Iowa City, IA’s DRYAD have today shared their new single, Pompeii Worm, and an accompanying visualizer. Pompeii Worm is the third and final pre-release track to be taken from DRYAD’s forthcoming debut album, The Abyssal Plain, due out via Prosthetic Records on January 20. The track is an allegorical tale of the alvinella pompejana species of deep sea worms survival methods within it’s hostile climate and that of human persistence.

Listen to Pompeii Worm via Apple Music | TIDAL | Deezer | Bandcamp and Spotify
Pre-order The Abyssal Plain here.

Speaking on the single, DRYAD comments: “With our third single from The Abyssal Plain, we dive even further into the murky depths of both the ocean and the mind. Pompeii Worm is a sordid tale of extremophile beings surviving, and even thriving, in a place where no life should be able to exist. It’s an incisive allegory of persistence and intention in a dark ocean of hopelessness and melancholy.

“The worm itself survives on the precipice of the hydrothermal vents in the deepest fathoms of the ocean, being constantly boiled alive – yet it has evolved to remain not only unscathed, but nurtured by the torrid waters themselves. An inexplicable sign of life in the vast and hellish gloom – a miraculous creature of the stygian depths, too weird to live and too rare to die.”

DRYAD‘s take on black metal is as abrasive and primeval as you would hope from a band that draws their biggest lyrical influences from the furthest reaches of the ocean floor, far from even the weakest tendrils of sunlight. Their stygian take on the genre is chaotic and suitably lo-fi, but on The Abyssal Plain, the oppressive cacophony is punctuated with synth-heavy interludes heavily inspired by 80s horror movie soundtracks (think John Carpenter and Dario Argento).

The activity of the intricate ecosystems 10,000 feet below the surface of the ocean provides an abundance of material for lyrical horror stories of near-unbelievable monsters and mind-bending geological features, but DRYAD are keen to stress the environmental message woven throughout their music (the band itself is named after the mythological spirit and protector of the forests). Ocean environments are continuously being polluted and exploited for supposed human gain, and the despair and fury this elicits is palpable in the visceral sound of the band. 

The real-life horrors that lurk on the deepest parts of the seafloor also serve as a metaphor for the tenebrose depths of depression and psychological struggle, reflecting a place where it is impossible for light to penetrate. And yet, even in those deepest, darkest depths, incredible creatures not only exist, but thrive – some even creating their own light – in seemingly the most inhospitable of environments. So, whilst this album is very much about the depths of the ocean and the alien creatures of the abyssal plains that lie at the bottom of our seemingly mundane Earth, it is also about feeling alone in the darkness and still creating your own light. Being able to manufacture hope in a seemingly hopeless place – both for oneself and for the future of the planet.

The Abyssal Plain was recorded in the band’s home state of Iowa by Luke Tweedy, mixed and produced by Jaxon Vesely, and co-produced by DRYAD’s Claire Nunez, before being mastered by Adam Tucker at Signaturetone. On their debut album, DRYAD have crafted a syntheses of sound – forged from foundations that are part horror story, part rallying cry.

The Abyssal Plain tracklist:

1. Counterillumination
2. Bottomfeeder
3. Brine Pool Abberation
4. Trenches
5. Loki’s Castle
6. Hadal
7. Pompeii Worm
8. Chimera Monstrosa
9. Abyssal Plain
10. Black Smoke
11. Raptures of the Deep
12. Eutrification
13. A Nagging Thought

DRYAD is:
Claire Nunez – Vocals, Guitar, Synths
Grimmtooth – Vocals, Guitar
Joe Milik – Bass
Oliver Weilein – Drums

Iowa City, IA based black metal band DRYAD have premiered their new single, Brine Pool Aberration, and its accompanying visualizer via New Noise. Brine Pool Aberration is the second track to be taken from the group’s forthcoming debut album, The Abyssal Plain, which is set for release via Prosthetic Records on January 20. DRYAD dive further into thematic oceanic depths on Brine Pool Aberration, offering up glimmers of hope through the darkness.

LISTEN AND WATCH THE VISUALIZER FOR BRINE POOL ABERRATION VIA NEW NOISE HERE.

Brine Pool Aberration is now available on all streaming platforms.

Speaking on the premiere, DRYAD comments: “As the light fades, and one descends blindly into the blackened depths of the ocean, a glimmer of hope and madness both begin to take shape below. A seemingly impossible lake beneath an ocean, a dream within a dream. What illuminating horrors lie within the anoxic brine?”

DRYAD‘s take on black metal is as abrasive and primeval as you would hope from a band that draws their biggest lyrical influences from the furthest reaches of the ocean floor, far from even the weakest tendrils of sunlight. Their stygian take on the genre is chaotic and suitably lo-fi, but on The Abyssal Plain, the oppressive cacophony is punctuated with synth-heavy interludes heavily inspired by 80s horror movie soundtracks (think John Carpenter and Dario Argento).

The activity of the intricate ecosystems 10,000 feet below the surface of the ocean provides an abundance of material for lyrical horror stories of near-unbelievable monsters and mind-bending geological features, but DRYAD are keen to stress the environmental message woven throughout their music (the band itself is named after the mythological spirit and protector of the forests). Ocean environments are continuously being polluted and exploited for supposed human gain, and the despair and fury this elicits is palpable in the visceral sound of the band. 

The real-life horrors that lurk on the deepest parts of the seafloor also serve as a metaphor for the tenebrose depths of depression and psychological struggle, reflecting a place where it is impossible for light to penetrate. And yet, even in those deepest, darkest depths, incredible creatures not only exist, but thrive – some even creating their own light – in seemingly the most inhospitable of environments. So, whilst this album is very much about the depths of the ocean and the alien creatures of the abyssal plains that lie at the bottom of our seemingly mundane Earth, it is also about feeling alone in the darkness and still creating your own light. Being able to manufacture hope in a seemingly hopeless place – both for oneself and for the future of the planet.

The Abyssal Plain was recorded in the band’s home state of Iowa by Luke Tweedy, mixed and produced by Jaxon Vesely, and co-produced by DRYAD’s Claire Nunez, before being mastered by Adam Tucker at Signaturetone. On their debut album, DRYAD have crafted a syntheses of sound – forged from foundations that are part horror story, part rallying cry.

The Abyssal Plain tracklist:

1. Counterillumination
2. Bottomfeeder
3. Brine Pool Abberation
4. Trenches
5. Loki’s Castle
6. Hadal
7. Pompeii Worm
8. Chimera Monstrosa
9. Abyssal Plain
10. Black Smoke
11. Raptures of the Deep
12. Eutrification
13. A Nagging Thought

DRYAD have announced their debut full length album, The Abyssal Plain, set for release via Los Angeles based heavy metal label Prosthetic Records on January 20. Accompanying the album announcement, DRYAD are currently premiering a music video for the lead single, titled Black Smoke, via Decibel Magazine. Kicking off both DRYAD and Prosthetic’s 2023 off with a bang, The Abyssal Plain is a 13 track literal and metaphorical trip to the darkest depths of the ocean.

WATCH THE MUSIC VIDEO FOR BLACK SMOKE VIA DECIBEL HERE.

Stream Black Smoke via Apple Music, TIDAL, Deezer, Bandcamp and Spotify
Pre-order The Abyssal Plain here.

Speaking on the album announcement the band comments: “We’re thrilled to present our debut full-length album, The Abyssal Plain, on Prosthetic Records. Written in an abandoned Iowa prairie schoolhouse, and recorded in a rural converted barn, these songs are the epic conclusion to our Silurian Age – a saga of prehistoric magic and mystery under attack from the modern world, as well as a phosphorescent reflection of our own internal shadows. Dive into the depths if you dare…the infinite darkness looms, but the light still shines within.”

Of Black Smoke, DRYAD adds: “Our lead single, Black Smoke, is a call to arms to save our oceans before it’s too late – a black metal d-beat attack in defense of water sanctity (as well as a slight nod to a favorite horror film). It’s a fitting first release that echoes our core sentiments against the exploitation of the world’s natural resources. The video itself is a haunting homage to our local DIY scene, filmed entirely live and featuring the specters of many long-time collaborators, supporters and friends who have helped us get to where we are today.”

DRYAD‘s take on black metal is as abrasive and primeval as you would hope from a band that draws their biggest lyrical influences from the furthest reaches of the ocean floor, far from even the weakest tendrils of sunlight. Their stygian take on the genre is chaotic and suitably lo-fi, but on The Abyssal Plain, the oppressive cacophony is punctuated with synth-heavy interludes heavily inspired by 80s horror movie soundtracks (think John Carpenter and Dario Argento).

The activity of the intricate ecosystems 10,000 feet below the surface of the ocean provides an abundance of material for lyrical horror stories of near-unbelievable monsters and mind-bending geological features, but DRYAD are keen to stress the environmental message woven throughout their music (the band itself is named after the mythological spirit and protector of the forests). Ocean environments are continuously being polluted and exploited for supposed human gain, and the despair and fury this elicits is palpable in the visceral sound of the band. 

The real-life horrors that lurk on the deepest parts of the seafloor also serve as a metaphor for the tenebrose depths of depression and psychological struggle, reflecting a place where it is impossible for light to penetrate. And yet, even in those deepest, darkest depths, incredible creatures not only exist, but thrive – some even creating their own light – in seemingly the most inhospitable of environments. So, whilst this album is very much about the depths of the ocean and the alien creatures of the abyssal plains that lie at the bottom of our seemingly mundane Earth, it is also about feeling alone in the darkness and still creating your own light. Being able to manufacture hope in a seemingly hopeless place – both for oneself and for the future of the planet.

The Abyssal Plain was recorded in the band’s home state of Iowa by Luke Tweedy, mixed and produced by Jaxon Vesely, and co-produced by DRYAD’s Claire Nunez, before being mastered by Adam Tucker at Signaturetone. On their debut album, DRYAD have crafted a syntheses of sound – forged from foundations that are part horror story, part rallying cry.

The Abyssal Plain tracklist:

1. Counterillumination
2. Bottomfeeder
3. Brine Pool Abberation
4. Trenches
5. Loki’s Castle
6. Hadal
7. Pompeii Worm
8. Chimera Monstrosa
9. Abyssal Plain
10. Black Smoke
11. Raptures of the Deep
12. Eutrification
13. A Nagging Thought

DRYAD is:
Claire Nunez – Vocals, Guitar, Synths
Grimmtooth – Vocals, Guitar
Joe Milik – Bass
Oliver Weilein – Drums