Dark End

The Symphonic Black Metal band ‘Dark End’ has just released their much awaited Grand Guignol – Book I on the world. Combined with their haunting melodies, rich orchestras and dark elements I took the first opportunity to ask the band about their Music, Philosophies, and History behind everything that they are today.

1. Welcome to Metal Shock Finland, I’m Dylan, could you please introduce yourselves and the positions you take in the band.

Ave Dylan, to you and to all the Sons of the Northern Shades out there, here’s Animæ and I am the lead singer of DarkEnd.

2. Can you explain the principles for creating this album? What was going through your minds when you first started writing it?

Well, as for the previous concept album “Assassine”, the first stone settled in the creation of “Grand Guignol” was directly connected to my strong philosophical and theatrical researches, used as a basis to set up the whole structure and the general atmosphere of the opera. So, to find the principles from which the album takes it moves, we have to search among the vast halls of Esoterism, Astronomy, Psychology and Magic, finding their infinite grains of knowledge and those ruins of centuries lost that build up our Theatre Of Horrors. Basically, my target was to explore through a rich narrative and metaphorical plot the common roots of occultism, mysticism, self-martyrdom and obscure ancestral ceremonies, and then to create a solid musical structure able to deeply transmit every single emotion involved in this complex spiritual process. What we wanted to reach was a profound absorption of our fans, moving them not only to listen but moving them… to feel.

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Artist: Dark End
Album: Grand Guignol Book I
Label: Crash & Burn Records
Year: 2012

1. descent-ascent (II movement)
2. æinsoph – flashforward to obscurity
3. doom – and then death scythed
4. spiritism – the transmigration passage
5. bereavement – a multitude in martyrized flesh
6. grief – along our divine pathway
7. bleakness – of secrecy, haste and shattered crystals
8. pest – fierce massive slaying grandeur
9. decrepitude – one last laugh beside your agonies
10. dawn – black sun rises

As soon as I turned this album on, I felt the smile grow across my face. The elusive “Cheshire Cat” grin was working its way round and there was nothing at all I could have done (or wanted to do) to stop this. The album starts with the most haunting atmospheric textures ever to have been placed inside my mind and I like it! Imagine if you will for a moment, a cross between Nobou Uematsu (Final Fantasy) and Dimmu Borgir and you’re almost close to what this is.

Hidden deep within the archives of your mind is a darkness, and Dark End are the hosts. The music screams its way through your head, tearing apart any sense of decency left inside you. Evil? Not a chance, ‘Grand Guignol Book I’ is the works of a genius.

Within playing the ‘Grand Guignol Book I’ and starting your journey in ‘descent-ascent (II movement)’ you are shown the extent that these musicians have taken to perfect the sound. You are given a glance of what is yet to come, and you don’t want it to stop. With the rich haunting orchestras and the mix between growls, screams, guitars and drums, everything becomes limitless. The setup of the album is particularly interesting; combining full-on shredding with passages of very moving orchestral moments puts everything into a different context entirely.

‘Decrepitude – One last laugh beside your agonies’ with the violins and clarinets breakdown is simply enthralling. Add then if you will those haunting vocals and the orchestras back into the picture and you have yourself another masterpiece waiting to be heard and all the tracks are like this! There is no stopping this album.

A truly inspirational mix between the orchestras, the shredding, the drums, the vocals and every atmospheric texture in this album is just so beautifully crafted and exhilarating. Vocally it is more than intense, musically it is outstanding and melodically it is immense!

‘Grand Guignol Book I’ will be added to the list of the best albums I’ve heard this year, and will take a permanent place on my mp3 player for many years to come.

It is an astonishing masterpiece which originally left me speechless upon first hearing it.

10/10

Reviewed by Dylan Raine