Source: Blabbermouth.net

Shoot Me Again webzine conducted an interview with drummer Kjetil-Vidar “Frost” Haraldstad of Norwegian black metallers SATYRICON on March 30 at the Rockefeller Music Hall at the Inferno festival in Oslo, Norway. You can now watch the chat below.

SATYRICON has always pushed boundaries and never conformed to what was “expected”. That mindset continues to this day, as they announce a very special, exclusive show on September 8 at Oslo’s Norwegian National Opera House, where they will perform together with Norway’s 55-strong National Opera Chorus.

The special event is part of the Ultima Oslo Contemporary Music Festival, and fans of both SATYRICON and the National Opera Chorus can look forward to a very unique and exciting evening, which coincides with the worldwide release of SATYRICON‘s ninth studio album, which can now be confirmed to be self-titled.

Commented SATYRICON frontman Sigurd “Satyr” Wongraven: “SATYRICON excels as a band, the bigger the platform is. In Norway, there is no greater stage than the main hall of our new Opera House. There is nowhere better suited to provide the dynamics, power and authenticity to such an occasion than the Opera Choir and SATYRICON. To us, there is no better way to celebrate with our fans that we are back with our first album in five years. We are also excited to have a couple of special musical friends come and play their part as well. Ladies and gentlemen — welcome!”

The Opera Chorus‘ lead conductor, David Maiwald, adds: “Mixing different musical expressions is always exciting. When the internationally acclaimed black metal band SATYRICON meets the voluminous voices of the Norwegian National Opera Chorus, we expect a powerful and monumental result, rich in innovative surprises.”

“Satyricon” will feature a guest appearance by Sivert Høyem, the Norwegian singer best known as the vocalist of the rock band MADRUGADA.

Speaking to AOL‘s Noisecreep at this year’s Inferno festival, Satyr stated about SATYRICON‘s upcoming album: “To me, it sounds very authentic, it’s organic-sounding. And in this digital age where music is mostly played through computers, a lot of that analog vibe gets lost in translation when you play music through medias like that, but I still wanna do it because there’s nothing quite like it. To me, it just makes everything sound the way it’s supposed to sound — it’s dynamical; the music is alive, it’s not overly compressed, the levels are not pushed. So, musically speaking, it’s a very atmospheric record… This record is full of life. There are a lot of surprises here, but I think it’s gonna be a record that’s gonna help the black metal movement perhaps find a new way for the future.”