In a new video published recently, UK death metal giants ABHORRENT DECIMATION confirm they have appointed Ross McLennan (of Reign of Fury fame) as their new lead guitarist. McLennan, a long time friend of the band, enters the fold to complete the line up and begins to contribute material as the group start work on their Prosthetic Records debut.
Ross McLennan
“I’m really happy to be joining the band at such an exciting time. I’ve known the guys quite a while and always admired their drive and professionalism. I hope that I can add something to that formula and I look forward to contributing towards making the next record a success.” Vocalist Ashley Scott added, “Ross has been a friend of the band for such a long time, it’s great to have him fill this position. As a unit, we are closer than we have ever been, the creative juices are flowing and we are ready to seriously up our game from the Miasmic era. The themes for this new one are all done, we have a considerable amount of demoed material already and we are just extremely excited to collaborate with Prosthetic on this release.”
Watch The Video Here:
On top of this, the video contains some new audio, perhaps a sign that things are changing with the bands sound? Bass player David Archer, who will also be engineering and producing the upcoming album had this to say… “The dynamic of the band has changed recently and that has obviously altered the way that we do things. I really wanted to try to include influences from other genres and styles to make our sound a bit broader and more musical whilst still retaining that aggression of our previous material. The main thing that I want to achieve with this album is to create something that sounds a bit more involved and thought-out. Something dark, brooding and just a bit more reflective, whilst still being something that our fans can appreciate and that we will enjoy playing live.” Rhythm guitarist William Cooke added, “We’re bringing a lot more to the table this time around, the demos we have made so far are packed with new influences and I know our fans are going to love the general direction of this sound. It’s an extremely exciting time.”
The band have also shared the final run of dates that they will play before they head into the studio to begin recording this winter, they also confirm that they are main support to Wombbath in London next year at The Black Heart Camden, 3rd February 2017, get that one in your diaries.
The final shows are:
22 October 2016 – TBA, Belgium
23 October 2016 – TBA, Belgium
28 October 2016 – The Facebar, Reading
30 October 2016 – Fulford Arms, York
ABHORRENT DECIMATION join the Prosthetic Records artist roster signing a three album deal:
UK Death Metal stands in the spotlight today as one of it’s most promising prospects, ABHORRENT DECIMATION announce they have signed a deal with the legendary metal label. The signing will see the bands next three records distributed worldwide via Sony Red. “We can’t wait to get this next record out now, we’re in love with this new material the 4 of us have been working on” remarks vocalist Ashley Scott. “It’s a real honour to work with the label and we look forward to being able to extend the reach of our music with the help of this successful, global label”.
“This marks the turning point in our career, not only as Abhorrent Decimation but as musicians, we really can’t wait to unleash the next record”.
The band estimate a new music will start to emerge before the end of the year and hope that a new record will be out Spring 2017.
Catch ABHORRENT DECIMATION LIVE before they head back into the studio to record the highly anticipated follow up to Miasmic Mutation. More dates to be announced.
28/05 Southampton, Annihilation Fest
YOUR GOD IS DEAD | UK MINI TOUR
16/06 Croydon, The Scream Lounge
17/06 Liverpool, Maguires
18/06 Hitchin, Club 85
Kaotoxin is proud to announce that the French Death Metal machine AD PATRES will head on their first ever UK tour, supporting brutal Britts in ABHORRENT DECIMATION.
After having played HellFest and many other French festivals, Netherlands with Krisiun, a weekend tour with Morbid Angel in France and Belgium, played Germany’s DeathFeast and whatnot, it’s time for AD PATRES to bring their savage beatings to UK stages and who other to team with than ABHORRENT DECIMATION for a brutal package of high-class Death Metal the way it was meant to be!
Dubbed “Your God Is Dead”, the tour will start with a one-off gig featuring AD PATRES only (and supports) in Kaotoxin’s hometown of Lille, France, on June 15 after which both bands will start a three days killing spree accross UK. It will also mark the touring debut of Pierre-Yves Marani recently replaced Sébastien “Canard” Brouchican on guitars for AD PATRES.
AD PATRES are currently in the writing process for the followup to their successfull and brilliant 2012 debut full-length, “Scorn Aesthetics“. The new album is planned for a 2017 release through Kaotoxin.
Dates are as follows:
Jun.15 – FR – Lille – Le Midland (Ad Patres + supports)
Jun.16 – UK – Croydon – Scream Lounge
Jun.17 – UK – Liverpool – Maguire’s
Jun.18 – UK – Hitchin – Club 85
A list of tracks by a death metal band was accidentally printed on the back of a new album by English comedian Bernie Clifton, as reported on bbc.co.uk.
The 80-year-old said he was “fuming and furious” about the error, which saw songs by the band ABHORRENT DECIMATION printed on his CD.
The singer made an album of covers following the response to his audition on BBC One’s The Voice. He joked he should join the band “on the road“, while their singer said they should “work together“.
Clifton‘s track listing was mixed up with that of Abhorrent Decimation‘s album, “Miasmic Mutation”.
The comedian, who is famous for riding a yellow ostrich, said: “I’m fuming and furious… I got [the CDs] out the box and I looked on the back and here was the track listing of a death metal group.
“We could go on the road, me and the lads. We could do To Dream the Impossible Miasmic Mutation.”
The band’s singer Ashley Scott said he was alerted to the mistake after being shown an article about it on page three of The Sun newspaper.
“I thought he was going to show me some buxom blonde and take the mick out of me for being a bit overweight and bang, there’s the band.
“I definitely want to talk to Bernie about working together on something… it would be amazing.”
Mr Scott said he thinks the error occurred due to similar catalogue numbers.
Clifton, from Derbyshire, apologised to the people who pre-ordered his album and said copies would be with them shortly.
UK, London based death metal act ABHORRENT DECIMATION‘s debut album “Miasmic Mutation” is out now. Vocalist Ashley Scott describes this album as “a true labour of love” and had recently spoken of the lyrical content and inspiration behind the songs. “I had just finished reading Dante’s The Divine Comedy again and was really into the notion of personal exile and the journey of life in general. Inspired, I came up with the starting block for the record’s concept, which was to create three passages, akin to The Divine Comedy except I would choose Life, Death and Afterlife. I was particularly adamant we would have nine songs on the final cut so that would allow me three songs per passage to explore the ideas and stories I wanted to tell. Some of the songs are total fantasy but most of them are literal and metaphorical reflections on situations I was experiencing or had experienced around the time of writing, adapted to fit the concept. The mutation itself is a personification of my thoughts, encompassing all these notions of life, death and the afterlife.”
To celebrate its release Ashley has offered some further insight into the stories behind each song on the album.
Watch The Lyric Video For ‘Glaciate The Servants’ here:
Glaciate The Servants – Story of Death
This song is the soundtrack to a holy cull. The message is simple, ‘eradicate faith’ and ‘obliterate belief’. Bring forward the death of the billions who are still worshipping the ancient prophecies. Of all the things we could channel our energy, focus and love towards people still revere doctrine? It also explores the widely quoted statement that ‘God is dead’. You cannot kill that which has not lived, however you can terminate an ideology by opposing it.
The Icon of Loss – Story of Afterlife
This is one of my fantasy reflections of what I think the afterlife may be like. NOTHING. Your time has come and that is the end. Death simply gives life a definition. No glory gates, no visions of martyrs. No virgins, no demons. You are put to rest and become one with the earth, history personified.
Eternal Repulsion – Story of Afterlife
This track is a conclusion to ‘Glaciate The Servants’ and in my opinion this is the most ferocious track on the album. Fast paced and vicious in its delivery. Everything about this song is violent; the concept for this one again, is fantasy. It’s written from the perspective of the mutation and of vexed disciples. The mutation has frozen Earth, trapping all the inhabitants. No one escapes and no one goes beyond. The age of gods is dead and we are stuck in its frozen tomb.
Souls Of Sedation – Story of Life
Souls originally came from somewhat of an unorthodox place of inspiration; it was actually the opening sample from a Bobby Womack track that then inspired me to write the lyrics on this one. The sample says… “As a singer grows older, his conception grows a little deeper, because he lives life and he understands what he’s trying to say a little more. If the singer tries to find out what’s happening in life it gives him a better insight on telling the story of the song he’s trying to sing”… I wanted to really try and pin down some process of emotion that I felt passionate about. I wrote about how torn I feel in life between the pursuit of my dreams and the reality that I am a provider for a family with responsibility and other people to consider before myself and while it may seem cliché, I wrote about knowingly suppressing myself with a painted smile, while another self longs to be free. Once I finished it I realised that a lot of people could really connect with this theme, it’s something I think we can all connect to in some way, shape or form and it’s one of my favourite set of lyrics off the record.
…For The Desperately Lost – Story of Life
This song is for the desperately lost. They know who they are.
Miasmic Mutation – Story of Death
Back to the fun stuff! This song is total fantasy and as the title track, it is about the mutation itself. Having now frozen the Earth and all its inhabitants it begins to feast on the sedated souls of those trapped in its icy tomb. Its feast is not supposed to be interpreted as slaughter; instead it is a metaphor for rapture. The mutation is cleansing and it is setting each and every one of them free on a new path of life, in death.
Echoes of the Vortex – Story of Death
This song is about taking secrets to the grave, we all have one, some/many. I explore the idea of the pain it may cause to take things like this to the grave. Whilst the mutation is taking your souls and moving you in to rapture, it acts as the ever-listening ear and offers you a chance to set free your darkest of secrets, the vortex is your confession booth. Enter the vortex, share your secrets and leave them echoing in there forever. However, there is a catch – the more secrets the mutation learns of, the stronger it grows.
Terminal Reality – Story of Life
A few years back my Grandfather was diagnosed with Alzheimer’s; at the time I did not understand the severity of this disease. I then realised it was terminal and that hit hard, after I had processed the situation – in a round about way I was inspired by how frustrated I felt for my family on the outside of his illness. I still can’t comprehend that he has no control of what he is losing from his mind, a long life of memories and happiness with a family that he built from the ground up, all the experiences and countless (seemingly menial) daily actions that you and I consider normal have now become a struggle for him. I was struggling to make it work as lyrics but was passionate to make something on it, so I injected a little fantasy into it and made a comparison to his lack of control against all the indoctrinated minds in the world that have control and the luxury of choice. Cue spiritual genocide, and a sacrifice of all things divine in a bid to save his mind.
Odious – Story of Afterlife
Odious as a concept is a message from the afterlife, it’s a very bleak reflection of life, death and the beyond. In my mind, I always had it penned as the finale as it was set to capture the brutal but very negative spirit of the concept in one song. The message comes from someone who is trapped in the ice by the mutation, soul removed, dead. It looks at the emptiness of death itself and the idea of time continuing regardless of our existence. A lot of ignorant people think the world revolves around them; however it existed long before you arrived and will continue far beyond what you can fathom. I was pitching for something a little theatrical here, perhaps to lead us into the next record as we all have an idea of where our material is going to go.
Just last month the UK’s spiritually irreverent death metal export ABHORRENT DECIMATION revealed details for the release of their hugely anticipated album, “Miasmic Mutation”. Mixed and mastered by Ronnie Björnström (Aeon, Apostasy, Bodyfarm, Krow), “Miasmic Mutation” is the band’s debut full-length and will be unleashed in various formats worldwide on September 25th.
Over the last few weeks the Londoner’s have been teasing fans, releasing snippets of material but all of that culminates with the release of the first full song, the album opener and an absolute death metal beast of a track entitled ‘Glaciate The Servants’. The track premieres exclusively with Metal Hammerat this location.
Vocalist Ashley Scott comments, “We actually finished the music for this one quite early into the process and I knew from way back then that it had to be the opening track to the album. It comes out at you in such a way, with that ripping drum fill… we felt it set a great tone for the album. No nonsense and heavy. We tried a few different things on this track riff wise and I think the main success in structure is the juxtapose of the complex verse riff and the simplicity of the chorus riff.”
“Lyrically, because I had it marked as the opener, it needed to be a scene setter. So from a concept point of view, this song is the soundtrack to a holy cull. The message is simple, ‘eradicate faith’ and ‘obliterate belief’. Bring forward the death of the billions who are still worshipping the ancient prophecies. Of all the things we could channel our energy, focus and love towards people still revere doctrine? It also explores the widely quoted statement that ‘God is dead’. You cannot kill that which has not lived, however you can terminate an ideology by opposing it.”
ABHORRENT DECIMATION will tour throughout the UK in October in support of “Miasmic Mutation”, dates to follow.
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Visionary artist KIMMO KUUSNIEMI's ANCIENT STREAMING ASSEMBLY (ASA) have released “Aurora Nuclearis”, a powerful 12-minute audiovisual experience, dedicated to the Late Keyboardist Esa Kotilainen. - Click image to watch the video