shared stages with acts like The Sword, Conan, Intronaut, and Pentagram, and have appeared at prominent festivals such as Roadburn Festival and Desertfest.

Evil Remains is a hook-laden heavy metal thrill-ride into Nosferatu nights.

Back after a six year break with the black magic fully recharged, Castle have delivered a juggernaut of riffery in a hook-laden mix of doom and psychedelic-tinged classic metal. Adding to the atmosphere of majestic doom, Elizabeth Blackwell’s haunted, full-blooded vocals are electric witch hymns of death and madness; ‘Hear my warning, heed my call’ indeed.

Recorded at Raincity Recorders in Vancouver B.C. by producer Jesse Gander (Anciients, 3 Inches Of Blood, Brutus) Evil Remains sonically balances the warm and fuzzy with the bombastic power of an alternate universe stadium rock band. Bassist/vocalist Elizabeth Blackwell and guitarist/vocalist Mat Davis bring their unique female and male vocal attack and scorching, serpentine riffs to dizzying new heights. Rounded out by drummer Mike Cotton’s thunderous precision, Evil Remains delivers a metallic knock out punch from the first to the last note of its eight pummelling tracks.

Written over a five year period – beginning in Castle’s then home town of Joshua Tree, California after a year-long tour for their previous album, Deal Thy Fate – the songwriting culminated this past year with pre-production sessions taking place in the band’s new twin home bases of San Francisco and Vancouver. Since storming out of San Francisco with their 2011 debut, In Witch Order, Castle have toured relentlessly. The live ritual resumes this year across North American and European dates.

Tracklist:

  1. Queen of Death
  2. Nosferatu Nights
  3. Deja Voodoo
  4. Evil Remains
  5. Black Spell
  6. 100 Eyes
  7. She
  8. Cold Grave

Line up:
Liz Blackwell – Bass, vocals
Mat Davis – Guitar, vocals
Mike Cotton – Drums

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