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THE HARA Team Up with As December Falls’ Vocalist on New Single + Video ‘Violence’

Posted by tarjavirmakari on October 16, 2025
Posted in: Int. News, News. Tagged: THE HARA. Leave a comment
Photo (c) Cosmic Joke

THE HARA have revealed their brand-new single Violence featuring As December Falls vocalist Bethany Hunter Jiménez. The single drops ahead of their October-November UK tour with As December Falls. Watch the official video HERE.
 
The single is the latest cut from their upcoming album, The Fallout, released on 23 January via Mascot Records. 

Speaking about the electrifying collaboration between THE HARA and As December Falls, Josh shares how it all came together: “When we wrote Violence, we always had in mind that it would be incredible to have a strong female voice on the track to really bring out the two characters and the emotion of what the song is about and when we heard Beth (As December Falls) was interested, we knew it would be a perfect fit. Her high pop punk vocals take it to a whole new level and she absolutely killed it on both the song and the music video.”

This song explores the concept of a two-way toxic relationship, drawn from personal experience. “It’s a love story without a clear villain,” Josh explains. “It’s about two people desperately trying to make something work, even though it was never meant to last. The pain, the hurt, the manipulation—they’ve come to mistake all of it for love. And because of that, they can’t bring themselves to let go.”

You can hear Josh’s aching confession ring out on the song —“I don’t wanna leave when you’re all I’m fighting for”—which is met with Bethany’s biting response: “I thought you loved me, your perfect centerpiece. How could you say that you’d be better off without me?”

Violence follows their previous single, the live-wire Easier to Die, which is about losing hope in the pursuit of success and succumbing to negative thoughts. Heavy and personal entwine, and it’s this that creates the sheer electricity emanating from the band, making them a breathtaking spectacle to watch.
 
The Fallout allows the band to express themselves in a way that enables them to be supremely honest and open, whilst directing it towards a creative outlet. “Each song is a representation of the suffering I feel internally and how it manifests itself in different ways throughout my everyday life, relationships and as the frontman of THE HARA, having to deal with the chaotic ups and downs of band life that we already face. I’m still learning to find healthy ways to cope with my mental health, but sometimes in the moment, it’s easier to self-destruct, because even if the resulting effect is negative, it’s still better than facing the unknown ‘The Fallout’.”
 
The Manchester, UK trio – vocalist Josh Taylor, drummer Jack Kennedy and guitarist Zack Breen – create from a place of undistilled, unadulterated intention, and the songs all form the building blocks for their supercharged live shows, the environment where they feel like they blossom into their most authentic, best selves. 
 
Their raucous genre mash-up of alternative rock, metalcore, and emo has already seen them grab the live circuit by the scruff of the neck and pick up support slots with pop-punk giants Sum 41, Nothing More, Escape the Fate and Ice Nine Kills. They’ve exploded across the festival circuit; Download, Slam Dunk, 2000 Trees, Kendal Calling, TRNSMT, Tramlines, Truck, Boomtown Fair and an incredible main stage set at both Reading and Leeds Festival, as well as main stage performances at Rock For People and Mighty Sounds Festival in the Czech Republic.

Talking about the weight of the album at a deeper level, singer Josh opens up, “I struggle massively with self-acceptance and the way I talk to myself in my head. As I get older, I realise it’s something I’ve been dealing with for a very long time, and I’ve just grown accustomed to finding different ways to block it out or protect myself from it externally. It’s been a journey to just be able to say that out loud without feeling guilty because I’ve felt for so long that my mental health was never ‘that bad’, so I internalised so much, which only made things a lot worse than if I had spoken openly about it from the beginning. So, if anything, I really hope this album connects with people who are dealing with similar battles to me and inspires them to express who they are and how they feel without shame.”
 
“This album is probably the purest, rawest version of us,” asserts Josh. “Musically, lyrically, everything feels the most authentic we’ve been. This is really who we are.”

Track List

  1. Trophy
  2. Easier To Die
  3. Monsters & Demons
  4. Twist The Arrows
  5. Stay
  6. The System
  7. Psycho Killer
  8. Kings
  9. Bury Me
  10. Violence (feat. As December Falls)
  11. Intergalactic Sabotage
  12. Enemy
  13. Bury Me (Piano Version) *
    *physical exclusive

Upcoming Tour Dates
Tickets are available HERE
 
26 Oct – Independent, Sunderland, UK
30 Oct – Electric Ballroom, London, UK ^
31 Oct – Project House, Leeds, UK ^
1 Nov – Rock City, Nottingham, UK ^
2 Nov – O2 Ritz, Manchester, UK ^
5 Nov – SWX, Bristol, UK ^
6 Nov – Garage, Glasgow, UK ^
8 Nov – Little Devil, Tilburg, Netherlands +
9 Nov – Patronaat, Haarlem, Netherlands +
10 Nov – Nachtleben, Frankfurt,  Deutschland +
12 Nov – Viper Room, Wien,  Austria +
13 Nov – Kabinet MÚZ,  Brno, Czechia +
14 Nov – Futurum Music Bar,  Praha, Czechia+
16 Nov – Lark,  Berlin. Deutschland +
18 Nov – Backstage, München, Deutschland +
19 Nov – Hebebühne, Hamburg, Deutschland +
20 Nov –  MTC Club, Köln, Deutschland +

^w/ As December Falls
+Co-headlining w/ Call Me Amour

The HARA online:
Website | Facebook | Instagram | TikTok | X | YouTube | Spotify

THUNDER RISING Sign with Wormholedeath for Release of New Album “Horizon Line”

Posted by tarjavirmakari on October 16, 2025
Posted in: Int. News, News. Tagged: THUNDER RISING. Leave a comment

Wormholedeath is thrilled to announce the signing of Italian heavy metal juggernaut Thunder Rising for the CD release of their highly anticipated new album, “Horizon Line”. The digital edition of the album will be distributed by Mediaset RTI, bringing the band’s explosive sound to streaming platforms worldwide.

Fusing classic hard rock roots with cutting-edge production, “Horizon Line” is a masterclass in modern vintage. Thunder Rising’s self-coined style—“Real Vintage”—melds raw analog soul with a contemporary sonic edge. Think Deep Purple and Rainbow riffage, the melodic finesse of Journey and Boston, and the unmistakable warmth of Hammond organs, Fender guitars, and Marshall amps, all dialed in with 21st-century precision.

The album is more than a tribute to the golden era of rock—it’s an emotional and musical road trip. With every track, Thunder Rising invites listeners on a ride across time and memory, blending seasoned musicianship with a visceral, lived-in energy.

Formed in 2012 by longtime collaborators Frank Caruso (Arachnes, Firehouse) and Corrado “Nail” Ciceri (Wine Spirit), Thunder Rising is a supergroup of elite musicians. Their chemistry is built on decades of experience and shared passion, creating music that’s as authentic as it is electrifying.

“Horizon Line isn’t just a record—it’s a journey into sound, into the past and the future of rock. It’s the roar of a vintage motorcycle rolling into tomorrow,” shares the band.

Joining Caruso and Ciceri are powerhouse vocalist Alessio Spini, low-end wizard Gabriele Baroni, and keyboardist/composer Enzo Caruso. Together, they craft an album that pulses with life, emotion, and hard rock grit.

Franco Caruso is now an official Ibanez artist! Check out his artist profile: https://www.ibanez.com/usa/artists/detail/625.html

Tracklist:

  1. Can’t Forget Your Voice
  2. Master of Destiny
  3. Live Forever
  4. What’s Going On Tonight
  5. Born To Ride
  6. Prelude25
  7. She Can’t Hold You Back
  8. Bloody Axe
  9. Personal vampire
  10. Mad Machine
  11. The Prisoner
  12. Dreaming Song To You
  13. Dangerous Speed

Get a taste of Horizon Line with the official teaser:

About Thunder Rising

With roots in influential acts like Firehouse, Arachnes, and Wine Spirit, Thunder Rising brings together five artists with heavyweight resumes and a shared mission: to bring real rock back to the frontlines. From international tours to collaborations with icons like Mike Portnoy, Jeff Scott Soto, and Mark Boals, they’ve earned their stripes—and they’re ready to reignite the scene.

Follow Thunder Rising:

www.thunder-rising.com
www.facebook.com/thunderrising
www.youtube.com/@Thunderrisingband

ENTHRONED Reveal Title Track of Upcoming Full-Length Album “Ashspawn”

Posted by tarjavirmakari on October 16, 2025
Posted in: Int. News, News. Tagged: ENTHRONED. Leave a comment
Photo by © Emanuela Giurano

With “Ashspawn,” ENTHRONED release the second chapter of their new album: a violent statement of transformation through fire. Condensed into four and a half minutes of controlled chaos, the song embodies the record’s central doctrine: spiritual destruction as the catalyst for transcendence.

Driven by Menthor’s blinding percussion and Kaos’s serpentine riffing, “Ashspawn” oscillates between feral speed and precise rhythmic control. The production’s overwhelming density evokes ritual combat—each dissonant chord and blast beat colliding as a deliberate act of annihilation and rebirth. Nornagest’s vocals, both incantation and condemnation, channel the lyrical core of the piece: “I am God’s scourge of defeat, the semen in His eye.” What begins as a hymn of ruin resolves into declaration: Et Verbum Caro Factum Est—“And the Word became Flesh.”

Ashspawn is out December 5th via Season of Mist. Pre-order & pre-save: https://orcd.co/enthronedashspawn

Tracklist:

  1. Crawling Temples (5:35)
  2. Basilisk Triumphant (5:53)
  3. Stillborn Litany (6:48)
  4. Ashspawn (4:40)
  5. Raviasamin (4:26)
  6. Sightless (3:39)
  7. Chysalid (4:32)
  8. Ashen Advocacy (7:58)
  9. Assertion (6:44)
    Full runtime: 50:17
Cover artwork by Jose Gabriel Alegria Sambogal

With the release of their twelfth full-length Ashspawn, ENTHRONED mark a new chapter in their three-decade reign of ritualistic black metal. Conceived across six years of deliberate creation, the album emerges as both an autopsy and a resurrection: a descent into spiritual death followed by the sublimation of rebirth. Written in close collaboration with occult author Gilles de Laval, Ashspawn channels arcane praxis, metaphysical calculus, and esoteric mapping into a work that is as much ritual invocation as it is music. It is the culmination of Enthroned’s uncompromising vision: a weapon of transformation forged in fire and darkness.

Formed in 1993 in Namur, Belgium, Enthroned arose from the ashes of the blackened underground, quickly asserting themselves as one of the most relentless voices of European black metal. Their debut, Prophecies of Pagan Fire(1995), established the band’s reputation for feral speed, occult imagery, and unflinching dedication to the Left Hand Path. Less than a year after their formation, they signed their first record deal, making an immediate impact on the international scene.

Tragedy struck early in their journey when founding drummer Cernunnos took his own life in 1997, shortly after the recording of their sophomore album. Using his preserved rehearsal tracks, the band pressed forward with Towards the Skullthrone of Satan(1997), transforming grief into fury and ensuring Enthroned’s continuation as a vessel of uncompromising black metal. This resilience became a defining trait: through numerous line-up changes, the band’s spirit never wavered, anchored by a vision that was ritualistic rather than trend driven.

Over the following decades, Enthroned’s discography expanded into a formidable catalogue. Albums such as Armoured Bestial Hell (2001) and Carnage in Worlds Beyond(2003) pushed their sound into ever more violent and atmospheric territories. The mid-2000s witnessed a period of reinvention, with Tetra Karcist (2007) and Pentagrammaton (2010) deepening their exploration of occult philosophy and esoteric symbolism. Obsidium (2012) and Sovereigns (2014) continued this evolution, balancing ferocious aggression with ritual atmospheres. By the time of Cold Black Suns(2019), their debut for Season of Mist, Enthroned had crystallized a reputation as one of black metal’s most enduring institutions: a band that both honoured the origins of the genre and transcended them with an intellectual, ritualistic dimension.

Now, in 2025, Ashspawn stands as Enthroned’s most ambitious and personal statement to date. Musically, it embodies a total unity of vision: ferocious blast beats, oppressive mid-tempos, and progressive structures collapse into one another, laced with solos that veer from Morbid Angel-like madness to Judas Priest-inspired virtuosity. Lyrically, it operates as a metaphysical architecture, its verses designed not merely to be heard but to infect and transform. Tracks such as “Raviasamin,” “Ashspawn,” and “Ashen Advocacy” reveal its dual nature: violent catharsis intertwined with crushing introspection, a tribunal where the self is broken and reforged.

More than three decades after their inception, Enthroned remain steadfast in their purpose: not to replicate the past, but to realign with the forces that birthed them. Ashspawn is the testimony of this alignment, a ritual weapon that rejects nostalgia and compromise. It is a resurrection of spirit through suffering, a reaffirmation of Enthroned’s place among black metal’s most visionary entities.

Line-up:
Nornagest — Vocals & Samplers
T. Kaos — Guitars & Bass
Menthor — Drums & Percussion

Production Credits:
Recorded at Ophiussa Studio, London, UK.
Produced by Menthor.
Mixed by Stefano Santi at SPVN Studio, Milan, Italy.
Mastered by Phil Bashford at The Hive, London, UK.

Follow Enthroned:

Facebook: https://www.facebook.com/Frater.Silurian
Instagram: https://www.instagram.com/enthronedofficial/
Bandcamp: https://enthroned.bandcamp.com/
YouTube: https://www.youtube.com/@enthronedofficial
Spotify: https://open.spotify.com/artist/5lmT6zZl7aPNg8hv5UrJGz
Apple Music: https://itunes.apple.com/artist/enthroned/47713289
Deezer: https://www.deezer.com/artist/14611
Tidal: https://tidal.com/browse/artist/3604477

TOMBS Stream New Album “Feral Darkness” Ahead of Release

Posted by tarjavirmakari on October 16, 2025
Posted in: Int. News, News. Tagged: TOMBS. Leave a comment
Photo by Mike Goncalves

New Jersey experimental metal collective TOMBS is now streaming their new full-length, ‘Feral Darkness,’ in its entirety via Decibel Magazine! The album is due tomorrow, Friday, October 17, via Redefining Darkness and you can now stream it HERE.

“Wrapped in Seldon Hunt’s cosmic decay and mastered by Andreas Rosczyk, Feral Darkness is an unflinching meditation on mortality, transcendence, and the eternal night that waits beyond the threshold,” says Decibel of ‘Feral Darkness.’

The band is not only returning with a new label, but also with a new sound! While ‘Feral Darkness’ still embraces TOMBS’ black metal roots, it also explores the band’s gothic, death rock side, creating the band’s darkest and most haunting record to date!

Pre-orders for ‘Feral Darkness’ are now live via Bandcamp as well as via the Redefining Darkness store.

The cover artwork was created by Seldon Hunt.

Tracklist:

  1. Glass Eyes / Ghoul (04:05)
  2. Feral Darkness (04:14) [LISTEN]
  3. Granite Sky (04:33)
  4. The Sun Sets (05.52) [LISTEN]
  5. Last Days (06:10) [LISTEN]
  6. The Wintering (05:10)
  7. Black Shapes (05:20)
  8. Nightland (07:28)
  9. Wasps (04:27)
  10. Glaeken (02:07)
    Full running time: 00:50:23

Formed in 2007, New Jersey-based experimental metal outfit TOMBS blends bleak, post-punk minimalism with the ferocious attack of sludge and haunting goth rock. TOMBS have established themselves as an act that’s as committed to consistency as it is to growth, developing smoothly (but never predictably) over the course of their career.

OMBS Lineup:
Mike Hill – guitar / vocals / synth
Justin Spaeth – drums / guitar
Andrew Murphy – Bass / guitar / vocals
Dan Higgins – guitar

Guest Musician:
Sera Timms – vocals on “Nightland” (Black Mare, Black Math Horsemen, Ides of Gemini)

Cover Artist: Seldon Hunt
Recording and Mixing: Justin Spaeth
Mastering: Andreas Rosczyk
Photos: Mike Goncalves
For Fans Of: Fields of the Nephilim, Samhain, Mayhem, Goatwhore

Links: Bandcamp – Facebook – Instagram – X – Spotify – Apple Music – YouTube

SEASON OF THE DEAD’s New Single ‘Voodoo Ritual’ Summons Horror-Infused Death Metal

Posted by tarjavirmakari on October 16, 2025
Posted in: Int. News, News. Tagged: SEASON OF THE DEAD. Leave a comment

SEASON OF THE DEAD unleash their brand-new single “Voodoo Ritual”, a blood-soaked preview of their upcoming debut album “Zombie Chronicles Vol. 1”, set for release on November 14th, 2025 via Time To Kill Records.

With “Voodoo Ritual”, the horror-obsessed death metal collective conjures the sinister spirit of classic Italian horror and the visceral ferocity of death metal. The song merges cinematic dread with primal riffs and ritualistic drumming, crafting a hallucinatory descent into a world where fear, flesh and faith intertwine.

Streaming: https://ffm.to/seasonofthedead-voodoo-ritual

The band comments:

“We wanted to pay tribute to a groovier style, drawing inspiration from Pantera. The figure of Phil Anselmo and his collaboration with Necrophagia as a songwriter and guitarist is of great importance to us. The voodoo referenced in the track is the one practiced by Marie Laveau, who lived in Louisiana in the 1800s and is still recognized today as a controversial and widely debated figure”.

SEASON OF THE DEAD is a visceral, cinematic extreme metal project born from the twisted minds of Titta Tani (former drummer of Necrophagia and Goblin), Giacomo Anselmi (former Goblin guitarist and current member of Goblin Legacy), and Enrico Giannone, founder and owner of Time To Kill Records, acting as producer and visionary behind the entire concept.

The idea is as brutal as it is clear: to resurrect the blood-soaked legacy of horror-infused death metal, channeling the rotten spirit of bands like Necrophagia, Mortician, and Fulci, while paying tribute to the grotesque imagery and raw energy of cult underground horror films. Influences range from Killjoy to City of the Living Dead, The Beyond, and Cannibal Holocaust, creating a soundscape that feels like a soundtrack to a lost VHS splatter nightmare.

The project boasts an all-star lineup from the international extreme music scene:

John McEntee (Incantation) – Vocals
Fiore Stravino (Fulci) – Vocals
Dave Neabore (Dog Eat Dog) – Bass
Chuck Sherwood (Incantation) – Bass
Giacomo Anselmi (Goblin Legacy) – Guitars
Titta Tani (ex Goblin, ex Necrophagia) – Drums

Tracklist:

  1. Necromancy | Titta Tani: drums, keyboards / Giacomo Anselmi: guitar / Andrea Gianangeli: percussions
  2. Then We’ll Rise | J. McEntee: vocals / C. Sherwood: bass / Titta Tani: drums / Giacomo Anselmi: guitar
  3. Voodoo Ritual | J. McEntee: vocals / C. Sherwood: bass / Titta Tani: drums / Giacomo Anselmi: guitar
  4. Events Of Flesh | F. Stravino: vocals / D. Neabore: bass / Titta Tani: drums / Giacomo Anselmi: guitar
  5. Open The Gates | F. Stravino: vocals / D. Neabore: bass / Titta Tani: drums / Giacomo Anselmi: guitar
  6. The Other Side | J. McEntee: vocals / C. Sherwood: bass / Titta Tani: drums / Giacomo Anselmi: guitar
  7. Burning Moon Sickness | J. McEntee: vocals / C. Sherwood: bass / Titta Tani: drums / Giacomo Anselmi: guitar
  8. Bloodfreak | J. McEntee: vocals / C. Sherwood: bass / Titta Tani: drums / Giacomo Anselmi: guitar

Across its running time, the album delivers a relentless assault of death metal brutality, layered with cinematic tension and ritualistic atmospheres. Dual vocal performances, crushing basslines, and necro-sounding guitar work create a soundscape where zombies, decay, and gore come to life in audio form.

Preorders:

  • https://timetokillrecords.com/collections/seasonofthedead-zombie-chronicles-vol-1
  • https://seasonofthedead.bandcamp.com/album/zombie-chronicles-vol-1

https://www.facebook.com/seasonofthedeadband
https://www.instagram.com/seasonofthedeadband/

THE KILLERFREAKS to Release Debut Live Album “Unalive” on October 31st

Posted by tarjavirmakari on October 16, 2025
Posted in: Int. News, News. Tagged: THE KILLERFREAKS. Leave a comment
Photo by Yamilé Barcelò

The killer little monsters are back… alive (or almost)!
Yes, the undead going live couldn’t have called their new work anything else but “UNALIVE”!

From October 31st, 2025, in perfect Halloween style, the first-ever live album by The Killerfreaks, entitled Unalive, will be available on all digital stores and streaming platforms.

Recorded during their explosive performance at Luppolo in Rock 2025, expertly mixed by Stefano Steve Volta (Pino Scotto, Perpetual Fire, Mr. Jack) and released by Wanikiya Record/Promotion, the album captures all the energy and dark humor of the Varese-based horror punk-metal band, active for over twenty years in the Italian underground scene.

A journey through heavy riffs, cheeky choruses, and horror movie atmospheres, with the typical sarcastic and self-ironic touch that has always defined The Killerfreaks. An album bursting with rott’n’roll in every track—dirty, direct, and undeniably alive!

The album will also be available in physical format, by contacting the band directly via DM on their official social media or at the merch table during their shows.

Release Party – “Delayed Halloween”
The band will officially present Unalive on November 1st with an exclusive release party at TuMiTurbi in Varese, accompanied by Sluter & Friends, the historic Valtellina formation continuing the horror-glam legacy of the late Ughy The Witch.

“Spaghetti Horror and Rotten Stuff” – the previous album
Already the authors of the successful “Spaghetti Horror and Rotten Stuff” (released May 3rd, 2024, also via Wanikiya Record), The Killerfreaks confirm their wild, unclassifiable nature, bringing all their madness and passion for genuine horror rock to the stage.

Wanikiya Record/Promotion states:
“With Unalive, you can finally experience the Killerfreaks live in the most authentic way possible: in person! Crank up your speakers and get swept away by this pure adrenaline rush! The album will be available on all major international music stores, on our Japanese shop, and on our Crashsound Distribution showcase.”

BIOGRAPHY
Founded in Varese in 2004, The Killerfreaks embody the essence of the most visual and theatrical horror-punk-metal.

Inspired by Kiss, Misfits, and Death SS, they combine heavy melodies, thrash outbursts, and ‘80s glam spirit, with lyrics dedicated to horror movies, full of irony, sarcasm, and pop references.

Throughout their career, they have released two self-produced albums—Flesh, Blood & Rott’n’Roll (2013) and A Load of Rott’n’Roll (2017)—and performed over 200 shows across Italy, in clubs, motorcycle gatherings, and festivals such as Loud and Proud, RockInnSomma, and Wings of Bea Metalfest, sharing the stage with bands like Domine, Strana Officina, and Ancillotti.

In 2008, they opened for The Crimson Ghosts, pioneers of German horror-punk.

Frontman Mefisto is also a former professional wrestler in Total Combat Wrestling and a comic book artist, author of works including Nocticula – Resurrezione, linked to Nocticula Resurget by Boris Hunter (ex Death SS).

Rott’n’Rooooll!!!

“Spaghetti Horror and Rotten Stuff… now it’s ALIVE!”

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