‘Desolation Years’ is Hong Faux’s much anticipated third full-length album and follow up to ‘A Message From Dystopia’. The album opens up a hole in the gut, and peeks inside to try to understand what’s going on. Heavy riffs, melodic passages and the witty musical turns that characterise Hong Faux are all there, but this time with a modern twist. Introspective lyrics in a tug of war with heavy riffing and melodic transitions in a dark soundtrack to modern life are the building blocks of ‘Desolation Years’ – Hong Faux’s attempt at painting a musical picture of the void between how it is and how it should be. 

Stream/buy here: https://orcd.co/desolation-years

‘Desolation Years’ Track By Track:
Wake Me Up For Exit: The opener of the album head butts itself into existence. A classic Hong Faux track with the riff on top and the juicy parts below. 
Fornever: This big, arena-worthy anthem is a melodic journey with a huge chorus and a middle eight to make the hair on the back of your neck stand up. 
Zero Point: What’s the point? This melancholic piece explores soulful and jazzy harmonics before erupting into a heavy stoner rock wrecking ball, whilst examining the will to be ruled out of the future. 
Trains: Trains is the first single from the new album. The song dives deep into the fury of an “ordinary man” over the craziness of the current state of the world. Bombastic, modern rock coupled with the rhythm and attack of hip hop. (Yes!) If this track doesn’t make your head move – have it checked!
New Vegas: The classic rock packaging of “New Vegas” contains a grungy vibe core.
Desolation Years: The title track of the album is a heavy, doomy song, wrapped around a dark soundscape and the question, “Are we ready for the desolation years?”.
Disco Necropolis: This supercharged, heavy song takes the listener straight to the middle of the dancefloor at Disco Necropolis – in for a penny, in for a pound…
Parasite: Hong Faux claims to do “arena stoner rock” and this track is proof! Rhythm, riffs and a big sign saying: “Everything’s perfect here but nothing’s RIGHT!”
Starkiller: “Starkiller” flirts with the songwriting of the ‘90s. The song seduces with an americana-seasoned verse before launching into an arena-oriented chorus laced with big vocals and a universal message to get your sh*t together.
Whitman, Price & Haddad: Do you remember Whitman, Price & Haddad – basking in the Maui sun? …No that’s right, they’re ashes… slightly overdone…
The Flood: The final track on the album is a lighter version of a riff that was once heavy. Is it ok for a heavy band to do a pop song? The answer is unquestionably yes!

ABOUT HONG FAUX
Ever since Hong Faux’s very first recorded notes started their journey from blog, to magazines, to radio and MTV, people have tried to label the music and to figure out the meaning of the band’s name. A London promoter called it “old school super sludgy riffology with blues wailin’ vox”. Listening to the songs on their new album, it would be foolish to argue against such a statement. In simpler terms, you’ll find the sound that brought together four guys with very diverse musical tastes and backgrounds.
       
Something the band members all dig on the same level is the harder bands that came out of Seattle in the early nineties. So, all put together, with a few added ingredients, you get heavy stoner riffs galore with strong melodic vocals that honour the harmonic complexity of the grunge era.
 
“Our ambition is to combine the guitar riffs from the ‘70s, the grunge scene’s more melodic artists from the ‘90s, with modern rock. We have always enjoyed pop choruses and were convinced that the harder rock crew would think we were wimpy. But we were wrong… I guess even the cool dudes like to be tickled on the thighs every once in a while.” – lead singer Nik Serén.

The four-piece has played shows all over Europe, sharing stages with such diverse bands as D-A-D, Clutch, Graveyard, Danko Jones, Coheed and Cambria and Babyshambles. You can count on Hong Faux delivering both weight and melody, just like they always do.

Line-up: 
Niklas Serén – Lead vocals & guitar 
Björn Billgren – Lead guitar 
Johan Bergqvist – Bass & vocals 
Jonathan Hummelman – Drumkit 

More information at

• https://www.facebook.com/hongfaux/
• https://www.instagram.com/hongfaux/
• https://twitter.com/hongfaux

‘Starkiller‘ is the second single from Swedish rockers HONG FAUX in anticipation of their upcoming album Desolation Years, due out later in 2023. Flirting with the songwriting of the 90s, this track seduces you with an Americana seasoned verse before throwing you into an arena chorus laced with big vocals and a message to get your shit together.

Pre-order/add/save link: https://bfan.link/hong-faux-starkiller

ABOUT HONG FAUX
Ever since Hong Faux’s very first recorded notes that started their journey from blog, to magazines, to radio and MTV, people have tried to label the music and try to figure out the meaning of the band’s name. A London promoter called it “Old school super sludgy riffology with blues wailin’ vox”. Listening to the songs ‘Present Tense-Less’ and ‘Bad City Blues’ on their debut album, it would be foolish to argue against such a statement. On the other hand, you’ll find the sound that brought together four guys with very diverse musical tastes and backgrounds.
      
One of the things the band members all dig on the same level is the harder bands that came out of Seattle in the early nineties. So, all put together, with a few added ingredients, you get heavy stoner riff galore with strong melodic vocals that honour the harmonic complexity of the grunge era.
“Our ambition is to combine the guitar riffs from the 70’s, the grunge scenes more melodic arts from the 90’s with modern rock. We have always enjoyed pop choruses and were convinced that the harder rock crew would think we were wimpy. But we were wrong… I guess even the cool dudes like to be tickled on the thighs every once and a while.” – lead singer Nik Serén.
      
The four-piece has done shows all over Europe, sharing stages with such diverse bands as D-A-D, Clutch, Graveyard, Danko Jones, Coheed and Cambria and Babyshambles. You can count on Hong Faux delivering both weight and melody, just like they always do.

Line-up: 
Niklas Serén – Lead vocals & guitar 
Björn Billgren – Lead guitar 
Johan Bergqvist – Bass & vocals 
Jonathan Hummelman – Drumkit 

Swedish alternative rock band HONG FAUX have released their new single ‘Trains‘ via Golden Robot Records. The track is the first look at what to expect from their highly anticipated third full-length album, due out in 2023. 

‘Trains‘  dives deep into the fury of an “ordinary man” over the state of craziness in the current climate of the world. Bombastic, modern rock coupled with the rhythm and attack of hip hop. If this track doesn’t make your head move–have it checked!

Stream/buy ‘Trains’ HERE

ABOUT HONG FAUX 

Ever since Hong Faux’s very first recorded notes that started their journey from blog, to magazines, to radio and MTV, people have tried to label the music and try to figure out the meaning of the band’s name. A London promoter called it “Old school super sludgy riffology with blues wailin’ vox.” Listening to the songs ‘Present Tense-Less‘ and ‘Bad City Blues‘ on their debut album, it would be foolish to argue against such a statement. On the other hand, you’ll find the sound that brought together four guys with very diverse musical tastes and backgrounds.

One of the things the band members all dig on the same level is the harder bands that came out of Seattle in the early nineties. So, all put together, with a few added ingredients, you get heavy stoner riff galore with strong melodic vocals that honour the harmonic complexity of the grunge era.

“Our ambition is to combine the guitar riffs from the 70’s, the grunge scenes more melodic arts from the 90’s with modern rock. We have always enjoyed pop choruses and were convinced that the harder rock crew would think we were wimpy. But we were wrong… I guess even the cool dudes like to be tickled on the thighs every once and a while.” – lead singer Nik Serén.

The four-piece has done shows all over Europe, sharing stages with such diverse bands as D-A-D, Clutch, Graveyard, Danko Jones, Coheed and Cambria and Babyshambles.  You can count on Hong Faux delivering both weight and melody, just like they always do.

Swedish alternative rock band HONG FAUX have released a new single and video ‘Coming Through the Rye’ available now on all digital platforms via Golden Robot Records.

‘Coming Through the Rye’ is the final single to drop ahead of the digital release of their new album on 26^th August. ‘Coming Through the Rye’ is a melancholic piece that harmonizes childhood trauma and was frequently played on European radio stations as well as music television shows. 

Stream/buy ‘Coming Through the Rye’ HERE

The self-titled compilation album Hong Faux summarizes alternative rock band Hong Faux’s best work to date, from their debut ‘The Crown That Wears the Head‘ via the mini-album Hello Neptune to A Message from Dystopia. It’s the perfect introduction to the band, ranging from high octane, heavy and catchy alternative rock anthems, full of hooks galore and riffs that will make you want to jump up and punch your fist through the roof, to mellower, introspective and slow-moving tracks of a more evocative nature, both musically and lyrically. 

Pre-Order/Pre-Save/Pre-Add Hong Faux HERE

ABOUT HONG FAUX 

Ever since Hong Faux’s very first recorded notes that started their journey from blog, to magazines, to radio and MTV, people have tried to label the music and try to figure out the meaning of the band’s name. A London promoter called it “Old school super sludgy riffology with blues wailin’ vox.” Listening to the songs ‘Present Tense-Less‘ and ‘Bad City Blues‘ on their debut album, it would be foolish to argue against such a statement. On the other hand, you’ll find the sound that brought together four guys with very diverse musical tastes and backgrounds.

One of the things the band members all dig on the same level is the harder bands that came out of Seattle in the early nineties. So, all put together, with a few added ingredients, you get heavy stoner riff galore with strong melodic vocals that honour the harmonic complexity of the grunge era.

“Our ambition is to combine the guitar riffs from the 70’s, the grunge scenes more melodic arts from the 90’s with modern rock. We have always enjoyed pop choruses and were convinced that the harder rock crew would think we were wimpy. But we were wrong… I guess even the cool dudes like to be tickled on the thighs every once and a while.” – lead singer Nik Serén.

The four-piece has done shows all over Europe, sharing stages with such diverse bands as D-A-D, Clutch, Graveyard, Danko Jones, Coheed and Cambria and Babyshambles. 2022 will see the release of new material, developed sound and live shows. You can count on Hong Faux delivering both weight and melody, just like they always do.

Swedish hard rock act HONG FAUX recently signed to Golden Robot Records and today they release their latest single ‘Drop the Reins’ which is available now on all digital platforms.

‘Drop the Reins’ is a heavy riff-based classic Hong Faux track written exclusively as a homage to Miles Davis and rock ‘n’ roll. Can you spot all the Miles references?
 
The band recently released a newly remastered version of their 2013 hit and fan favourite ‘Feign Death to Stay Alive!’

Stream/buy ‘Drop the Reins’ HERE

Ever since Hong Faux’s very first recorded notes that started their journey from blog, to magazines, to radio and MTV, people have tried to label the music and try to figure out the meaning of the band’s name. A London promoter called it “Old school super sludgy riffology with blues wailin’ vox”. Listening to the songs ‘Present Tense-Less’ and ‘Bad City Blues’ on their debut album, it would be foolish to argue against such a statement. On the other hand, you’ll find the sound that brought together four guys with very diverse musical tastes and backgrounds.

One of the things the band members all dig on the same level is the harder bands that came out of Seattle in the early nineties. So, all put together, with a few added ingredients, you get heavy stoner riff galore with strong melodic vocals that honour the harmonic complexity of the grunge era.

“Our ambition is to combine the guitar riffs from the 70’s, the grunge scenes more melodic arts from the 90’s with modern rock. We have always enjoyed pop choruses and were convinced that the harder rock crew would think we were wimpy. But we were wrong… I guess even the cool dudes like to be tickled on the thighs every once and a while.” – lead singer Nik Serén.

The four-piece has done shows all over Europe, sharing stages with such diverse bands as D-A-D, Clutch, Graveyard, Danko Jones, Coheed and Cambria and Babyshambles. 2022 will see the release of new material, developed sound and live shows. You can count on Hong Faux delivering both weight and melody, just like they always do.