ALLUVIAL – Kevin Muller [vocals], Wes Hauch [guitar, vocals], Tim Walker [bass], and Zach Dean [drums] — will release their new EP, Death Is But a Door on January 12 via Nuclear Blast.
They have just shared the video for the title track. It was directed by Juan Carlos Escobar Salazar.
The plot-driven video traces the mental and emotional descent of a man against an apocalyptic urban backdrop. Trigger warning: The video does include scenes of gun violence.
“The best of us carry a dormant horror,” the band says about the track. “The very worst of us still have a heart.”
The director also chimed in, saying, “Ever since I heard Alluvial’s Sarcoma, they quickly became one of my absolute favorite bands. As a musician myself, I was blown away by their technicality, brutality, and their devastating wall of sound in their songs. So when my friend Mada Fleming introduced me to Kevin Muller literally a couple months ago, he mentioned the possibility of collaborating on a music video for a song in their upcoming EP. I was more than thrilled! Through a phone call, Wes Hauch and Kevin gave me the premise of what they had in mind for the video. After knowing what their vision was, I reached out to the incredibly talented actor, writer, producer, and director Nickolas Jacobs and through a lot of work and ingenuity, we delivered a piece that encapsulates the vision of the band and the atmosphere of the song. As a cinematographer, I had a lot of fun creating this; as a musician and a huge fan, it was an honor being part of this project with Alluvial and Nuclear Blast Records.”
Progressive, technical death metal collective ALLUVIAL have debuted their highly anticipated sophomore album, “Sarcoma,” today with Nuclear Blast. The band marks the release of the long awaited record with a new visualizer for their vicious new single ‘The Putrid Sunrise’, which can be viewed now!
Guitarist Wes Hauch comments on the single: “This song is basically about the back and forth of being stuck in a rut with drugs and booze. It bounces back and forth between high and sick, and the pointlessness that happens in between. I’d venture to say that most people can relate to giving into their beast. There’s a certain type of hedonic enjoyment in becoming the beast, but the beast is always there laughing at you once he’s had his fun.”
ALLUVIAL’s second full-length album, “Sarcoma,” examines people’s connection with pain and the hardships that bind us.
“Sarcoma is a type of cancer that grows from connective tissue in the body,” says guitarist Wes Hauch.“At the end of working on everything, Kevin [Muller] pinpointed that each song on the record was about the different perils that happen at the hand of one man to another. These perils live in our connections to one another, so ‘Sarcoma’ became an apt title.”
As Hauch began writing the record, he took notice of Muller due to his time in SUFFOCATION. After hearing his vocals on a demo, everything simply clicked, and Kevin joined the band. Fast brothers, it fulfilled a long-term goal. “The Deep Longing for Annihilation was supposed to have vocals, but I couldn’t find the right guy,” he adds. “Some people possess a rare inability to doubt themselves. Kevin can marry that into performances. The day I heard his vocals over the Sarcoma demos was a special one. We’ve become brothers.”
After writing and producing demos at home, Alluvial cut guitars, bass, and vocals with engineer John Douglass (MR. BUNGLE, AMON AMARTH) in Atlanta.
Progressive, technical death metal collective ALLUVIAL will release their highly anticipated sophomore album, “Sarcoma”, in a little more than a month on May 28th with Nuclear Blast. Today, they’ve unveiled the latest track, ’40 Stories’, from the record. Watch the music video now!
Guitarist Wes Hauch comments on the single: “I’m really all chips in for every song on ‘Sarcoma,’ but ’40 Stories’ is one that we’re especially proud of. It was originally going to be an instrumental. The lyrics are loosely based on a suicide story, and it’s one of a handful of songs on the record where I sing. I think we are always going to have a strong footing in the sound that’s been established with ‘Ulysses’ and ‘Thy Underling,’ but ’40 Stories’ kinda poured out of us.”
What began as an instrumental collaboration has grown into a full-frontal aural assault with a lineup consisting of vocalist Kevin Muller (ex-SUFFOCATION, THE MERCILESS CONCEPT), guitarist Wes Hauch (ex-THE FACELESS, BLACK CROWN INITIATE), bassist Tim Walker (ENTHEOS) and drummer Matt Paulazzo (AEGAEON). On their follow up to 2017’s lauded record “The Deep Longing for Annihilation,” ALLUVIAL plunge into a whirlwind of neck-snapping polyrhythmic riffs, a barrage of double bass and a dynamic avalanche of screams.
ALLUVIAL’s second full-length album, “Sarcoma,” examines people’s connection with pain and the hardships that bind us.
Progressive, technical death metal collective ALLUVIAL has released a cataclysmic new single titled, “Thy Underling” from the band’s highly anticipated sophomore album, “Sarcoma,” that’s due out May 28th from Nuclear Blast.
Guitarist Wes Hauch comments on the single: “The first half of the song is from the perspective of a scornful entity. The idea is that a wraith and aims to confuse and debilitate the host ‘Until he rots and lies stinking in the earth’, a line borrowed from one of my favorite movies. The second half is from the perspective of the host. The content is based on an ongoing experience I have, but I think anyone could apply it to something familiar to them.”
What began as an instrumental collaboration has grown into a full-frontal aural assault with a lineup consisting of vocalist Kevin Muller (ex-SUFFOCATION, THE MERCILESS CONCEPT), guitarist Wes Hauch (ex-THE FACELESS, BLACK CROWN INITIATE), bassist Tim Walker (ENTHEOS) and drummer Matt Paulazzo(AEGAEON). On their follow up to 2017’s lauded record “The Deep Longing for Annihilation,” ALLUVIAL plunge into a whirlwind of neck-snapping polyrhythmic riffs, a barrage of double bass and a dynamic avalanche of screams.
ALLUVIAL’s second full-length album, “Sarcoma,” examines people’s connection with pain and the hardships that bind us.
“Sarcoma is a type of cancer that grows from connective tissue in the body,” says guitarist WesHauch. “At the end of working on everything, Kevin [Muller] pinpointed that each song on the record was about the different perils that happen at the hand of one man to another. These perils live in our connections to one another, so ‘Sarcoma’ became an apt title.”
As Hauch began writing the record, he took notice of Muller due to his time in SUFFOCATION. After hearing his vocals on a demo, everything simply clicked, and Kevin joined the band. Fast brothers, it fulfilled a long-term goal. “The Deep Longing for Annihilation was supposed to have vocals, but I couldn’t find the right guy,” he adds. “Some people possess a rare inability to doubt themselves. Kevin can marry that into performances. The day I heard his vocals over the Sarcoma demos was a special one. We’ve become brothers.”
After writing and producing demos at home, Alluvial cut guitars, bass, and vocals with engineer John Douglass (MR. BUNGLE, AMON AMARTH) in Atlanta.
Progressive, technical death metal collective ALLUVIAL has officially joined Nuclear Blast Records, and has announced plans to release their long-awaited sophomore album, “Sarcoma,“ on May 28th. Today, the band has revealed the record’s first new track ‘Ulysses,‘ which can be streamed now via a music video and on all digital platforms.
Commenting on their signing to the label, guitarist Wes Hauch says, “Monte Conner (legendary A&R man at Nuclear Blast) is responsible for most of the metal that I was reared on, and I’m honored that Alluvial has found a home with Nuclear Blast. Their tenure and pedigree is inimitable, their enthusiasm and belief in the band is inspiring to us.“
Vocalist Kevin Muller adds, “The diversity in the music, and the power in our message is what makes Alluvial a perfect home for me. Nuclear Blast is known for its roster full of authentic bands that have power and conviction in their art. We are proud to be among them.“
Nuclear Blast’s Monte Conner says, “Wes’ music has all the elements that I have always looked for in songs – killer arrangements, melody, hooks and powerful vocals. When you add in his guitar playing, it just takes it all to another level — not just his solos but his tasty rhythm guitar work as well. Top notch stuff here! I am happy to have Wes, Kevin and Alluvial as part of the Nuclear Blast family.“
What began as an instrumental collaboration has grown into a full-frontal aural assault with a lineup consisting of vocalist Kevin Muller (ex-SUFFOCATION, THE MERCILESS CONCEPT), guitarist Wes Hauch (ex-THE FACELESS, BLACK CROWN INITIATE), bassist Tim Walker (ENTHEOS) and drummer Matt Paulazzo(AEGAEON). On their follow up to 2017’s lauded record “The Deep Longing for Annihilation,” ALLUVIAL plunge into a whirlwind of neck-snapping polyrhythmic riffs, a barrage of double bass and a dynamic avalanche of screams.
ALLUVIAL’s second full-length album, “Sarcoma”, examines people’s connection with pain and the hardships that bind us.
“Sarcoma is a type of cancer that grows from connective tissue in the body,” says guitarist WesHauch. “At the end of working on everything, Kevin [Muller] pinpointed that each song on the record was about the different perils that happen at the hand of one man to another. These perils live in our connections to one another, so ‘Sarcoma’ became an apt title.”
As Hauch began writing the record, he took notice of Muller due to his time in SUFFOCATION. After hearing his vocals on a demo, everything simply clicked, and Kevin joined the band. Fast brothers, it fulfilled a long-term goal. “‘The Deep Longing for Annihilation’ was supposed to have vocals, but I couldn’t find the right guy,” he adds. “Some people possess a rare inability to doubt themselves. Kevin can marry that into performances. The day I heard his vocals over the ‘Sarcoma’ demos was a special one. We’ve become brothers.”
After writing and producing demos at home, ALLUVIAL cut guitars, bass, and vocals with engineer John Douglass (MR. BUNGLE, AMON AMARTH) in Atlanta. The opener ‘Ulysses‘ begins with warm guitar echoes before building towards an ominous crescendo. It quickly crumbles under the weight of a thrash riff and brain-rattling growl.
“I was always in trouble in my small hometown,”Hauch says. “After going to a county jail, I joined the military and took orders as an Equipment Operator bound for the US Naval Mobile Construction Battalions. The enlisted side of the military are all misfits of one kind or another. Because of this, it’s really a continuation of high school. The military continued raising us, for better or worse. In 2005, I deployed to Iraq and convoyed throughout Baghdad for seven months. If you were in Iraq from 03 to 08, it was generally pretty bad. Because of that, I wouldn’t call my experience in Iraq “unique,” it was just a hot time over there. If you convoyed, you were gonna get shot at, and you were gonna deal with IED’s. If you were in a camp, you were gonna get mortared. If you were infantry and you were kicking down doors, god bless you, you were gonna have it the worst out of anyone. ‘Ulysses’ is a glossary of my hindsight on that experience.”
‘Ulysses’ is a taste of what’s to come from a band that’s already proven themselves before. They’ve set the stage for their next onslaught, “Sarcoma”, armed with some of the most vicious, technical riffs and merciless vocals that metal has to offer.
“Sarcoma” tracklisting: 1. Ulysses 2. Thy Underling 3. Sarcoma 4. 40 Stories 5. Zero 6. Exponent 7. Sleepers become giants 8. The Putrid Sunrise 9. Sugar Paper 10. Anodyne
ALLUVIAL have joined Nuclear Blast, announcing their new album coming out on May 28th.
ALLUVIAL’s second full-length album, “Sarcoma”, examines people’s connection with pain and the hardships that bind us.
“Sarcoma is a type of cancer that grows from connective tissue in the body,” says guitarist Wes Hauch.“At the end of working on everything, Kevin [Muller] pinpointed that each song on the record was about the different perils that happen at the hand of one man to another. These perils live in our connections to one another, so ‘Sarcoma’ became an apt title.”
As Hauch began writing the record, he took notice of Muller due to his time in SUFFOCATION. After hearing his vocals on a demo, everything simply clicked, and Kevin joined the band. Fast brothers, it fulfilled a long-term goal. “’The Deep Longing for Annihilation’ was supposed to have vocals, but I couldn’t find the right guy,” he adds. “Some people possess a rare inability to doubt themselves. Kevin can marry that into performances. The day I heard his vocals over the ‘Sarcoma’ demos was a special one. We’ve become brothers.”
After writing and producing demos at home, ALLUVIAL cut guitars, bass, and vocals with engineer John Douglass (MR. BUNGLE, AMON AMARTH) in Atlanta. The opener ‘Ulysses’ begins with warm guitar echoes before building towards an ominous crescendo. It quickly crumbles under the weight of a thrash riff and brain-rattling growl.
“I was always in trouble in my small hometown,”Hauch says. “After going to a county jail, I joined the military and took orders as an Equipment Operator bound for the US Naval Mobile Construction Battalions. The enlisted side of the military are all misfits of one kind or another. Because of this, it’s really a continuation of high school. The military continued raising us, for better or worse. In 2005, I deployed to Iraq and convoyed throughout Baghdad for seven months. If you were in Iraq from 03 to 08, it was generally pretty bad. Because of that, I wouldn’t call my experience in Iraq “unique,” it was just a hot time over there. If you convoyed, you were gonna get shot at, and you were gonna deal with IED’s. If you were in a camp, you were gonna get mortared. If you were infantry and you were kicking down doors, god bless you, you were gonna have it the worst out of anyone. ‘Ulysses’ is a glossary of my hindsight on that experience.”
‘Ulysses’ is a taste of what’s to come from a band that’s already proven themselves before. They’ve set the stage for their next onslaught, “Sarcoma”, armed with some of the most vicious, technical riffs and merciless vocals that metal has to offer.
“Sarcoma” tracklisting: 1. Ulysses 2. Thy Underling 3. Sarcoma 4. 40 Stories 5. Zero 6. Exponent 7. Sleepers become giants 8. The Putrid Sunrise 9. Sugar Paper 10. Anodyne
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