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GORGUTS Announce North American Tour with DEATH TO ALL

Posted by tarjavirmakari on August 7, 2025
Posted in: Int. News, News. Tagged: DEATH TO ALL, Gorguts. Leave a comment
Photo by Jimmy Hubbard

After more than a decade since their last classic entry, Gorguts are finally returning to the studio. As they prepare to record the full-length follow-up to the critically acclaimed Colored Sands, the Canadian pioneers of technical dissonance are sharpening their axes by celebrating two of death metal’s biggest landmarks. This fall, the band are touring North America with Death to All in commemoration of the 35th anniversary of Spiritual Healing and the 30th anniversary of Symbolic.       

“It is with great honor that we’ll be sharing the stage with these death metal monuments”, Gorguts’ vocalist and guitarist Luc Lemay says. “Death had such an important influence on me as an artist. It’s the band that made me want to become a death metal musician. Chuck was my idol, my inspiration. See you on stage. Be prepared for an evening of classic death metal!”.

North Dakota death dealers Phobophilic will join Gorguts and Death to All on this month-long celebration.

Gorguts 2025 North American Tour Dates
with Death to All and Phobophilic

November 4 – San Diego, CA @ The Observatory North Park [TICKETS]
November 6 – Salt Lake City, UT @ Metro Music Hall [TICKETS]
November 7 – Englewood, CO @ Gothic Theatre [TICKETS]
November 8 – Lawrence, KS @ The Granada [TICKETS]
November 9 – Joliet, IL @ The Forge [TICKETS]
November 10 – Detroit, MI @ El Club [TICKETS]
November 11 – Toronto, ON @ Danforth Music Hall [TICKETS]
November 12 – Montreal, QC @ MTELUS [TICKETS]
November 13 – Worcester, MA @ The Palladium [TICKETS]
November 14 – New York, NY @ Irving Plaza [TICKETS]
November 15 – Reading, PA @ Reverb [TICKETS]
November 16 – Baltimore, MD @ Baltimore Soundstage [TICKETS]
November 18 – Tampa, FL @ The Orpheum [TICKETS]
November 19 – Baton Rouge, LA @ Chelsea’s Live [TICKETS]
November 20 – Houston, TX @ White Oak Music Hall [TICKETS]
November 21 – Dallas, TX @ The Echo Lounge & Music Hall [TICKETS]
November 22 – San Antonio, TX @ Vibes Event Center [TICKETS]
November 24 – Albuquerque, NM @ Sister [TICKETS]
November 25 – Mesa, AZ @ The Nile Theater [TICKETS]
November 26 – Las Vegas, NV @ House of Blues [TICKETS]
November 28 – Los Angeles, CA @ The Belasco [TICKETS]
November 29 – Santa Ana, CA @ The Observatory [TICKETS]
November 30 – San Francisco, CA @ The Regency Ballroom [TICKETS]

Death to All is the touring tribute to the late Chuck Schuldiner and his pioneering band Death. The band includes drummer Gene Hoglan and guitarist Bobby Keolble, who both played on Death’s album Symbolic. It also includes bassist Steve DiGiorgio, who played on Human and with Hoglan on Individual Thought Patterns. Max Phelps (Exist, ex-Cynic) rounds out the line-up on vocals and guitar.

“30 years of Symbolic and 35 years of Spiritual Healing“, says Hoglan. “Two vastly different yet important eras of Death. Both albums are going to be a blast to represent”.            

Gorgut’s latest LP Colored Sands and most-recent EP Pleiades’ Dust are both now available through Season of Mist.

Order: https://redirect.season-of-mist.com/Gorgutseshop

Stream
Bandcamp: http://gorguts.bandcamp.com/
Spotify:https://open.spotify.com/artist/0Q4ioaeWOOlKFVPNdFvp9q
Apple Music: https://itunes.apple.com/us/artist/gorguts/109309091
YouTube: http://www.youtube.com/user/gorgutsofficial
Amazon: https://www.amazon.com/Gorguts/e/B000APF4QK
Tidal: https://tidal.com/browse/artist/37446

Few extreme bands can boast the pedigree of GORGUTS. During their early days as part of death metal’s first wave, they created a legacy of legendary releases including their debut album ‘Considered Dead’ (1991) and its more experimental and technical follow-up ‘Erosion of Sanity’ (1993). After a hiatus of five years, Luc Lemay returned with a new line-up, which released the highly acclaimed and seminal third full-length ‘Obscura’ (1998). By then GORGUTS had been busy at expanding and redefining the language of death metal. With a new line-up that left Lemay as the sole original member, the next milestone album was released under the title ‘From Wisdom to Hate’ (2001).

Yet again the band went into hibernation, while their musical legacy continued to inspire and thrive as their native Quebec became a focus for technical death metal with acts such as CRYPTOPSY, NEURAXIS, and BEYOND CREATION to name but a few following in their footsteps. After more than a decade of silence, mastermind Luc Lemay unleashed ‘Colored Sands’ (2013) with an all-star line-up including Colin Marston (BEHOLD THE ARCTOPUS), Kevin Hufnagel (DYSRHYTHMIA), and John Longstreath (ORIGIN, SKINLESS), who has in the meantime been replaced by Patrice Hamelin (QUO VADIS, BENEATH THE MASSACRE).

When it comes to GORGUTS, you have to expect the unexpected. In an age of a postulated clash of cultures, mastermind Luc Lemay delivered Pleiades’ Dust, a piece of music that is conceptually and lyrically based on the “House of Wisdom”, a medieval library based in Baghdad and at the heart of the Golden Age of Islam with its many scientific breakthroughs in various fields of learning. As Luc comments: “It is a story about curiosity, beautiful minds and sadly, about how man destroys great discoveries and achievements.” Musically there is more narrative feeling as each section is introduced in such a way that every riff has the space to evolve like a character in a story.

Lineup:
Luc Lemay – Rhythm guitar, vocals
Kevin Hufnagel – Lead guitar
Colin Marston –  Bass
Patrice Hamelin – Drums

Follow Gorguts:
https://www.instagram.com/gorgutsofficial?igsh=MTZ6YjVzMWg2dGFiZA==
https://www.facebook.com/GorgutsOfficial/
http://gorguts.bandcamp.com/
https://open.spotify.com/artist/0Q4ioaeWOOlKFVPNdFvp9q
https://itunes.apple.com/us/artist/gorguts/109309091
http://www.youtube.com/user/gorgutsofficial
https://www.amazon.com/Gorguts/e/B000APF4QK
https://tidal.com/browse/artist/37446

WRETCHED to Unleash “Decay” Full-Length Album on October 17th, Video for Title Track Out Now

Posted by tarjavirmakari on August 7, 2025
Posted in: Int. News, News. Tagged: Wretched. Leave a comment
Photo by Dania Ramos

For the last two years, Charlotte, North Carolina’s lauded metal monsters WRETCHED worked on the songs that would populate their long-awaited fifth full-length, Decay. Set for release on October 17th on Metal Blade Records, the result is a conceptual masterpiece that blends haunting melodies with progressive complexity.

This fifth album, which is a prequel to 2010’s Beyond The Gate, delves into existential themes, D&D-inspired mythology, and personal loss. The record sees the boundary-pushing lineup breaking past defined walls of their four previous releases. Sonically, Decay may be WRETCHED‘s most pristine-sounding recording, but it’s still raw with a live feeling in the performances. The band didn’t track the parts until they sounded like a computer. You hear guitarist Steven Funderburk pick through the strings and fret the instrument, bassist Andrew Grevey shines on bass with a potent musicality and movement, his parts as much a part of the sound and structure of the songs as the guitar. Vocally, Billy Powers went as raw as humanly possible, pushing himself and the instrumentals to their furthest for an uncompromisingly powerful performance on every track.

“We’ve had a lot of time to grow and reflect in the time between our last album and Decay,” says drummer Marshall Wieczorek. “WRETCHED is doing what WRETCHED always does, and that’s exploring our environment and leaving room for ourselves to try different things. To sum things up, the new album is dynamic. We go here, we go there, we go everywhere. There is no shortage of groove, heaviness, speed, melodicism, prettiness, and sadness.”

“Decay is 100% a concept album,” confirms Powers. “Beyond The Gate had an element this record shares, the talisman. I always knew there was more story there and was very excited to join up with the guys again to put that in motion. The first track I wrote was ‘The Golden Tide.’ I had no idea where I was going to take the story connection to Beyond The Gate until I typed the first line of the song. ‘They began in the dark.’ After that, the lyrics poured out of my mind and by the end of it I realized that this story takes place many years before the content of Beyond The Gate.”

The LP’s title track and first single contains the album’s main character, Malus, along with a character from Beyond The Gate named Elturiel. “In the song, ‘decay’ refers to Malus’ decaying existence, the feeling of loss, and helplessness/lack of control he has to influence anything outside of the darkness in which he has been cast.”

In broader terms, decay refers to many elements of the album’s story, “The decay of good intention, the loss of loved ones, the influence time and choices has upon our bodies and minds and the decay of the world around us due to the choices of those with ultimate power.”

Powers further elaborates, “[The song] ‘Decay’ is a chapter in our story in which our main character Malus has lost his physical body due to becoming possessed by an ancient Necromancer. He is just a conscious thought floating through the void between time and space, conjuring a familial djinn named Elturiel to gain his assistance in returning to his mortal shell. This track revolves a lot around out of body experience, lucid dreaming, inner voices/internal dialogue, and the potential for reincarnation. It’s the feeling when you’re so sure that you’ve lost it all, yet you see that little shimmering glimmer of hope at the end of a long, dark tunnel. Then you have the rug pulled out from underneath you to find that the darkness is what you may only ever know. Not to say that all hope is lost because, in the context of the lyrics, it is not. There’s a repeated line near the middle and ending of the song that says ‘once more upon this eternal flat circle.’ It is inspired by True Detective S1 where it’s said ‘time is a flat circle.’ This has all happened before and will all happen again. I’m not a flat earther.”

Decay was self-produced with engineering by drummer Marshall Wieczorek, mixed by Johann Meyer, mastered by Alan Douches, and features artwork and layout by Travis Smith (Overkill, Nevermore, Opeth etc). The record will be released on CD and digital formats as well as vinyl in various color variants.

Find pre-orders at: metalblade.com/wretched

Decay Track Listing:
01. Decay
02. Malus Incarnate
03. The Royal Body
04. The Crimson Sky
05. Radiance
06. Clairvoyance
07. The Mortal Line
08. Behind the Glass
09. Lights
10. The Golden Tide
11. Blackout
12. The Golden Skyway

WRETCHED will play four shows with Aether Realm and Paladin later this week. In September, the band will support labelmates Six Feet Under this Fall on their US headlining tour. The tour runs from September 21st through October 25th. Additional will be provided by Exhorder and Incite. Tickets are on sale now. See all confirmed dates below.

WRETCHED w/ Aether Realm, Paladin:
8/07/2025 The Earl – Atlanta, GA
8/08/2025 Eulogy – Asheville, NC
8/09/2025 Chapel Of Bones – Raleigh, NC
w/ Aether Realm:
8/10/2025 The State Theatre – Greenville, NC
w/ Six Feet Under, Exhorder, Incite:
9/21/2025 The King Of Clubs – Columbus, OH
9/22/2025 Soundstage – Baltimore, MD
9/23/2025 Chapel Of Bones – Raleigh, NC
9/25/2025 Conduit – Orlando, FL
9/26/2025 Orpheum – Tampa, FL
9/27/2025 Club LA – Destin, FL
9/28/2025 Chelsea’s Live – Baton Rouge, LA
9/29/2025 Paper Tiger – San Antonio, TX
9/30/2025 Jake’s – Lubbock, TX
10/02/2025 The Rock – Tucson, AZ
10/03/2025 House Of Blues – San Diego, CA
10/04/2025 Humdinger – San Luis Obispo, CA
10/07/2025 El Corazon – Seattle, WA
10/09/2025 Ray’s Golden Lion – Richland, WA
10/10/2025 Nova PDX – Portland, OR
10/11/2025 The Shredder – Boise, ID
10/13/2025 The Oriental Theatre – Denver, CO
10/15/2025 The Vanguard – Tulsa, OK
10/16/2025 Wooly’s – Des Moines, IA
10/17/2025 The Canopy Club – Urbana, IL
10/18/2025 Avondale – Chicago, IL
10/19/2025 Venue Event Center – Cadillac, MI
10/20/2025 Sanctuary – Detroit, MI
10/21/2025 Rec Room – Buffalo, NY
10/22/2025 District Music Hall – Norwalk, CT
10/23/2025 Brooklyn Monarch – Brooklyn, NY
10/24/2025 Broken Goblet – Bensalem, PA
10/25/2025 Preserving Underground – New Kensington, PA

WRETCHED:
Billy Powers – vocals
Steven Funderburk – guitar
Andrew Grevey – bass
Marshall Wieczorek – drums

https://www.wretchedmusic.com
https://www.instagram.com/wretchednc
https://www.facebook.com/wretchednc
https://x.com/WretchedNC
https://www.youtube.com/wretchednc

Indonesian DEVASTROSITY to Release Debut Album “Eviscerating Desolation” on October 24th

Posted by tarjavirmakari on August 7, 2025
Posted in: Int. News, News. Tagged: DEVASTROSITY. Leave a comment

Emerging from the Indonesian brutal death metal underground, Devastrosity is a violent entity formed by members of established bands like Deserter, Gorification and Killharmonic. They have brought all their experience and diverse talents together with the mission of creating one of the most savage and devastating sounds in existence. The Devastrosity name was introduced to the world last year with a limited edition demo entitled Human Depravation, which sent shudders through the extreme metal scene…but that was just the beginning. Now the band are ready to unleash the full force of their debut album, the spine-splitting Eviscerating Desolation!

Having exploded into life with the warped and wicked ‘Human Depravation’ there is simply no let up in the onslaught of brutality from Eviscerating Desolation. ‘Sadistic Purge Of Society Manifest’ hunts down those decreed to die with merciless efficiency, with tidal waves of double bass insanity swallowing everything in its path. The gradual reduction in speed in ‘Devastate Atrocity’ drags you down deeper and deeper into a slurry of human remains before flaying you alive in a rabid detonation of violence. ‘Decay Collapse’ delivers a hail of machine gun fire through naked flesh, tearing bodies apart and reducing all to a ragged, disordered mess – an impossible puzzle of shredded body parts. From the eerie intro that begins this tour of hell to the lingering echoes of final, disembowelling track, ‘Cadaveric Feast’ Devastrosity remain ferocious to the last venomous beat. Built upon killer riffs, and shockingly intense drumming, Eviscerating Desolation is an unstoppable assault of terrifying bloodlust.

Meticulously mixed and mastered at Texas Sicklab Studio, Eviscerating Desolation possesses an unusual clarity and separation of sound. Without losing any of its skull shattering impact, each vicious element of this abhorrent arsenal can be heard, exposing the individual cruelties and imaginative acts of torture to disturbing effect. Out on October 24th on Comatose Music, complete with the insane artwork of Rudi GorgingSuicide (Avulsed, Devangelic, Gutrectomy etc), Eviscerating Desolation will tear its way into the rotten hearts of brutal death metal fans everywhere.

Find out more about Devastrosity here
Follow Devastrosity on Facebook
Visit Comatose Music here

SECRET RULE Share Music Video for New Single ‘Silent Pain’

Posted by tarjavirmakari on August 7, 2025
Posted in: Int. News, News. Tagged: Secret Rule. Leave a comment
Photo source: https://www.facebook.com/secretruleband

Italian modern metal act Secret Rule unveil their powerful new single “Silent Pain”, the third track taken from their upcoming tenth studio album “X“, due out on October 24th, 2025 via Rockshots Records.

Following the energetic “Just a Sacrifice” and the evocative “Echoes of the Earth”, “Silent Pain” dives into the emotional terrain of hidden suffering. With haunting melodies, cinematic arrangements and raw, confessional lyrics, the song captures the invisible battles we fight behind closed doors—where pain is masked by silence and strength is found in vulnerability.

“‘Silent Pain’ is a song I deeply connect with—it’s about giving a voice to emotions we often keep buried. Singing it felt like releasing something I had been holding in for years”, shares vocalist and lyricist Angela Di Vincenzo.

Musically, the track merges heavy grooves with fragile atmospheres, reflecting the duality of emotional turmoil and healing. Guitarist and producer Andy Menario explains:

“I wanted the guitars to echo the internal chaos and quiet desperation behind the lyrics—sometimes heavy, sometimes fragile, just like the human mind.”

As with the rest of the album, the song was entirely produced by the band. Angela Di Vincenzo penned the lyrics and vocal melodies while Andy Menario handled the arrangement, mixing and mastering at Digitall Studio. Drums were recorded at Alpha Music with Andrea Miazzetto delivering a tense yet fluid performance and Sofia Basili adding both depth and vocal harmonies on bass.

Secret Rule’s upcoming album “X” celebrates their tenth anniversary with a bold and contemporary sound, blending modern metal intensity, symphonic textures and electronic experimentation. The album explores themes of collapse, resistance and rebirth—“Silent Pain” stands as one of its most intimate and cathartic moments.

Listen to the single: https://lnk.to/MztiB2

ALBUM PRE-ORDER (out October 24th,2025) ​from Rockshots Records store / Digipack​: ​https://rockshots.eu/products/secret-rule-x

Previous Singles

  • “Echoes Of The Earth” at the following links:
    Digital (Spotify): https://lnk.to/K8cHIS​
    Music Video: https://youtu.be/NXuMLHQyMds​
  • “Just A Sacrifice”:
    Listen to the single (Spotify): https://lnk.to/H61jMl​
    Music Video: https://youtu.be/8yyd_1TLZAA​

Bundle from Secret Rule Official Store​: ​https://www.secretrule.it/store/

ANGELA DI VINCENZO: Vocals​
​ANDY ‘MENARIO’ MENARINI: Guitar​
​SOFIA BASILI: Bass​
​ANDREA MIAZZETTO: Drums

Website: https://www.secretrule.it​
​Facebook: https://www.facebook.com/secretruleband​
​Instagram: https://instagram.com/secret_rule_official

DEMIDEAD Unveil Striking New Visual Era + Working on New Album

Posted by tarjavirmakari on August 7, 2025
Posted in: Int. News, News. Tagged: DEMIDEAD. Leave a comment

Italian death metal outfit DEMIDEAD emerges from the shadows with a bold, ritualistic new look and the promise of their most intense album to date. Blending war paint, tribal symmetry, and dystopian textures, the band’s new visual identity marks a turning point in their evolution – and signals what fans can expect from their forthcoming record.

Captured in an abandoned, graffitied sanctuary of decay, the newly released photo features the four members standing defiant, covered in blood-red streaks, geometric armor, and primal face paint. This isn’t just a rebranding—it’s a transformation. Demidead have shed their skin, and what’s beneath is raw, chaotic, and unapologetically alive.

Known for their signature blend of death metal and theatrical aggression, Demidead are entering a new sonic phase—drawing from horror aesthetics, progressive riff structures, and a lyrical descent into inner sacrifice, rebirth, and resistance. Leaks that tells of a new upcoming work for the next year…

Fans can expect:

  • Ritualistic live shows inspired by the new visual identity
  • A series of music videos drenched in symbolic narrative and avant-garde visuals
  • The heaviest and most emotionally charged material of their discography

Stay tuned for updates, teasers, and behind-the-scenes footage as the band prepares to unleash this new chapter.

Post-Rock Trio BARRENS Reveal New Single ‘The Derelict’

Posted by tarjavirmakari on August 7, 2025
Posted in: Int. News, News. Tagged: BARRENS. Leave a comment
Photo Credit: Erika Larsson

Swedish post-rock trio BARRENS have released ‘The Derelict’, the fourth single from their forthcoming album Corpse Lights, out on 12th September via Pelagic Records.

Stream here: https://orcd.co/barrens

Corpse Lights is the name given to the folk belief that small coloured lights often appear near the home of someone about to die, leading them along the path to their eventual resting place. Often considered to be evidence of the soul leaving the body, the concept of corpse lights embodies BARRENS’ approach to creating music as a cathartic release; not just because they want to, but because they have to. Their writing process is one of joy, light, and release as much as it is dark, heavy, and tense.

Five years in the making, Corpse Lights sees BARRENS strike a breathtaking balance between light and dark; beauty and brutality; the calm and the chaos as the three fast friends refine their formidable command of composition and dynamic even further.

One listen to BARRENS and the revelation that Markku Hildén, Johan G. Winther and Kenta Jansson had already been playing and touring together before forming the band suddenly makes sense. In 2018 Markku joined Scraps of Tape, Johan and Kenta’s other project, as a live drummer for two tours of Europe and a tour of China. Recognising an immediate chemistry, the outlines for what would become BARRENS were sketched out in countless vans, trains, planes and bars as they travelled together across the world.

Back home, the trio wasted no time and quickly turned their collection of notes and motifs into demos; drawing unique inspiration from the experiences they shared as well as exploring new and unknown territories. The result was debut album Penumbra, a dense, elegant and passionate collection of instrumental, synth-driven post rock pieces that sounded in no way like the debut album from a brand new band. 

Corpse Lights, BARRENS’ sophomore album, is somehow deeper, richer and headier; imbued with an alluring compositional patience that serves as unspoken testament to the combined creativity of the trio in their element, as something so much greater than the sum of its parts. Recorded and produced by Kristofer Jönson, who also helmed Penumbra, and mixed and mastered once again by Cult of Luna’s Magnus Lindberg, shimmering synthesizers and sprawling guitars lead the charge propelled by exhilarating drums and percussion but Corpse Lights also finds BARRENS using space, silence and atmosphere as another instrument if not as another band member entirely.

‘Corpse Lights’ is the name given to the folk belief that small coloured lights often appear near the home of someone about to die, leading them along the path to their eventual resting place. Often considered to be evidence of the soul leaving the body, the concept of corpse lights embodies BARRENS’ approach to creating music as a cathartic release; not just writing music because they want to but because they have to. Their writing process is one of joy, light and release as much as it is dark, heavy and tense.

In their time, BARRENS have supported the legendary Mogwai, God Is An Astronaut, signed with the famed Pelagic Records and opening ArcTanGent‘s main stage for the 2023 edition.

Corpse Lights tracklisting:

1. Memory Eraser
2. The Derelict
3. Sorrowed
4. Periastron
5. Apastron
6. No Light
7. Collapsar
8. Remnants
9. A Nothing Expands

BARRENS are:

Johan G. Winther (Guitar, Synths)
Markku Hildén (Drums, Percussion)
Kenta Jansson (Bass, Synths)

For more: 

https://www.instagram.com/barrens_official
https://www.facebook.com/BARRENStheband
https://pelagic-records.com/artist/barrens

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