BLEEDING THROUGH are officially back with a vengeance with this aggressive new full-length offering, “Love Will Kill All”, which is set for a May 25th release via SharpTone Records. The blistering new album is BLEEDING THROUGH at their very best and the brand-new music video for the track ‘Fade Into The Ash’ can be viewed now here:
Brandan Schieppati (vocals) states: “To me ‘Fade Into The Ash’ is the true portrayal of the BLEEDING THROUGH sound. It tells the story of a 15 year career, alongside a comeback. When we shot the video, we kept things more streamlined. It was striking and simple, just like our new record. It features a strong visual performance with back lit silhouettes that add to the overall drama of the song. Overall, it’s a timeless look and ambiance, which perfectly captures the emotion and essence of the band! Enjoy!”
Watch also the official music video of the first single ‘Set Me Free’:
Brandan Schieppati (vocals) states: “After five years away we realized the heartbeat of BLEEDING THROUGH is still beating. We feel one of the best things that we could have done was to step away and concentrate on other aspects of our lives and let the dust settle on BLEEDING THROUGH, as people knew us. Our motivation to write the record was purely because of our passion for our music. The creative blood that runs through our veins, which hasn‘t changed since 1999. I feel that our creativity and passion is being put on display in this new record, »Love Will Kill All«. We feel music is the ultimate expression and whether people want it or not we felt the need to express ourselves again. The beauty is that no one can stop it from happening. ‘Set Me Free’ is a song that speaks of new beginnings.
For so many years, I felt that BLEEDING THROUGH was a band that was held back because of other people interests in the band, whether it was business or personal. I just felt trapped by the business of the industry and outside perception. BLEEDING THROUGH is all about the music and the people who enjoy it. That was lost for a while and now it‘s found. ‘Set Me Free’ is about a rebirth of purity of BLEEDING THROUGH. The video is dark, frantic and strong. I think it personifies what BT is and what we will always be. TIME TO RISE.”
It’s official: California metallers BLEEDING THROUGH are calling it a day. Prior to going their separate ways, they will embark on one final tour spanning North America, Europe and Australia.
The Orange County band began 14 years ago, embarking on countless international tours, inspiring multiple logo/lyric tattoos on rabid supporters, releasing no less than seven studio albums and two DVDs and changing the face of heavy music alongside the rest of the NWOAHM (New Wave Of American Heavy Metal).
BLEEDING THROUGH participated in two Ozzfests, Vans Warped Tour, MTV2‘s Headbanger’s Ball Tour, Australia’s Soundwave festival, Europe’s Never Say Die! and more. They’ve supported bands like SLAYER, MARILYN MANSON, BULLET FOR MY VALENTINE, AFI, HIM and MACHINE HEAD. Over the years, they headlined the Strhess Tour and other package tours. Their U.S. headlining trek in support of “The Truth” featured support from EVERY TIME I DIE, BETWEEN THE BURIED AND ME and HASTE THE DAY and sold out two nights back to back at the Anaheim House Of Blues.
BLEEDING THROUGH has been featured on the cover of magazines like Outburn and Metal Edge. Alternative Press included their albums in “Most Anticipated” lists and Revolver twice featured keyboardist Marta Peterson on the cover of their “Hottest Chicks in Metal” issues.
The band’s breakthrough album, “This is Love, This is Murderous”, sold close to 150,000 copies in the U.S. alone. The follow-up CD, “The Truth”, sold over 17,000 copies in its first week of releae in January 2006. They worked with producers Ulrich Wild (STATIC-X), Rob Caggiano (ANTHRAX), Devin Townsend (MISERY SIGNALS, GWAR, LAMB OF GOD) and Chris “Zeuss” Harris (MUNICIPAL WASTE) over the years.
BLEEDING THROUGH began as a side-project for then-EIGHTEEN VISIONS guitarist Brandan Schieppati, whose lyrics and persona remained the consistent voice through the band’s evolving lineup. “Dust To Ashes” was issued by Prime Directive in 2001. Brian Leppke (guitar) and Derek Youngsma (drums) joined for the following year’s “Portrait Of The Goddess” on Indecision. Ryan Wombacher (bass) and Peterson had come onboard by the time “This Is Love…” was issued in 2003. Lead guitarist Scott Danough was the last founding member (aside from Schieppati) to part ways with the band sometime after the release of “The Truth”. Dave Nassie (ex-NO USE FOR A NAME) contributed a guest solo to 2008’s “Declaration” and was an official member by the time the band released their 2010 self-titled album on Rise Records. Last year, Rise released “The Great Fire”.
“This is Love…” and “The Truth” were released internationally through Roadrunner. “Declaration” was issued overseas by Nuclear Blast. In North America, those albums were handled by Trustkill. BLEEDING THROUGH‘s struggles with Trustkill Records became public in 2008. Trustkill eventually filed for bankruptcy, reportedly owing significant sums to BLEEDING THROUGH, THROWDOWN and other bands.
Through it all, BLEEDING THROUGH always relied on their fans, who often shared stories with how much their music had helped them, in turn.
In an exclusive statement to BLABBERMOUTH.NET, Schieppati had this to say regarding the band’s decision to wrap things up with BLEEDING THROUGH with final tours in 2013:
“When you have some success doing something that you love, you never really think about writing a statement about that something coming to an end. Well, that dream that we have had as BLEEDING THROUGH has come to an end.
“I think I can speak for the rest of my bandmates in saying that we always hoped it would end on our terms, and it has.
“We have been fortunate to have a strong fan base worldwide and have brought joy to many and pissed off many more.
“BLEEDING THROUGH was always a band that wore the emotion of the music on our sleeves. We cared about everyone like family that ever took the time to listen to our band, support our merchandise and go to our shows.
“Since 1999, we have been blessed to be able to tour the world, record seven records with some great musical minds, tour with amazing bands and people, work with people with character such as management, booking agents and road crew. Most importantly, we made lasting friends from this journey.
“We have been honored to be part of a expanding the musical movement of heavy music and hope to be remembered as a benchmark and pioneer of a specific style of music.
“We have been a band since 1999, and many of us just had life catch up with us in the way of marriages, kids, businesses and other endeavors. We can no longer dedicate what we need to to keep BLEEDING THROUGH going.
“Personally, I feel doing this band in a part-time fashion is not what this band is about and and feel like we have always been an all-or-nothing band. With that being said, and because we have established a worldwide following over the last 14 years, we want to give us and those people one more chance to share in this music together. We are setting up farewell tours. Dates will be up and promoted very soon.
“To those who supported this band: It has been an honor.”
The other members of BLEEDING THROUGH will issue personal letters via social-networking sites as well, so stay tuned.
Scranton, Pennsylvania-based metalcore sextet MOTIONLESS IN WHITE will release its sophomore album, “Infamous”, on November 13 via Fearless Records. The CD’s first single, “Devil’s Night”, will be available for download on Tuesday, September 25.
A preview of “Devil’s Night” is available in the YouTube clip below.
“‘Infamous’ pays a lot more attention to real life, this time,” explains MOTIONLESS IN WHITE lead singer Chris Motionless. “It’s not about movie characters like a lot of [2010’s] ‘Creatures’ was.”
He continues, “I don’t want to make music to just exist, I want to make music that makes a fucking difference. So this record is straight up, non-fiction and reflects how I feel about things being sung through not only my eyes, but those of fans and people in general.
“As much as I love not taking music entirely seriously all the time, I do feel at this point, we have an obligation to remain a band that’s doing something positive and putting out the right kind of message.”
He concludes by issuing this warning: “You have NO idea what you are about to hear, in the best way possible.”
“Infamous” track listing:
01. Black Damask (The Fog)
02. Devil’s Night
03. A-M-E-R-I-C-A
04. Burned At Both Ends
05. The Divine Infection
06. Puppets 2 (The Rain) (feat. Björn “Speed” Strid of SOILWORK)
07. Sinematic
08. If It’s Dead, We’ll Kill It (feat. Brandan Schieppati of BLEEDING THROUGH)
09. Synthetic Love
10. Hatefuck
11. Underdog
12. Infamous
Capital Chaos has quality video footage of BLEEDING THROUGH‘s July 27 performance at Ace Of Spades in Sacramento, California. Check it out below.
BLEEDING THROUGH was forced to drop off the North American tour with DEMON HUNTER and CANCER BATS afer the band’s vocalist, Brandan Schieppati, had to undergo and emergency orthodontic surgery.
BLEEDING THROUGH was forced to cancel last Saturday”s (on July 28) concert at the House Of Blues in San Diego, California with DEMON HUNTER and CANCER BATS after singer Brandan Schieppati underwent emergency orthodontic surgery.
Commented the band: “Symptoms started to appear [on Friday] and put him in a no-choice position [Saturday] morning. [We] can assure you from the many messages he has sent the band saying ‘I am so sorry’ he would do it if he could. We all apologize for any trouble this could have caused and appreciate your support.”
BLEEDING THROUGH‘s new album, “The Great Fire”, was released on January 31 via Rise Records. The band’s guitarist, Dave Nassie, described the CD in a recent interview as “a mix of everything. It has a strong, classic SLAYER element to it — because, you know, who doesn’t like that? That’s something as a band that we all like. It has a heavy black metal and thrash influence in it. This record is an example of what BLEEDING THROUGH like to do. We follow each other. Nobody really picked a direction and said, ‘Hey, we want to sound like this.’ Brandan came in with a bunch of really aggressive songs, [Guitarist] Brian [Leppke] had a bunch of aggressive songs. My songs kind of lightened it up a little bit, because we started listening back and realized that there were like 15 songs that were just pissed with no break in it at all. [laughs]”
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