
Death Metal outfit MISERY INDEX are now announcing new European tour dates together with NAPALM DEATH and label mates ROTTEN SOUND. The tour will kick off at the Kulttempel in Oberhausen on February 7th, 2020 and continues through seven more countries until a final curtain in Cologne on March 8th, 2020. A full list of confirmed shows can be found below.
MISERY INDEX
+Napalm Death +Eyehategod +Rotten Sound +Bat
07 Feb 20 Oberhausen (DE) Kulttempel
08 Feb 20 Hamburg (DE) Gruenspan
11 Feb 20 Vienna (AT) Arena
12 Feb 20 Brno (CZ) Roxy
13 Feb 20 Leipzig (DE) Werk 2
14 Feb 20 Berlin (DE) Astra
16 Feb 20 Antwerpen (BE) Trix
18 Feb 20 Bournemouth (UK) The Old Fire Station
19 Feb 20 Cardiff (UK) Tramshed
20 Feb 20 Brimingham (UK) O2 Institute
21 Feb 20 Glasgow (UK) Slay
23 Feb 20 London (UK) The Electric Ballroom
25 Feb 20 Haarlem (NL) Patronaat
26 Feb 20 Saarbrucken (DE) Garage
27 Feb 20 Lyon (FR) Ninkasi Kao
28 Feb 20 Nantes (FR) Warehouse
29 Feb 20 Toulouse (FR) Metronum
01 Mar 20 Biarritz (FR) Atabal
03 Mar 20 Paris (FR) La Machine du Moulin Rouge
04 Mar 20 Stuttgart (DE) Im Wizemann
05 Mar 20 Lindau (DE) Club Vaudeville
06 Mar 20 Muncich (DE) Backstage
07 Mar 20 Zurich (CH) Meh Suff! Winter Fest
08 Mar 20 Cologne (DE) Essigfabrik

MISERY INDEX have recently released a new video for the track ‘Hammering the Nails’ which is taken from the death metal extremists’ latest album ‘Rituals of Power’. The video can be viewed here.
MISERY INDEX will be touring in support of their recently released album ‘Rituals of Power’. The artwork, which is created by Raphael Gabrio, and track details can be viewed below.
Track-list
1. Universal Untruths (2:35)
2. Decline and Fall (4:36)
3. The Choir Invisible (4:26)
4. New Salem (3:24)
5. Hammering the Nails (3:46)
6. Rituals of Power (5:20)
7. They Always Come Back (5:08)
8. I Disavow (4:21)
9. Naysayer (2:26)
The band comment on the album: “‘Rituals of Power’ is a disavowal and warning against the consequences of our so-called ‘post-truth’ age. Each of the 9 songs revolves loosely around this theme, yet each track also stands very much on its own. As an album however, they are all brought to life as one ‘reanimated’ monster; it’s roughly 35 minutes of unhinged, yet cohesive, riff-driven aural ballistics. We were pissed off and on fire during both the writing and recording, and we think it shows in spades. We set out to write the best album we could, based on what we would want to hear first as fans of this music, and we could not be happier.”
