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UNDECAYED to Release “In Death’s Image” Debut Album on May 21st

Posted by tarjavirmakari on March 29, 2025
Posted in: Int. News, News. Tagged: UNDECAYED. Leave a comment

Swedish death metal force UNDECAYED will unleash their long-awaited debut album, “In Death’s Image”, on May 21st, 2025, via Lethal Scissor Records.

Despite their origins, the band eschews the traditional HM-2-driven Swedish sound in favor of a raw and relentless approach deeply rooted in the ferocity of ’90s American death metal, recalling the percussive onslaught of Suffocation and the unholy aggression of Deicide. However, the album does not shy away from the merciless intensity of certain European acts, channeling the sheer force of early Sinister, Aeon and Severe Torture into a blistering assault of unfiltered death worship.

Likely the first album ever released with the word ‘death’ in the title of every song, “In Death’s Image” takes its thematic obsession to another level: in one track, the word for ‘death’ is even sung in 19 different languages. The album’s lyrics paint a grim and absolute vision of annihilation—”Death” arrives on Earth in a physical form, surpassing any concept of a god, to extinguish all existence. No one and nothing is spared: humans, animals, vegetation, water, air—everything dies. There is NO hope for life.

The first single “Death’s Only Demand” is now streaming HERE.

Tracklist:

1 – The World Shall Know Only Death
2 – Death’s Only Demand
3 – The Descendants Of Death
4 – In Death’s Image
5 – Death Shall Come (Death Shall Prevail)
6 – Death’s Pallid Coat
7 – World At Death’s Door
8 – Entreating Death In Vain
9 – The Greatest Death

All music composed by Mikael Bergman
All lyrics written by Tony Richter
Cover artwork by renowned artist Jon Zig

UNDECAYED was formed in August 2008 by Tony Richter (vocals) and Mikael Bergman (guitars) as a result of lineup issues in their respective bands, 9th Plague and Disromance. The two had played together in several bands throughout the ’90s and early 2000s, most notably Gardens of Obscurity and The Darksend. Initially, Richter and Bergman were joined by Disromance drummer Johnny Augustsson. Bassist Christoffer Svensson joined in 2009, and in 2014, drummer Jesper Leidbring replaced Augustsson.

The idea that every song should include the word “death” in its title emerged in 2010, both to emphasize that this was true DEATH metal and because such a concept had never been done before. The demo “The Triumph of Death” was recorded in late 2010 and released in January 2011. It was then decided that no further demos would be released before the debut album.

Over the years, family matters, work commitments, health issues, the loss of two rehearsal spaces, and lineup changes all contributed to periods of forced inactivity and delays. It wasn’t until the Covid-19 pandemic that the band was finally able to complete their album “In Death’s Image”.

Line-up:

Tony Richter – vocals
Mikael Bergman – guitars
Christoffer Svensson – bass
Jesper Leidbring – drums

https://undecayedband.bandcamp.com/
https://www.facebook.com/undecayed
https://www.instagram.com/undecayedofficial/

THIS GIFT IS A CURSE Release Horrifying New Video ‘Void Bringer’

Posted by tarjavirmakari on March 29, 2025
Posted in: Int. News, News. Tagged: This Gift Is A Curse. Leave a comment
Photo by © Kristofer Karlberg

Over the past 16 years, This Gift Is a Curse have pushed the edges of underground metal to violent extremes. Last month, the sludgy Swedes extended their blackened reign of terror with Heir, which cracked the Top Ten of their home country’s album charts. 

“Records like Heir are few and far between these days”, wrote New Noise in a 4/5 star review. “it’s a lot to stomach, even for those that can handle the heaviest of heavy metals”.

Today, This Gift Is a Curse are releasing a new video for “Void Bringer”, Heir‘s slow-burning, soul-crushing finale. In black and white, the video carves a harrowing path toward transcendence through ritual, hallucination and descent.    

HEIR is out now via Season of Mist. Order & Stream at https://orcd.co/thisgiftisacurseheir

The video for “Void Bringer” was directed and produced by visual artist Lars Kristoffer  Hörmander (@larskristo). The storyline was created in collaboration with This Gift Is a Curse vocalist Jonas A. Holmberg.

Next month, This Gift Is a Curse are ushering Heir onto the stage in front of their home crowd when they open for Gaerea. 

Get tickets HERE to see them in Stockholm on April 19.

Tracklist:
1. Kingdom (5:43) [WATCH]
2. No Sun, nor Moon (8:17)
3. Void Bringer (9:17) [WATCH]
4. Death Maker (4:26)
5. Passing (2:17)
6. Seers of No Light (5:52)
7. Cosmic Voice (6:51)
8. Vow Sayer (6:00)
9. Old Space (8:42)
10. Ascension (9:17) [LISTEN]
Total runtime: 1:06:44

There’s an abyssal depth reaching far below – where light is devoured by shadow, and silence is torn asunder by cacophony. Down below, there thrives a beast most foul and majestic. This beast, known among the living as THIS GIFT IS A CURSE, has clawed its way through the bedrock – leaving a trail of desolation and awe in its wake. As 2025 dawns bleak and uncertain, the beast prepares to unleash its latest apocalypse, ‘HEIR.’

Since its infernal birth, THIS GIFT IS A CURSE has been a harbinger of the end times for the conventional and the mundane. A cataclysmic fusion of black metal ferocity, sludge-laden doom, and a haunting ambience straight from the depths of the nether, has torn apart stages and souls alike. Now, with ‘HEIR,’ they stand poised to cast the world into a new age of darkness.

THIS GIFT IS A CURSE were founded in Stockholm by a fateful chance meeting of vocalist Jonas A. Holmberg and drummer Johan Nordlund in late summer 2008. The duo soon recruited guitarist Patrik Andersson and Lars Gunnarsson on bass. In March 2010 the Swedish four-piece entered the legendary Sunlight Studios (ENTOMBED, KATATONIA, TIAMAT, DISMEMBER and many more) and recorded their self-titled debut EP with the aid of producer Tomas Skogsberg. ‘This Gift Is A Curse’ (2010) was well received in the underground and led to the band being invited to perform many shows in their homeland and Europe. During the second half of 2011, THIS GIFT IS A CURSE recorded their first full-length ‘I, Gvilt Bearer’ at a secret location north of Stockholm. Their producer Magbjork (MELEEH, CHILDREN OF FALL) moved his studio to this specific location to allow the band to unlimited record possibilities. Released in 2012, the album caused a buzz that reached beyond the underground and quickly sold out its first pressings. More touring followed during the next two years. In 2014, THIS GIFT IS A CURSE teamed up with Magbjork once again to record ‘All Hail The Swinelord’ in an abandoned house close to Stockholm.

After the release in 2015, a few Scandinavian and European tours followed before the band decided it was time to go back into the void to write new music. This process started with the recruitment of a second guitarist in order to push the sonic experience even further. David Deravian, hailing from steel town Eskilstuna, joined the cursed ranks of THIS GIFT IS A CURSE in 2016, adding fresh creative blood and new musical input to the sonic pot. As the new material took form, the band not only booked studio time with the great W. Blackmon of the Overlook Studios in Gävle (SE), but also kept their roots by recoding parts of the album at Norra Begravningsplatsen in Stockholm. Including producer MAGBJORK to the whole process once again to get the right ‘grit and grievance’ into the sound. Afterwards, mastering was done by none other than Magnus Lindberg (CULT OF LUNA, TRIBULATION, ALCEST etc).

THIS GIFT IS A CURSE defies the transient trends of music, instead choosing to carve its path with the bones of the fallen. Their forthcoming album, ‘HEIR,’ is a relentless pursuit of the extreme, a mosaic of human suffering and the dark beauty that lies within. As the album prepares to sear its mark upon the world, one thing is clear: There will be no heirs to the throne of darkness that THIS GIFT IS A CURSE occupies. The crown is theirs alone, forged in the fires of creation and destruction, a beacon for those who dare to walk the shadows.

Line-up:
Jonas A. Holmberg – Vocals
Patrik Andersson – Guitars, Vocals
David Deravian – Guitars
Lars Gunnarsson – Bass, Vocals
Christian Augustin – Drums

Recording Studio:
The Overlook Studio, Gävle, Sweden

Production Credits:
Produced, Engineered & Mixed by William Blackmon at The Overlook Studio.
Mastered by Magnus Lindberg at Redmount Studios, Stockholm, Sweden.
Guitars recorded at Laard studios and House of Inge Studio. Engineered by Daniel Noring and TGIAC.
Bass recorded at Cold Barn with the help of Daniel Noring.
Vocals recorded at Cold Barn by TGIAC.

Guest Musicians:
Laura Morgan (of Livmødr) – Vocals on Kingdom (Track 1), Old Space (Track 9) & Ascension (Track 10).

Cover Art:
Jonas A. Holmberg / House of No Light .317 (Instagram)

Follow This Gift Is A Curse:
Bandcamp: http://thisgiftisacurse.bandcamp.com/
Facebook: http://www.facebook.com/thisgiftisacurse
Instagram: https://www.instagram.com/thisgiftisacurse/
Spotify: https://open.spotify.com/artist/7MoipbqoshfYNfckhzRtYC
Apple Music: https://music.apple.com/artist/this-gift-is-a-curse/405256386
Deezer: https://www.deezer.com/artist/1005843
TIDAL: https://tidal.com/browse/artist/3813169

OBSIDIAN TONGUE Announce New Full-Length “Eclipsing Worlds of Scorn” + Share First Single ‘Orphaned Spiritual Warrior’

Posted by tarjavirmakari on March 29, 2025
Posted in: Int. News, News. Tagged: OBSIDIAN TONGUE. Leave a comment
Photo by: Stephanie Sintra

Progressive black metal duo OBSIDIAN TONGUE will be releasing their fourth full-length album, ‘Eclipsing Worlds of Scorn,’ on May 30, 2025 via Profound Lore Records! To celebrate the forthcoming opus, the band is now sharing the devastating new single, “Orphaned Spiritual Warrior,” which can be heard at THIS LOCATION.

Comprised of multi-instrumentalist Brendan Hayter (Thrawsunblat/Obsequiae live) and drummer Raymond Capizzo (Falls Of Rauros/Panopticon live), OBSIDIAN TONGUE returned to the all-analog Mystic Valley Studio, where their first two records were made, to print their Covid-era home sessions onto two-inch tape. Mixed and mastered in the analog domain as well by Alex Garcia-Rivera, ‘Eclipsing Worlds of Scorn’ boasts a unique and unmistakable sonic force amidst the modern digital landscape; created with a total absence of click tracks, quantization, or sound replacement of any kind. 

Hayter comments on the single, “The first track we arranged for ‘Eclipsing Worlds of Scorn’ practically named itself – ‘Orphaned Spiritual Warrior.’ It was clearly an album opener, as complex and chaotic as it is.

“It felt like being dropped into a new world you knew you didn’t belong in – and everyone and everything around you knows it too. You vaguely remember that you came from somewhere else, that you had a dignified purpose there, and that there were people way beyond this place that understood you…but the worst part is you don’t know if they’re looking for you, if they’re trying to get you back. All you know is a sense of abandon and mortal danger…every step is heavy with some sort of impostor syndrome and every movement feels uncoordinated, jagged, and bound for disaster. You once could fight, but in this place it feels like trying to fight off an attacker in a dream and you can’t make contact or move your arm fast enough no matter how hard you try. All there’s left to do is find some sort of shelter, try to find your center, try to unlock the memories, and fight off the strife. ‘Set ablaze this world to pass onto the next.'”

‘Eclipsing Worlds of Scorn’ can now be pre-ordered HERE.

Tracklisting:

  1. Orphaned Spiritual Warrior
  2. Snakeskin Tunnel Colony
  3. Eclipsing Worlds of Scorn [LISTEN]
  4. To Forgive Oneself
  5. …And Still They Dream…
  6. Theater of Smoke & Wind

Lauded as USBM’s best kept secret, Obsidian Tongue has been on a steadfast artistic journey since their formation in 2009. They’ve never failed to retain the original mission of playing raw and cathartic melodic black metal as they journeyed further into psychedelic and progressive territories with each release following 2012’s self-released debut ‘Subradiant Architecture.’ While their debut won a passionate following for its perfect union of the grimy and the epic sides of black metal, it was 2013’s ‘A Nest of Ravens in the Throat of Time’ (Hypnotic Dirge Records) and its psychedelic dark metal that established their name more into the scene and showcased their ambitious nature even more.

2015’s 15-minute single ‘The Lakeside Redemption,’ with its progressive, haunting, dreamlike and triumphant elements, set the groundwork for their third full length, which took several years of tireless effort to complete. Released in Jan of 2020, ‘Volume III’ (Bindrune Recordings) was clearly the band’s magnum opus but all plans to support the album on the road became thwarted due to the pandemic. So all there was left to do was write even more music. This gradually led to a creation of not one, but three works: the first being 2024’s much-delayed self-released digital EP ‘The Stone Heart’ and the second being their fourth full-length album ‘Eclipsing Worlds of Scorn’ to be released via Profound Lore Records on May 30, 2025. 

In the summer of 2024, Obsidian Tongue, comprised of vocalist/guitarist/bassist Brendan Hayter (Thrawsunblat/Obsequiae live) and drummer Raymond Capizzo (Falls Of Rauros/Panopticon live) returned to the all-analog Mystic Valley Studio, where their first two records were made, to print their Covid-era home sessions onto two-inch tape. Mixed and mastered in the analog domain as well by Alex Garcia-Rivera, ‘Eclipsing Worlds of Scorn’ boasts a unique and unmistakable sonic force amidst the modern digital landscape; created with a total absence of click tracks, quantization, or sound replacement of any kind. 

The progressive black metal journey that is ‘Eclipsing Worlds of Scorn’ takes off immediately with the wrathful sounds of “Orphaned Spiritual Warrior” and “Snakeskin Tunnel Colony,” easily the band’s two heaviest tracks to date. These flow directly into the apocalyptic title track, and onto the vulnerable and surreal sounds of “To Forgive Oneself” leading into the acoustic instrumental “…And Still They Dream.” This dream ends with the triumphant “Theater of Smoke & Wind,” a true psychedelic black metal classic that still evokes some of the original feeling found on the band’s ‘Subradiant Architecture’ debut.

Sixteen years into the band’s existence, Obsidian Tongue clearly show no signs of running out of new ways to alter their sound – song by song, album by album.

Lineup:
Brendan Hayter – Guitar, Vocals, Bass, Synth
Raymond Capizzo – Drums

Recorded @ Mystic Valley Studio
Mixed & Mastered by Alex Garcia-Rivera

Recommended for Fans Of: Agalloch, Blut Aus Nord, Dødheimsgard, Wolves in the Throne Room

More info: Instagram – Facebook – Apple Music – Spotify – Bandcamp

HAREM SCAREM Unveil New Video ‘Better The Devil You Know’ from Upcoming Album

Posted by tarjavirmakari on March 29, 2025
Posted in: Int. News, News. Tagged: HAREM SCAREM. Leave a comment
Photo Credit: Al Piazza

Canadian hard rockers Harem Scarem unveil their new single and official video, “Better The Devil You Know”, taken from their highly anticipated new album “Chasing Euphoria”, set for release on April 25, 2025, via Frontiers Music Srl.

Pre-Order “Chasing Euphoria” HERE

Vocalist Harry Hess comments on the new single, by saying: “We are very excited to share our new single “Better The Devil You Know” with everyone. We’ll be playing this one live on our upcoming tour. Turn it up load, see you on the road”.

Harem Scarem are finally back with their anticipated return album “Chasing Euphoria”, their first new album in 5 years. Their new record is an absolute belter for all Melodic Hard Rock fans and shows clearly why, when a discussion arises on who are the current heavyweights of the melodic hard rock scene, the list of names being bantered about cannot avoid a mention of Harem Scarem. 

“Chasing Euphoria” brings back the band’s classic sound and shows a band at the top of their game. A cohesive unit still able to deliver a power-rock-packed punch, swaggering riffs, and hooks to die for. Harry Hess and Pete Lesperance, without a doubt, show the world that their partnership still works!

Arguably Canada’s finest melodic hard rock band, Harem Scarem were formed in 1987 by guitarist Pete Lesperance and singer Harry Hess, formerly of the heavy metal band Blind Vengeance. The lineup was rounded out by Darren Smith (drums) and Mike Gionet (bass). 

They recorded a demo in 1999 and, on the strength of it, they were signed to Warner Music. Their self-titled album was a significant success in Canada and paved the way to the release of the heavier “Mood Swings” album in 1993, often considered the crown jewel of their early releases. 

Enjoying a particular success in the land of the Rising Sun, Harem Scarem kept on releasing albums regularly during the 90’s, until they decided to ultimately change their name and music style to Rubber between 1999 and 2001. 

In 2002, the band came back to melodic hard rock with the milestone album “Weight Of The World,” which was their first proper release in the European marketplace thanks to their newly signed deal with Frontiers. With the Italian label, Harem Scarem released another five original albums (not counting 2006’s “Human Nature”) until they took a break from recording in 2008 after the release of the album “Hope”.

In December 2012, it was announced that a reunited Harem Scarem would headline the 10th Firefest festival in Nottingham, UK, in October 2013, to perform the “Mood Swings” album in its entirety. The band regrouped and performed at Firefest and moved forward re-recording “Mood Swings II”, a twenty-year anniversary re-recording of their critically acclaimed and fan favorite second album. 

The three new songs included on that release showed renewed musical vigor and chemistry. This new energy was confirmed on 2014’s “Thirteen” release, which was a definitive return to the sound that put Harem Scarem on the map over 20 years earlier. 

Two more acclaimed albums followed: “United” (2017) and “Change The World” (2020), where the band presented a new lineup featuring Harry Hess (lead vocals, keyboards), Pete Lesperance (guitars, keyboards), long-time drummer Creighton Doane, Mike Vassos on bass, and backing vocals from original sticksman Darren Smith.

With well over a million records sold in 43 countries and 12 top 40 hits around the globe, the new year will see Harem Scarem return and ready to dominate! Check them on tour in Europe in spring!

“Chasing Euphoria” Tracklist:

1.    Chasing Euphoria
2.    Better The Devil You Know
3.    Slow Burn
4.    Gotta Keep Your Head Up
5.    World On Fire
6.    Bad Way
7.    Reliving History
8.    A Falling Knife
9.    Understand It All
10.    Wasted Years

Line Up:
Harry Hess – Lead & Backing Vocals, Keyboards
Pete Lesperance – Guitars and Bass
Creighton Doane – Drums
Darren Smith – Lead and Backing Vocals

Follow HAREM SCAREM:
Facebook
Instagram

SLAUGHTER’s 1997 “Revolution” Now Available on 180g Vinyl for the First Time

Posted by tarjavirmakari on March 29, 2025
Posted in: Int. News, News. Tagged: SLAUGHTER. Leave a comment

SLAUGHTER’S 1997 RELEASE REVOLUTION IS NOW AVAILABLE FOR THE FIRST TIME ON 180G VINYL IN TWO COLOR VARIATIONS THROUGH DEKO ENTERTAINMENT. FEATURING THE ORIGINAL LINEUP AND LIMITED TO ONLY 500 COPIES OF EACH VARIATION.

Slaughter was formed in Las Vegas, Nevada in 1988. The group was founded by lead vocalist and rhythm guitarist Mark Slaughter and bassist Dana Strum, who previously played together in the band Vinnie Vincent Invasion. The addition of guitarist Tim Kelly and drummer Blas Elias allowed Slaughter to quickly gain attention for their lively performances, catchy hooks, and melodic guitar solos. Slaughter’s debut album Stick It to Ya had three singles released that hit the Billboard Hot 100: the hit “Fly to the Angels” (US#19), and the moderate hits “Up All Night” (US#27) and “Spend My Life” (US#39).

Slaughter has continued to release new albums and tour constantly, and now Deko Entertainment is re-issuing for the first time on vinyl their 1997 release Revolution, a retro/psychedelic vibe permeates this album, as clearly evident on such highlights as “American Pie” and the long and winding epic “Heaven it Cries.” The artwork has been restored with the assistance of original art director Ioannis (Deep Purple, Styx, Fates Warning, etc…) and it has been re-mastered on 180g vinyl in two color variations, standard Black and deluxe Blue.

Listen to “Heaven It Cries” here:

There is a limited amount (100 copies) of a CD/LP Bundle with at 10×10 print signed by original cover artist Ioannis which includes the Blue vinyl and 6-Panel CD Digipak. Revolution will drop on May 30th with bundles expected to ship mid-May.

Order Revolution on CD and LP while supplies last: https://www.dekoentertainment.com/reissues/slaughter

Tracklist:

American Pie
Heaven It Cries
Tongue N’ Groove
Can We Find A Way
Stuck On You
Hard To Say Good-Bye
Revolution
Guck
Heat Of The Moment
Rocky Mountain Way
You’re My Everything
I’m Gone
Ad-Majorem-Dei-Gloriam

For more information, visit www.dekoentertainment.com

DESERTFEST BERLIN Adds BELZEBONG + BLOODFANG for 2025 & Announces Return of Warm-Up Party

Posted by tarjavirmakari on March 29, 2025
Posted in: Int. News, News. Tagged: DESERTFEST BERLIN. Leave a comment

Desertfest Berlin has added two new band names for its outstanding festival edition in 2025, and confirms Poland’s kings of instrumental stoner doom BELZEBONG, and German sludge, doom, and old-school heavy metal powerhouse BLOODFANG!

They will be joining the perhaps best and most eclectic line-up in the history of Desertfest Berlin, featuring iconic DINOSAUR JR., Swedish rock pioneers THE HELLACOPTERS, prog-and psych-rock masters ELDER (playing their groundbreaking “Lore” album in its entirety!), New Orleans sludge legends EYEHATEGOD, MY SLEEPING KARMA, US doom metallers PALLBEARER, Norwegian “tundra rock” frontrunners SLOMOSA, DOZER, TEMPLE FANG, LOWRIDER, Berlin’s riot grrrls 24/7 DIVA HEAVEN, HIPPIE DEATH CULT and so many more incredible live acts the stoner, rock, doom, sludge, psych and metal scene has to offer. 

Desertfest Berlin will take place between May 23 – 25, 2025 at Columbiahalle and Columbia Theater. Get Tickets, Sleep Over possibilities & more infos now at: www.desertfest-tickets.de

Alongside many more upcoming specials during the festival, Desertfest Berlin furthermore announces the return of its legendary Warm-Up Party for May 22nd at Neue Zukunft! The bands who will be warming you up for this year’s Desertfest are still secret, but will be announced in the days ahead. Tickets for the iconic Warm-Up are now available at: www.desertfest-tickets.de 

For More Info About Desertfest Berlin Visit:
http://www.desertfest.de
http://www.facebook.com/DesertfestBerlin
http://www.instagram.com/desertfest_berlin
https://www.soundofliberation.com

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