For a band that’s so closely associated with The Dark Ages, Brodequin sure carried the torch for underground metal during the early 2000s. Brothers Jamie and Mike Bailey carved their names into the rusty annals of death metal lore on just the brute strength of their debut. But after feasting amidst a festival of death, gluttons for punishment were left spinning in agony when the band disappeared without a bloody trace. 

Now, at long last, aural masochists don’t have to wait and bleed for more merciless methods of execution. The Bailey brothers are back with a new drummer and the first new Brodequin album in 20 years.   

Harbinger of Woe comes out today, March 22 and you can stream it on Season of Mist’s YouTube channel. 

Order the album:https://shop.season-of-mist.com/list/brodequin-harbinger-of-woe

Harbinger of Woe is classic Brodequin. The opening song pauses for a beat or two just to relish the cries from its captive audience. Otherwise, the album never relents in bludgeoning you with brutal death metal. There is nothing gentle about “The Fall of the Leaf”, which whips by harsh enough to tear flesh from bone.  

Like all of Brodequin’s harrowed discography, Harbinger of Woe finds inspiration in the most torturous inventions known to man. “Suffocation in Ash” leads us inside an ancient Persian torture chamber, where new drummer Brennan Shackelford mercilessly buries the sorriest of sinners under a fine hail of blast beats and pinging cymbals. 

But Brodequin brandish fresh instruments of torture on Harbinger of Woe. The vocals are still as dank and guttural as a dungeon, but Jamie mixes in ghostly screams that fade like blood splatter. And while Mike’s palm-muted riffs still churn like severed limbs through a meat grinder, lead single “Of Pillars and Trees” branches out into tendrils of reverb that slowly tighten like a noose. 

As torturous as it sounds, Harbinger of Woe isn’t inhumane. With a breakdown that drops with the decisive force of a guillotine, the title track cracks open the  tormented psychology of a clinically trained executioner. “He is despised and rejected / feared by most members of society”, Jamie gurgles as if bound and gagged by his own microphone. 

“This album is a journey into a lost period of history where brutality and beauty coexist”, he says. “Beauty, in the arts that were created, but also the beautiful brutality that was needed to engineer deadly devices like the brodequin”.  

Look away if you must, but amongst true sickos, Harbinger of Woe is bound to be regarded as a truly vile work of art.      

Tracklist​​​​
1. Diabolical Edict (3:29)
2. Fall ​Of The Leaf (2:33)
3. Theresiana (3:03)
​4. Of Pillars and Trees (4:03) [WATCH]
5. Tenaillement (2:53)
6. Maleficium (3:09)
7. VII Nails (2:17)
8. Vredens Dag (3:20)
9. Suffocation in Ash (3:05) [LISTEN]
10. Harbinger of Woe (4:04) [LISTEN]

After signing with Season of Mist in 2022, Brodequin re-issued their entire discography on LP and CD.

Order:https://redirect.season-of-mist.com/BrodequinReisssues

Stream:
https://orcd.co/brodequin-methods
https://orcd.co/brodequin-festival
https://orcd.co/brodequin-torture

The Middle Ages might’ve brought the world out of The Dark Ages. But for every compass or printing press, those enlightened thinkers were also responsible for inventing the most torturous devices in human history. None were more brutal than the brodequin. Not only did the French use this instrument to cripple their victims, but to squeeze their legs to the point where bone marrow would spill out of their wounds.    

You could say the same about Brodequin. The band come with their own long and sordid history. Brothers Jamie and Mike Bailey have been playing brutal death metal since 1998. Putting his history degree to good use, Jamie’s lyrics are inspired by real historical events, staying true to death metal’s core thematic pillars of dismemberment, torture, abuse and murder. But their artwork broke from genre’s generic splatter illustrations by digging into intricate period woodcuts and beautifully grotesque oil paintings. 

“There simply was no point in history that was more brutal than the medieval period,” says Jamie. “At the same time that such barbarity was deployed, there was also an explosion in fine art, architecture and music. It all comes to feed our identity as a band”.   

Brodequin’s first album catapulted them far beyond their kingdom of Knoxville. “This band has stuck out in the underground with relentless, barbaric intensity”, says Dying Fetus’ vocalist and guitarist John Gallagher, who named Instruments of Torture one of the most brutal death metal albums ever. Festival of Death put another flesh-tearing arrow in their quiver (“Some of the fastest, most brutalizing death metal ever recorded” – Sputnik Music). But after sieging festival stages across Europe with Methods of Execution, the band had to be put on ice.  

“We had a series of deaths in our family”, Jamie explains. “Mike and I knew we had to step away until we had the time and were at a place mentally to give Brodequin the attention it deserved.”  

Now, after 20 years of peaceful silence, Brodequin have returned with fresh instruments of torture. The Brothers Bailey are back with a new drummer, a new label and their long-awaited fourth album.

“Brodequin had been away for so long that I was stunned by the level of interest from fans and record labels”, Jamie says. “Before playing Hellfest, the band was approached backstage by a metalhead rocking a Brodequin t-shirt who happened to work for Season of Mist. Soon enough, they were hitting it off with Michael Berberian. The rest, as they say, is history. 

“We all hung out for hours”, recalls Jamie. “The extraordinary level of enthusiasm shown toward our music made Season of Mist the obvious choice”. 

As has been the case with this band for their entire career, Harbinger of Woe lives up to its name. Lead single “Of Pillars and Trees” is classic Brodequin. Mike’s distorted guitar chords churn like limbs through a meat grinder. The way Brennan Shackelford pings, blasts and flays his snare through “Suffocation in Ash” with the all encompassing speed of a sandstorm. Jamie’s growls are so phlegmy, so rotted, that to drag them out from whatever dark bowel movement spawned them would make an executioner sick to their stomach. And yet — somewhere deep inside all that carnage hides a terrifying beauty. The title track leaves you deaf, dumb and blind, begging on your knees in the face of a punishing, almighty riff.    

“This album is a journey into this lost period of history where brutality and beauty coexist. Beauty, in the arts that were created, but also the beautiful brutality that was needed to engineer deadly devices like the brodequin”.  

With Harbinger of Woe, Brodequin reclaim their throne as the most brutal band in all of death metal.

Line up:
Jamie Bailey: Bass/Vocals
Mike Bailey: Guitar
Brennan Shackelford: Drums

Recording
Drums recorded at Brennan’s Drum Room in Dallas, Texas.
Guitar, bass and vocals recorded at Navarre 24 in Harriman, Tennessee

Producer and sound engineer
Mike Bailey

Mastering studio and engineer
Brad Boatwright

Mixing studio and engineer
Josh Welshman

Artwork
Original artwork done by Jose de Brito.
Additional elements by Jamie Bailey.

www.brodequinofficial.com
www.facebook.com/brodequinTN
www.brodequin.bandcamp.com
www.instagram.com/brodequintn

Brodequin know their history. As with the rest of the band’s brutal discography, their new album, Harbinger of Woe was inspired by medieval times. But while its first two singles wielded fresh instruments of torture, the title track cracks into the psychology of a trained killer.

Harbinger of Woe comes out March 22, 2024.

Pre-order: https://shop.season-of-mist.com/list/brodequin-harbinger-of-woe
Pre-save: https://brodequin.fanlink.tv/HarbingerOfWoe

“Harbinger of Woe” delivers plenty of punishment. Brennan Shackelford flails his drum kit with the pinging precision of a dungeon master. But the song isn’t inhumane. After all, someone was responsible for administering these historic beatings. Heck, back in the Middle Ages, executioners were considered a necessary evil. 

“He is despised and rejected / feared by most members of society”, Jamie Bailey gurgles as if bound and gagged by his own microphone.

Sure, it’s not painless. But when being dragged to the gallows, all anyone can hope for is someone to put them out of their misery quick and easy. When the breakdown hits, Mike Bailey’s riff comes slicing in like a guillotine.

“In many ways, the title track is representative of the whole album”, Brodequin says. “‘Harbinger of Woe’ uses several quotes that capture the violent mindset of the Medieval Period. But lyrically, we’re also trying to portray an expert in his craft, who’s well-acquainted with being shunned from society, along with all the other negative aspects of his profession. If you found yourself in this unfortunate position, you’d want this highly skilled professional to put you down as quickly and efficiently as possible”.   

Early praise for Harbinger of Woe

” Like the sonic version of some chemical weapon banned by international law…it’s non-stop, it’s unrelenting, and it’s brutal as fuck – Metal Sucks

“Absolutely crushing…equal parts driving death metal and slamming brutality” – Metal Injection

“Raw and guttural as ever” – Decibel

Tracklist​​​​
1. Diabolical Edict (3:29)
2. Fall ​Of The Leaf (2:33)
3. Theresiana (3:03)
​4. Of Pillars and Trees (4:03) [WATCH]
5. Tenaillement (2:53)
6. Maleficium (3:09)
7. VII Nails (2:17)
8. Vredens Dag (3:20)
9. Suffocation in Ash (3:05) [LISTEN]
10. Harbinger of Woe (4:04) [LISTEN]

“Among the myriad methods employed, a prominent example was the affixing of an individual to a pillar, or, more commonly, a tree trunk through the use of long iron nails”.

That’s Jamie Bailey, talking in true Brodequin fashion about the very first single from Harbinger of Woe.

Watch the medieval video for “Of Pillars and Trees”, which was created by Matti Way of From the North Films: https://youtu.be/yh7awqeuZJQ

Their second single only cranks up the torment, but the source material for “Suffocation in Ash” dates all the way back to ancient Persian history. 

“Basically, the victim, who’s held in a tower that’s specifically designed for this sort of thing, is immersed in ash”,  Jamie explained. 

Listen to “Suffocation in Ash”: https://redirect.season-of-mist.com/brodequin-premiere

After signing with Season of Mist in 2022, Brodequin re-issued their entire discography on LP and CD.

“Relentless, barbaric intensity” – John Gallagher (Dying Fetus), who named Instruments of Torture one of the most brutal albums ever.  

“Kicks in like a sledgehammer” – Metal Rage raved over Methods of Execution

“A merciless massacre” – Power Metal praised Festival of Death. 

Order:https://redirect.season-of-mist.com/BrodequinReisssues

Stream:
https://orcd.co/brodequin-methods
https://orcd.co/brodequin-festival
https://orcd.co/brodequin-torture

The Middle Ages might’ve brought the world out of The Dark Ages. But for every compass or printing press, those enlightened thinkers were also responsible for inventing the most torturous devices in human history. None were more brutal than the brodequin. Not only did the French use this instrument to cripple their victims, but to squeeze their legs to the point where bone marrow would spill out of their wounds.    

You could say the same about Brodequin. The band come with their own long and sordid history. Brothers Jamie and Mike Bailey have been playing brutal death metal since 1998. Putting his history degree to good use, Jamie’s lyrics are inspired by real historical events, staying true to death metal’s core thematic pillars of dismemberment, torture, abuse and murder. But their artwork broke from genre’s generic splatter illustrations by digging into intricate period woodcuts and beautifully grotesque oil paintings. 

“There simply was no point in history that was more brutal than the medieval period,” says Jamie. “At the same time that such barbarity was deployed, there was also an explosion in fine art, architecture and music. It all comes to feed our identity as a band”.   

Brodequin’s first album catapulted them far beyond their kingdom of Knoxville. “This band has stuck out in the underground with relentless, barbaric intensity”, says Dying Fetus’ vocalist and guitarist John Gallagher, who named Instruments of Torture one of the most brutal death metal albums ever. Festival of Death put another flesh-tearing arrow in their quiver (“Some of the fastest, most brutalizing death metal ever recorded” – Sputnik Music). But after sieging festival stages across Europe with Methods of Execution, the band had to be put on ice.  

“We had a series of deaths in our family”, Jamie explains. “Mike and I knew we had to step away until we had the time and were at a place mentally to give Brodequin the attention it deserved.”  

Now, after 20 years of peaceful silence, Brodequin have returned with fresh instruments of torture. The Brothers Bailey are back with a new drummer, a new label and their long-awaited fourth album.

“Brodequin had been away for so long that I was stunned by the level of interest from fans and record labels”, Jamie says. “Before playing Hellfest, the band was approached backstage by a metalhead rocking a Brodequin t-shirt who happened to work for Season of Mist. Soon enough, they were hitting it off with Michael Berberian. The rest, as they say, is history. 

“We all hung out for hours”, recalls Jamie. “The extraordinary level of enthusiasm shown toward our music made Season of Mist the obvious choice”. 

As has been the case with this band for their entire career, Harbinger of Woe lives up to its name. Lead single “Of Pillars and Trees” is classic Brodequin. Mike’s distorted guitar chords churn like limbs through a meat grinder. The way Brennan Shackelford pings, blasts and flays his snare through “Suffocation in Ash” with the all encompassing speed of a sandstorm. Jamie’s growls are so phlegmy, so rotted, that to drag them out from whatever dark bowel movement spawned them would make an executioner sick to their stomach. And yet — somewhere deep inside all that carnage hides a terrifying beauty. The title track leaves you deaf, dumb and blind, begging on your knees in the face of a punishing, almighty riff.    

“This album is a journey into this lost period of history where brutality and beauty coexist. Beauty, in the arts the were created, but also the beautiful brutality that was needed to engineer deadly devices like the brodequin”.  

With Harbinger of Woe, Brodequin reclaim their throne as the most brutal band in all of death metal.

Line up:
Jamie Bailey: Bass/Vocals
Mike Bailey: Guitar
Brennan Shackelford: Drums

Recording
Drums recorded at Brennan’s Drum Room in Dallas, Texas.

Guitar, bass and vocals recorded at Navarre 24 in Harriman, Tennessee

Producer and sound engineer
Mike Bailey

Mastering studio and engineer
Brad Boatwright

Mixing studio and engineer
Josh Welshman

Artwork
Original artwork done by Jose de Brito.
Additional elements by Jamie Bailey.

www.brodequinofficial.com
www.facebook.com/brodequinTN
www.brodequin.bandcamp.com
www.instagram.com/brodequintn

After 20 years of relative silence, last month, Brodequin returned with the announcement of their long-awaited fourth album. Today, the Brothers Bailey and their punishing new drummer are releasing the second torturous single off Harbinger of Woe.

Listen to “Suffocation in Ash”: https://redirect.season-of-mist.com/brodequin-premiere

Harbinger of Woe comes out March 22, 2024.

Pre-order: https://shop.season-of-mist.com/list/brodequin-harbinger-of-woe
Pre-save: https://orcd.co/harbingerofwoepresave

There’s a reason why metalheads from every underground fiefdom recognize Brodequin as the most brutal band in all of death metal. After all, they did take their name from the most wicked torture device that any peasant has had the misfortune of receiving. 

Brodequin’s whole discography is culled from the bloody annals of medieval history, but the source of inspiration behind their new single dates all the way back to ancient Persian history. “Basically, the victim, who’s held in a tower that’s specifically designed for this sort of thing, is immersed in ash”, explains Jamie Bailey, who honed his morbid curiosity for the Middle Ages as a college history student. 

But don’t just take his word for it. “Suffocation in Ash” treats unsuspecting spectators to an unflinching account of this real life torture chamber. Mike Bailey churns the riff like a giant wooden wheel, condemning even the sorriest of sinners to a hail of ash. Fellow executioner Brennan Shackelford continues to reign down a merciless torrent of blast beats and pinging cymbals long after their prisoner has been brought begging to one shredded knee.

“Silence. Liar”, Jamie gurgles, as if echoing the guilty conscience inside their poor beaten skull.

“I sought to shed light on an execution method rooted in antiquity”, Jamie says about the concept behind “Suffocation in Ash”. “This specific technique often escapes the attention of those intrigued by these kinds of historical practices. Lyrically, my aim was to transport the listener into the vivid depiction of the scene I attempt to portray”. 

“Among the myriad methods employed, a prominent example was the affixing of an individual to a pillar, or, more commonly, a tree trunk through the use of long iron nails”.

That’s Jamie Bailey, talking in true Brodequin fashion about the very first single from Harbinger of Woe.

“Of Pillars and Trees” is classic Brodequin. Mike’s riffs churn like severed limbs through a meat grinder. Brennan pings his cymbals with all the murderous intent of a spiked mace. Heck, the death growls are nasty enough to make you think that Jamie is sucking the blood of his enemies through a straw.

Watch the medieval video for “Of Pillars and Trees”, which was created by Matti Way of From the North Films: https://youtu.be/yh7awqeuZJQ

Tracklist​​​​
1. Diabolical Edict (3:29)
2. Fall ​Of The Leaf (2:33)
3. Theresiana (3:03)
​4. Of Pillars and Trees (4:03) [WATCH]
5. Tenaillement (2:53)
6. Maleficium (3:09)
7. VII Nails (2:17)
8. Vredens Dag (3:20)
9. Suffocation in Ash (3:05) [LISTEN]
10. Harbinger of Woe (4:04)

After signing with Season of Mist in 2022, Brodequin re-issued their entire discography on LP and CD.

“Relentless, barbaric intensity” – John Gallagher (Dying Fetus), who named Instruments of Torture one of the most brutal albums ever.  

“Kicks in like a sledgehammer” – Metal Rage raved over Methods of Execution

“A merciless massacre” – Power Metal praised Festival of Death. 

Order:https://redirect.season-of-mist.com/BrodequinReisssues

Stream:
https://orcd.co/brodequin-methods
https://orcd.co/brodequin-festival
https://orcd.co/brodequin-torture

Line up:
Jamie Bailey: Bass/Vocals
Mike Bailey: Guitar
Brennan Shackelford: Drums

Recording
Drums recorded at Brennan’s Drum Room in Dallas, Texas.

Guitar, bass and vocals recorded at Navarre 24 in Harriman, Tennessee

Producer and sound engineer
Mike Bailey

Mastering studio and engineer
Brad Boatwright

Mixing studio and engineer
Josh Welshman

Artwork
Original artwork done by Jose de Brito.
Additional elements by Jamie Bailey.

www.brodequinofficial.com
www.facebook.com/brodequinTN
www.brodequin.bandcamp.com
www.instagram.com/brodequintn

Brodequin come with a long and sordid history. Jamie and Mike Bailey have been banging people’s heads together since 1998. Their first album catapulted the brothers far beyond their kingdom of Knoxville, Tennessee. But after seizing the throne as one of the most brutal rulers in all of metal, the band disappeared into the shadows.

Today, after 20 years, Brodequin are returning with Harbinger of Woe. The band’s fourth album lives up to their namesake. It’s dark and torturous, but also technically exquisite. Heck, some might even call it a work of art. 

Watch the medieval video for “Of Pillars and Trees”, which was created by Matti Way of From the North Films:

Harbinger of Woe comes out March 22, 2024.

Pre-order: https://shop.season-of-mist.com/list/brodequin-harbinger-of-woe
Pre-save: https://orcd.co/harbingerofwoepresave

“Of Pillars and Trees” is classic Brodequin. Mike’s riffs churn like severed limbs through a meat grinder. New drummer Brennan Shackelford pings his cymbals with all the murderous intent of a spiked mace. Heck, the death growls are nasty enough to make you think that Jamie is sucking the blood of his enemies through a straw.

As with every Brodequin song, “Of Pillars and Trees” is rooted in real events. “This song finds its inspiration in the historical practices that involved the utilization of trees for the purpose of torture and execution”,” Jamie explains. “Among the myriad methods employed, a prominent example was the affixing of an individual to a pillar, or, more commonly, a tree trunk through the use of long iron nails”. 

But “Of Pillars and Trees” also branches out into new territory for the band. “The creation process for ‘Pillars’ started out much like any other Brodequin track”, Mike says. “It wasn’t until the mid-section came together that it began to diverge. I wanted to slow things down a bit but add some depth with multiple guitar tracks instead of just droning a single riff. As the layers were being written, I kept hearing a synth pattern in my head. But instead of using an actual synth, I recreated what I was hearing on my guitar, using plenty of reverb and delay to get the tone as close to what I was imagining as possible”.

Tracklist​​​​
1. Diabolical Edict (3:29)
2. Fall ​Of The Leaf (2:33)
3. Theresiana (3:03)
​4. Of Pillars and Trees (4:03) [WATCH]
5. Tenaillement (2:53)
6. Maleficium (3:09)
7. VII Nails (2:17)
8. Vredens Dag (3:20)
9. Suffocation in Ash (3:05)
10. Harbinger of Woe (4:04)

After signing with Season of Mist in 2022, Brodequin re-issued their entire discography on LP and CD.

“Relentless, barbaric intensity” – John Gallagher (Dying Fetus), who named Instruments of Torture one of the most brutal albums ever.  

“Kicks in like a sledgehammer” – Metal Rage raved over Methods of Execution

“A merciless massacre” – Power Metal praised Festival of Death. 

Order the reissues: https://redirect.season-of-mist.com/BrodequinReisssues

Stream:
https://orcd.co/brodequin-methods
https://orcd.co/brodequin-festival
https://orcd.co/brodequin-torture

The Middle Ages might’ve brought the world out of The Dark Ages. But for every compass or printing press, those enlightened thinkers were also responsible for inventing the most torturous devices in human history. None were more brutal than the brodequin. Not only did the French use this instrument to cripple their victims, but to squeeze their legs to the point where bone marrow would spill out of their wounds.    

You could say the same about Brodequin. The band come with their own long and sordid history. Brothers Jamie and Mike Bailey have been playing brutal death metal since 1998. Putting his history degree to good use, Jamie’s lyrics are inspired by real historical events, staying true to death metal’s core thematic pillars of dismemberment, torture, abuse and murder. But their artwork broke from genre’s generic splatter illustrations by digging into intricate period woodcuts and beautifully grotesque oil paintings. 

“There simply was no point in history that was more brutal than the medieval period,” says Jamie. “At the same time that such barbarity was deployed, there was also an explosion in fine art, architecture and music. It all comes to feed our identity as a band”.   

Brodequin’s first album catapulted them far beyond their kingdom of Knoxville. “This band has stuck out in the underground with relentless, barbaric intensity”, says Dying Fetus’ vocalist and guitarist John Gallagher, who named Instruments of Torture one of the most brutal death metal albums ever. Festival of Death put another flesh-tearing arrow in their quiver (“Some of the fastest, most brutalizing death metal ever recorded” – Sputnik Music). But after sieging festival stages across Europe with Methods of Execution, the band had to be put on ice.  

“We had a series of deaths in our family”, Jamie explains. “Mike and I knew we had to step away until we had the time and were at a place mentally to give Brodequin the attention it deserved.”  

Now, after 20 years of peaceful silence, Brodequin have returned with fresh instruments of torture. The Brothers Bailey are back with a new drummer, a new label and their long-awaited fourth album.

“Brodequin had been away for so long that I was stunned by the level of interest from fans and record labels”, Jamie says. “Before playing Hellfest, the band was approached backstage by a metalhead rocking a Brodequin t-shirt who happened to work for Season of Mist. Soon enough, they were hitting it off with Michael Berberian. The rest, as they say, is history. 

“We all hung out for hours”, recalls Jamie. “The extraordinary level of enthusiasm shown toward our music made Season of Mist the obvious choice”. 

As has been the case with this band for their entire career, Harbinger of Woe lives up to its name. Lead single “Of Pillars and Trees” is classic Brodequin. Mike’s distorted guitar chords churn like limbs through a meat grinder. The way Brennan Shackelford pings, blasts and flays his snare through “Suffocation in Ash” with the all encompassing speed of a sandstorm. Jamie’s growls are so phlegmy, so rotted, that to drag them out from whatever dark bowel movement spawned them would make an executioner sick to their stomach. And yet — somewhere deep inside all that carnage hides a terrifying beauty. The title track leaves you deaf, dumb and blind, begging on your knees in the face of a punishing, almighty riff.    

“This album is a journey into this lost period of history where brutality and beauty coexist. Beauty, in the arts the were created, but also the beautiful brutality that was needed to engineer deadly devices like the brodequin”.  

With Harbinger of Woe, Brodequin reclaim their throne as the most brutal band in all of death metal.

Line up:
Jamie Bailey: Bass/Vocals
Mike Bailey: Guitar
Brennan Shackelford: Drums

Recording
Drums recorded at Brennan’s Drum Room in Dallas, Texas.
Guitar, bass and vocals recorded at Navarre 24 in Harriman, Tennessee

Producer and sound engineer
Mike Bailey

Mastering studio and engineer
Brad Boatwright

Mixing studio and engineer
Josh Welshman

Artwork
Original artwork done by Jose de Brito.
Additional elements by Jamie Bailey.

Brutal death metal outfit BRODEQUIN will be reissuing all three of its full-length records on LP and CD format via Season of Mist! The trilogy of ‘Instruments of Torture’ (2000), ‘Festival of Death’ (2001), and ‘Methods of Execution’ (2004) is a cohesive collection of the relentless, neck breaking brutality that define the Tennessean’s vicious sound. All three albums will be released on May 26, 2023 and can now be pre-ordered HERE.

In the meantime, “Methods of Execution” (2004), “Festival of Death” (2001), and “Instruments of Torture” (2000) are now streaming on all digital platforms!

BRODEQUIN will be performing as part of the Gored in the Heart of Texas festival, which will take place during the weekend of September 21-23 in Haltom City, TX! The band has also be confirmed for the 2024 edition of Maryland Deathfest! The itinerary can be found below!

BRODEQUIN Live U.S. 2023:
09/21-23: Haltom City, TX @ Gored in the Heart of Texas Fest [TICKETS]

BRODEQUIN Live U.S. 2024:
05/23-26/2024: Baltimore, MD @ Maryland Death Fest [TICKETS]

The Brodequin was a French torture instrument used during the Middle Ages designed to destroy the legs of its victims. Enough ferocity was unleashed to not only shatter bone, but reduce the limbs to the point where the marrow would flow from the wounds.

Taking inspiration from this period in history three individuals from Knoxville, TN began composing music based off what was the most brutal of times. Brodequin chose and still uses period woodcuts and simple imagery from the era as a nod to its historical influence and as a way to demonstrate barbarity without the need for generic splatter illustrations that lack substance. This imagery would prove an important aspect of creating the bands unique brand among their peers and Brodequin’s version of brutal death metal. Brodequin is often cited as the band that pioneered the lyrical and visual themes of medieval punishment and torture used by many contemporary bands.

Brodequin’s first offering in 1998 “Instruments of Torture” made an immediate impact on the brutal death metal scene and was followed by another well received album entitled “Festival of Death”. For Brodequin’s third album “Methods of Execution” a new member (Jon Engman) was introduced and their first European appearances took place at Fuck the Commerce (Germany) and Obscene Extreme (Czech Republic). 

After a considerable hiatus Brodequin returned with a 2 song promo released in 2021 entitled “Perpetuation of Suffering”, featuring two of the three original members (Jamie & Mike Bailey) with a new drummer (Brennan Shackelford). With the lineup complete, Brodequin’s new material is among the best they have ever written. Plans are set for a 2023 release through Season of Mist Records.

“…It doesn’t get darker than that. It’s just like this giant mess of darkness. And I also feel that total commitment to what they’re doing.” – Ben Monder Guitarist on David Bowie’s Blackstar

Line up:
Jamie Bailey: Bass/Vocals
Mike Bailey: Guitar
Brennan Shackelford: Drums

Season of Mist is proud to announce the signing of BRODEQUIN, the brutal death metal outfit from Knoxville, TN! The band will be releasing its fourth full length in 2023, making it the band’s debut to the label!

In celebration of this new union, BRODEQUIN is now streaming their entire back catalogue, “Methods of Execution” (2004), “Festival of Death” (2001), and “Instruments of Torture” (2000) on all digital platforms!

BRODEQUIN comments on the signing:

“Brodequin is very pleased and honored to announce we are now part of the Season of Mist family!! The Season of Mist roster is familiar to many, and packed with substantial names of various genres including 1349, Abbath, Benighted, Wormed, Tsjuder, Severe Torture and many more! 

“We feel this is an important step in the direction we have been moving towards for several years, and are certain our partnership with Season of Mist will further spread our version of brutality to many more individuals.

“In addition to Season of Mist’s excellent support on every level, we will now have the best distribution we’ve ever had in both the United States & Europe. This will not only alleviate the high shipping costs from the U.S. to our European friends, but extend our reach overall. Season of Mist is just as excited as we are to get the new album out, they also will be the source for our back catalog, digital and physical as well as the associated merchandise.

“We will be recording late this summer and looking forward to a 2023 release! More news such as the album title etc. will be coming soon.“

The Brodequin was a French torture instrument used during the Middle Ages designed to destroy the legs of its victims. Enough ferocity was unleashed to not only shatter bone, but reduce the limbs to the point where the marrow would flow from the wounds.

Taking inspiration from this period in history three individuals from Knoxville, TN began composing music based off what was the most brutal of times. Brodequin chose and still uses period woodcuts and simple imagery from the era as a nod to its historical influence and as a way to demonstrate barbarity without the need for generic splatter illustrations that lack substance. This imagery would prove an important aspect of creating the bands unique brand among their peers and Brodequin’s version of brutal death metal. Brodequin is often cited as the band that pioneered the lyrical and visual themes of medieval punishment and torture used by many contemporary bands.

Brodequin’s first offering in 1998 “Instruments of Torture” made an immediate impact on the brutal death metal scene and was followed by another well received album entitled “Festival of Death”. For Brodequin’s third album “Methods of Execution” a new member (Jon Engman) was introduced and their first European appearances took place at Fuck the Commerce (Germany) and Obscene Extreme (Czech Republic).

After a considerable hiatus Brodequin returned with a 2 song promo released in 2021 entitled “Perpetuation of Suffering”, featuring two of the three original members (Jamie & Mike Bailey) with a new drummer (Brennan Shackelford). With the lineup complete, Brodequin’s new material is among the best they have ever written. Plans are set for a 2023 release through Season of Mist Records.

“…It doesn’t get darker than that. It’s just like this giant mess of darkness. And I also feel that total commitment to what they’re doing.” – Ben Monder Guitarist on David Bowie’s Blackstar

Line up:
Jamie Bailey: Bass/Vocals
Mike Bailey: Guitar
Brennan Shackelford: Drums
Joaquin Chavez: (Live) Guitar