JOHNNY THE BOY are now streaming their debut album! All eight tracks can be listened to on the Season of Mist YouTube channel HERE. ‘You’ was released yesterday, June 9, 2023 via Season of Mist.
Personal note from JOHNNY THE BOY: “We are Johnny The Boy. Here’s our debut album “YOU”. No fancy trickery or bluff was used on making this album. It features Neanderthal riffs and Necro vocals. We play music we wanna play and sing about stuff we need to say.”
Formed by current and former members of CRIPPLED BLACK PHOENIX, JOHNNY THE BOY have emerged with a vile yet heartfelt spike of black metal. ‘You’ opens with “Die Already”, a gloomy surge of industrial rock that’s pierced by the pissed-off shrieks of Belinda Kordic.
‘You’ 1. Die Already (05:12) 2. Grime (04:10) 3. He Moves (04:44) 4. Endlessly Senseless (06:13) [WATCH HERE] 5. Crossings (08:05) [WATCH HERE] 6. Druh (02:52) [WATCH HERE] 7. Wired (02:47) 8. Without You (07:16)
Born from a simple idea, and eventually coalescing over the last couple of years into a fully-formed entity, JOHNNY THE BOY make music that fucking hurts. Armed with a scabrous but sculpted blend of ice-cold black metal, excoriating sludge and sinewy, white-knuckle rock’n’roll, the trio’s musical identity has arrived, perfectly imperfect and ready to eviscerate. Formed around a creative core of vocalist Belinda Kordic, guitarist Justin Greaves (both members of Crippled Black Phoenix) and bassist Matt Crawford (CBP alumnus and live bassist), JOHNNY THE BOY began life as an instinctive grab for something darker and nastier.
“It began at a rehearsal with Crippled Black Phoenix many, many years ago,” says Greaves. “We were rehearsing down at Arthur’s, where CBP used to practice, and it was during one of those rehearsals that I just got on the guitar, someone else got on the drums and we were just fart-arsing about, with Belinda doing her necro vocals! Then we posted a little clip online and people starting asking, ‘Oh, is this legit?’ Like always, it took fucking years to even think about doing anything, but it was always going to happen.”
“In the background, there’s the fact that in the first band I was ever in, I sang that way,” adds Kordic. “I really missed doing that. We both missed that whole Iron Monkey, Varukers, aggressive side of music. That’s the first way of singing that I loved, and I’ve missed doing it. So we always wanted to do this.”
Brought together by a love of dark, twisted and extreme music and energized by an opportunity to return to the full-bore hostilities of their earlier creative years, JOHNNY THE BOY‘s debut album ‘You’ is the final proof that the best ideas cannot be stopped. A collaborative effort that brought the evil best out of everyone involved, it’s an album that has been stewed in real blood, sweat and tears. But mainly sweat.
Recording Studio: Chapel Studios, Lincolnshire UK, Kapsylen Studio, Stockholm Sweden Mixing: Kurt Ballou @ GodCity Studio, Salem MA. USA. Mastering: Magnus Lindberg – Magnus Lindberg Productions, Stockholm, Sweden. Artwork: JOHNNY THE BOY Biography: Dom Lawson
Gloom Core trio JOHNNY THE BOY are unveiling their third track ‘Endlessly Senseless’. The video illustration is not for the faint hearted, so when ready, view the video in full HERE.
The song is taken from the band’s full length “You”, which will be released via Season of Mist on June 9, 2023.
JOHNNY THE BOY comments: “The constant and endless abuse of the natural world and our environment, results in the horrific doom and gloom that comes with it. That shit is on us. Welcome to the beginning of the end.”
Although the band contains members of CRIPPLED BLACK PHOENIX, the music of JOHNNY THE BOY took a whole different direction. It’s creepy, heavy, dark and full of diabolical black metal screams from none other than Belinda Kordic.
Together with Justin Greaves and Matt Crawford, the band created an album with Bathory style elements, a touch of ‘Satyricon BlacknRoll’ and a bit of fast Motörhead.
The artwork for “You” was created by JOHNNY THE BOY.
Track-list: 1. Die Already (05:12) 2. Grime (04:10) 3. He Moves (04:44) 4. Endlessly Senseless (06:13) [WATCH HERE] 5. Crossings (08:05) [WATCH HERE] 6. Druh (02:52) [WATCH HERE] 7. Wired (02:47) 8. Without You (07:16)
JOHNNY THE BOY has done it again.
Sometimes the best ideas come from spontaneity. Sometimes they come from gut instinct. When both happen simultaneously, anything is possible, unimaginable horrors included.
Born from a simple idea, and eventually coalescing over the last couple of years into a fully-formed entity, JOHNNY THE BOY make music that fucking hurts. Armed with a scabrous but sculpted blend of ice-cold black metal, excoriating sludge and sinewy, white-knuckle rock’n’roll, the trio’s musical identity has arrived, perfectly imperfect and ready to eviscerate. Formed around a creative core of vocalist Belinda Kordic, guitarist Justin Greaves (both members of Crippled Black Phoenix) and bassist Matt Crawford (CBP alumnus and live bassist), JOHNNY THE BOY began life as an instinctive grab for something darker and nastier.
“It began at a rehearsal with CBP many, many years ago,” says Greaves. “We were rehearsing down at Arthur’s, where CBP used to practice, and it was during one of those rehearsals that I just got on the guitar, someone else got on the drums and we were just fart-arsing about, with Belinda doing her necro vocals! Then we posted a little clip online and people starting asking, ‘Oh, is this legit?’ Like always, it took fucking years to even think about doing anything, but it was always going to happen.”
“In the background, there’s the fact that in the first band I was ever in, I sang that way,” adds Kordic. “I really missed doing that. We both missed that whole Iron Monkey, Varukers, aggressive side of music. That’s the first way of singing that I loved, and I’ve missed doing it. So we always wanted to do this.”
Brought together by a love of dark, twisted and extreme music and energised by an opportunity to return to the full-bore hostilities of their earlier creative years, JOHNNY THE BOY‘s debut album You is the final proof that the best ideas cannot be stopped. A collaborative effort that brought the evil best out of everyone involved, it’s an album that has been stewed in real blood, sweat and tears. But mainly sweat.
“Justin starting working for me at a venue in our hometown, and there was a mention of doing something called World War,” says Crawford. “We went to our rehearsal room for two days. It was the hottest, most uncomfortable sweatiest room ever, and we were trying to write the coldest, bleakest music you could imagine! So it was horrific, but I think we got five tracks out of those two days. Me and Justin were together in Scunthorpe, and Belinda was working remotely in Sweden, and that was before it was cool!”
One of the songs from that initial batch of JOHNNY THE BOY material was No Regrets: a caustic blast of blackened fury that was mischievously planted at the very end of Crippled Black Phoenix’s acclaimed 2022 full-length Banefyre, almost as a clandestine warning of the darkness to come.
“That was Justin’s idea. When we recorded Banefyre, he said, ‘Why not sneak in and record a JOHNNY THE BOY track?’,” says Kordic. “We did that and No Regrets went on the album, and then Michael at Season Of Mist said he wanted a whole album from us.”
“Yeah, No Regrets played two roles at the same time,” says Greaves. “It was something pretty outlandish at the end of a CBP album, to give everyone a a kick in the bollocks, but it was also our way of saying, ‘We do this other thing, by the way!’”
Not just another “thing”, but an entirely box-fresh (but intrinsically rotten) means of expression, JOHNNY THE BOY conjure a claustrophobic cyclone of serrated-edge riffs and bilious crescendos. Like the outer reaches of the Melvins’ back catalogue pumped backwards through a frosty, Bathory-fuelled prism, with marauding D-beats and moments of oppressive melancholy hurled in for extra impact, You offers a mesmerising blend of the familiar and the unknowable. From the imperious, doomy mantras of Endlessly Senseless to the all-out blitzkrieg of Wired, JOHNNY THE BOY’s warped vision is heavy in every sense.
Meanwhile, bursting out from the abrasive, treacly maelstrom of riffs at all manner of bone-snapping angles, Belinda Kordic’s extraordinary screams and howls elevate every song to a higher level of primitive intensity. “I truly think that Belinda’s vocals are some of the most more visceral, vicious and spiteful I’ve ever heard,” says Greaves. “I love the opening song, Die Already, it’s just a horrible song. I just love when Belinda’s singing ‘You prick!’ or whatever it is. She’s just spitting venom.”
“It’s all Belinda too,” adds Crawford. “It’s all natural. There’s no studio trickery!”
“When I was recording the vocals in Sweden, at the same studio where we recorded most of the vocals for Banefyre, the engineer asked me ‘Why do you sing like that?’” Kordic recalls. “I just said, ‘It’s instead of crying!’ That’s what I do. I let it out that way.”
In keeping with the rapacious, hateful noise that JOHNNY THE BOY whip up, Kordic’s lyrics are also notable for their direct and destructive rhetoric. A collection of incensed diatribes, everything from the demagogue-baiting Die Already to the poetic grief of closer Without You resounds with gruelling emotional clarity. Eschewing the usual underground metal cliches in favour of harrowing, real world concerns, JOHNNY THE BOY are lunging straight for humanity’s jugular (with a little feline representation thrown in for balance).
“The songs all have different meanings,” Kordic explains. “Die Already is about dictators. Crossings is about how no one should have to die alone. The last song (Without You) is about Tigger, our cat. Wired is about being really neurotic. Druh is about Witold Pilecki who was in the Polish resistance in the Second World War. He got caught on purpose, so that he could get into the concentration camp, so see how the prisoners were being treated. There he discovered what was going on with the Jews, the gypsies, the disabled, and he tried to tell the world. He was a real fucking hero.”
Fuelled by decades of devotion to the infernal musical arts, JOHNNY THE BOY bring something unique and undeniable to the table. You screams its defiance and vitality from first to last, while a sense that Greaves, Kordic and Crawford are sharing an act of profound catharsis with the world is unmistakable. Soon, the band will expand into a full live unit, in order to inflict You’s brutal conflagration on the masses and in the flesh. Most importantly, You burns with a ferocity that simply can’t be faked. Equal parts magick, malice and metal therapy JOHNNY THE BOY ignores the rules and burns the fucking house down.
“This is totally new and it’s exciting,” concludes Greaves. “Everything’s an experiment at this point. But we’re doing it because we needed to rediscover the reason why we all make music in the first place. After a long time in the industry, we’re all very jaded and cynical, but now I can’t wait for the first gigs and seeing all the metalheads’ faces when Belinda comes out and starts screaming. This is going to be fucking great.”
Recording Studio: Chapel Studios, Lincolnshire UK, Kapsylen Studio, Stockholm Sweden Mixing: Kurt Ballou @ GodCity Studio, Salem MA. USA. Mastering: Magnus Lindberg – Magnus Lindberg Productions, Stockholm, Sweden.
Emerging black ‘n’ roll trio JOHNNY THE BOY (ft. members of CRIPPLED BLACK PHOENIX) will be debuting its first full length, ‘You,’ via Season of Mist on June 9, 2023! The band is now sharing a brand new single, “Druh,” which can be found at THIS LOCATION.
The artwork for “You” was created by JOHNNY THE BOY.
Track-list: 1. Die Already (05:12) 2. Grime (04:10) 3. He Moves (04:44) 4. Endlessly Senseless (06:13) 5. Crossings (08:05) [WATCH] 6. Druh (02:52) [LISTEN] 7. Wired (02:47) 8. Without You (07:16)
JOHNNY THE BOY has done it again.
Sometimes the best ideas come from spontaneity. Sometimes they come from gut instinct. When both happen simultaneously, anything is possible, unimaginable horrors included.
Born from a simple idea, and eventually coalescing over the last couple of years into a fully-formed entity, JOHNNY THE BOY make music that fucking hurts. Armed with a scabrous but sculpted blend of ice-cold black metal, excoriating sludge and sinewy, white-knuckle rock’n’roll, the trio’s musical identity has arrived, perfectly imperfect and ready to eviscerate. Formed around a creative core of vocalist Belinda Kordic, guitarist Justin Greaves (both members of Crippled Black Phoenix) and bassist Matt Crawford (CBP alumnus and live bassist), JOHNNY THE BOY began life as an instinctive grab for something darker and nastier.
“It began at a rehearsal with CBP many, many years ago,” says Greaves. “We were rehearsing down at Arthur’s, where CBP used to practice, and it was during one of those rehearsals that I just got on the guitar, someone else got on the drums and we were just fart-arsing about, with Belinda doing her necro vocals! Then we posted a little clip online and people starting asking, ‘Oh, is this legit?’ Like always, it took fucking years to even think about doing anything, but it was always going to happen.”
“In the background, there’s the fact that in the first band I was ever in, I sang that way,” adds Kordic. “I really missed doing that. We both missed that whole Iron Monkey, Varukers, aggressive side of music. That’s the first way of singing that I loved, and I’ve missed doing it. So we always wanted to do this.”
Brought together by a love of dark, twisted and extreme music and energised by an opportunity to return to the full-bore hostilities of their earlier creative years, JOHNNY THE BOY‘s debut album You is the final proof that the best ideas cannot be stopped. A collaborative effort that brought the evil best out of everyone involved, it’s an album that has been stewed in real blood, sweat and tears. But mainly sweat.
“Justin starting working for me at a venue in our hometown, and there was a mention of doing something called World War,” says Crawford. “We went to our rehearsal room for two days. It was the hottest, most uncomfortable sweatiest room ever, and we were trying to write the coldest, bleakest music you could imagine! So it was horrific, but I think we got five tracks out of those two days. Me and Justin were together in Scunthorpe, and Belinda was working remotely in Sweden, and that was before it was cool!”
One of the songs from that initial batch of JOHNNY THE BOY material was No Regrets: a caustic blast of blackened fury that was mischievously planted at the very end of Crippled Black Phoenix’s acclaimed 2022 full-length Banefyre, almost as a clandestine warning of the darkness to come.
“That was Justin’s idea. When we recorded Banefyre, he said, ‘Why not sneak in and record a JOHNNY THE BOY track?’,” says Kordic. “We did that and No Regrets went on the album, and then Michael at Season Of Mist said he wanted a whole album from us.”
“Yeah, No Regrets played two roles at the same time,” says Greaves. “It was something pretty outlandish at the end of a CBP album, to give everyone a a kick in the bollocks, but it was also our way of saying, ‘We do this other thing, by the way!’”
Not just another “thing”, but an entirely box-fresh (but intrinsically rotten) means of expression, JOHNNY THE BOY conjure a claustrophobic cyclone of serrated-edge riffs and bilious crescendos. Like the outer reaches of the Melvins’ back catalogue pumped backwards through a frosty, Bathory-fuelled prism, with marauding D-beats and moments of oppressive melancholy hurled in for extra impact, You offers a mesmerising blend of the familiar and the unknowable. From the imperious, doomy mantras of Endlessly Senseless to the all-out blitzkrieg of Wired, JOHNNY THE BOY’s warped vision is heavy in every sense.
Meanwhile, bursting out from the abrasive, treacly maelstrom of riffs at all manner of bone-snapping angles, Belinda Kordic’s extraordinary screams and howls elevate every song to a higher level of primitive intensity. “I truly think that Belinda’s vocals are some of the most more visceral, vicious and spiteful I’ve ever heard,” says Greaves. “I love the opening song, Die Already, it’s just a horrible song. I just love when Belinda’s singing ‘You prick!’ or whatever it is. She’s just spitting venom.”
“It’s all Belinda too,” adds Crawford. “It’s all natural. There’s no studio trickery!”
“When I was recording the vocals in Sweden, at the same studio where we recorded most of the vocals for Banefyre, the engineer asked me ‘Why do you sing like that?’” Kordic recalls. “I just said, ‘It’s instead of crying!’ That’s what I do. I let it out that way.”
In keeping with the rapacious, hateful noise that JOHNNY THE BOY whip up, Kordic’s lyrics are also notable for their direct and destructive rhetoric. A collection of incensed diatribes, everything from the demagogue-baiting Die Already to the poetic grief of closer Without You resounds with gruelling emotional clarity. Eschewing the usual underground metal cliches in favour of harrowing, real world concerns, JOHNNY THE BOY are lunging straight for humanity’s jugular (with a little feline representation thrown in for balance).
“The songs all have different meanings,” Kordic explains. “Die Already is about dictators. Crossings is about how no one should have to die alone. The last song (Without You) is about Tigger, our cat. Wired is about being really neurotic. Druh is about Witold Pilecki who was in the Polish resistance in the Second World War. He got caught on purpose, so that he could get into the concentration camp, so see how the prisoners were being treated. There he discovered what was going on with the Jews, the gypsies, the disabled, and he tried to tell the world. He was a real fucking hero.”
Fuelled by decades of devotion to the infernal musical arts, JOHNNY THE BOY bring something unique and undeniable to the table. You screams its defiance and vitality from first to last, while a sense that Greaves, Kordic and Crawford are sharing an act of profound catharsis with the world is unmistakable. Soon, the band will expand into a full live unit, in order to inflict You’s brutal conflagration on the masses and in the flesh. Most importantly, You burns with a ferocity that simply can’t be faked. Equal parts magick, malice and metal therapy JOHNNY THE BOY ignores the rules and burns the fucking house down.
“This is totally new and it’s exciting,” concludes Greaves. “Everything’s an experiment at this point. But we’re doing it because we needed to rediscover the reason why we all make music in the first place. After a long time in the industry, we’re all very jaded and cynical, but now I can’t wait for the first gigs and seeing all the metalheads’ faces when Belinda comes out and starts screaming. This is going to be fucking great.”
Emerging black ‘n’ roll trio JOHNNY THE BOY will be debuting its first full length, ‘You,’ via Season of Mist on June 9, 2023! The band is now sharing its first ever single, “Crossings,” along with an eerie music video, which can be viewed on the Season of Mist channel HERE.
Although the band contains members of CRIPPLED BLACK PHOENIX, the music of JOHNNY THE BOY is not what you’d expect. It’s creepy, heavy, dark and full of diabolical black metal screams from none other than Belinda Kordic. Together with Justin Greaves and Matt Crawford, the band created an album with Bathory style elements, a touch of ‘Satyricon BlacknRoll’ and a bit of fast Motörhead.
JOHNNY THE BOY comments: “’Crossings.’ The act of dying, the final curtain call, sometimes dying alone, the surreal and the nightmares.“
The artwork for “You” was created by JOHNNY THE BOY.
Track-list: 1. Die Already (05:12) 2. Grime (04:10) 3. He Moves (04:44) 4. Endlessly Senseless (06:13) 5. Crossings (08:05) [WATCH] 6. Druh (02:52) 7. Wired (02:47) 8. Without You (07:16)
JOHNNY THE BOY has done it again.
Sometimes the best ideas come from spontaneity. Sometimes they come from gut instinct. When both happen simultaneously, anything is possible, unimaginable horrors included.
Born from a simple idea, and eventually coalescing over the last couple of years into a fully-formed entity, JOHNNY THE BOY make music that fucking hurts. Armed with a scabrous but sculpted blend of ice-cold black metal, excoriating sludge and sinewy, white-knuckle rock’n’roll, the trio’s musical identity has arrived, perfectly imperfect and ready to eviscerate. Formed around a creative core of vocalist Belinda Kordic, guitarist Justin Greaves (both members of Crippled Black Phoenix) and bassist Matt Crawford (CBP alumnus and live bassist), JOHNNY THE BOY began life as an instinctive grab for something darker and nastier.
“It began at a rehearsal with CBP many, many years ago,” says Greaves. “We were rehearsing down at Arthur’s, where CBP used to practice, and it was during one of those rehearsals that I just got on the guitar, someone else got on the drums and we were just fart-arsing about, with Belinda doing her necro vocals! Then we posted a little clip online and people starting asking, ‘Oh, is this legit?’ Like always, it took fucking years to even think about doing anything, but it was always going to happen.”
“In the background, there’s the fact that in the first band I was ever in, I sang that way,” adds Kordic. “I really missed doing that. We both missed that whole Iron Monkey, Varukers, aggressive side of music. That’s the first way of singing that I loved, and I’ve missed doing it. So we always wanted to do this.”
Brought together by a love of dark, twisted and extreme music and energised by an opportunity to return to the full-bore hostilities of their earlier creative years, JOHNNY THE BOY‘s debut album You is the final proof that the best ideas cannot be stopped. A collaborative effort that brought the evil best out of everyone involved, it’s an album that has been stewed in real blood, sweat and tears. But mainly sweat.
“Justin starting working for me at a venue in our hometown, and there was a mention of doing something called World War,” says Crawford. “We went to our rehearsal room for two days. It was the hottest, most uncomfortable sweatiest room ever, and we were trying to write the coldest, bleakest music you could imagine! So it was horrific, but I think we got five tracks out of those two days. Me and Justin were together in Scunthorpe, and Belinda was working remotely in Sweden, and that was before it was cool!”
One of the songs from that initial batch of JOHNNY THE BOY material was No Regrets: a caustic blast of blackened fury that was mischievously planted at the very end of Crippled Black Phoenix’s acclaimed 2022 full-length Banefyre, almost as a clandestine warning of the darkness to come.
“That was Justin’s idea. When we recorded Banefyre, he said, ‘Why not sneak in and record a JOHNNY THE BOY track?’,” says Kordic. “We did that and No Regrets went on the album, and then Michael at Season Of Mist said he wanted a whole album from us.”
“Yeah, No Regrets played two roles at the same time,” says Greaves. “It was something pretty outlandish at the end of a CBP album, to give everyone a a kick in the bollocks, but it was also our way of saying, ‘We do this other thing, by the way!’”
Not just another “thing”, but an entirely box-fresh (but intrinsically rotten) means of expression, JOHNNY THE BOY conjure a claustrophobic cyclone of serrated-edge riffs and bilious crescendos. Like the outer reaches of the Melvins’ back catalogue pumped backwards through a frosty, Bathory-fuelled prism, with marauding D-beats and moments of oppressive melancholy hurled in for extra impact, You offers a mesmerising blend of the familiar and the unknowable. From the imperious, doomy mantras of Endlessly Senseless to the all-out blitzkrieg of Wired, JOHNNY THE BOY’s warped vision is heavy in every sense.
Meanwhile, bursting out from the abrasive, treacly maelstrom of riffs at all manner of bone-snapping angles, Belinda Kordic’s extraordinary screams and howls elevate every song to a higher level of primitive intensity. “I truly think that Belinda’s vocals are some of the most more visceral, vicious and spiteful I’ve ever heard,” says Greaves. “I love the opening song, Die Already, it’s just a horrible song. I just love when Belinda’s singing ‘You prick!’ or whatever it is. She’s just spitting venom.”
“It’s all Belinda too,” adds Crawford. “It’s all natural. There’s no studio trickery!”
“When I was recording the vocals in Sweden, at the same studio where we recorded most of the vocals for Banefyre, the engineer asked me ‘Why do you sing like that?’” Kordic recalls. “I just said, ‘It’s instead of crying!’ That’s what I do. I let it out that way.”
In keeping with the rapacious, hateful noise that JOHNNY THE BOY whip up, Kordic’s lyrics are also notable for their direct and destructive rhetoric. A collection of incensed diatribes, everything from the demagogue-baiting Die Already to the poetic grief of closer Without You resounds with gruelling emotional clarity. Eschewing the usual underground metal cliches in favour of harrowing, real world concerns, JOHNNY THE BOY are lunging straight for humanity’s jugular (with a little feline representation thrown in for balance).
“The songs all have different meanings,” Kordic explains. “Die Already is about dictators. Crossings is about how no one should have to die alone. The last song (Without You) is about Tigger, our cat. Wired is about being really neurotic. Druh is about Witold Pilecki who was in the Polish resistance in the Second World War. He got caught on purpose, so that he could get into the concentration camp, so see how the prisoners were being treated. There he discovered what was going on with the Jews, the gypsies, the disabled, and he tried to tell the world. He was a real fucking hero.”
Fuelled by decades of devotion to the infernal musical arts, JOHNNY THE BOY bring something unique and undeniable to the table. You screams its defiance and vitality from first to last, while a sense that Greaves, Kordic and Crawford are sharing an act of profound catharsis with the world is unmistakable. Soon, the band will expand into a full live unit, in order to inflict You’s brutal conflagration on the masses and in the flesh. Most importantly, You burns with a ferocity that simply can’t be faked. Equal parts magick, malice and metal therapy JOHNNY THE BOY ignores the rules and burns the fucking house down.
“This is totally new and it’s exciting,” concludes Greaves. “Everything’s an experiment at this point. But we’re doing it because we needed to rediscover the reason why we all make music in the first place. After a long time in the industry, we’re all very jaded and cynical, but now I can’t wait for the first gigs and seeing all the metalheads’ faces when Belinda comes out and starts screaming. This is going to be fucking great.”
Recording Studio: Chapel Studios, Lincolnshire UK, Kapsylen Studio, Stockholm Sweden Mixing: Kurt Ballou @ GodCity Studio, Salem MA. USA. Mastering: Magnus Lindberg – Magnus Lindberg Productions, Stockholm, Sweden.
Season of Mist is pleased to announce the signing of JOHNNY THE BOY! Consisting of Justin Greaves & Belinda Kordic (CRIPPLED BLACK PHOENIX) and Matt Crawford, the band is gearing up for their debut release via Season of Mist. Musically, JOHNNY THE BOY has combined elements of first and second wave black metal with a touch of crust punk and d-beat.
The band comments: “After years of a successful relationship between Crippled Black Phoenix and Season Of Mist, of course we are psyched to be working with SoM again with our new band, Johnny The Boy. It’s like the best kind of home for a misfit band like us.”
Season of Mist CEO Michael Berberian comments on the signing:
“When we received the new Crippled Black Phoenix album, I loved the bonus track. But it sounded totally different, not CBP at all. So I called Justin:
“‘WTF is this! it’s cool’
“Justin G: ‘yeah! Glad you like it! We’re thinking of doing a whole album like this’
“‘I’ll sign it.”
“And there it was, here is Johnny the Boy, the extreme metal outlet from the mastermind behind CBP, Iron Monkey, etc. You know it’s going to be interesting.”
JOHNNY THE BOY is the menacing arm of creepy music deemed too heavy for the mother band Crippled Black Phoenix. Previously called World War, JOHNNY THE BOY is actually a long time planned project of Justin and Belinda, the genesis of which was back in around 2017. At a CRIPPLED BLACK PHOENIX tour rehearsal, the two were jamming some banshee vocal style Black Metal purely for kicks, but then became a more serious prospect to make some heavy tunes. JOHNNY THE BOY is also a huge payment of respect to Justin and Belinda’s long history in heavy music, Belinda with STABB and Justin with a whole bag of dirty bands, including Iron Monkey, Electric Wizard, Teeth Of Lions Rule The Divine etc..
Jump to 2019 and a demo was created along with long time friend Matt Crawford (Formally of Weirdwolf) and released under the name “World War”. It was a primitive and raw experiment into what would become JOHNNY THE BOY. Roll on 2021 and a plan is hatched after including a “World War” song in the most recent CRIPPLED BLACK PHOENIX album session. Season Of Mist heard it and decided to release an album of this new heavy stuff.
2022 – World War is re-named JOHNNY THE BOY. The album is written and the band (made up of Belinda Kordic, Justin Greaves and Matt Crawford) enter Chapel Studio to record some of the most brutal, menacing and creepy music they’ve created for more than two decades. Belinda bringing out the vicious banshee along with some deathly haunting howls, Justin back doing sludgy battle drums and blast attack as well as massive guitars, Matt finishing things off with the filthy low end bass action.
JOHNNY THE BOY is the end time and it just got heavier.
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