Whether it was a Dog Shaped Man, the Midnight Animal or a hospital run by werewolves, not even the most nightmarish creatures could tame The Lion’s Daughter. What began in the mid-2010s as a horror-stricken, blackened and sludgy trio rabidly evolved into a frightening, futuristic, synth-metal foursome.

“They clearly still reside in the extreme end of metal’s mutation pool”, Decibel wrote upon initiation into the band’s Future Cult.

Now, after two decades and five skin-tillating albums, The Lion’s Daughter are going out on their own terms.

“Bands are not supposed to last forever”, says guitarist, synth player and vocalist Rick Giordano. “It’s been 18 goddamn years. We’ve done every single thing we ever set out to do. Each of us will continue to play music (and more than likely with each other), but this thing called The Lion’s Daughter…well, we did that already. 

“Some bands don’t know when to quit, and we don’t want to be one of those bands”, Rick continues. “Instead of trudging along for another X amount of years, we’d rather go out with a bang and play one last show with our friends! And we’re going to donate every dime from that show to Stray Rescue. Hating people and loving dogs has always kinda been our thing”.

The Lion’s Daughter will play their final show on June 21 in the band’s hometown of St. Louis, Missouri at Off Broadway. They’ll be joined by local doomsayers Fister, the recently reunited Sine Nomine, mighty progressive sludgers Path of Might, and freshly blackened death metal band Furnace Floor. All proceeds from the show will benefit Stray Rescue of St. Louis.

“This isn’t a sad thing”, Rick emphasizes. “Bands SHOULD end, and we’re raising money for pups”.

The Lion’s Daughter Farewell Show
A benefit for Stray Rescue of St. Louis.
Presented by 4 Hands Brewery
w/ Fister, Sine Nomine, Path of Might & Furnace Floor

Saturday, June 21 @ Off Broadway
3509 Lemp Ave.
Saint Louis, MO 63118

Doors @ 7pm | Show @ 8 pm
$15 General Admission
All Ages (21+ w/ valid ID to drink, $3 surcharge if under 21)  

Since their first benefit show in 2014, The Lion’s Daughter have raised more than $25,000 for Stray Rescue.   

Get tickets – Donate 

The Lion’s Daughter’s albums Existence Is Horror, Future Cult and Skin Show are out now on Season Mist. Order here.

For the first part of the band’s career, The Lion’s Daughter were deeply rooted in horrifying, existential, blackened sludge metal. But upon initiating their third album, the St. Louis trio abandoned all tradition. With its sinister synths, Future Cult could’ve easily served as the score to a Dario Argento film.

For their follow-up, the band played it even less safe. While glossy on the surface, Skin Show revealed all the shame, abuse and desperation of a snuff film.

Finally, for what would end up being The Lion’s Daughter’s grand finale, they kept trying things they’ve never done before – clean vocals, guitar solos – while remaining horrifyingly honesty. The horrible creature on the cover of Bath House may look frightening.
“But it’s also clearly in pain and also afraid”, said frontman Rick Giordano. “It’s the perfect image to represent whatever the fuck ugly thing lives in my head. On this record, it’s no longer hiding behind a mask… it is loose and it’s right outside your fucking house”.    

Wherever they roared, The Lion’s Daughter birthed a fitting soundtrack for the end of us all.

Line-up:
Rick Giordano – Vocals, Guitars, Synths
Erik Ramsier – Drums
Scott Fogelbach – Bass
Aaron Akin – Guitars

Instagram: https://instagram.com/thelionsdaughterstl
YouTube: https://www.youtube.com/@TheLionsDaughterSTL
Facebook: http://facebook.com/thelionsdaughter
Spotify: https://open.spotify.com/artist/2MXIj83IHyp9FUT3V6mxGB
Apple Music: https://music.apple.com/us/artist/the-lions-daughter
Deezer:https://www.deezer.com/es/artist/5149043
Bandcamp: http://thelionsdaughter.bandcamp.com/

St. Louis horror metal outfit THE LION’S DAUGHTER will be releasing its brand new full-length, ‘Bath House,’ on October 13, 2023 as an independent entity! The band has teamed up with Knotfest to premiere their viscous new single, “Maximize Terror,” which can be found at THIS LOCATION.

“The intention of ‘Maximize Terror’ is just what the title suggests… it’s a violent panic attack nightmare. It’s the past two years of my dealing with a terrible anxiety disorder condensed into 3 and half minutes.”

In addition, The Lion’s Daughter will be performing live later this year! On October 13, the band will have a special Friday the 13th album release party in its hometown of St. Louis, MO. Then, the band will hit Black Circle Brewing in Indianapolis, IN on 11/11 for another rager! The full itinerary can be found below with more dates TBA!

‘Bath House’ is now available for pre-sales HERE.

The artwork for ‘Bath House’ was created by UK artist Daniel Peacock.

‘Bath House’ Tracklist:
Bath House (4:10) [WATCH]
Maximize Terror (3:24)
Your Pets Died on TV (4:19)
Liminal Blue (4:11)
Rerouted (4:22)
12-31-89 (4:47)
Crawler Night (5:12)
She Does Not Exist (3:40)
End Credits (5:19)

The Lion’s Daughter Live Dates (U.S.):
10/13: St. Louis, MO @ Red Flag (Album Release Show)
11/11: Indianapolis, IN @ Black Circle Brewing

“What we did see… was something altogether different, and immeasurably more hideous and detestable. It was the utter, objective embodiment of the fantastic novelist’s ‘thing that should not be.’” – H.P. Lovecraft, “At The Mountains of Madness”

Some creations are designed to elicit nightmares, evoking unspeakable terrors that are meant to shock, terrify, and mesmerize the masses. Since the release of its first full-length in 2012, The Lion’s Daughter has consistently put forth music that is just as disturbing as it is enticing, making a name for itself as a dark force among its musical contemporaries. And much like an eldritch horror, the band is constantly shape shifting like a Shoggoth, capable of fitting into many different musical spaces, while at the same time, fitting into no earthly dimensions just as an ancient alien rising up from centuries of arctic slumber with a mission to destroy and conquer.

And much like the Shoggoth, The Lion’s Daughter have defied all gods and masters, releasing its latest opus as an independent entity, breaking away from the corporate confines of a label. ‘Bath House’ is another generically unclassified masterpiece from the St. Louis horror quartet, pulling elements from everything from Faith No More to Godflesh to Samhain, creating a sound that’s way ahead of its time and yet certain to grab the listener by the throat.

“Saying that this album was influenced by everything-that-I’ve-ever-liked-ever isn’t a very good answer, but it’s an accurate one,” explains frontman Rick Giordano on the band’s unique sound. “I turned the left side of my brain off completely and let a lifetime of soaking up great art just come to the surface naturally. There are bits of all the things I love in there… from old Metallica to film scores to industrial and whatever else, but I think these things have melded together in a way that is cohesive and not just nonsensical genre-hopping. There are clean vocals and guitar solos, a lot of things that we’ve never tried before. It really feels like you uploaded my entire record collection to a hard drive and had an AI create an album based on that.”

As the music itself on ‘Bath House’ is a representation of Giordano’s musical palette, the lyrics are perhaps the darkest and most vulnerable of his career. The band strays away from fantasy on this record and instead, gets raw and relatable. “It’s all really ugly shit,” he says of the new album’s themes. “Which, for our band, is not shocking at all. But this time around, it’s all much more personal to me, which makes it a bit difficult and uncomfortable to talk about. I wasn’t in a great place while writing this record. Grief, fear, jealousy, and general devastation can be found all over this thing. That wasn’t my intention exactly, but like the music, I let the lyrics kind of write themselves without letting logic or reason interfere.”

To further illustrate the darkness that dwells within ‘Bath House,’ The Lion’s Daughter commissioned a perverse and unnerving image from UK artist Daniel Peacock for the album cover. The image not only works well in cohesion with the record, but also symbolizes that while ‘Bath House’ still very much carries the band’s signature sound, it still isn’t exactly what fans might expect. Giordano explains, “Our previous two album covers featured masked characters. I wanted to see what happens when you take the mask off. This record isn’t shrouded in mystery the same way the previous couple have been. It’s much more of an in your face kind of attack, and I felt the artwork should represent that. This horrible creature looks dangerous and frightening, but is also clearly in pain and also afraid. It’s the perfect image to represent whatever the fuck ugly thing lives in my head. On this record it is no longer hiding behind a mask… it is loose and it’s right outside your fucking house.”

As the St. Louis horror masters set forth on a new trajectory, the former trio has also added Black Fast guitarist Aaron Akin to the lineup, creating a sound that’s more intense and grand. “Aaron was the guitarist and vocalist of a band called Black Fast. They were hands down the best metal band to come out of St. Louis in decades. Once they disbanded, it was a no-brainer to try and get the guy who fronted my favorite local band to be in my band. Why wouldn’t I? Plus, as anyone who knows Aaron will tell you, he’s an all around great guy,” explains Giordano on how this new union came about.

And as a new union has been formed, former binds have been severed as The Lion’s Daughter is no longer tied to a label, doing this record fully independently for the first time in its career and taking full and total control. “It’s just nice to have 100% control over everything again,” Giordano says of the band’s new freedom. “That was the whole intention when we started this band years ago. We lost sight of that for a while. No disrespect intended towards anyone, but this band has always been pretty anti-music industry and anti-bullshit.”

Despite so many changes, The Lion’s Daughter is still the same band that cult followers have come to worship, but with everything cranked up to 11. With heavier music, a fuller sound, and darker themes, the band is maximizing terror with its monstrous brand of debauchery and unspeakable perversions. Unpleasant dreams…

Recording Lineup:
Rick Giordano – vocals, guitars, bass, synths
Erik Ramsier – drums
Scott Fogelbach – additional vocals on tracks 2, 7, 8

Live Lineup:
Rick Giordano – guitar and vocals
Scott Fogelbach – bass and vocals
Aaron Akin – guitar
Erik Ramsier – drums

Guest Musicians:
Sarah Vie – violin and vocals on tracks 2, 4, 7, 9

Recording Studio: Encapsulated Studios
Producer // Sound Engineer // Mixing // Mastering: Gabe Usery

More info at: Bandcamp – Facebook – Instagram – YouTube – Spotify – Apple Music

St. Louis horror metal outfit THE LION’S DAUGHTER will be releasing its brand new full-length, ‘Bath House,’ on October 13, 2023 as an independent entity. In celebration of this new release, the band has partnered with Metal Injection for the premiere the title track along with a disturbing music video that is certain to shock and excite horror fans everywhere. The video can be found at THIS LOCATION.

“Saying that this album was influenced by everything-that-I’ve-ever-liked-ever isn’t a very good answer, but it’s an accurate one,” explains frontman Rick Giordano on ‘Bath House’s’ unique sound. “I turned the left side of my brain off completely and let a lifetime of soaking up great art just come to the surface naturally. There are bits of all the things I love in there… from old Metallica to film scores to industrial and whatever else, but I think these things have melded together in a way that is cohesive and not just nonsensical genre-hopping. There are clean vocals and guitar solos, a lot of things that we’ve never tried before. It really feels like you uploaded my entire record collection to a hard drive and had an AI create an album based on that.”

In addition, The Lion’s Daughter will be performing live later this year! On October 13, the band will have a special Friday the 13th album release party in its hometown of St. Louis, MO. Then, the band will hit Black Circle Brewing in Indianapolis, IN on 11/11 for another rager! The full itinerary can be found below with more dates TBA!

‘Bath House’ is now available for pre-sales HERE.

The artwork for ‘Bath House’ was created by UK artist Daniel Peacock and can be found below along with the tracklist.

‘Bath House’ Tracklist:
Bath House (4:10) [WATCH]
Maximize Terror (3:24)
Your Pets Died on TV (4:19)
Liminal Blue (4:11)
Rerouted (4:22)
12-31-89 (4:47)
Crawler Night (5:12)
She Does Not Exist (3:40)
End Credits (5:19)

The Lion’s Daughter Live Dates (U.S.):
10/13: St. Louis, MO @ Red Flag (Album Release Show)
11/11: Indianapolis, IN @ Black Circle Brewing

“What we did see… was something altogether different, and immeasurably more hideous and detestable. It was the utter, objective embodiment of the fantastic novelist’s ‘thing that should not be.’” – H.P. Lovecraft, “At The Mountains of Madness”

Some creations are designed to elicit nightmares, evoking unspeakable terrors that are meant to shock, terrify, and mesmerize the masses. Since the release of its first full-length in 2012, The Lion’s Daughter has consistently put forth music that is just as disturbing as it is enticing, making a name for itself as a dark force among its musical contemporaries. And much like an eldritch horror, the band is constantly shape shifting like a Shoggoth, capable of fitting into many different musical spaces, while at the same time, fitting into no earthly dimensions just as an ancient alien rising up from centuries of arctic slumber with a mission to destroy and conquer.

And much like the Shoggoth, The Lion’s Daughter have defied all gods and masters, releasing its latest opus as an independent entity, breaking away from the corporate confines of a label. ‘Bath House’ is another generically unclassified masterpiece from the St. Louis horror quartet, pulling elements from everything from Faith No More to Godflesh to Samhain, creating a sound that’s way ahead of its time and yet certain to grab the listener by the throat.

“Saying that this album was influenced by everything-that-I’ve-ever-liked-ever isn’t a very good answer, but it’s an accurate one,” explains frontman Rick Giordano on the band’s unique sound. “I turned the left side of my brain off completely and let a lifetime of soaking up great art just come to the surface naturally. There are bits of all the things I love in there… from old Metallica to film scores to industrial and whatever else, but I think these things have melded together in a way that is cohesive and not just nonsensical genre-hopping. There are clean vocals and guitar solos, a lot of things that we’ve never tried before. It really feels like you uploaded my entire record collection to a hard drive and had an AI create an album based on that.”

As the music itself on ‘Bath House’ is a representation of Giordano’s musical palette, the lyrics are perhaps the darkest and most vulnerable of his career. The band strays away from fantasy on this record and instead, gets raw and relatable. “It’s all really ugly shit,” he says of the new album’s themes. “Which, for our band, is not shocking at all. But this time around, it’s all much more personal to me, which makes it a bit difficult and uncomfortable to talk about. I wasn’t in a great place while writing this record. Grief, fear, jealousy, and general devastation can be found all over this thing. That wasn’t my intention exactly, but like the music, I let the lyrics kind of write themselves without letting logic or reason interfere.”

To further illustrate the darkness that dwells within ‘Bath House,’ The Lion’s Daughter commissioned a perverse and unnerving image from UK artist Daniel Peacock for the album cover. The image not only works well in cohesion with the record, but also symbolizes that while ‘Bath House’ still very much carries the band’s signature sound, it still isn’t exactly what fans might expect. Giordano explains, “Our previous two album covers featured masked characters. I wanted to see what happens when you take the mask off. This record isn’t shrouded in mystery the same way the previous couple have been. It’s much more of an in your face kind of attack, and I felt the artwork should represent that. This horrible creature looks dangerous and frightening, but is also clearly in pain and also afraid. It’s the perfect image to represent whatever the fuck ugly thing lives in my head. On this record it is no longer hiding behind a mask… it is loose and it’s right outside your fucking house.”

As the St. Louis horror masters set forth on a new trajectory, the former trio has also added Black Fast guitarist Aaron Akin to the lineup, creating a sound that’s more intense and grand. “Aaron was the guitarist and vocalist of a band called Black Fast. They were hands down the best metal band to come out of St. Louis in decades. Once they disbanded, it was a no-brainer to try and get the guy who fronted my favorite local band to be in my band. Why wouldn’t I? Plus, as anyone who knows Aaron will tell you, he’s an all around great guy,” explains Giordano on how this new union came about.

And as a new union has been formed, former binds have been severed as The Lion’s Daughter is no longer tied to a label, doing this record fully independently for the first time in its career and taking full and total control. “It’s just nice to have 100% control over everything again,” Giordano says of the band’s new freedom. “That was the whole intention when we started this band years ago. We lost sight of that for a while. No disrespect intended towards anyone, but this band has always been pretty anti-music industry and anti-bullshit.”

Despite so many changes, The Lion’s Daughter is still the same band that cult followers have come to worship, but with everything cranked up to 11. With heavier music, a fuller sound, and darker themes, the band is maximizing terror with its monstrous brand of debauchery and unspeakable perversions. Unpleasant dreams…

Recording Lineup:
Rick Giordano – vocals, guitars, bass, synths
Erik Ramsier – drums
Scott Fogelbach – additional vocals on tracks 2, 7, 8

Live Lineup:
Rick Giordano – guitar and vocals
Scott Fogelbach – bass and vocals
Aaron Akin – guitar
Erik Ramsier – drums

Guest Musicians:
Sarah Vie – violin and vocals on tracks 2, 4, 7, 9

Recording Studio: Encapsulated Studios
Producer // Sound Engineer // Mixing // Mastering: Gabe Usery

More info at: Bandcamp – Facebook – Instagram – YouTube – Spotify – Apple Music

Synth-driven horror metal outfit THE LION’S DAUGHTER are now releasing a lyric video for their cover of JUDAS PRIEST’s “Turbo Lover” to celebrate the song’s release across streaming services! Watch at THIS LOCATION.

The song was previously only available via Bandcamp as part as the band’s ‘Turbo Covers’ EP. Now, the song will be available for streaming everywhere tomorrow, March 4, at midnight local time. Pre-save it HERE.

The EP is available to purchase at THIS LOCATION.

THE LION’S DAUGHTER is supporting their latest release, ‘Skin Show,’ which is out now!

‘Skin Show’ could serve as the soundtrack to Times Square in the 1970s – the epicenter of sin and salacious misdeeds; a haven for sex, drugs, and crime beneath the inviting glow of neon signs from sleazy adult video stores; a place one would not dare walk alone after midnight unless tempted by devil himself. Its deviant, raw, nasty, disturbing, and yet, the most lively, evolved, and polished version of the trio yet.

‘Skin Show’ can be streamed, downloaded, and ordered HERE.

To celebrate today’s Bandcamp Friday, St. Louis horror metal trio THE LION’S DAUGHTER are now releasing a two-song digital EP which features covers of Judas Priest’s “Turbo Lover” and Ministry’s “Burning Inside!” In addition, the band is also releasing a special “Turbo” inspired T-shirt design, which can be seen below! The EP and shirt are available to purchase at THIS LOCATION.

On the first Friday of every month since March of 2020, Bandcamp has waived their revenue share to help support the many artists who have seen their livelihoods disrupted by the pandemic. Over the course of these 14 days, fans paid artists and labels $59 million dollars, helping cover rents, mortgages, groceries, medications, and much more.

THE LION’S DAUGHTER is supporting their latest release, ‘Skin Show,’ which is out now!

‘Skin Show’ could serve as the soundtrack to Times Square in the 1970s – the epicenter of sin and salacious misdeeds; a haven for sex, drugs, and crime beneath the inviting glow of neon signs from sleazy adult video stores; a place one would not dare walk alone after midnight unless tempted by devil himself. Its deviant, raw, nasty, disturbing, and yet, the most lively, evolved, and polished version of the trio yet.

‘Skin Show’ can be streamed, downloaded, and ordered HERE.