On their new album, Black Lava summon another perfect storm. The Savage Winds to Wisdom swirls together eerie blackened countermelodies and hexing prog with a heavy load of old-school headbanging. The riffs on “Dark Legacy” loom large, casting a fiery shadow over the kingdom of metal that warns of the band’s growing legend.

“We sharpened our tools with this album”, Black Lava says. “We went a little more brutal and that sets the tone for where we’ll head in the future”.

The Savage Winds to Wisdom is out now on Season of Mist. Order & Stream
https://orcd.co/blacklavathesavagewindstowisdom

Black Lava erupted out of Australia’s metal scene during the first trying year of the pandemic. But the band came together with all the ease of a natural stream. All four members have crossed paths around the various corners of the Melbourne underground. Guitarist Ben Boyle also shreds alongside bassist Nick Rackham in Hadal Maw and A Million Dead Birds Laughing.

Their potent alchemy is the skeleton key that unlocks “Dark Legacy”. With the tap of his fingers, Boyle casts a menacing spell from gloomy minor chord dissonance and technical wizardry. Though it’s Rackham’s monstrous bass groove that hits like a spear straight through the heart.   

“We took greater care with compositions on The Savage Winds to Wisdom”, Boyle says. “There’s more depth and layering to the riffs and melodies. By calling on a broader list of inspirations and tones, the album has a real sense of balance, a certain quality that will lend itself to repeat listens and attention to detail, while still staying true to what we set out to do with Black Lava; create heavy, energetic and catchy tunes that emanate a sense of atmosphere and power for the listener.”

The guitar playthrough of “Dark Legacy” was shot at Bushido Studios. It was filmed, edited and coloured by Black Lava’s drummer Dan Presland.

More praise for Black Lava

“Familiar yet undeniably creative, heavy and a clear statement in the darkness of music” – Metal Roos

“A fantastic album…wrapped up in a package that is so tight, you couldn’t squeeze in between the layers if you were as thin as paper.” – Metal Temple

“Black Lava scrachtes a particular itch when you need music that is heavy, groovy and gritty” – Metal Epidemic

“Riff after riff, chug after chug, these songs bleed with strength and perseverance” – Monuments in Ruin

Track list
1. Colour of Death (6:44)
2. Dark Legacy (4:08) [LISTEN]
3. Wrapped in Filth (4:03)
4. Unsheathing Nightmares (4:45) [WATCH]
5. Summoning Shadows (6:03)
6. Ironclad Sarcophagus (4:08) [WATCH]
7. Pagan Dust (4:46)
8. Sanguis Lupus (5:21)
9. The Savage Winds to Wisdom (7:07)
Total runtime: 47:12

Like any good sorcerer, Black Lava cast a wicked array of spells. Dan Presland, Ben Boyle and Rob Watkins treated Outburn magazine to a list of the band’s potent influences and most punishing songs. 

Read Black Lava’s Influences & Essentials at https://outburn.com/all-features/black-lava/

Not even the most stifling period in recent history could contain Black Lava. Despite being kept under strict lockdown during the pandemic, these Aussies were just stewing together, waiting to erupt. Now, only two years removed from their smoldering debut, the band are roaring back with even more mythical firepower on The Savage Winds to Wisdom.  

“Our second album is a step up from the first in all aspects”, drummer Dan Presland says. “We took more time on the songwriting. The Savage Winds to Wisdom shows exactly where we want to take our music”.  

Though possessed by an ancient and mysterious alchemy, Black Lava formed with the ease of a natural spring. Over the past decade, all four members have crossed paths around the various corners of Melbourne’s metal underground. On top of their progressive all-instrumental vision quests in Vipassi, Presland also drums alongside Hadal Maw guitarist Ben Boyle in the grinding, tech-death, underground curiosity A Million Dead Birds Laughing. But when the two got together to blow off steam amidst quarantine at Presland’s newly minted home studio, they were pleasantly surprised by the darkness that swept over these jam sessions.   

“Both of us were dealing with a lot of pent-up frustrations”, Presland remembers. A few weeks before, his flight home from America (where he was supposed to track the drums for Ne Obliviscaris’ fourth album Exul) touched down hours before Australia closed its borders. “But that anger, coupled with our need to keep creating, led us in a different direction”.

Progressive metal was still a clear undercurrent, but the songs that came spewing out were unusually heavy. Death and black metal held more sway, though sludgy rock n’ roll also found its way into the mix. Such a peculiar range of influences required a vocalist with a very particular set of pipes. Fortunately, Rob Watkins jumped at the opportunity to reunite with Presland, who was the drummer in their thrash band Metalstorm. With Watkins’ Blackhelm bassist Tim Anderson added to the fold, Black Lava burst onto the scene in 2022 with their smoldering debut.    

“Soul Furnace more than lives up to those lofty expectations”, Distorted Sound hailed, “proving to not only be a late contender for album of the year, but also one of the more impressive debut albums of recent years”.  

Black Lava wasted no time in keeping the juices flowing. The band was already hard at work on their second album while the first one was hot on the shelves. The Savage Winds to Wisdom stirs from the same cauldron of influences. Lead single “Ironclad Sarcophagus” echoes from the crypt with eerie countermelodies and a rhythm section that’s more bewitching than a spell book.  

“I pictured this ancient wizard sending out evil vibes into the world in hopes of tricking someone into opening his coffin”, Watkins says. “When writing lyrics, I try and stay true to the spirit of metal. But really, I’m just channeling how the music makes me feel”.  

If Soul Furnace was like stumbling upon the entrance to an ancient cave, then The Savage Winds to Wisdom is a fiery, full-blown descent into the belly of the beast. “Dark  Legacy” rings through the long black night with one sustained roar of a guitar roar, like an angry, one-eyed ogre. But while the songs came quickly, with Presland and Boyle carving out monstrous riffs and scaly grooves for Watkins to splatter his medieval fantasies, Black Lava took their time with this album. It’s not until nearly three minutes into the opening number, after “Colour of Death” has boiled to a full headbang, that the first of its many horns-up roars is unleashed.    

“There was greater care taken with compositions on The Savage Winds to Wisdom”, Boyle says. “There’s more depth and layering to the riffs and melodies. Calling on a more broad list of inspirations and tones, the album has a real sense of balance, a certain quality that will lend itself to repeat listens and attention to detail, while still staying true to what Black Lava set out to do; create heavy, yet energetic and catchy anthemic tunes that tell a story and emanate a sense of atmosphere and power for the listener.”

True to its name, The Savage Winds to Wisdom swirls within a deeper and darker sense of atmosphere. Whereas before their bang-bang approach to songwriting resembled something closer to a punk rock band, this time around, Black Lava concentrated more on atmosphere. “Unsheathing Nightmares” reveals its root source of terror in careful layers, mutating from raw black metal and razor-sharp tech-death into a rainy, ambient  hellscape. “That’s one of the songs that really excited me”, says Watkins, who calls upon a coven of witches by digging into the slimier depths of his baritone.  

The title track is big enough to stand alone as its own self-contained world. Winding  over the course of seven eventful minutes, it’s the longest and perhaps most ambitious song in Black Lava’s musical geology. Blast beats pound like hail beneath waves of distortion that crash with the force of a monsoon. “The silents of fate” Watkins reckons, like a sea captain stranded among the wreckage.  “The thousand winds swirl the soul”. Swept up by a screeching solo from special guest Ben Baret (Ne Obliviscaris), the song whirls into an unstoppable force, a torrential finale that brings this album to a truly epic conclusion.     

“We sharpened our tools with this album”, the band says. “We went a little more brutal and that sets the tone for where we’ll head in the future.  

On The Savage Winds to Wisdom, Black Lava conduct a perfect storm.       

Recording line-up 
Dan Presland (drums) 
Ben Boyle (guitar) 
Ben Boyle (bass) 
Rob Watkins (vocals) 

Guest musician
Benjamin Baret (Ne Obliviscaris, Vipassi) plays the guitar solo on “The Savage Winds to Wisdom”. 

Live line-up 
Dan Preslans (drums 
Ben Boyle (guitar) 
Nick Rackham (bass) 
Rob Watkins (vocals)

Recording studio 
Bushido Studios in Melbourne, Australia

Producer and sound engineer
Troy Mccosker

Mastering, mixing and engineering 
Studio Fredman and Fredrick Nordstrom

https://www.facebook.com/BLACKLAVA00
https://www.instagram.com/blacklava.aus/
https://blacklava-aus.bandcamp.com/
https://open.spotify.com/artist/1KnUaYbFhPHqEgEvySQYxw

Just two years removed from their smoldering debut, BLACK LAVA are once again ready to erupt. The Savage Winds to Wisdom spills from the band’s sacred cauldron of influences. Blackened countermelodies and hexing prog rhythms boil amidst old-school death metal. Only this time, these Australian sorcerers have added a heavy dose of atmosphere, conjuring medieval fantasies that are bound to whisk metalheads straight into the pit.

The Savage Winds to Wisdom comes out this Friday, July 12 on Season of Mist, but you can get blown away by all nine gale-force songs today by listening to the full album stream on Season of Mist’s YouTube channel.

➤ Pre-Order & Pre-Save: https://orcd.co/blacklavathesavagewindstowisdom

Though they formed during pandemic lockdown, Black Lava came together with the ease of a natural stream. When he’s not touring with Ne Obliviscaris, Dan Presland also drums alongside Hadal Maw guitarist Ben Boyle in the labyrinthine all-instrumental band Vipassi. Those two have crossed paths with vocalist Rob Watkins around Melbourne’s metal underground for the past decade. But the band took their time summoning The Savage Winds to Wisdom. It’s not until opener “Colour of Death” has bubbled to a nice, sludgy head that Watkins unleashes the first of his many blood-soaked roars.

“There was greater care taken with the compositions”, Boyle says. “There’s more layering to the riffs and melodies. We called on a more broad list of inspirations and tones to give the album a greater sense of balance while keeping the same attention to detail. The Savage Winds to Wisdom is the kind of album that lends itself to repeat listens”.

“Unsheathing Nightmares” lures you in before hooking its claws into your skull. The drums crash and rumble behind clouds of buzzing distortion, only for a riff to reign down with the crushing force of an executioner. You can practically hear Watkins’ eyes rolling into the back of his head as he calls upon an ancient evil amidst hellish, rain-soaked ambience. “Speak to me, O silent one” .

“I try and stay true to the spirit of metal”, Watkins says about crafting lyrics. “For ‘Ironclad Sarcophagus’, I pictured this ancient wizard sending out evil vibes into the world in hopes of tricking someone into opening his coffin”. The video for the album’s lead single also has more to it than meets the eye. What appears to be just another Satanic ritual turns on a knife’s edge into something even more bloody and sinister.

The Savage Winds to Wisdom swirls with a deeper and darker sense of atmosphere, but the album still cuts all the way to the bone. The towering riff on “Dark Legacy” reigns down nothing but dread. “There’s more depth to this album, but it still stays true to what we set out to do with Black Lava: create heavy, energetic and catchy tunes that make our listeners feel powerful”.

Winding over the course of seven eventful minutes, the title track is big enough to stand as its own mythical kingdom. Stirred by a screeching solo from Ne Obliviscaris’ Ben Baret, the song whirls into a torrential finale that makes The Savage Winds to Wisdom a perfect storm of blackened, groove-laden heavy metal.

“We sharpened our tools with this album”, Black Lava says. “The Savage Winds to Wisdom is a step up in all aspects. We went a little more dark and brutal and that’s exactly where we want to take our music”.

Tracklist:
1. Colour of Death (6:44)
2. Dark Legacy (4:08) [LISTEN]
3. Wrapped in Filth (4:03)
4. Unsheathing Nightmares (4:45) [WATCH]
5. Summoning Shadows (6:03)
6. Ironclad Sarcophagus (4:08) [WATCH]
7. Pagan Dust (4:46)
8. Sanguis Lupus (5:21)
9. The Savage Winds to Wisdom (7:07)
Total runtime: 47:12

Like any good sorcerer, Black Lava cast a wicked array of spells. Dan Presland, Ben Boyle and Rob Watkins treated Outburn magazine to a list of the band’s most potent influences and most punishing songs.

Read Black Lava’s Influences & Essentials: https://outburn.com/all-features/black-lava/

Not even the most stifling period in recent history could contain Black Lava. Despite being kept under strict lockdown during the pandemic, these Aussies were just stewing together, waiting to erupt. Now, only two years removed from their smoldering debut, the band are roaring back with even more mythical firepower on The Savage Winds to Wisdom.

“Our second album is a step up from the first in all aspects”, drummer Dan Presland says. “We took more time on the songwriting. The Savage Winds to Wisdom shows exactly where we want to take our music”.

Though possessed by an ancient and mysterious alchemy, Black Lava formed with the ease of a natural spring. Over the past decade, all four members have crossed paths around the various corners of Melbourne’s metal underground. On top of their progressive all-instrumental vision quests in Vipassi, Presland also drums alongside Hadal Maw guitarist Ben Boyle in the grinding, tech-death, underground curiosity A Million Dead Birds Laughing. But when the two got together to blow off steam amidst quarantine at Presland’s newly minted home studio, they were pleasantly surprised by the darkness that swept over these jam sessions.

“Both of us were dealing with a lot of pent-up frustrations”, Presland remembers. A few weeks before, his flight home from America (where he was supposed to track the drums for Ne Obliviscaris’ fourth album Exul) touched down hours before Australia closed its borders. “But that anger, coupled with our need to keep creating, led us in a different direction”.

Progressive metal was still a clear undercurrent, but the songs that came spewing out were unusually heavy. Death and black metal held more sway, though sludgy rock n’ roll also found its way into the mix. Such a peculiar range of influences required a vocalist with a very particular set of pipes. Fortunately, Rob Watkins jumped at the opportunity to reunite with Presland, who was the drummer in their thrash band Metalstorm. With Watkins’ Blackhelm bassist Tim Anderson added to the fold, Black Lava burst onto the scene in 2022 with their smoldering debut.

“Soul Furnace more than lives up to those lofty expectations”, Distorted Sound hailed, “proving to not only be a late contender for album of the year, but also one of the more impressive debut albums of recent years”.

Black Lava wasted no time in keeping the juices flowing. The band was already hard at work on their second album while the first one was hot on the shelves. The Savage Winds to Wisdom stirs from the same cauldron of influences. Lead single “Ironclad Sarcophagus” echoes from the crypt with eerie countermelodies and a rhythm section that’s more bewitching than a spell book.

“I pictured this ancient wizard sending out evil vibes into the world in hopes of tricking someone into opening his coffin”, Watkins says. “When writing lyrics, I try and stay true to the spirit of metal. But really, I’m just channeling how the music makes me feel”.

If Soul Furnace was like stumbling upon the entrance to an ancient cave, then The Savage Winds to Wisdom is a fiery, full-blown descent into the belly of the beast. “Dark  Legacy” rings through the long black night with one sustained roar of a guitar roar, like an angry, one-eyed ogre. But while the songs came quickly, with Presland and Boyle carving out monstrous riffs and scaly grooves for Watkins to splatter his medieval fantasies, Black Lava took their time with this album. It’s not until nearly three minutes into the opening number, after “Colour of Death” has boiled to a full headbang, that the first of its many horns-up roars is unleashed.

“There was greater care taken with compositions on The Savage Winds to Wisdom”, Boyle says. “There’s more depth and layering to the riffs and melodies. Calling on a more broad list of inspirations and tones, the album has a real sense of balance, a certain quality that will lend itself to repeat listens and attention to detail, while still staying true to what Black Lava set out to do; create heavy, yet energetic and catchy anthemic tunes that tell a story and emanate a sense of atmosphere and power for the listener.”

True to its name, The Savage Winds to Wisdom swirls within a deeper and darker sense of atmosphere. Whereas before their bang-bang approach to songwriting resembled something closer to a punk rock band, this time around, Black Lava concentrated more on atmosphere. “Unsheathing Nightmares” reveals its root source of terror in careful layers, mutating from raw black metal and razor-sharp tech-death into a rainy, ambient  hellscape. “That’s one of the songs that really excited me”, says Watkins, who calls upon a coven of witches by digging into the slimier depths of his baritone.

The title track is big enough to stand alone as its own self-contained world. Winding  over the course of seven eventful minutes, it’s the longest and perhaps most ambitious song in Black Lava’s musical geology. Blast beats pound like hail beneath waves of distortion that crash with the force of a monsoon. “The silents of fate” Watkins reckons, like a sea captain stranded among the wreckage.  “The thousand winds swirl the soul”. Swept up by a screeching solo from special guest Ben Baret (Ne Obliviscaris), the song whirls into an unstoppable force, a torrential finale that brings this album to a truly epic conclusion.

“We sharpened our tools with this album”, the band says. “We went a little more brutal and that sets the tone for where we’ll head in the future.

On The Savage Winds to Wisdom, Black Lava conduct a perfect storm.

Recording Line-up:
Dan Presland (drums) 
Ben Boyle (guitar) 
Ben Boyle (bass) 
Rob Watkins (vocals) 

Guest Musician:
Benjamin Baret (Ne Obliviscaris, Vipassi) plays the guitar solo on “The Savage Winds to Wisdom”. 

Live Line-up:
Dan Preslans (drums)
Ben Boyle (guitar) 
Nick Rackham (bass) 
Rob Watkins (vocals)

Recording Studio:
Bushido Studios in Melbourne, Australia

Producer & Sound Engineer:
Troy Mccosker

Mastering, Mixing & Engineering:
Studio Fredman and Fredrick Nordstrom

https://www.facebook.com/BLACKLAVA00
https://www.instagram.com/blacklava.aus/
https://blacklava-aus.bandcamp.com/
https://open.spotify.com/artist/1KnUaYbFhPHqEgEvySQYxw

Like any good sorcerer, BLACK LAVA cast a wicked array of spells. On their new album, this blackened band of Aussies swirl together howling old-school death metal, eerie melodic dissonance, technical wizardry and sludgy grooves into haunting fantasies. Today, they’re releasing the third single off The Savage Winds to Wisdom, which is bound to stand as another crushing pillar in the band’s growing legend.

The Savage Winds to Wisdom comes out July 12, 2024 on Season of Mist. Pre-order & Pre-save: https://orcd.co/blacklavathesavagewindstowisdom

Heading into The Savage Winds to Wisdom, Black Lava were hellbent on tapping deeper into the medieval witchcraft that they conjured on their debut album. “Our first time in the studio, we were dealing with all these frustrations that had boiled up during the pandemic”, says Dan Presland, who’s nimble pounding on the drum kit has helped shape Vipassi, A Million Dead Birds Laughing and Ne Obliviscaris. “That anger led to more of a bang-bang, punk rock approach. This time around, we took more time on the songwriting with the hope of conjuring a deeper and darker sense of atmosphere”.

Black Lava got their wish. “Dark Legacy” leaves even the most ghoulish of metal heads shivering in its wake. Presland slithers between hissing cymbals as Hadal Maw guitarist Ben Boyle rips through the long black night with a sustained roar of reverb, like an angry giant that’s been disturbed from its cave. “I have walked / I have seen”, Rob Watkins waxes and wanes, so drunk on witches’ brew that he’s begging for death’s cold embrace.

“There was greater care taken with the compositions on The Savage Winds to Wisdom, while still staying true to what we set out to do with Black Lava”, Boyle says. “Create catchy, anthemic tunes that are heavy-but-energetic and give a sense of power to the listener”.

While it’s not short on dread-inducing ambience, “Dark Legacy” cuts all the way to the bone. After some stormy feedback, the song opens with a riff that comes cracking down like a bolt of lightning. When Watkins summons his death growl for a dance with the grim reaper, it cuts straight through the iciest of heart.

“We sharpened our tools on this album”, Black Lava says. “The Savage Winds to Wisdom is a step up in all aspects. We went a little more dark and brutal and that’s exactly where we want to take our music”.

Tracklist
1. Colour of Death (6:44)
2. Dark Legacy (4:08) [LISTEN]
3. Wrapped in Filth (4:03)
4. Unsheathing Nightmares (4:45) [WATCH]
5. Summoning Shadows (6:03)
6. Ironclad Sarcophagus (4:08) [WATCH]
7. Pagan Dust (4:46)
8. Sanguis Lupus (5:21)
9. The Savage Winds to Wisdom (7:07)
Total runtime: 47:12

Not even the most stifling period in recent history could contain Black Lava. Despite being kept under strict lockdown during the pandemic, these Aussies were just stewing together, waiting to erupt. Now, only two years removed from their smoldering debut, the band are roaring back with even more mythical firepower on The Savage Winds to Wisdom.

“Our second album is a step up from the first in all aspects”, drummer Dan Presland says. “We took more time on the songwriting. The Savage Winds to Wisdom shows exactly where we want to take our music”.

Though possessed by an ancient and mysterious alchemy, Black Lava formed with the ease of a natural spring. Over the past decade, all four members have crossed paths around the various corners of Melbourne’s metal underground. On top of their progressive all-instrumental vision quests in Vipassi, Presland also drums alongside Hadal Maw guitarist Ben Boyle in the grinding, tech-death, underground curiosity A Million Dead Birds Laughing. But when the two got together to blow off steam amidst quarantine at Presland’s newly minted home studio, they were pleasantly surprised by the darkness that swept over these jam sessions.

“Both of us were dealing with a lot of pent-up frustrations”, Presland remembers. A few weeks before, his flight home from America (where he was supposed to track the drums for Ne Obliviscaris’ fourth album Exul) touched down hours before Australia closed its borders. “But that anger, coupled with our need to keep creating, led us in a different direction”.

Progressive metal was still a clear undercurrent, but the songs that came spewing out were unusually heavy. Death and black metal held more sway, though sludgy rock n’ roll also found its way into the mix. Such a peculiar range of influences required a vocalist with a very particular set of pipes. Fortunately, Rob Watkins jumped at the opportunity to reunite with Presland, who was the drummer in their thrash band Metalstorm. With Watkins’ Blackhelm bassist Tim Anderson added to the fold, Black Lava burst onto the scene in 2022 with their smoldering debut.

“Soul Furnace more than lives up to those lofty expectations”, Distorted Sound hailed, “proving to not only be a late contender for album of the year, but also one of the more impressive debut albums of recent years”.

Black Lava wasted no time in keeping the juices flowing. The band was already hard at work on their second album while the first one was hot on the shelves. The Savage Winds to Wisdom stirs from the same cauldron of influences. Lead single “Ironclad Sarcophagus” echoes from the crypt with eerie countermelodies and a rhythm section that’s more bewitching than a spell book.

“I pictured this ancient wizard sending out evil vibes into the world in hopes of tricking someone into opening his coffin”, Watkins says. “When writing lyrics, I try and stay true to the spirit of metal. But really, I’m just channeling how the music makes me feel”.

If Soul Furnace was like stumbling upon the entrance to an ancient cave, then The Savage Winds to Wisdom is a fiery, full-blown descent into the belly of the beast. “Dark  Legacy” rings through the long black night with one sustained roar of a guitar roar, like an angry, one-eyed ogre. But while the songs came quickly, with Presland and Boyle carving out monstrous riffs and scaly grooves for Watkins to splatter his medieval fantasies, Black Lava took their time with this album. It’s not until nearly three minutes into the opening number, after “Colour of Death” has boiled to a full headbang, that the first of its many horns-up roars is unleashed.

“There was greater care taken with compositions on The Savage Winds to Wisdom”, Boyle says. “There’s more depth and layering to the riffs and melodies. Calling on a more broad list of inspirations and tones, the album has a real sense of balance, a certain quality that will lend itself to repeat listens and attention to detail, while still staying true to what Black Lava set out to do; create heavy, yet energetic and catchy anthemic tunes that tell a story and emanate a sense of atmosphere and power for the listener.”

True to its name, The Savage Winds to Wisdom swirls within a deeper and darker sense of atmosphere. Whereas before their bang-bang approach to songwriting resembled something closer to a punk rock band, this time around, Black Lava concentrated more on atmosphere. “Unsheathing Nightmares” reveals its root source of terror in careful layers, mutating from raw black metal and razor-sharp tech-death into a rainy, ambient  hellscape. “That’s one of the songs that really excited me”, says Watkins, who calls upon a coven of witches by digging into the slimier depths of his baritone.

The title track is big enough to stand alone as its own self-contained world. Winding  over the course of seven eventful minutes, it’s the longest and perhaps most ambitious song in Black Lava’s musical geology. Blast beats pound like hail beneath waves of distortion that crash with the force of a monsoon. “The silents of fate” Watkins reckons, like a sea captain stranded among the wreckage.  “The thousand winds swirl the soul”. Swept up by a screeching solo from special guest Ben Baret (Ne Obliviscaris), the song whirls into an unstoppable force, a torrential finale that brings this album to a truly epic conclusion.

“We sharpened our tools with this album”, the band says. “We went a little more brutal and that sets the tone for where we’ll head in the future.

On The Savage Winds to Wisdom, Black Lava conduct a perfect storm.

Recording Lineup
Dan Presland – Drums
Ben Boyle – Guitar
Ben Boyle – Bass
Rob Watkins – Vocals

Guest Musician
Benjamin Baret (Ne Obliviscaris, Vipassi) plays the guitar solo on “The Savage Winds to Wisdom”.

Live Lineup
Dan Preslans – Drums
Ben Boyle – Guitar
Nick Rackham – Bass
Rob Watkins – Vocals

Recording Studio 
Bushido Studios in Melbourne, Australia

Producer & Sound Engineer
Troy Mccosker

Mastering, Mixing & Engineering 
Studio Fredman and Fredrick Nordstrom

Cover Art
Paolo Girardi

https://www.facebook.com/BLACKLAVA00
https://www.instagram.com/blacklava.aus/
https://blacklava-aus.bandcamp.com/
https://open.spotify.com/artist/1KnUaYbFhPHqEgEvySQYxw

Though they formed with the ease of a natural stream, BLACK LAVA whisk together a wickedly wide cauldron of influences. Sludgy grooves boil with melodic dissonance and old-school death metal, bubbling over into medieval fantasies.

The Australian band are now adding a fresh layer of dark and doomy atmosphere to this potent concoction with their upcoming second album The Savage Winds to Wisdom. Today, they’re revealing Unsheathing Nightmares, the album’s second single, which summons a coven of witches amidst a punishing thunderstorm.     

The Savage Winds to Wisdom comes out July 12, 2024 on Season of Mist. Pre-order & Pre-save: https://orcd.co/blacklavathesavagewindstowisdom

As with all things that go bump in the night, Unsheathing Nightmares lures you in before hooking its claws into your skull. Drummer Dan Presland (Vipassi, ex-Ne Obliviscaris) crashes and rumbles behind clouds of buzzing distortion, only for a riff to reign down with the headbanging force of an executioner. 

“There was greater care taken with compositions on The Savage Winds to Wisdom”, says guitarist Ben Boyle, who also handles axe duties for Vipassi. “Our new album has a greater sense of depth than our first one. The riffs and melodies are more layered, while staying true to what BLACK LAVA does: heavy but catchy anthems that tell an epic story with a real sense of atmosphere”.

On Unsheathing Nightmares, Rob Watkins still growls with all the towering menace of a ravenous ogre. “Speak to me, O silent one!”. But beneath the song’s snaking leviathan of a bass line stirs an even more menacing and elusive force. You can practically hear his eyes rolling into the back of his head as he calls upon an ancient evil amidst hellish, rain-soaked ambience.

“When writing lyrics, I try and stay true to the spirit of metal, but really I’m just channeling how the music makes me feel,” Watkins says. “‘Unsheathing Nightmares’ is one of the songs on The Savage Winds to Wisdom that really excited me. I hope our fans will feel that way, too”.

The video for “Unsheathing Nightmares” was filmed and directed by Colin Jeffs. It was edited and coloured by Dan Presland and produced by Black Lava.

Tracklist
1. Colour of Death (6:44)
2. Dark Legacy (4:08)
3. Wrapped in Filth (4:03)
4. Unsheathing Nightmares (4:45) [WATCH]
5. Summoning Shadows (6:03)
6. Ironclad Sarcophagus (4:08) [WATCH]
7. Pagan Dust (4:46)
8. Sanguis Lupus (5:21)
9. The Savage Winds to Wisdom (7:07)
Total runtime: 47:12

Not even the most stifling period in recent history could contain Black Lava. Despite being kept under strict lockdown during the pandemic, these Aussies were just stewing together, waiting to erupt. Now, only two years removed from their smoldering debut, the band are roaring back with even more mythical firepower on The Savage Winds to Wisdom.  

“Our second album is a step up from the first in all aspects”, drummer Dan Presland says. “We took more time on the songwriting. The Savage Winds to Wisdom shows exactly where we want to take our music”.  

Though possessed by an ancient and mysterious alchemy, Black Lava formed with the ease of a natural spring. Over the past decade, all four members have crossed paths around the various corners of Melbourne’s metal underground. On top of their progressive all-instrumental vision quests in Vipassi, Presland also drums alongside Hadal Maw guitarist Ben Boyle in the grinding, tech-death, underground curiosity A Million Dead Birds Laughing. But when the two got together to blow off steam amidst quarantine at Presland’s newly minted home studio, they were pleasantly surprised by the darkness that swept over these jam sessions.   

“Both of us were dealing with a lot of pent-up frustrations”, Presland remembers. A few weeks before, his flight home from America (where he was supposed to track the drums for Ne Obliviscaris’ fourth album Exul) touched down hours before Australia closed its borders. “But that anger, coupled with our need to keep creating, led us in a different direction”.

Progressive metal was still a clear undercurrent, but the songs that came spewing out were unusually heavy. Death and black metal held more sway, though sludgy rock n’ roll also found its way into the mix. Such a peculiar range of influences required a vocalist with a very particular set of pipes. Fortunately, Rob Watkins jumped at the opportunity to reunite with Presland, who was the drummer in their thrash band Metalstorm. With Watkins’ Blackhelm bassist Tim Anderson added to the fold, Black Lava burst onto the scene in 2022 with their smoldering debut.    

“Soul Furnace more than lives up to those lofty expectations”, Distorted Sound hailed, “proving to not only be a late contender for album of the year, but also one of the more impressive debut albums of recent years”.  

Black Lava wasted no time in keeping the juices flowing. The band was already hard at work on their second album while the first one was hot on the shelves. The Savage Winds to Wisdom stirs from the same cauldron of influences. Lead single “Ironclad Sarcophagus” echoes from the crypt with eerie countermelodies and a rhythm section that’s more bewitching than a spell book.  

“I pictured this ancient wizard sending out evil vibes into the world in hopes of tricking someone into opening his coffin”, Watkins says. “When writing lyrics, I try and stay true to the spirit of metal. But really, I’m just channeling how the music makes me feel”.  

If Soul Furnace was like stumbling upon the entrance to an ancient cave, then The Savage Winds to Wisdom is a fiery, full-blown descent into the belly of the beast. “Dark  Legacy” rings through the long black night with one sustained roar of a guitar roar, like an angry, one-eyed ogre. But while the songs came quickly, with Presland and Boyle carving out monstrous riffs and scaly grooves for Watkins to splatter his medieval fantasies, Black Lava took their time with this album. It’s not until nearly three minutes into the opening number, after “Colour of Death” has boiled to a full headbang, that the first of its many horns-up roars is unleashed.    

“There was greater care taken with compositions on The Savage Winds to Wisdom”, Boyle says. “There’s more depth and layering to the riffs and melodies. Calling on a more broad list of inspirations and tones, the album has a real sense of balance, a certain quality that will lend itself to repeat listens and attention to detail, while still staying true to what Black Lava set out to do; create heavy, yet energetic and catchy anthemic tunes that tell a story and emanate a sense of atmosphere and power for the listener.”

True to its name, The Savage Winds to Wisdom swirls within a deeper and darker sense of atmosphere. Whereas before their bang-bang approach to songwriting resembled something closer to a punk rock band, this time around, Black Lava concentrated more on atmosphere. “Unsheathing Nightmares” reveals its root source of terror in careful layers, mutating from raw black metal and razor-sharp tech-death into a rainy, ambient  hellscape. “That’s one of the songs that really excited me”, says Watkins, who calls upon a coven of witches by digging into the slimier depths of his baritone.  

The title track is big enough to stand alone as its own self-contained world. Winding  over the course of seven eventful minutes, it’s the longest and perhaps most ambitious song in Black Lava’s musical geology. Blast beats pound like hail beneath waves of distortion that crash with the force of a monsoon. “The silents of fate” Watkins reckons, like a sea captain stranded among the wreckage.  “The thousand winds swirl the soul”. Swept up by a screeching solo from special guest Ben Baret (Ne Obliviscaris), the song whirls into an unstoppable force, a torrential finale that brings this album to a truly epic conclusion.     

“We sharpened our tools with this album”, the band says. “We went a little more brutal and that sets the tone for where we’ll head in the future.  

On The Savage Winds to Wisdom, Black Lava conduct a perfect storm.      

Recording line-up 
Dan Presland (drums) 
Ben Boyle (guitar) 
Ben Boyle (bass) 
Rob Watkins (vocals) 

Guest musician
Benjamin Baret (Ne Obliviscaris, Vipassi) plays the guitar solo on “The Savage Winds to Wisdom”. 

Live line-up 
Dan Preslans (drums 
Ben Boyle (guitar) 
Nick Rackham (bass) 
Rob Watkins (vocals)

Recording studio 
Bushido Studios in Melbourne, Australia

Producer and sound engineer
Troy Mccosker

Mastering, mixing and engineering 
Studio Fredman and Fredrick Nordstrom

Cover art
Paolo Girardi

https://www.facebook.com/BLACKLAVA00
https://www.instagram.com/blacklava.aus/
https://blacklava-aus.bandcamp.com/
https://open.spotify.com/artist/1KnUaYbFhPHqEgEvySQYxw

Though they formed during the first trying year of the pandemic, Black Lava erupted on their scorching debut. Now, just two years later, these Aussies are roaring back with more blackened heavy metal on The Savage Winds to Wisdom.

Pre-order & Stream: https://orcd.co/blacklavathesavagewindstowisdom

Watch the dark, devilish video for lead single “Ironclad Sarcophagus”:

Black Lava stir from the same cauldron of influences on The Savage Winds to Wisdom. Eerie, dissonant countermelodies and a hex of progressive rhythms boil together with sludgy, old-school death metal, spilling over into medieval fantasies. Carved from a harem of blast beats and one bone-crushing riff, “Ironclad Sarcophagus” conjures an ancient sorcerer. 

“I try and stay true to the spirit of metal”, Rob Watkins says about crafting lyrics. “For this song, I pictured this ancient wizard sending out evil vibes into the world in hopes of tricking someone into opening his coffin”.

But while still crushingly heavy, Black Lava took more time to carefully conduct the mystical atmosphere that soaks through The Savage Winds to Wisdom. “Ironclad Sarcophagus” creaks open with foggy synths and slithering cymbals before a nasty groove drags it screaming from the grave. “The crypt echoes the ancient hymns“, Watkins warns before summoning another hellish growl.

“We took greater care in composing The Savage Winds to Wisdom“, says guitarist Ben Boyle. “This album has a real sense of balance that lends to repeat listens, while still staying true to what we set out to do: create heavy but anthemic tunes that tell a powerful story”.  

The video for “Ironclad Sarcophagus” also has more layers than meets the eye. What appears to be another customarily Satanic metal video turns on a knife’s edge into something even more bloody and sinister. 

“Witness the damnation of all that remains unholy”, Watkins warns of the video. “Resurrected only to reap the taste of eternal sleep in the cold, absent black of an ironclad Sarcophagus. Hear the tortured whispers of perdition summon cries of triumph from the breast of the usurp, driven by lust for wicked power. A tale of avarice and death played out to the annihilating tones of Blackened Metal antagonists Black Lava”.  

The video for “Ironclad Sarcophagus” was filmed, directed and edited by Colin Jeffs. It was produced by Black Lava. The story was written by Ryan Pett.

Additional credits
Makeup and set design – Renee Schultz and Selena Hema 
Actors – Bridget D’Agata and Jim Luxford. 

Track list
1. Colour of Death (6:44)
2. Dark Legacy (4:08)
3. Wrapped in Filth (4:03)
4. Unsheathing Nightmares (4:45)
5. Summoning Shadows (6:03)
6. Ironclad Sarcophagus (4:08) [WATCH]
7. Pagan Dust (4:46)
8. Sanguis Lupus (5:21)
9. The Savage Winds to Wisdom (7:07)
Total runtime: 47:12

Not even the most stifling period in recent history could contain Black Lava. Despite being kept under strict lockdown during the pandemic, these Aussies were just stewing together, waiting to erupt. Now, only two years removed from their smoldering debut, the band are roaring back with even more mythical firepower on The Savage Winds to Wisdom.  

“Our second album is a step up from the first in all aspects”, drummer Dan Presland says. “We took more time on the songwriting. The Savage Winds to Wisdom shows exactly where we want to take our music”.

Though possessed by an ancient and mysterious alchemy, Black Lava formed with the ease of a natural spring. Over the past decade, all four members have crossed paths around the various corners of Melbourne’s metal underground. On top of their progressive all-instrumental vision quests in Vipassi, Presland also drums alongside Hadal Maw guitarist Ben Boyle in the grinding, tech-death, underground curiosity A Million Dead Birds Laughing. But when the two got together to blow off steam amidst quarantine at Presland’s newly minted home studio, they were pleasantly surprised by the darkness that swept over these jam sessions.   

“Both of us were dealing with a lot of pent-up frustrations”, Presland remembers. A few weeks before, his flight home from America (where he was supposed to track the drums for Ne Obliviscaris’ fourth album Exul) touched down hours before Australia closed its borders. “But that anger, coupled with our need to keep creating, led us in a different direction”.

Progressive metal was still a clear undercurrent, but the songs that came spewing out were unusually heavy. Death and black metal held more sway, though sludgy rock n’ roll also found its way into the mix. Such a peculiar range of influences required a vocalist with a very particular set of pipes. Fortunately, Rob Watkins jumped at the opportunity to reunite with Presland, who was the drummer in their thrash band Metalstorm. With Watkins’ Blackhelm bassist Tim Anderson added to the fold, Black Lava burst onto the scene in 2022 with their smoldering debut.    

“Soul Furnace more than lives up to those lofty expectations”, Distorted Sound hailed, “proving to not only be a late contender for album of the year, but also one of the more impressive debut albums of recent years”.  

Black Lava wasted no time in keeping the juices flowing. The band was already hard at work on their second album while the first one was hot on the shelves. The Savage Winds to Wisdom stirs from the same cauldron of influences. Lead single “Ironclad Sarcophagus” echoes from the crypt with eerie countermelodies and a rhythm section that’s more bewitching than a spell book.  

“I pictured this ancient wizard sending out evil vibes into the world in hopes of tricking someone into opening his coffin”, Watkins says. “When writing lyrics, I try and stay true to the spirit of metal. But really, I’m just channeling how the music makes me feel”.  

If Soul Furnace was like stumbling upon the entrance to an ancient cave, then The Savage Winds to Wisdom is a fiery, full-blown descent into the belly of the beast. “Dark  Legacy” rings through the long black night with one sustained roar of a guitar roar, like an angry, one-eyed ogre. But while the songs came quickly, with Presland and Boyle carving out monstrous riffs and scaly grooves for Watkins to splatter his medieval fantasies, Black Lava took their time with this album. It’s not until nearly three minutes into the opening number, after “Colour of Death” has boiled to a full headbang, that the first of its many horns-up roars is unleashed.    

“There was greater care taken with compositions on The Savage Winds to Wisdom”, Boyle says. “There’s more depth and layering to the riffs and melodies. Calling on a more broad list of inspirations and tones, the album has a real sense of balance, a certain quality that will lend itself to repeat listens and attention to detail, while still staying true to what Black Lava set out to do; create heavy, yet energetic and catchy anthemic tunes that tell a story and emanate a sense of atmosphere and power for the listener.”

True to its name, The Savage Winds to Wisdom swirls within a deeper and darker sense of atmosphere. Whereas before their bang-bang approach to songwriting resembled something closer to a punk rock band, this time around, Black Lava concentrated more on atmosphere. “Unsheathing Nightmares” reveals its root source of terror in careful layers, mutating from raw black metal and razor-sharp tech-death into a rainy, ambient  hellscape. “That’s one of the songs that really excited me”, says Watkins, who calls upon a coven of witches by digging into the slimier depths of his baritone.  

The title track is big enough to stand alone as its own self-contained world. Winding  over the course of seven eventful minutes, it’s the longest and perhaps most ambitious song in Black Lava’s musical geology. Blast beats pound like hail beneath waves of distortion that crash with the force of a monsoon. “The silents of fate” Watkins reckons, like a sea captain stranded among the wreckage.  “The thousand winds swirl the soul”. Swept up by a screeching solo from special guest Ben Baret (Ne Obliviscaris), the song whirls into an unstoppable force, a torrential finale that brings this album to a truly epic conclusion.   

“We sharpened our tools with this album”, the band says. “We went a little more brutal and that sets the tone for where we’ll head in the future.  

On The Savage Winds to Wisdom, Black Lava conduct a perfect storm.       

Recording line-up 
Dan Presland (drums) 
Ben Boyle (guitar) 
Ben Boyle (bass) 
Rob Watkins (vocals) 

Guest musician
Benjamin Baret (Ne Obliviscaris, Vipassi) plays the guitar solo on “The Savage Winds to Wisdom”. 

Live line-up 
Dan Preslans (drums 
Ben Boyle (guitar) 
Nick Rackham (bass) 
Rob Watkins (vocals)

Recording studio 
Bushido Studios in Melbourne, Australia

Producer and sound engineer
Troy Mccosker

Mastering, mixing and engineering 
Studio Fredman and Fredrick Nordstrom

Cover art
Xenoyrs (Ne Obliviscaris) 

https://www.facebook.com/BLACKLAVA00
https://www.instagram.com/blacklava.aus/
https://blacklava-aus.bandcamp.com/
https://open.spotify.com/artist/1KnUaYbFhPHqEgEvySQYxw

After coming together over frustrations with the pandemic, Black Lava boiled to a nicely charred head on their debut album. Despite surfacing toward the end of 2022, ‘Soul Furnace’ burned with such fury that Distorted Sound dubbed it a contender for album of the year. The blackened riffs spilled all the way to #2 on Australia’s Independent Albums chart, while Dan Presland’s heavy grooves and blast beats melted away Sick Drummer. 

Black Lava are riding that torrential wave all the way into 2024. The blackened heavy metal Aussies are touring the land down under with fellow countrymen Psycroptic and legendary swamp monsters Obituary.   

Get tickets: https://redirect.season-of-mist.com/Blcklava-tix

2024 Barely Alive Australia Tour w/ Obituary + Psycroptic
01/11    Hobart, Tasmania @ Altar [TICKETS]
01/12    Melbourne, Australia @ The Croxton [TICKETS]
01/13    Sydney, Australia @ Manning Bar [TICKETS]
01/16    Brisbane, Australia @ The Triffid [TICKETS]
01/18    Adelaide, Australia @ Lion’s Arts Factory [TICKETS]*
01/19    Perth, Australia @ Magnet House [TICKETS]*

*No Psycroptic

Watch HERE Black Lava burn through the blistering  “Baptised In Ice”.

Tracklisting:
01. Origins (02:50)
02. Aurora (03:35)
03. Black Blizzard (03:32)
04. Baptised in Ice (03:27) [WATCH]
05. Eye of the Moon (04:10) [WATCH]
06. Northern Dawn (04:30) [WATCH]
07. Necrocatacomb (03:23)
08. Nightshade (04:06)
09. Soul Furnace (04:31) [WATCH]
Entire album duration: 34:02

Lineup:
Dan Presland (drums) 
Ben Boyle (guitar) 
Rob Watkins (Vocals) 
Tim Anderson (bass) 

https://instagram.com/blacklava.aus/
https://facebook.com/BLACKLAVA00
https://blacklava-aus.bandcamp.com/