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BRYMIR Release Second Single ‘Tempestbound’ with Official Music Video

Posted by tarjavirmakari on August 28, 2026
Posted in: Int. News, News. Tagged: BRYMIR. Leave a comment
[photo credit: Juuso Soinio]

Finnish melodic death metallers BRYMIR unleash the second track from their upcoming album, What We Leave Behind, coming October 2, 2026 via Napalm Records! “Tempestbound” surges forward with speedy riffs and a wuthering message. The new single wraps the overarching theme of the band’s darkest album to date in a cloak of mythology. No matter the belief system, the Gods are all the same—and none of them is worth dying for at the hands of moribund mankind. Constituting war as the death of progress, “Tempestbound” solidifies BRYMIR’s epic plea for humanity.
 
BRYMIR about “Tempestbound”:
“Speed and insanity! Mankind is supposed to be starbound, yet here we are fighting over the same old stupid stuff. Our progress has been immense, technological marvels created, yet we mostly seem to use these to just destroy each other and ourselves—just faster and more completely. Instead of reaching the stars, instead of being starbound, we remain ‘Tempestbound.’”

Helsinki-based BRYMIR make a strong case for melodic death metal with What We Leave Behind, coming October 2, 2026 via Napalm Records! In a darkening world full of existential dread, the Finnish band—singer Viktor Storm Gullichsen, guitarist Joona Björkroth, bassist Jarkko Niemi, and drummer Patrik Fält—takes a stand with their most sinister album yet. Again heavily influenced by their singer’s main job as a movie sound designer, BRYMIR create vast cinematic soundscapes around their sometimes bleak, sometimes hopeful, but always honest messages.
 
Strongly tied to current societal developments, BRYMIR deliver an equally raw and fantastical album. Their darkest output yet, the band’s fifth album hits especially hard—and leaves absolutely no open questions behind. As introspective as it is outspoken, What We Leave Behind is an epic plea for humanity.
 
BRYMIR about What We Leave Behind:
“Since our previous album, the world certainly hasn’t gotten any lighter—and as art reflects life, our fifth album, What We Leave Behind, is the darkest creation we’ve made so far. Both musically as well as thematically… ‘What We Leave Behind?’ is the core question explored from many perspectives: from personal hopes, dreams, and fears to societal developments to dark sci-fi and existential despair. Join us on this dark emotional journey, at times violent, at times beautiful, and always honest in baring the soul of what is BRYMIR – no compromise, everything raw and real.”

Get Your Copy Of What We Leave Behind NOW

The atmospheric instrumental intro, “Slaying Star”, moves right into its faster counterpart, “Sleipnir”, opening up the album with the speed and fury of the eight-hooved horse companion to Allfather Odin it is named after. Keyboards and choirs carry BRYMIR’s epic death metal to new heights. Following “Tempestbound” shifts the focus to speedy guitar work while unveiling the overarching theme of What We Leave Behind. Wrapped in the cloak of mythology, BRYMIR deliver a message clearly translatable into our society: No matter the belief system, the Gods are all the same—and none of them is worth dying for at the hands of moribund mankind. The keys-driven title track, “What We Leave Behind”, hammers in the pacifist message: “Midgard lies in flames”, the four-piece exclaims regretfully about the realm of people, the reason following right behind in the ever-so-catchy chorus, whose calmness serves as a stark contrast to the high-speed verses: “Vanity paves the road to Hel”, the meaning of which is clear even without knowledge of the Edda. “True Darkness” moves down a gloomier path, taking a particularly creative approach to BRYMIR’s signature orchestral sound: following the stages of grief, it offers its chorus only in melody to keep up with the progression of the lyrics. After dismal passages, it closes with hopeful clean vocals and a bittersweet spoken word outro—truly cinematic. Aptly named instrumental breather “Moment Of Silence” beautifully prepares for “Buried Legion”, a contrastingly sweeping song powered by choirs that paint a martial image. Inspired by German composer Johann Sebastian Bach, “Thy Self The Highest Love” serves as a liturgical prelude to “The Roaring King”, in which BRYMIR turn down the speed while losing none of their vigor. The lengthy epic “Broken Dawn” picks up right where the preceding track left off: a waltz, this track closes the album majestically, showcasing the band’s knack for film-like build-ups. For everyone wanting to end on a lighter note, the band adds an out-of-the-box bonus cover to What We Leave Behind. Scooter’s eurodance classic “How Much Is The Fish” is reworked into a rousing melodeath track—an additional nod to BRYMIR’s stance against ocean pollution, “Herald of Aegir”, from the previous album, Voices In The Sky (2022), live performances of which regularly see salmon plushies in the audience.

What We Leave Behind tracklisting:

  1. Slaying Star
  2. Sleipnir
  3. Tempestbound
  4. What We Leave Behind
  5. True Darkness
  6. Moment Of Silence
  7. Buried Legion
  8. Thy Self The Highest Love
  9. The Roaring King
  10. Broken Dawn
  11. How Much Is The Fish

BRYMIR Live 2026
 
Festivals
04.09.26 CH – Hüttikon / Meh Suff!
06.11.26 FI – Kempele / ZRock Winter Fest
 
What We Leave Behind Tour 2026
Special Guests: Horizon Ignited + Omnivortex
18.09.26 FI – Vantaa / Skenesali
25.09.26 FI – Seinäjoki / Rytmikorjaamo
26.09.26 FI – Oulu / 45 Special
02.10.26 FI – Tampere / Olympia
03.10.26 FI – Lahti / VNUE
08.10.26 FI – Jyväskylä / Lutakko
09.10.26 FI – Turku / Apollo
16.10.26 FI – Kouvola / House of Rock
17.10.26 FI – Kuopio / Circus
24.10.26 FI – Vaasa / Fanny
30.10.26 FI – Hämeenlinna / Suisto
31.10.26 FI – Helsinki / Korjaamo
 
European Spring Tour 2027
19.02.27 DK – Copenhagen / BETA
20.02.27 NO – Oslo / John Dee
21.02.27 SE – Stockholm / Kollektivet Livet
23.02.27 DE – Hamburg / Knust
24.02.27 DE – Aschaffenburg / Colos-Saal
25.02.27 DE – Berlin / Bi Nuu
26.02.27 DE – Stuttgart / Proton
27.02.27 CH – Pratteln / Z7
28.02.27 DE – Munich / Backstage
01.03.27 DE – Leipzig / Hellraiser
02.03.27 DE – Neunkirchen / S. Reithalle
03.03.27 DE – Cologne / Club Volta
04.03.27 NL – Sittard / Volt
05.03.27 NL – Utrecht / De Helling
06.03.27 DE – Bochum / Gleis 9

BRYMIR are:
Viktor Storm Gullichsen – Vocals
Joona Björkroth – Guitars
Jarkko Niemi – Bass
Patrik Fält – Drums
 
BRYMIR online:
WEBSITE
FACEBOOK
INSTAGRAM
NAPALM RECORDS

Prog Rockers SUBMASQ Premiere New Video for ‘Anger’

Posted by tarjavirmakari on August 27, 2026
Posted in: Int. News, News. Tagged: SUBMASQ. Leave a comment
photo by Alon Levin

Progressive rockers SUBMASQ (formerly known as Subterranean Masquerade) have partnered with Decibel Magazine for the video premiere of “Anger.” The song is the third single from Spirit Animal, their upcoming album on Willowtip.

Check it out at decibelmagazine.com/2026/08/26/video-premiere-submasq-anger

“Anger” will be available everywhere on August 28.

“At the center of it all is Submasq’s knack for making a lot of seemingly disparate pieces work together: heavy guitars, progressive arrangements, handpan, oud, bouzouki, strings, percussion, and big melodic hooks. Spirit Animal pushes that approach further while retaining the adventurous spirit that has carried the band through six previous full-lengths.” – Decibel

“This truly is progressive music at its most accessible.” – Sentinel Daily

SUBMASQ’s new album is an autobiographical journey through trauma, addiction, bipolar disorder, and collective memory. At its core lies a constant search for identity and belonging, expressed through nine new songs that embrace bold, accessible songwriting while seamlessly blending ethnic instruments with forward-thinking progressive rock. The album also features a special guest appearance by Ron “Bumblefoot” Thal.

This release marks the beginning of an exciting new chapter for the band through its partnership with American label Willowtip Records, with worldwide distribution through Universal Music Group, opening the door to a broader international audience. Alongside the album, SUBMASQ is actively expanding its global presence with festival appearances and touring across Europe, North America, and beyond, continuing to establish itself as one of progressive rock’s most compelling and unpredictable live acts.

To date, SUBMASQ has released six full-length albums. Spirit Animal stands as the band’s most ambitious and personal work to date, serving as a defining statement as they enter this new era.

In January 2027, SUBMASQ will embark on a European tour alongside Rhapsody of Fire in support of Spirit Animal, with additional international tour dates and festival appearances to be announced.

Willowtip will release Spirit Animal September 18 on gatefold vinyl LP, CD, and digital formats. Pre-order at:

submasq.bandcamp.com/album/spirit-animal
willowtip.com/bands/details/submasq

Track Listing:

  1. Cardamom (Feat Bumblefoot)
  2. Monuments [Video]
  3. Mechanical Prayers
  4. Calypso
  5. Anger
  6. Sanctified [Video]
  7. Uman Inshallah
  8. The Unlucky
  9. Trust

Album Credits:

SUBMASQ are:
Davidavi “Vidi” Dolev – Vocals
Golan Farhi – Bass
Tomer Pink – Guitars
Yalon Schori – Drums
Or Shalev – Guitars
Shai Yallin – Keyboards, electronics, handpan
Dima Kogan – Guitars (live)

Guest musicians:
Ron “Bumblefoot” Thal – Guitar solo (1).
Yatziv Caspi – Tablas (1).
Matan Shmueli – Percussions (1, 3, 4, 5, 6, 7, 9).
Idan Amsalem – Oud and bouzouki (1, 3, 4, 5).
Oren Tsor – Violin.
Noa Ayali – Cello.
Roni Fishbein – Backing vocals (6, 9).

Produced by Tomer Pink.
All music by Tomer Pink except 4, 5 by Or Shalev.
All lyrics by Davidavi Dolev.

String arrangements by Shai Yallin (1, 2, 5, 9) and Idan Amsalem (3).
Editing, guitar therapy and general support by Arie Aranovich.
Drums recorded by Alexander Backlund at Fascination Street Studios.
Vocals, lead guitars and cello recorded by Arie Aranovich at Polar Studio.
Oud, Bouzouki & percussion recorded by Idan Amsalem at Black Knob Studio.
Keyboards and handpan recorded by Shai Yallin at Synth-O-Rama Studio.

Art by Yalon Schori and Shay Darvish.
Mask by Moran Gross.

facebook.com/Submasq
instagram.com/submasq
submasq.bandcamp.com

AETHER REALM Announce Ferocious New Album “Season of Bloodshed”, Out December 11th

Posted by tarjavirmakari on August 27, 2026
Posted in: Int. News, News. Tagged: AETHER REALM. Leave a comment
[Photo Credit: Bryce Chapman and Tyler Gresham]

Soaked in blood and craving more, North Carolina’s melodic death metal masters AETHER REALM have undergone a violent transformation, emerging with their ferocious new album Season of Bloodshed, to be unleashed December 11th, 2026 via Napalm Records.

Since the band’s 2020 album Redneck Vikings From Hell, AETHER REALM have held on by the skin of their teeth through a global pandemic, the historic Hurricane Helene, and a mid-record lineup change, with former guitarist Donny Burbage departing and new guitarist Chris Jones entering the fray. Season of Bloodshed clutches you in its blood-soaked claws and guides you on an intense exploration of an existential transformation fueled by rage.

About the album the band states:

“This is an album born from an anger that was allowed to fester for too long. At the confluence of the great injustices of our time and the insignificant wrongs that get under our skin every day, we can find ourselves transformed into our worst selves. It is in the expression of this feeling—through these cruel riffs, shredding solos, and crushing breakdowns—that we may find peace.”

Pre-Order Your Copy of Season Of Bloodshed HERE

From its first heartbeats, the album bares its teeth. The vampiric opening track “The Blood Is Calling” is layered with thunderous kick drums and cataclysmic string arrangements setting the stage for something truly ghastly. Propelled by blast beats from drummer Tyler Gresham, ornate guitar harmonies, and Martin Gonzalez’ enveloping orchestrations, the first track is a herald of a new era as the band transforms into something darker. “Control” opens with a triumphant harmonized guitar duel before taking off at one hundred miles per hour with virtuoso guitar duo Heinrich Arnold and Chris Jones weaving riff tapestries, embracing listeners in a dystopian dream of the future. Always looking to experiment with the form, “Broken Fist” enlists guest vocalist Taj Jewett to lend their rage to a track that fuses nu metal and prog into a showcase of infectiously bouncy grooves and unstoppable riffage.

The aptly titled “Get Fukt” is as vitriolic as the title suggests. Bassist and frontman Jake Jones delivers a venomous verbal onslaught alongside driving harmonized riffs clearly developed at the school of Bodom. “The Weight” offers the album’s first brief respite with serene synths paving the way for another hellish breakdown, tectonic drums crack the ground as flaming guitars emerge from the rubble and lash at the sky. Featuring the impeccable orchestration composer Wayne Ingram (known for his work in Wilderun and on Assassin’s Creed Valhalla: Dawn of Ragnarok), the track expands into mesmerizing grandeur.  Opening with a serene folksy respite provided by departing guitarist Donny Burbage and violinist Sarah Stepanik, “Path of The Wind” emerges as an explosive blackened folk song with singalongs and blasts beats that tells the tale of how the band emerged physically unscathed from Hurricane Helene. Further honoring their southern roots, “Achilles’ Heel” opens with intimate banjo strums dancing around vocalist Jake Jones’ heartfelt croon, sung from the perspective of Patroclus, the companion of the titular mythological Greek hero Achilles. This bitter song honors the epic with guitar and string orchestrations of equally grand composition, coupled with a chorus that you can’t resist stomping your foot to.

Album closer “Terminus Omnium,” a Latin phrase translating roughly to “The End of All Things”, opens with cinematic, Game Of Thrones level pounding drums—courtesy of orchestrator and mix engineer Rob Carson—beating a cataclysmic opening for the record’s most expensive track. Enlisting the Western North Carolina Pagan Choir there is a level of finality in the arrangement akin to a Elden Ring boss battle.

Despite the obstacles put in their path, AETHER REALM emerges revitalized, determined, and simmering with anger while maintaining their trademark complex melodies and ferocious guitar attack.

Season of Bloodshed Tracklist:

  1. The Blood Is Calling
  2. Control
  3. Broken Fist (Feat. Taj Jewett)
  4. Get Fukt
  5. The Weight
  6. Path of the Wind
  7. Achilles’ Heel
  8. Terminus Omnium

AETHER REALM Are:
Jake Jones – Bass, Vocals
Heinrich Arnold – Guitar
Tyler Gresham – Drums
Chris Jones – Guitar

AETHER REALM Online: INSTAGRAM – FACEBOOK – X – TIK TOK – NAPALM RECORDS

SWEET to Release New Live Album “Live 25” on October 23rd

Posted by tarjavirmakari on August 27, 2026
Posted in: Int. News, News. Tagged: Sweet. Leave a comment

With “Full Circle” (2024), the Rock institution SWEET released an album that critics and fans around the world considered to be their strongest album since “Level Headed” (1978), the last album recorded by the four original band members. “Full Circle” was also the band’s first Top 20 entry in the German album charts since the release of the 1978 classic.

With such a strong album under their belt, it was only natural for the band, led by founding member Andy Scott, to present the new songs live. The album “Live 25”, is now ready for release. Alongside tracks from “Full Circle”, the band performed all the classics hits plus a few heavy rock tracks that had rarely made it onto the set list in previous years.

The current SWEET line-up has proved to be the perfect team. The sound and dynamics of the band live carries the audience on a magic carpet ride of pure emotion.

Andy Scott comments: “Live 25″ is more than just a live recording, it’s a celebration of what Sweet do best. From the 1970s performing live has always been at the heart of who we are, and that fire still burns bright. So crank up the volume, sing your heart out, and experience the energy of a Sweet live concert.”

TRACK LISTING

01 Full Circle (Intro)
02 Action
03 Hellraiser
04 Circus
05 The Six Teens
06 Don’t Bring Me Water
07 Lost Angels
08 Windy City
09 Set Me Free
10 Teenage Rampage
11 Wig Wam Bam – Little Willy Medley
12 Love Is Like Oxygen
13 Fox On The Run
14 Blockbuster
15 Ballroom Blitz
16 Sweet Jane (Outro)

LINE UP
Paul Manzi – Lead Vocals
Lee Small – Bass Guitar/Vocals
Tom Cory – Guitars/Keys/Vocals
Adam Booth -Drums/Percussion
Andy Scott – Guitars/Vocals

SWEET Discography (studio albums)
Funny How Sweet Co-Co Can Be (1971)
Sweet Fanny Adams (1974)
Desolation Boulevard (1974)
Give Us A Wink (1976)
Off The Record (1977)
Level Headed (1978)
Cut Above The Rest (1979)
Waters Edge (1980)
Identity Crises (1982)
A (1992)
The Answer (1995)
Sweetlife (2002)
New York Connection (2012)
Isolation Boulevard (2020)
Full Circle (2024)

SWEET Links
https://www.thesweet.com/
https://www.facebook.com/TheSweetOfficial/
https://www.instagram.com/thesweet.official
https://www.youtube.com/channel/UCdIpXow75WsgKZPfBcGqfVw
https://x.com/i/flow/login?redirect_after_login=%2Fsweetofficial
https://open.spotify.com/intl-de/artist/3JaAGmSTpJK35DqWrDUzBz
https://music.apple.com/gb/artist/sweet/492548

BLUTGOTT Release New Single & Video ‘Storm Of The Blood Dragons’ (Debauchery version)

Posted by tarjavirmakari on August 27, 2026
Posted in: Int. News, News. Tagged: BLUTGOTT. Leave a comment

From the BLUTGOTT METAL UNIVERSE comes the new DEBAUCHERY single “Storm Of The Blood Dragons”. Brutal dark fantasy metal about the Blood God hordes of Balgeroth. The legions of the Blood Gods march into battle against the armies of the human Imperium. 

The song takes you on a journey into the dark, fantastical world of the band’s own Blutgott Universe. Musically, it’s melodic death metal with plenty of groove and a catchy chorus.

Recorded by Dennis Ward (Unisonic, Helloween, Krokus), with cover artwork by Thomas Gurrath. 

‘Storm of the Blood Dragons’ is the 7th single from the upcoming BLUTGOTT & DEBAUCHERY album: ‘Die Schlacht um Knochenheim – Death of the Bloodking’

The BLUTGOTT METAL UNIVERSE is the dark fantasy metal universe created by Thomas Gurrath, bringing together three established metal bands:

  • DEBAUCHERY – Death Metal
  • BLOOD GOD – Hard Rock & Heavy Metal
  • BALGEROTH – German Metal

Originally founded more than 20 years ago as DEBAUCHERY, the BLUTGOTT METAL UNIVERSE has, over the past three years, evolved into a unique fusion of metal, dark fantasy, and visual storytelling. With more than 20 albums and over 40 CDs released, the project has created an expansive world known as the World of Blood Gods.

What makes BLUTGOTT truly unique is that it is far more than a band—it is a complete fantasy universe with its own mythology, original characters, miniatures, a tabletop wargame, artwork, books, music videos, and live performances. There is no political or social message; the concept is dedicated entirely to metal, horror, monsters, dragons, and epic fantasy.

The upcoming release, “Death of the Bloodking” (October 30, 2026), marks the first chapter of the saga “The Battle for Knochenheim.” The album will be released in multiple formats, accompanied by a series of digital singles and music videos.

The story culminates in the epic final battle between Balgeroth, the Bloodking of Knochenheim, and Luziferon, the mightiest of all the demon lords of Hell. It is a war whose flames consume hundreds of thousands of worlds—from Eden to the very world of the Nazarene himself.

During the Balgeroth War, the totalitarian Imperium of Mankind is annihilated. Asgard falls, and the divine realms of Valhalla are desecrated and devastated in apocalyptic battles.

Yet the greatest and most merciless battle of all erupts over Knochenheim—the mighty fortress metropolis guarding the largest stable passage from Hell to Eden.

Knochenheim stands as a monument of terror, the Dragon Fortress, an unshakable bastion of the Blood Gods against the eternal hordes of damnation. It is here that the demon legions of Luziferon clash with the armies of the Trinity of Blood Gods.

BLUTFEST 2026/2027

04.09.2026 Hannover – Cafe Glocksee
05.09.2026 Hard Summer Festival
18.09.2026 Passau – Zauberberg
19.09.2026 Graz – Music-House (AT)
25.09.2026 Oberhausen – Helvete
26.09.2026 Hell over Aschaffenburg
10.10.2026 Selb – Rockclub Nordbayern
16.10.2026 Erfurt – From Hell
17.10.2026 Berlin – Slaughterhouse
31.10.2026 Kirchheim (Teck) – Linde
06.11.2026 Luzern – Musikzentrum Sedel (CH)
13.11.2026 Attnang-Puchheim – Raws Diner (AT)
14.11.2026 Death Metal Fishamend (AT)
20.11.2026 Sonthofen – Barfly
15.01.2027 Bremen – Zollkantine NEW
16.01.2027 Hamburg – Logo
30.01.2027 Cham – LA

All Tour Dates: www.blutfest.de

BLUTGOTT (Debauchery, Blood God, Balgeroth)

www.blutgott.com
www.bloodstore.de
www.blutgott-universe.com
www.blutgott-booking.de

BLACK DOOR Streams New Album “Shadows of a Funerary Gleam” Ahead of Release

Posted by tarjavirmakari on August 27, 2026
Posted in: Int. News, News. Tagged: BLACK DOOR. Leave a comment
Photo by G.M.

Dutch black metal solo artist BLACK DOOR is now streaming its upcoming sophomore full-length, ‘In the Shadows of a Funerary Gleam,’ in its entirety via Lambgoat! The album can be heard ahead of its official release this Friday, August 28, at THIS LOCATION.

Pre-orders for ‘In the Shadows of a Funerary Gleam’ are now live via Wolves of Hades! The USA shop can be found HERE while the EU shop is available HERE.

BLACK DOOR mastermind and multi-instrumentalist Vestibulum comments, “The wait is over. I am elated to share that In the Shadows of a Funerary Gleam is unleashed in its full glory. Ranging from lamenting wails and dissonant discordance to triumphant hymns, the album is bound to stir the senses of those willing to open themselves to it. The journey commences as melancholic, entering the mind of lamented decay, continuing in the slow descent in ‘The Stale Humid Mist.’ Wrestlings of a troubled soul will be dissected in its spiritual heights, hubris and downfalls, to conclude with the open invitation to the fervour of self-creation in Promethean Fire. From its blessing and curse, we forge desire!”

Following the spectral path unveiled on its debut album, BLACK DOOR returns more fierce and haunting than ever before. ‘In the Shadows of a Funerary Gleam,’ a work steeped in nocturnal mysticism, sepulchral grandeur, and the lingering echoes of eons.

The cover art was created by Grave Bastard.

Tracklist:
01. Grand Opening of the Carnival of Damned Spirits (00:57)
02. In the Shadows of a Funerary Gleam (06:29) [LISTEN]
03. The Stale Humid Mist (04:22)
04. Entrancement in Dusk, Quintessence of Nightfall (05:37)
05. Sinister Musings of a Lamenting Spectre (04:44)
06. Wrested from the Behest of Mortality (04:51)
07. Under the Yoke of an Older Spite (07:05)
08. An Alignment Foreboding, Written in Pandoric Embers (00:43)
09. Forged by Promethean Fire (07:27) [LISTEN]
Full running time: 00:42:16

Following the spectral path unveiled on its debut album, Black Door returns more fierce and 

haunting than ever before. ‘In the Shadows of a Funerary Gleam,’ a work steeped in nocturnal mysticism, sepulchral grandeur, and the lingering echoes of eons.

In the ‘Shadows of a Funerary Gleam’ delves further into the dimensions between life and death, nostalgia and oblivion. From the spectral procession of it’s haunting introduction to the Promethean revelations that conclude the album, these compositions unfold as chapters of a singular journey through the funerary mist of forgotten kingdoms inhabited by restless specters

Drawing inspiration from the black legions and vampiric romanticism, Black Door refuses to be confined by simple nostalgia. Beneath its veil of blackened melancholy lies a flame that illuminates both as a beacon and warning; a fading light that guides the listener through stale humid mists, crepuscular awakenings, lamentations of dying ages, and confrontations with powers older than mankind itself. Whether invoking liches wrested from mortality, ancient celestial names whispered from the abyss, or the tragic gift of Promethean fire, Black Door weaves together a mythology of spiritual yearning and cosmic resignation.

To be released by Wolves of Hades on August 28 on LP, CD, MC & Digital, ‘In the Shadows of a Funerary Gleam’ stands as a fully realized expression of the project’s evolving vision, one that balances haunting melody, strife, nocturnal atmosphere, and triumphant darkness with a reverence for the mysterious and the eternal.

Lineup:
Vestibulum – All instrumentation & Vocals

Live Lineup:
Vestibulum – Vocals, Guitar
N. – Guitar
M. – Bass
B. or I. – Drums

For Fans Of: Lamp of Murmuur, Devil Master, Spectral Wound, Ebony Pendant

Album Credits:
All music, lyrics and performance by Vestibulum
Logo by Viral Designs
Mixing, photography and layout design by G.M.
Mastered by William Killingsworth at Dead Air Studios
Cover art by Grave Bastard

USA Pre-Order Link: https://www.usa-wolvesofhades.com/collections/black-door
EU Pre-Order Link: https://www.wolvesofhades.com/collections/black-door

Links: BANDCAMP – EU SHOP – US SHOP – FACEBOOK – INSTAGRAM – BLUESKY – YOUTUBE

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