Progressive rock collective CRIPPLED BLACK PHOENIX will be releasing a brand new album, ‘Banefyre,’ on September 9 via Season of Mist! The album artwork, tracklist, and additional details can be found below. In conjunction with the announcement, the band is now sharing the first single, “Blackout77,” which is about the infamous New York City blackout during the chaotic summer of 1977. The video, which was created by Guilherme Henriques, can be found along with a music video at THIS LOCATION.
Mastermind Justin Greaves comments on the track:
“A story of when, just for a night, the underclass, the downtrodden, the subjugated and outcast, all exploded in a rage when the power in New York City went down. The tension of years of oppression and abuse was released. For one night the freaks made themselves known and fired arrows to the sky. ‘Blackout 77’ is one part of our ‘Banefyre,’ The Musical Journey. Fitting with the other tales and laments giving light to life’s outcasts, the freaks, the different.
“Who’s laughing now?“
Pre-orders for ‘Banefyre’ are now live HERE while the album can be pre-saved across digital streaming services HERE.
Track-list 1. Intro/Incantation For The Different (2:49) 2. Wyches And Basterdz (4:57) 3. Ghostland (5:43) 4. The Reckoning (6:49) 5. Bonefire (4:36) 6. Rose Of Jericho (13:47) 7. Blackout77 (7:37) [WATCH] 8. Down The Rabbit Hole (10:32) 9. Everything Is Beautiful But Us (4:36) 10. The Pilgrim (6:19) 11. I’m OK, Just Not Alright (10:05) 12. The Scene Is A False Prophet (15:13) 13. No Regrets (4:30)
CRIPPLED BLACK PHOENIX previously announced new European tour dates in support of the new album, together with label mates IMPURE WILHELMINA and MØL. A full list of confirmed shows can be found below.
CRIPPLED BLACK PHOENIX – BANEFYRE EUROPE MMXXII Special Guests: MØL, IMPURE WILHELMINA
25.08.22 Germany Hannover @ Faust 26.08.22 Germany Hamburg @ Bahnhof Pauli 27.08.22 Denmark Copenhagen @ Hotel Cecil 28.08.22 Germany Berlin @ SO36 29.08.22 Germany Leipzig @ Täubchenthal 30.08.22 Germany Munich @ Backstage 31.08.22 Hungary Budapest @ A38 01.09.22 Austria Vienna @ Chelsea 02.09.22 Italy Bologna @ Link 03.09.22 Switzerland Winterthur @ Gaswerk 04.09.22 France Paris @ Backstage 05.09.22 Germany Cologne @ Essigfabrik 06.09.22 Netherlands Zoetermeer @ Boerderij 07.09.22 UK London @ The Dome 08.09.22 UK Bristol @ The Fleece 09.09.22 UK Manchester @ Rebellion 10.09.22 UK Glasgow @ Classic Grand
CRIPPLED BLACK PHOENIX are proud to unveil the new album details of their upcoming release ‘Banefyre’! The new full-length is set for worldwide release on September 09, 2022 via Season of Mist and new music will be released soon!
In further news, CRIPPLED BLACK PHOENIX have simultaneously announced new European tour dates in support of the new album, together with label mates IMPURE WILHELMINA and MØL. A full list of confirmed shows can be found below.
The band comments: “So yeah, this announcement is a pretty special one. The album and the tour! They’re finally happening!
Banefyre, The Musical! CBP is still alive. Still predictably unpredictable, doing our own thing. Accept no imitation. If you find it necessary to indulge yourself with a full dose of “the Musical!”, you’ll find a fantastic dance of triumph and defeat amongst a starlit atmosphere of deviant Magik. A congregation of outland dwelling characters in tales of caution and of hope, a reflection of human nature, ‘This, a journey through OUR world which only we understand but strikes a chord of lightning blue recognition amongst the crowd.
As satisfying as the longest and most perfect shit. To coin a phrase..
The Scene. The Prophet. The Clown. The End. “
CRIPPLED BLACK PHOENIX – BANEFYRE EUROPE MMXXII Special Guests: MØL, IMPURE WILHELMINA
25.08.22 Germany Hannover @ Faust 26.08.22 Germany Hamburg @ Bahnhof Pauli 27.08.22 Denmark Copenhagen @ Hotel Cecil 28.08.22 Germany Berlin @ SO36 29.08.22 Germany Leipzig @ Täubchenthal 30.08.22 Germany Munich @ Backstage 31.08.22 Hungary Budapest @ A38 01.09.22 Austria Vienna @ Chelsea 02.09.22 Italy Bologna @ Link 03.09.22 Switzerland Winterthur @ Gaswerk 04.09.22 France Paris @ Backstage 05.09.22 Germany Cologne @ Essigfabrik 06.09.22 Netherlands Zoetermeer @ Boerderij 07.09.22 UK London @ The Dome 08.09.22 UK Bristol @ The Fleece 09.09.22 UK Manchester @ Rebellion 10.09.22 UK Glasgow @ Classic Grand
The cover artwork of ‘Banefyre’ and further album details can be viewed below!
Track-list 1. Intro/Incantation For The Different (2:49) 2. Wyches And Basterdz (4:57) 3. Ghostland (5:43) 4. The Reckoning (6:49) 5. Bonefire (4:36) 6. Rose Of Jericho (13:47) 7. Blackout77 (7:37) 8. Down The Rabbit Hole (10:32) 9. Everything Is Beautiful But Us (4:36) 10. The Pilgrim (6:19) 11. I’m OK, Just Not Alright (10:05) 12. The Scene Is A False Prophet (15:13) 13. No Regrets (4:30)
The thread that binds CRIPPLED BLACK PHOENIX’s bold and towering discography — a dozen studio albums, a half-dozen mini-albums, a handful of compilations and swaths of bootlegs — could not be more apropos circa 2022. Since its 2004 creation by multi-instrumentalist and songwriter Justin Greaves, CRIPPLED BLACK PHOENIX has served as the voice for the voiceless, whether it be animals, the unequal and the different. Greaves and longstanding vocalist and lyricist Belinda Kordic have often proffered that these beings cannot fend for themselves. Henceforth, CRIPPLED BLACK PHOENIX’s mission has been to shed light on the human condition and the inequalities that befall humankind and its creatures. Their battle marches on with their latest studio album, Banefyre.
Banefyre follows 2020’s Ellengæst — an effort that found CRIPPLED BLACK PHOENIX employ a series of notable guest vocalists alongside Kordic, prompting Metal Hammer to describe it as their “most cohesive and emotionally devastating record.” Kordic is now paired with Swedish vocalist Joel Segerstedt, who made his CRIPPLED BLACK PHOENIX debut last year via the “Painful Reminder/Dead is Dead” single. Piano, synth and trumpet player Helen Stanley and additional guitarist Andy Taylor complete the lineup. Greaves says Stanley and Taylor “fit so well creatively,” which has made CRIPPLED BLACK PHOENIX feel like a band when making plans and decisions.
Also central to this is Segerstedt. According to Kordic, the vocalist and lyricist lives a mere five minutes from her in Sweden and has quickly integrated himself into the band. “What I like about Joel is that he’s a good person,” she says. “There’s no fakeness with him; he has cajones. He’s not a bitch-talker, either. I can’t handle people who don’t have a backbone, but Joel is real and can speak his mind.”
“I like how Joel has come in and spoke for himself,” adds Greaves. “He’s in the band for the right reasons. I see him the same way as Belinda — she took an interest in the whole artistic thing behind CRIPPLED BLACK PHOENIX, like the vocals, lyrics, artwork and aesthetic. It’s the same with Joel. He has taken an interest in all of those things. In the past, we had people who didn’t contribute artistically and only cared about what they got out of the band. But Joel is really proactive and takes the initiative.”
Greaves assembled 13 songs (including “No Regrets,” a bonus track for his new project with Kordic, Johnny the Boy) imbued with the depth and introspection that will reinforce CRIPPLED BLACK PHOENIX’s standing as a band that defies genre. The album was tracked at Chapel Studios in South Thoresby, Lincolnshire, with vocals cut at Monolith Studio and Kapsylen Studio in Stockholm, Sweden. Kurt Ballou handled mixing in GodCity Studios in Salem, Massachusetts — a pivotal move in determining the album’s overall sound.
“I love the album so much because it was a different approach with the production,” says Greaves. “For my part, it was a little bit of a reaction. I didn’t want to do the same warm, safe CRIPPLED BLACK PHOENIX album. I’m aware that when we did [2012’s] I, Vigilante, everyone wanted I, Vigilante again. As it so often happens with this band, people complain about the next one, then grow into it. Ellengæst is like I, Vigilante. It’s a shorter album. It hit the mark and was done really well, but everyone will expect another Ellengæst. I feared that, but I care enough not to make another Ellengæst. It’s the right thing to do. That’s why we got Kurt to mix it — we wanted that analog, raw power. Even though the album has mellow moments, those are edgy as well. We just didn’t want to do the same album twice. We’re never going to be a band that people can rely on.”
Greaves’ summation of his band notwithstanding, his distinctive guitar playing and enduring knack for immersive songwriting is the propellent behind the haunting, chant-laden “Ghostland,” pensive “The Reckoning” and forlorn “Everything is Beautiful but Us,” the band’s spot-on analysis of the retreat of humankind indoors during the pandemic that revealed nature’s priceless beauty. The album is also stocked with no less than four ten-minute-plus cuts (“Rose of Jericho,” “Down the Rabbit Hole,” “I’m Okay, Just Not Alright” and “The Scene is a False Prophet”) that are intermixed with drama and melancholy.
It all ties into Banefyre’s central theme of the persecution of people who are deemed “different” by society. The album title is a play on the song “Bonefire” that Kordic named and wrote lyrics for. In classic CRIPPLED BLACK PHOENIX fashion, Greaves turned it into the Olde English translation to represent the bonfires that engulfed witches and politicians through the 15th and 18th centuries, hence, the name Banefyre.
The album begins with “Incantation for the Different,” which was written and orated by Chicago-based witch, artist, author and occultist Shane Bugbee, who, according to Greaves, “brought us some positive, dark energy.” Banefyre then delves into the Salem Witch Trials (“Wyches and Basterdz”), fox hunting in Great Britain (“The Reckoning”), politicians of an unscrupulous and dishonest kind (“Bonefire”) and the New York City Blackout of 1977 (“Blackout77”).
Greaves says Banefyre’s topics may have a decidedly negative and pessimistic tone, but a glimmer of hope and joy remains. “There’s always the random bits, but overall, Banefyre is about the people who have suffered because they are different. The album covers inequality and oppression, like ‘Incantation for the Different,’ which is about overcoming when you’re put down because you’re not like everyone else.”
In true CRIPPLED BLACK PHOENIX fashion, the Lucy Marshall-created Banefyre cover leaves plenty to the imagination, depicting four animals seated at a table — interacting and dressed like human beings. “It’s sort of like Planet of the Apes showing what animals could do to humans,” says Greaves. “The cover was specially commissioned and is unique to the album. It’s incorporating all the classic CRIPPLED BLACK PHOENIX elements with the love for animals and twisting the narrative around.”
CRIPPLED BLACK PHOENIX’s reputation was built on the back of their studio albums and live shows. The pandemic prevented the band from supporting Ellengæst, but it did provide them additional time to bring in new members to their live configuration.
“We’ve done one show since 2019,” says Greaves. “We are going to do something in Europe this year. Hopefully, we can get back on track. We’re also going to do something in the States — that’s not just talk, we’re actually going to do it. It’s well overdue. The live band is fucking amazing. We have the five of us and now we have Jordi [Farré] on drums, Paco [Fleischfresser] on synth and a really good friend of mine, Matt Crawford on bass.
“We did the Leipzig show and even though the rehearsals were better than the show itself, that lineup, our live band, is so good. Because we haven’t been under pressure to put a live band together since 2019 and spent so long talking to people, we’ve got a better band from those results. Out of disaster, we’ve got quite a good, positive thing.”
Progressive rock collective CRIPPLED BLACK PHOENIX will be live-streaming their upcoming concert from the Felsenkeller venue in Leipzig (DE) on October 29! The band will be joined by special guest Jonathan Hultén (former TRIBULATION). This will be CRIPPLED BLACK PHOENIX’s only concert of 2021 in which they will debut their new lineup, new singer Joel Segerstedt, and new music. The event will start at 1:00 P.M. EDT // 19:00 CEST via TixForGigs,TV. Tickets are available now at THIS LOCATION and more information on the event can be found HERE.
Those who wish to attend the concert in person can find tickets HERE.
CRIPPLED BLACK PHOENIX is supporting 2020’s full-length ‘Ellengæst,’ which can be streamed, ordered, and downloaded HERE.
Progressive rock collective CRIPPLED BLACK PHOENIX will be releasing a new EP, ‘Painful Reminder / Dead is Dead’ on July 16 via Season of Mist! The cover art and track list can be found below. In celebration of the EP, CRIPPLED BLACK PHOENIX has now shared the first single, which is a cover of SNFU’s “Painful Reminder,” along with a music video accompaniment, which is available at THIS LOCATION.
In further news, CRIPPLED BLACK PHOENIX is welcoming vocalist/lyricist Joel Segerstedt to the lineup. The band comments:
“The first thing we’re doing after ‘Ellengæst’ is a special single. A cover version of the classic SNFU song ‘Painful Reminder.’ And it features new vocalist/lyricist Joel Segerstedt. He joins the band to be the male voice and the contrast to Belinda Kordic in the female/male dynamic which is now an integral part of the CBP sound. Being a Stockholm resident, it seems all the more serendipitous that we find each other. And after hearing his vocal talent in his other band The Open Up And Bleeds, we knew Joel could be the missing piece of the jigsaw.
“This release is a way of introducing Joel to our crowd while at the same time, paying tribute to the SNFU vocalist Mr Chi Pig. The song was already on the shortlist of cover song ideas Justin (Greaves) keeps in his pocket, but now was the time to do it because of the sad passing of Chi Pig in 2020. It seemed the right thing to pay our respects to a talented and underrated singer/lyricist and unique character in the punk rock world.“
Track-list 1. Painful Reminder (6:18) 2. Dead is Dead (7:40) Total:13:58
“One thing we’ll never do is stick to the rules and stay within the box.”
Such are the words from Crippled Black Phoenix founder, songwriter and guitarist Justin Greaves, who has guided this progressive, thought-provoking, shape-shifting musical collective since their 2004 formation. Their new effort, Ellengæst, follows a recent pattern of the band in releasing a mini-album in between studio LPs. It is the direct result of their ceaseless creativity — when Greaves has songs, Crippled Black Phoenix records them. Ellengæst has the difficult task of following 2018’s profound and moving Great Escape. Ellengæst, though, does not make any attempts in pairing with or succeeding Great Escape. Circumstances largely prevented it anyway.
On the day tracking started for Ellengæst, Crippled Black Phoenix — completed by vocalist and lyricist Belinda Kordic, guitarist Andy Taylor and multi-instrumentalist Helen Stanley —suddenly, unexpectedly found themselves without a male lead vocalist and keyboardist. Whereas events of a similar thread would spell doom for most bands, Greaves took it as an opportunity to tap into his deep network of musician friends. Before he knew it, several prominent guest vocalists were secured, ready and able to lend their considerable talents to Ellengæst: Anathema’s Vincent Cavanagh, Gaahls Wyrd’s Kristian “Gaahl” Espedal, Coliseum/Fotocrime/one-time Crippled Black Phoenix touring bassist Ryan Patterson, up-and-coming U.K. solo artist Suzie Stapleton and Tribulation’s Jonathan Hultén.
“It all came together really easy, to be honest,” says Greaves. “Because we’re working with people that you’ve got a connection where you see things the same way or you wouldn’t get along as friends. When it comes from an artistic standpoint, we’re already on the same page. It all just weirdly worked out. It’s not like I had to go out and think, ‘Okay, who do I know that could sing on this song that sounds like this?’ It was just like, ‘I’ve got a bunch of songs that we’ve always talked about doing something with. Which song would this singer suit?’”
Ellengæst, which in Olde English – with some scandinavian connection – translates as “strong spirit” and another reference as “mischievous demon”,represents Crippled Black Phoenix’s duality. “It comes from the same place, but with different connotations,” says Greaves. “That’s this band in a nutshell. We’ve had to stay strong because of all the BS we’ve encountered, yet we’re still going and subversive. It’s like we’re giving kids candy with razor blades in them.”
Tackling themes of the human condition and the perpetual internal struggles people face, Ellengæst begins with Cavanagh pairing with Kordic on “House of Fools” and “Lost,” the two switching lead vocal responsibilities for each song. Gaahl’s appearance on “In the Night” was born from his long-standing relationship with Greaves, the two men grew close after countless late tour nights in hotel rooms chatting the evening away. Gaahl, whose vocal exploits are often limited to black metal circles, was given “In the Night” because Greaves thought he could do something unique with the track.
“He doesn’t do these sorts of things; he doesn’t collaborate very often, if at all,” he says. “Kristian confessed to me that this is the first time he’s done something like this. When he sent me the files, he then called me up and asked if it was okay. He explained, ‘I did it in a spoken word because the song is stoic and melancholy.’ He hit the nail right on the head. Then you have Belinda doing her angelic vocals over it. You have the light and the dark represented.”
Patterson and Stapleton blend seamlessly on the momentous “Cry of Love,” while Kordic casts yet another heart-rendering vocal spell across “Everything I Say.” Yet another surprise comes in the form of Hultén’s trance-inducing, but soaring performance on “The Invisible Past.” A cover of Bauhaus’s “She’s in Parties” sung by Kordic rounds out the set.
Crippled Black Phoenix are no strangers to adversity, making the events surrounding the creation of Ellengæst yet another roadblock for a band whose very existence has been threatened on more than a few occasions. Their unique setup and stubborn refusal to bow to musical norms may confuse the casual music consumer. However, the core of Crippled Black Phoenix — Greaves, Kordic, Taylor and Stanley — thrives on the unconventional, remaining steadfastly singular and undefinable. Accordingly, Greaves believes this incarnation of Crippled Black Phoenix is the strongest to date. All it took was another dramatic sea-change to prove it.
“This was the best thing that could have happened to us,” he says. “Before, there was this horrible cloud of drama following us. There was always something going on. Once that had gone and the people who were on the outside of the band who were a part of that, once they had gone and the drama had gone, me and Helen found ourselves tracking in the studio in the first session. We just got on with it; we didn’t think twice. In the second session, we just felt liberated. We just knew, ‘This is going to be great.’ We’re all so excited about the possibilities. It feels like we’re rejuvenated.”
Dark Progressive rock outfit CRIPPLED BLACK PHOENIX will be releasing the full-length ‘Ellengæst’ on October 9 via Season of Mist! The band is now streaming the record in its entirety ahead of Friday’s release. Listen at THIS LOCATION.
Several prominent guest vocalists lend their considerable talents to Ellengæst: ANATHEMA’s Vincent Cavanagh, GAAHLS WYRD’s Kristian “Gaahl” Espedal, COLISEUM/FOTOCRIME/one-time Crippled Black Phoenix touring bassist Ryan Patterson, up-and-coming U.K. solo artist Suzie Stapleton and TRIBULATION’s Jonathan Hultén.
‘Ellengæst’ can be pre-ordered in various formats HERE.
The artwork for’Ellengæst’ was created by artist Thanasis Stratidakis (Erebus Art) and graphic designer Benedikt Demmer.
Track-list 1. House Of Fools (7:52) 2. Lost (8:11) [WATCH] 3. In The Night (8:38) 4. Cry Of Love (5:46) [WATCH] 5. Everything I Say (7:21) 6. (-) (1:51) 7. The Invisible Past (11:26) 8. She’s In Parties (3:51)
Dark Progressive rock outfit CRIPPLED BLACK PHOENIX will be releasing the full-length ‘Ellengæst’ on October 9 via Season of Mist! The band has partnered with Metal Injection to premiere the thought-provoking music video for their brand new single, “Lost”. The song and video, which was once again created by Guilherme Henriques, can be found at THIS LOCATION.
Mastermind Justin Greaves comments on the track: “As the quote goes from Belinda’s lyrics ‘The dangerous nature of an ignorant mind, the final fall for mankind.’ This line stands out to represent our feelings on the subject of global and human decline.
“Generally people know more of what happens in the world than they’re willing to face, instead they turn away and choose to ignore things that are uncomfortable or inconvenient. Well, we’d like to invite those people to be aware and maybe get some fucking empathy!
“As for the song itself, Belinda really took the bull by the horns and wrote some of her best lyrics ever, and her delivery is perfect, along with Vincent who adds his powerful voice to the song. You can hear both voices with genuine emotions.
“And the video. What can I say? Guilherme [Henriques] has blown us away with his visuals again. Working with the brief, he understood what we were wanting to put across and obviously connected with it as his video is perfect. It is brutal, sad, thought provoking and kind a tragically beautiful. Personally, I think if you don’t feel any reaction to this video then your dead inside.
“It is time to wake the fuck up. It is not about politics or religion or profit. It is about ethics, empathy, and integrity for social and global issues. We are all responsible.”
Vocalist and lyricist Belinda Kordic adds: “It is a mad, mad and sad world out there. And excuse my lack of optimism (or not)… it isn’t getting any better. It’s getting far worse. No other living creature on this broken planet exudes such destruction as us humans. The cruelty, lack of empathy and respect for not only each other, but all forms of life.
“The saying goes ‘live in the now’ maybe that is the problem? Who cares about the future if ‘I can grab what I want now’ with no care in the world for who or what will suffer or die for it? I think we need to live in the future to see where it is heading….it is not a beautiful sight. And honestly, I do not envy future generations who have to live in this great big mess we leave behind.”
Several prominent guest vocalists lend their considerable talents to Ellengæst: ANATHEMA’s Vincent Cavanagh, GAAHLS WYRD’s Kristian “Gaahl” Espedal, COLISEUM/FOTOCRIME/one-time Crippled Black Phoenix touring bassist Ryan Patterson, up-and-coming U.K. solo artist Suzie Stapleton and TRIBULATION’s Jonathan Hultén.
‘Ellengæst’ can be pre-ordered in various formats HERE.
The artwork for’Ellengæst’ was created by artist Thanasis Stratidakis (Erebus Art) and graphic designer Benedikt Demmer.
Track-list 1. House Of Fools (7:52) 2. Lost (8:11) [WATCH] 3. In The Night (8:38) 4. Cry Of Love (5:46) [WATCH] 5. Everything I Say (7:21) 6. (-) (1:51) 7. The Invisible Past (11:26) 8. She’s In Parties (3:51)
Line-up: Justin Greaves – Guitars, Drums, Bass, Samples, Saw. Belinda Kordic – Vocals, Percussion Helen Stanley – Grand Piano, Synthesisers, Trumpet Andy Taylor – Guitar
Recording line-up for ‘Ellengæst’: Justin Greaves Belinda Kordic Helen Stanley Andy Taylor Ben Wilsker Rob Al-Issa
Friends & Guests ‘House Of Fools’ – Vincent (lead vocals) with Belinda (backing vocals) ‘Lost’ – Belinda (lead vocals) with Vincent (backing vocals) ‘In The Night’ – Gaahl and Belinda (duet) ‘Cry Of Love’ – Ryan (lead vocals) with Suzie (backing vocals) ‘Everything I Say’ – Belinda (vocals) ‘The Invisible Past’ – Jonathan (vocals) ‘She’s In Parties’ – Belinda (vocals), Suzie (Guitar)
Studio: Recorded at Chapel Studio, Lincolnshire (UK) Producer/sound engineer: Produced by Justin Greaves & Karl Daniel Lidén Mixed/Mastered: by Karl Daniel Lidén, Stockholm (SE)
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