STEVE VAI and Favored Nations / Mascot Label Group have released his new studio album titled Inviolate.  The LP will follow on March 18. The album’s mesmeric opener, “Teeth of the Hydra,” is a sinuous, Latin-fusion-tinged composition that Vai wrote and recorded with a one-of-a-kind custom guitar he coined the Hydra. Built in conjunction with the designers at Hoshino and based on a “steampunk motif” idea of Vai’s, the Hydra is a beast of an instrument – a one-bodied, two-headstock-ed, three-neck-ed creature that encompasses, among other things: 7 and 12-string guitars; a 4-string ¾ scale length bass; 13 sympathetic harp strings; half-fretless necks; single-coil, humbucking, piezo, MIDI and sustainer pickups; floating and hardtail tremolo bridges; phase splitters; and much, much more.  Director Garson Yu and his team at yU+co were brought on to capture a deep look in to this magnificent creation which can be screened here: https://youtu.be/1ehGGTS83m0.

Vai shares, “It’s an incredibly-built machine.  I told the guys at Hoshino, ‘Anything that you think is conventional, don’t do that.’ This was an opportunity to exercise brutal creativity. And they went beyond.”  As did Vai in his performance. Throughout the track he employs the Hydra’s full range of tone and timbres to craft a guitar part that sounds, in its expansiveness and expressiveness, positively alive. “The interesting thing about the song and the guitar is that it all came at the same time,” Vai says. “It was one of those ‘inviolate’ inspirations – boom!  I knew that I needed to create something with the Hydra that sounded like a real piece of music. It couldn’t be just a novelty. Because if you knew what my hands were doing, and how I’m using my left hand to create phrasings that work when I can’t pick a note because my right hand is off somewhere else…my god. But the finished piece had to stand on its own. It couldn’t sound like I was just trying to juggle stuff.” 

Inviolate presents his most focused, streamlined and perhaps invigorating music in years. “It’s very ‘Vai,’ whatever that means,” he says, and then laughs. “Someone else might be better than me at explaining what that is. But it’s just very honest music. Because a lot of my records, they’re long and there’s a lot of concepts and playing around with stories. This one has none of that. This is nine pretty dense all-instrumental compositions that I wanted to capture and record so I could get out there and play them live for people.”

“An inviolate inspiration is one that comes to you completely pure,” Vai explains. “It appears almost in its completeness, and there’s a recognition of it as being right for you – perfectly right for you. There’s no excuses in it. There’s no fantasy in it. There’s just a recognition of ‘yes.’ And then you capture that in a way that’s authentic to your unique creativity. Hopefully, that’s what I’ve done with this record.”

Track list
Teeth of the Hydra
Zeus in Chains
Little Pretty
Candlepower
Apollo in Color
Avalancha
Greenish Blues
Knappsack
Sandman Cloud Mist

STEVE VAI and Ibanez have revealed “The Hydra.” This one-of-a-kind instrument is the realized vision of a collaboration that’s been five years in the making.  It is a beast of an instrument – a one-bodied, two-headstock-ed, three-neck-ed creature that encompasses, among other things: 7 and 12-string guitars; a 4-string ¾ scale length bass; 13 sympathetic harp strings; half-fretless necks; single-coil, humbucking, piezo, MIDI and sustainer pickups; floating and hardtail tremolo bridges; phase splitters; and much, much more.  Director Garson Yu and his team at yU+co were brought on to capture a deep look into this magnificent creation which can be screened here:

Steve Vai offers, “We absolutely respected this instrument by having the brilliant Garson Yu and his team at yU+co create this phenomenal Hydra reveal video. The guitar geek in me is stunned every time I see it. This video captures the splendor and mystique of the Hydra in intimate detail. The conception and construction of the instrument was a monumental feat of creativity by a whole group of inspired people, and I could not be more happy with the way this video came out. Imagine being a half an inch tall and exploring the Hydra as an adventurer. It would be like exploring an alien planet. Sign me up!”  
 
yU+co’s Garson Yu shares, “When I first saw the instrument at Steve’s studio, I was stunned. I thought this was a creation that didn’t belong here on earth— it looked Extraterrestrial to me. When Steve played a track that he composed with the Hydra, I told him that it sounds so transparent and open, complex and spiritual on many levels. When we were filming, I put the guitar on the turntable and looked through the lens: It looked like an alien spaceship. It’s epic. I told myself we need to create a video that has the same transcendent feeling of this instrument. My team and I are honored to be part of it.”

Ibanez Artist Relations Manager Mike Orrigo states, “’The “Hydra’, as Mr. Vai has appropriately dubbed it, started off as a concept that Steve approached Ibanez with several years ago. While it was understood then that the task to turn Steve’s vision into reality would be a tremendous undertaking, we were undeterred by the challenge. Fueled by Steve’s inspiration, our team of designers, engineers, and luthiers worked tirelessly together in order to create a truly one-of-a-kind instrument, remaining as true to the initial vision as possible. This incredible reveal video, produced by yU+co, perfectly captures the same feeling of awe and amazement that this magnificent beast of an instrument imparts on to all who are able to witness it in person!”
 
On January 28, the day of the release of Vai’s new studio album Inviolate, a ONE-OF-ONE NFT of the Hydra reveal video will be auctioned via OpenSea.  The highly coveted collectible features the video, plus unlockable bonus content that will be revealed to the buyer. Additional assets will be added over time for the winner to access.  The opening bid has been set at 1 ETH. Once the auction is live, interested parties can access to bid here: https://opensea.io/collection/steve-vais-guitars.

This is Steve Vai’s first foray in to the NFT space. There is consideration to broaden offerings in the future encompassing a deeper initiative to continue collectible drops focused on his vast collection of iconic instruments played throughout his career. Keep an eye on Vai.com for more detail.
 
“I feel this instrument has the potential to be historical. It’s unique in various ways and its construction is inspired. And there’s a song that was written on it that honors the potential of the instrument. This “Hydra reveal video” is the first video made that intimately details many of the unique aspects this guitar embodies.” says Vai.
 
Over the course of a more than 40-year career, Steve Vai has routinely transformed what would appear to be outrageously impossible into something very, very possible… and still also pretty outrageous. From his days as Frank Zappa’s “stunt guitar” player to his more recent expansive and exploratory solo work, Vai has continually challenged notions of traditional guitar playing and composition – and on more than one occasion even reimagined the very instrument itself.

Vai’s newest and 13^th solo album, Inviolate, is a nine-song opus that pushes the boundaries of instrumental guitar music.  The body of work presents his most focused, streamlined and perhaps invigorating music in years. “It’s very ‘Vai,’ whatever that means,” he says, and then laughs. “Someone else might be better than me at explaining what that is. But it’s just very honest music. Because a lot of my records, they’re long and there’s a lot of concepts and playing around with stories. This one has none of that. This is nine pretty dense all-instrumental compositions that I wanted to capture and record so I could get out there and play them live for people.”                                                                                                                
ABOUT STEVE VAI
Steve Vai is a virtuoso guitarist, composer and producer, considered by many as one of the greatest guitarists of all time. In over 40 years in the industry, Vai has sold over 15 million records, received three Grammy Awards, and recorded with music legends like Frank Zappa, David Lee Roth, Whitesnake and many more.  Vai has also toured extensively and recorded live projects with G3 (collaborating with different touring lineups including Joe Satriani, John Petrucci, Eric Johnson, Yngwie Malmsteen, and Steve Lukather) and Generation Axe, a supergroup Vai formed with Zakk Wylde, Yngwie Malmsteen, Nuno Bettencourt and Tosin Abasi. Vai is the author of Vaideology: Basic Music Theory for Guitar Players (Hal Leonard), his inaugural music theory book designed to help both beginners and veteran guitar players.  For a complete discography and more visit www.vai.com.
 
ABOUT IBANEZ
Ibanez always strives to offer outstanding, top-performing instruments that deliver excellent sound and playability. It’s a brand known for guitars that continually meet and exceed these benchmarks by adhering to design principals that focus extensively on players and their creative goals. Learn more at www.Ibanez.com.

STEVE VAI and Favored Nations / Mascot Label Group have presented an official visualizer for “Zeus In Chains.”  The composition is featured on Vai’s upcoming studio album titled Inviolate which will be released digitally and on CD January 28, 2022.  The LP will follow on March 18. 

Steve Vai shares, “The title for this track ‘Zeus In Chains’ was told to me by the track when I was listening back and asked it… ‘What’s your name’?  This happened during the heavy guitar breakdown with the dissonant high note that happens right before the solo. It sounded like Zeus in Chains. Hey, it’s art. You can make up anything you want and it’s legitimate.”

Just prior to the new year, Vai and Favored Nations / Mascot Label Group presented an official music video for “Little Pretty,” which captured the artist performing in his inner sanctum also known as “Harmony Hut” which can be screened here: https://youtu.be/bkrmzVMWlLo.

Over the course of a more than 40-year career, Steve Vai has routinely transformed what would appear to be outrageously impossible into something very, very possible… and still also pretty outrageous. From his days as Frank Zappa’s “stunt guitar” player to his more recent expansive and exploratory solo work, Vai has continually challenged notions of traditional guitar playing and composition – and on more than one occasion even reimagined the very instrument itself.

Vai’s newest and 13^th solo album, Inviolate, is a nine-song opus that pushes the boundaries of instrumental guitar music.  The body of work presents his most focused, streamlined and perhaps invigorating music in years. “It’s very ‘Vai,’ whatever that means,” he says, and then laughs. “Someone else might be better than me at explaining what that is. But it’s just very honest music. Because a lot of my records, they’re long and there’s a lot of concepts and playing around with stories. This one has none of that. This is nine pretty dense all-instrumental compositions that I wanted to capture and record so I could get out there and play them live for people.”

“An inviolate inspiration is one that comes to you completely pure,” Vai explains. “It appears almost in its completeness, and there’s a recognition of it as being right for you – perfectly right for you. There’s no excuses in it. There’s no fantasy in it, just enthusiasm. There’s a recognition of ‘yes.’ And then you capture that in a way that’s authentic to your unique creativity, and I feel as though that’s what I’ve done with this record.”

Track list
Teeth Of The Hydra
Zeus In Chains
Little Pretty
Candlepower
Apollo In Color
Avalancha
Greenish Blues
Knappsack
Sandman Cloud Mist

Pre-Order Here: https://smarturl.it/steve_vai

STEVE VAI and Favored Nations / Mascot Label Group will release a CD and digital release of his new studio album Inviolate, coming out on January 28th. LP will follow on March 18th. Pre-Order Here: https://smarturl.it/steve_vai

Today Steve Vai shares a new official video for ‘Little Pretty’ from the album, watch it below.

The recording is a dark-toned fusion-funk workout.  Steve Vai shares, “In writing the chord changes for the solo section, and the solo itself, I dug deep into my academic music theory mind to create a set of chord changes where the harmonic atmosphere shifted on every change. The dense chord structures required a series of synthetic modes to navigate. This approach is along the lines of jazz and fusion players, but I knew I did not want it to sound anything like that and the solo had to be totally melodic. The results were pretty powerful in that the entire solo section evokes melodic atmospheric changes that shift dramatically but work together well.” 

Looking towards the holidays and a new year, he shares, “I am also wishing all a very happy and restful holiday season. You will need it because I predict in 2022, we will all be out there working together again and blowing up that bridge!”

Over the course of a more than 40-year career, Steve Vai has routinely transformed what would appear to be outrageously impossible into something very, very possible… and still also pretty outrageous. From his days as Frank Zappa’s “stunt guitar” player to his more recent expansive and exploratory solo work, Vai has continually challenged notions of traditional guitar playing and composition – and on more than one occasion even reimagined the very instrument itself.

Vai’s newest and 13^th solo album, Inviolate, is a nine-song opus that pushes the boundaries of instrumental guitar music.  The body of work presents his most focused, streamlined and perhaps invigorating music in years. “It’s very ‘Vai,’ whatever that means,” he says, and then laughs. “Someone else might be better than me at explaining what that is. But it’s just very honest music. Because a lot of my records, they’re long and there’s a lot of concepts and playing around with stories. This one has none of that. This is nine pretty dense all-instrumental compositions that I wanted to capture and record so I could get out there and play them live for people.”

In essence, it all comes down to finding your own voice, and then having the courage and conviction to follow your musical and creative instincts wherever they may take you – something Vai has never been shy about in his playing. “One of the great things about the guitar is you don’t need to be a virtuoso to express your creative vision,” he says. “I mean, Bob Dylan plays the guitar perfectly well for his expression. So does John McLaughlin. You just need to decide how much technique you want or need to get there. For myself, I came out of the chute wanting it all. When it comes to my music, I don’t feel like I have to prove anything or conform to anything. I just love to think up creative ideas, and then use whatever skill I have to manifest them.”
 
“An inviolate inspiration is one that comes to you completely pure,” Vai explains. “It appears almost in its completeness, and there’s a recognition of it as being right for you – perfectly right for you. There’s no excuses in it. There’s no fantasy in it, just enthusiasm. There’s a recognition of ‘yes.’ And then you capture that in a way that’s authentic to your unique creativity, and I feel as though that’s what I’ve done with this record.”

Steve Vai will begin an extensive tour of the U.S., with 54 scheduled appearances on January 27, 2022 at the House of Blues in Las Vegas.  It is the first leg of appearances that begins a World tour planned for the next several years. Vai will be joined by his long-tenured ensemble members Dave Weiner (guitar / keys), Philip Bynoe (bass), and Jeremy Colson (drums).  Vai shares, “A performer thrives on performing.  It’s been my life for the past 49 years, with the exception of the last two years, so we are chomping at the bit to get out there and play for people. A music concert has the ability to momentarily dissolve the many challenges we face, and celebrate one of the good things in life, live music.”

Track list
Teeth Of The Hydra
Zeus In Chains
Little Pretty
Candlepower
Apollo In Color
Avalancha
Greenish Blues
Knappsack
Sandman Cloud Mist

STEVE VAI and Favored Nations / Mascot Label Group announce CD and digital release of his new studio album Inviolate, coming out on January 28th. LP will follow on March 18th. Pre-Order Here: https://smarturl.it/steve_vai

The recording is a dark-toned fusion-funk workout played almost exclusively on a Gretsch hollow body guitar. As for what led Vai to the unusual (at least for him) model, he says, “It’s on the wall with all the other guitars, and I’d always just look at it and go, ‘One day I’m going to play you…’” He continues, “In writing the chord changes for the solo section, and the solo itself, I dug deep into my academic music theory mind to create a set of chord changes where the harmonic atmosphere shifted on every change. The dense chord structures required a series of synthetic modes to navigate. This approach is along the lines of jazz and fusion players, but I knew I did not want it to sound anything like that and the solo had to be totally melodic. The results were pretty powerful in that the entire solo section evokes melodic atmospheric changes that shift dramatically but work together well.” 

Preview “Little Pretty” Here:

Over the course of a more than 40-year career, Steve Vai has routinely transformed what would appear to be outrageously impossible into something very, very possible… and still also pretty outrageous. From his days as Frank Zappa’s “stunt guitar” player to his more recent expansive and exploratory solo work, Vai has continually challenged notions of traditional guitar playing and composition – and on more than one occasion even reimagined the very instrument itself.

Which, he’ll admit, is not necessarily his intention. “I don’t sit around and say, ‘Okay, what can I do now that pushes the boundaries?” Vai explains about his approach to the guitar. “What I do say to myself is, ‘Okay, Vai – what are you going to do now that’s going to interest you, that’s going to fascinate you, and that’s different than anything you’ve done before?”  The answer to that question comes in the form of Vai’s newest and 10^th solo album, Inviolate, a nine-song opus that (sorry Steve) does indeed push the boundaries of instrumental guitar music – this time out, Vai quite literally invented not just a new guitar, but also a new guitar-playing technique.
 
At the same time, Inviolate presents his most focused, streamlined and perhaps invigorating music in years. “It’s very ‘Vai,’ whatever that means,” he says, and then laughs. “Someone else might be better than me at explaining what that is. But it’s just very honest music. Because a lot of my records, they’re long and there’s a lot of concepts and playing around with stories. This one has none of that. This is nine pretty dense all-instrumental compositions that I wanted to capture and record so I could get out there and play them live for people.”

The album’s mesmeric opener, “Teeth of the Hydra,” a sinuous, Latin-fusion-tinged composition that Vai wrote and recorded with a one-of-a-kind custom guitar he coined the Hydra. But calling the Hydra a mere guitar is selling it way, way, way short. Built in conjunction with the designers at Hoshino and based on a “steampunk motif” idea of Vai’s, the Hydra is a beast of an instrument – a one-bodied, two-headstock-ed, three-neck-ed creature that encompasses, among other things: seven- and 12-string guitars; a four-string bass; sympathetic harp strings; half-fretless necks; single-coil, humbucking, piezo and sustainer pickups; floating and hardtail tremolo bridges; phase splitters; and much, much more. “It’s an incredibly-built machine,” Vai says. “I told the guys at Hoshino, ‘Anything that you think is conventional, don’t do that.’ This was an opportunity to exercise brutal creativity. And they went beyond.”
 
As did Vai in his performance. Throughout the track he employs the Hydra’s full range of tone and timbres to craft a guitar part that sounds, in its expansiveness and expressiveness, positively alive. “The interesting thing about the song and the guitar is that it all came at the same time,” Vai says. “It was one of those ‘inviolate’ inspirations – boom!”

That said, he continues, “I knew that I needed to create something with the Hydra that sounded like a real piece of music. It couldn’t be just a novelty. Because if you knew what my hands were doing, and how I’m using my left hand to create phrasings that work when I can’t pick a note because my right hand is off somewhere else…my god. But the finished piece had to stand on its own. It couldn’t sound like I was just trying to juggle stuff.”

Over the course of 2021, several of these compositions were shared publicly. Vai composed and recorded the song “Knappsack,” following his shoulder surgery, at a time when his right arm was in a sling (or, as his surgeon, Dr. Knapp, called it, a “knappsack”), and thus was able to use only his left hand when playing the piece. He released a one-handed performance video which can be seen here: https://www.youtube.com/watch?v=aMjmjXHJoPg.  He says with a laugh, “pretty soon after I started to see some clips of young kids pulling it off, too. It’s really fascinating.”

Like “Knappsack,” Vai released “Candle Power” and an accompanying performance video earlier in 2021. But he added a little something extra to the version that appears on Inviolate, with a newly recorded drum track from fellow Zappa alumnus Terry Bozzio (to that end, additional crack players who lent a hand to the record include bassists Bryan Beller, Philip Bynoe and Henrik Linder, keyboardist David Rosenthal and drummer Vinnie Colaiuta). To screen the video, click here: https://www.youtube.com/watch?v=4fO954zQ3Us.
 
Or cue up “Apollo in Color,” where Vai’s soaring runs on his Ibanez PIA signature guitar (the newly-designed model’s first appearance on a Vai studio album, it’s worth noting) are surrounded by filigrees of sound played on all manner of exotic stringed instruments. In essence, it all comes down to finding your own voice, and then having the courage and conviction to follow your musical and creative instincts wherever they may take you – something Vai has never been shy about in his playing. “One of the great things about the guitar is you don’t need to be a virtuoso to express your creative vision,” he says. “I mean, Bob Dylan plays the guitar perfectly well for his expression. So does John McLaughlin. You just need to decide how much technique you want or need to get there. For myself, I came out of the chute wanting and needing it all. So, when it comes to my music, I don’t feel like I have to prove anything or conform to anything. I just love to think up creative ideas, and then use whatever skill I have to manifest them.”

“An inviolate inspiration is one that comes to you completely pure,” Vai explains. “It appears almost in its completeness, and there’s a recognition of it as being right for you – perfectly right for you. There’s no excuses in it. There’s no fantasy in it. There’s just a recognition of ‘yes.’ And then you capture that in a way that’s authentic to your unique creativity. Hopefully, that’s what I’ve done with this record.”

Track list
Teeth Of The Hydra
Zeus In Chains
Little Pretty
Candlepower
Apollo In Color
Avalancha
Greenish Blues
Knappsack
Sandman Cloud Mist