Jimmy Kay from The Metal Voice is joined by Senior (Canadian) CTV journalist Stephane Giroux who talks about his experiences watching Iron Maiden on the Killers tour with Paul Di’anno (June 21 1981) in Montreal as well as seeing Ozzy Osbourne play in Montreal Quebec Canada (July 28, 1981) the following month with legendary guitarist Randy Rhoads . Plus a quick recap of the new Motley Crue Biopic The Dirt. It’s hard hitting news and Metal.
In 1994, Stephan was recruited by CFCF 12 which turned into CTV News. He considered it a dream-come-true, as it was the channel he always watched growing up
Giroux has a special interest in law and legal affairs, and has covered some of Quebec’s most sensational trials, beginning with the infamous Barnabé affair, in which five police officers were tried for brutality. His coverage earned him the Leon Levinson Award in 1995, which allowed him to study law at McGill University. Other notable trials included that of Hells Angels leader Maurice “Mom” Boucher and boxer Dave Hilton.
For The Metal Voice former Anthrax Singer Neil Turbin spoke with Uli Jon Roth in Los Angeles California during on his opening night on his North American tour. Uli Spoke about his different types of guitars that he uses in his during his 3 hour show, talks about working on his new studio album, how he was offered 7-9 million dollars for a Jimi Hendrix guitar and how he finds today’s music uninspiring.
Watch the interview here:
When asked about his triple anniversary tour
“There are three anniversaries that we’re celebrating the first one would be 40 years of Scorpions Tokyo Tapes which was basically in 1978 (we started this tour last December 2018). Then after we recorded Tokyo Tapes I left the Scorpions and did Electric Sun which started in the same year and we recorded the album Earthquake and then the third anniversary is my 50th year on stage which started in 1968. ”
When asked about the Jimi Hendrix guitar Black Stratocaster (nicknamed Black Beauty by Hendrix) that Roth’s former wife Monika Dannemann owned and who was also Jimi Hendrix’s last girlfriend
“A lot of people were after that guitar. Paul Allen the number two guy in Microsoft called Monica up once and offered a million dollars for it but she turned him down. Another guy called me up, some kind of Arab arts dealer offered like seven-eight-nine million dollars for that guitar, I then asked him tell me good reason why we should sell this guitar? And he said, well for the money. I said that’s not a good reason. I said the guitar should stay with Monica’s paintings and it’s not my guitar, it now belongs to the Dannemann’s estate. It’s in a vault as there were too many people after it but one day I think it’s going to be exhibited as it should be. Of course Exhibited with Monica’s paintings because Monica’s paintings are extra special and they tell the story by themselves unlike any other thing that is out there connected to Jimi Hendrix. Monica understood Jimi’s lyrics. I think one day Monica’s paintings will be seen for what they are they’re gonna live on and of course Jimi’s music will live on. I also played that guitar a couple of times when I was in the Scorpions but I was afraid of breaking a string but it was just for a few minutes and then I never played it again as they were the original Jimi Strings. ”
When asked when he will be releasing a new studio album and what the musical style will be
“I know I am long overdue, I have written at least an albums worth of new of material. But making an album there’s always a logistical problem, it takes time you know. I’m always on the road and I always take a long time when I’m in the studio unfortunately. It’s a personal problem that I have, the recording process is fine but I don’t really enjoy finding the sounds because I’m never happy, to me it never sounds as good as I think it should. Every album I’ve ever done was completely different from every other album that I’ve ever done and I’ve never planned it that way. I don’t really like repeats, I always like to explore new territory.”
When asked about his thoughts on the music that is coming out today and if he follows any news bands
“I can see a lot of talent out there but I’m not really seeking new music out. I don’t feel drawn to it. I prefer to explore music in my own way but if somebody comes up with a great idea I’m happy to steal it. I do keep an open mind but I have to say and this may sounds a little negative but the music that I hear whenever the radio is on usually really sucks nowadays. In my mind the music today is completely uninspiring and the one thing it misses is melody. Hit songs of nowadays just got a groove and people are repeating a phrase mindlessly, the songs don’t mean anything. I’m really getting older because it’s not how I grew up, when I grew up I listened to the Beatles and they had melody, harmony the songs were sophisticated and amazing. I listened to what’s out there on the radio and then I just want to turn it off because it’s so boring, it’s painful for me. I’m not mocking the whole scene but in general I think it`s the end of the world as we know it. It’s like so mind-numbing and then I think to myself what’s going on in these peoples musical souls. The problem today, the kids don’t get a chance to wake up because they’re on their iPhones all day, doing the snapchat chat thing and social media is basically like a massive drug. They’re all hooked into it and the result is that it’s almost impossible for them to find themselves, there’s never a quiet moment where they can reflect. So it’s it’s a real problem and then the result is suicide rates go up and a lot of kids are depressed and they don’t know why because they don’t find any answers. Why they don’t they find answers is because they are numbed by the drive of of empty music and of cell phones. That kind of lure them into into a feeling of connectedness when it is all like superficial and shallow and there’s no real touchy-feely connectedness with real people anymore. It sounds pretty cataclysmic and dystopian and some of it is but you never know you know maybe it’s just some weird phase of mankind, I’m still hopeful.”
Jimmy Kay from Canada’s The Metal Voice spoke to Solo artist singer Jim Crean (Hair Nation, Appice Brothers) about his new solo albums, his Hair Nation tribute shows and explains the two Vinnie Vincent comeback shows that he was suppose to sing on that were cancelled.
Watch the interview here:
When asked about the success of his tribute band Hair Nation
“I’ve had Hair Nation together for 20 years. So what happened was in 1999 or 98 I was approached to do a show just a one-off Hair Metal show and it went really well and had a great crowd response. The manager then said to me you should do this all the time because I can get you guys working and pretty good money. So basically what we do is we play Hair Metal songs of that era. So we put together some dates and the shows just kept getting bigger and bigger and then we started getting corporate dates and 20 years later here I am. Today we pretty much tour with every hair metal band from that era. ”
When asked about his up two new studio albums
“My new label which is called Visionary Noise records it’s a great new label and they needed some kind of product. So they asked me if they could release my first two albums and I said I don’t really want to do that getting the rights and all that I just didn’t want to go through all that. So I said why don’t we just do a greatest hits album so we did a real limited run, we did 3,000 CDs a really l small pressing and we sold them all out right away. In regards to my new albums I got the best producer in the world, Steve Major out of Toronto you might have heard of him. This guy he’s great I mean he’s worked on like My Big Fat Greek Wedding the movie score and he’s done all my album except my first one. Steve will be producing both my new studio albums and one of the album is gonna be called The London Fog. I have some amazing guest musicians, on the new albums, a lot of big-name, to name a few, Steph Honde (Paul Di’anno), Barend Courbois (Ex-Blind Guardian) Ronnie Robson, Vinny Appice, A.D. ZIMMER (Hair Nation), Robby Lochner (Jack Russell’s Great White), Rik Fox (Steeler, WASP), Chris Holmes (WASP), Frank DiMino (Angel), Rudy Sarzo (Quiet Riot), Tony Franklin, Carmine Appice, Frankie Banali (Quiet Riot), Ray Tabano (Aerosmith) and many more.”
When asked about the show cancellations with Vinnie Vincent and the set list they were working on
“Carmen Appice played with Vinnie Vincent back in the eighties before he was in Kiss. I think the guys from Kiss, Gene and Paul called Carmine up back then to find out what Vinnie was all about before he got to Kiss gig and they always remained friends over the years. Then this whole thing came up where Vinnie came out of seclusion for 30 years and somehow the agent got a hold of Carmine and asked Carmen if he would like to do a couple shows with them. So then Carmen got Tony Franklin. After they booked shows, one was at Graceland Tennessee but Vinnie cancelled it and so then they had these other two dates booked and they got postponed. Robert Fleischman the initial Vinnie Vincent singer was gonna do the shows but then he decided he didn’t want to do it. So then they were looking for a new singer and so Carmine was out on the road with me and Carmen had mentioned to me . Carmine said I should demo some songs with me signing and send it out to Vinnie. I said okay, so when I got back to New York I sent Vinnie’s agent a couple songs. I never spoken to Vinnie it was all through email, actually I sent an email to Carmine, then Carmine sent to his agent and then to Vinnie. Carmen called me up and he goes yeah I submitted like four different singers to Vinnie and they were big-name guys and Vinnie said out of four or five guys he liked you the best. Then I got a phone call from Derrick Christopher Vinnie’s agent and said he said Vinnie wants to use you for this for these two upcoming shows in Nashville. We then came up with a figure that we needed to make it work and we came up with a tour schedule the whole nine yards and rehearsal schedule. In regards to a setlist it consisted of a lot of Vincent songs and a few Kiss songs. The Kiss songs that were on the set list were Lick it up, Unholy, A million to One and Exciter.”
We demo’d three songs (but it wasn’t Vinnie playing these songs), they came really good. Then they made the announcement with the three of us as Vinnie’s all-star band that Vinnie was going to go out there and shred. Carmen talked to Vinnie in depth about it after that Vinnie decided that he just wanted to make this upcoming shows just a shred show where he just goes out there and just they Jam. So basically Tony and Carmen Appice just kind of keep a beat and Vinnie just plays. I guess a little later he decided that he just didn’t want to do that either. ”
“In all of this I have to say the fans were really excited about the whole thing I got a lot of positive response from the Kiss fan because they’re the biggest and best fans in the world, they’re so loyal they’re awesome. Actually I made a lot of fans and friends over this to be honest with you it was cool and an honor. I did a demo and then somehow, I don’t know who, put it out on the internet, somehow it got released on some Kiss page of me singing one of the songs and The Kiss fans really behind it. it was like wow this is great this guy can really sing it great, so that was cool. All this wasn’t about that for me it was about helping Vinnie get out there and show people that this guy can still rock. Tony and Carmen we’re pretty solid band for him to come out there and but the show was gonna be about Vinnie and that’s how I was gonna present it, this is about a great guitar player .
When asked why Vinnie Vincent backout out of the two shows
“I can’t speak on Vinnie Vincent’s behalf, I never met him but I have my ideas and I have my suspicions and so does Carmine and in Tony. There’s a lot of heavy shredding that went into Vinnie’s songs, when I sat down learning those songs I dissected every part of these songs even with the guitar. I would sit down and work out to make sure that everything’s gonna be super tight and we’re gonna come out and really do a great job for him. When Vinnie did that Kiss cruise and I seen some video footage of that and he didn’t really didn’t really play any leads or anything like that he just kind of came out and he looked a little nervous, like he was kind of unsure. Tony, Carmine and I have never taken a break from the music scene, we’ve been doing it years we’ve all been doing this for a very long time actively consistently touring. Derrick Christopher Vinnie’s agent said to me I think Vinnie’s gonna be a little standoffish at first but then once he sees and he hears you guys and you guys get in the same room together he is gonna be so into it. I think that would have happened I really think that Vinnie would have came out and it would have really been a good good career move for him but I do think that maybe he had a little doubt. Sometimes when you write songs thirty years ago and you make them so difficult to play you don’t think of what’s gonna happen in 30 years from now. I think maybe he just was a little worried. I just want to make it clear that me Tony and Carmine we’re gonna come out and really be super tight and deliver it for Vinnie. I know there was some rumors floating around that we couldn’t make the practice, there was gonna be no practice, no rehearsal that’s not true. We spent a lot of time talking back and forth to how the songs the keys arrangements and I spent a lot of time learning those songs to the point where I was very confident that I would have went out and did a very good job for him. Again if Vinnie would have went through with these shows I think it would have been a very good move for him because the fans would have loved it and I think the fans would have really accepted however it sounded. If Vinnie came out and he wasn’t exactly like he was thirty years ago I think the fans would have still accepted him for just coming out on stage, I truly do think that because his fans are very loyal to him and they just want to see him play.”
Alan Dixon from The Metal Voice spoke to Foreigner and Classic Dokken Bassist Jeff Pilson as he was performing with Foreigner in Montreal Quebec Canada on March 13 2019.
Watch the interview here:
Pilson spoke about the latest The Last in Line album, Foreigner’s current tour, Dio Disciples upcoming studio album and his new project The End Machine with Classic Dokken lineup.
When asked about the new Last in Line album called II that he produced
“I am very proud of that record, it’s an amazing record, I love working with that band. The guys in the band, Vivian Campbell, Phil Soussan and Vinny Appice have been friends for 30 plus years. And of course Andrew Freeman is an amazing singer. It’s great to hear Vivian Campbell shredding again as he did on the first record. The songs on this record are so strong and the band really has their own identity now. ”
When asked about Foreigners current Canadian Tour
“This tour has been amazing, we love Canada, Canada is a very good market for us and we are going to come back to Canada a lot. I have done more shows with Foreigner than Dokken but I have been a member of Dokken for a longer time. Foreigner has always been a positive influence on me from the minute Foreigner came out I was a fan. ”
When asked about his participation in writing for the upcoming Dio Disciples album
“I have written a couple of songs for them, I probably won’t actually be recording the record because I don’t think there is a way to fit it into my busy schedule, I would love it if I could. I know they are interested in a couple of songs I wrote for the band. Also I love working with Craig Goldby the guitarist of the band, he and I have collaborated over the years. Hopefully there will be more work with the Dio Disciples but at this point it is just limited to just writing songs but I am hoping I can do some recording with them. ”
When asked about the new album with his new band The End Machine
“I am really excited about this album, we will also be playing shows with The End Machine. We got Robert Mason in as the vocalist who is incredible. I am really pleased with the songs, the songwriting and musical chemistry. I knew that the chemistry would be there with, George, Mick and I, but it was so great to hear what Robert brought to the album and how he really rounded it off. There are some Dokken and Lynch Mob influences there of course but it stands on it’s own musically. Also George Lynch is the greatest rock guitarist player on the planet, there is no question in my mind. The thing with George if you give him a sound he likes 99% of the time something brilliant is going to come out of him. There is a lot of depth to the record, there is straight ahead stuff and there is moments when we really let ourselves go which was really fun to do and gratifying. ”
Last in Line “II” was released on February 22 via Frontiers Music Srl. DIO DISCIPLES is made up of former members of DIO, along with a rotating lineup of vocalists, including Owens and Logan and Wendy Dio revealed in an interview this past spring that DIO DISCIPLES’ debut album will be released via BMG. THE END MACHINE’s debut album, will be released on March 22 via Frontiers Music Srl. The End Machine featuring three members of the classic DOKKEN lineup — George Lynch (guitar), Jeff Pilson(bass) and Mick Brown (drums) — along with former LYNCH MOB and current WARRANT singer Robert Mason
THE END MACHINE will play its first set of shows in April. Brown will be unable to make the dates and will be temporarily replaced by EVANESCENCE’s Will Hunt.
The details are as follows:
April 04 – Whisky A Go Go – Los Angeles, CA
April 05 – Count’s Vamp’d – Las Vegas, NV
April 06 – Encore – Tucson, AZ
Jimmy Kay from Canada’s The Metal Voice recently spoke to Quiet Riot leader and drummer Frankie Banali. Banali spoke about the new Live Album, unreleased Quiet Riot songs, Kevin Dubrow, Randy Rhoads and gave an updated on the new studio album. QUIET RIOT‘s performance at last year’s Frontiers Rock Festival was released last month on CD/DVD and Blu-ray under the title “One Night In Milan”.
Watch the interview here:
When asked about the new Quiet Riot live album in Milan
“We recorded it April 28th of 2018 in in Milan, Italy. Frontiers approached me about playing the festival they also wanted to know if if I would agree to have it recorded for live album and DVD. It was gonna be Quiet Riot’s first time performing in Italy so that was special but I also wanted the label to understand that I’m a real big believer in if it’s going to be a live record it has to be a live record. I’m also a really big believer in the guys in the band, Chuck Wright on bass, Alex Grossi on guitar and James Durbin on vocals and that we could do a live show and not have to go into the studio and fix things. A live record by definition is live, without any fixes, live without a net . I didn’t even let the guys know that I had opted not to fix anything until the morning of that show. Since I joined the band when I first started working with Kevin in 1980 the band always revolved around live performances, we have been very successful at various levels over over the years but everything always revolved around being the best and tightest live we can possibly be. I always tell the band play to the best of your abilities because not everyone plays great every single night but as long as you go out there and try I think people can see that, I think people can hear that and I think people can can feel it. Since it was our first time in Italy the setlist I put together I made sure that it included all the songs that I think they wanted to hear off the Metal Health record some songs off of Condition Critical, QR3 some deep tracks from, the Down To The Bone Album and Terrified and two songs from Road Rage.”
When asked if there are any unreleased studio and live material from the Kevin Dubrow years
” I have a lot of unreleased Quiet Riot studio material as well as live songs that were recorded. The problem is with releasing something like that is that it just gets bootlegged to such a degree that that it’s almost pointless. I mean, you have to go in and go through the masters and if the tapes are really old you have to bake the tapes. There’s a lot of time, there’s a lot of expense, there’s a lot of expertise that goes into something like that. Then you release it and it gets bootlegged out there on sites that will just rip it off. Those sites have their subscribers and they’re making money off of it but the artist isn’t. So I’m not that inclined to do so at this point in time.”
When asked if Randy Rhoads ever heard the track Thunderbird and what he thought of the song prior to tragically losing his life
“Here’s the chronology of Thuderbird as a lot of people have a mistaken idea of how the song and why the song was written. Kevin Dubrow originally wrote the song not about Randy’s passing but about Randy leaving the first version of Quiet Riot in 1979 to join Ozzy. Kevin had already asked both Rudy Sarzo and Randy Rhoads to come in and play. Randy had agreed to do so but it wasn’t until Randy’s untimely passing that Kevin rewrote the last verse to reflect Randy’s death. Randy was indeed scheduled to come in and and play on that track but I don’t think Randy heard the song prior. I would imagine that he didn’t because we hadn’t demoed the song until after Randy had passed so I don’t think he would have had an opportunity to have heard it but I could be wrong. That would have been a great question for Kevin Dubrow that to my knowledge no one ever asked. ”
When asked about Kevin Dubrow’s home being robbed after he had died and were Quiet Riot 1 and 2 masters stolen
“His home was robbed actually twice after he passed away fortunately because I started managing the band in 1993 all the archives have always been with me. What they what they stole were personal effects, clothes a lot of his CD collection and a lot of his vinyl collection. I think they basically stole things that they could sell. I had a professional facility that all of this material was stored at and then after its passing that facility was actually going out of business and I retrieved all the material and in turn took it to another secure facility.”
When asked about the musical direction off the new studio album and the timeline
“All the drums, bass and guitar tracks are done. About half of the vocals are done so it’s a matter of finishing the other half of the lead and background vocals. Then the the mixing process will start. We’re still working on on the art and on all those components so I think best-case scenario fall 2019, or worst-case scenario early next year. From my perspective, it is the most varied Quiet Riot record I have ever have ever worked on. It’s gonna cover a lot of bases,I think is going to surprise a lot of people and I hope it’ll be a pleasant surprise, it’s the most varied record. My first consideration when I’m writing something and when I write together with my writing partner Neil Citron is what would Kevin Dubrow like this? The greatest thing about Kevin is he was so open-minded and he had such a broad taste in music that there were there were very few things that he didn’t like. ”
When asked about him watching the original Quiet Riot with Randy Rhoads Live in the 70’s
” I used to see Quiet Riot at a club called the Starwood in Los Angeles, it’s because they they drew more girls than any of any other band I had ever seen, so that was my that was my first priority. My second priority but it’s a close to one was the fact that Randy Rhoads was the most amazing unknown guitars that I had ever heard. He was incredibly talented, he was also an incredible showman, he was like the complete and total package. And then Kevin was the most energetic singer I had ever seen, I mean he was all over that stage and and the way he dressed and the way the band presented of themselves they actually have production, when local bands for the most part never have production, it was a great package. And then of course Rudy Sarzo at that point had joined the band he was the bass player in the band at the time and you know we’re now talking you know late 70’s Rudy and I had known each other since 1972 so there were there were a lot of great reasons for me to go see the first version a Quiet Riot there were no bad reasons. James Durbin is doing some some writing on this record as well so as far as lyrics are concerned so yeah he’s he’s you know definitely an active part of the right process insofar as lyrics and vocal melodies and background vocals.”
What asked about what he remembered moist of Randy Rhoads
“I knew Randy and the funny thing about about Randy was he never didn’t have a guitar in his hands, he constantly has a guitar in his hand and he was constantly working on something. Randy would hold a conversation with you and be very engaging and very endearing but the entire time you know half of the brain was working on something musical on that guitar. I owe both Randy and Rudy Sarzo a debt in that Randy after he left Quiet Riot he told Kevin he should get me as the drummer. Same thing Rudy Sarzo told Kevin, so I owe them both the debt of gratitude for pointing me in Kevin’s direction.”
Jimmy Kay from Canada’s The Metal Voice spoke to Canadian Metal pioneer John Mikl Thor. Thor spoke about his new documentary Return of the Thunderhawk and new album Hammer of Justice, how Manowar and Motley Crue‘s Vince Neil copied his image and competing with Lou Ferrigno Arnold Schwarzenegger in bodybuilding competitions in the 70’s. Deadline Records will be releasing a CD/DVD combo pack of new music as well as Return of the Thunderhawk on April 26, 2019. The film is currently being booked in major markets across North America including Seattle and Hollywood. In support of the new release, Thor will embark on a massive tour of the United States beginning in March.
Watch the interview here:
When asked about his first documentary I Am Thor and his new documentary Return of the Thunderhawk
“Thunderhawk picks up where ‘I am Thor’ (2015) left off. I Am Thor followed my my life in the rock business, as a youth and moving forward through the years. Through the ups and downs, the obstacles, the triumphs, the losses and the triumphs again. The movie ended off where I didn’t know if I was going to continue to perform anymore. I was kind of thinking of getting out of the business but what happens is I continue. That’s where the cameras follow me on a worldwide tour with return of the Thunder Hawk. Also I pick up a new band younger guys. A lot of strange and crazy things happen to us on that tour so it’s uh you know, one story ends and other one picks up. ”
When asked about the new album’s musical direction and the new documentary DVD
“Return of the Thunder Hawk is coming out on DVD April 26 and it will be a complement to the new album ‘Hammer of Justice’. This is gonna be a package you buy the CD you get a DVD, plus there’s going to be screenings across North America of the documentary and also in Europe and the festivals. The musical direction will be power metal with sing-along choruses like when you’re in the arena and you want everybody to sing with you, like the Vikings would do it back in the day when they were going into battle. The new album musical style will have lots of heavy rifts I think when you hear the songs on Hammer of Justice you’ll say there are incredible powerful metal riffs that will hit you right in the face. ”
When asked if he will continue on performing feats of strength on this tour
“Now I see the strength is in the music. So I don’t need to do feats of strength like bending steel anymore and smashing bricks on my head. But I guarantee you it will be a show you’ll never forget it’s gonna be an amazing show, very theatrical and the strength will be in the music. Everywhere we go the reaction is tremendous. ”
When asked about how he feels about Manowar and their image compared to Thors
“We were ten years ahead of Manowar. There’s a lot of things Manowar implement in their show like the Iron Cross fist, it’s the way you hold your fist up, I did that way back just look at the Thor’s Sleeping Giant music video. I respect Manowar very much and they have a tremendous show but they are far from original. I’m have been doing the whole warrior rock / gladiator concept way back before Manowar came out. I was way ahead of them. Also Vince Neil of Motley Crue took my image on my album Keep the Dogs away and used it on the Motely Crue’s album Shout at the Devil. We were ahead of the time nobody was doing stuff like what we were doing in 1973.”
When asked about competing with Lou Ferrigno Arnold Schwarzenegger and if they got along back in the body building competition days
“Lou Ferrigno and I competed, first in Mr. Teenage American in 1971 and he and I were the top guys and I came runner-up to him because he was pretty amazing and we completed again for Mr. Universe in Switzerland in 1973. It’s interesting that he became the Hulk and I became Thor and Arnold became Conan. Arnold was more of a a standoffish kind of guy, Lou was more more friendly.”
When asked about the licensing of the name Thor and if he owned the name
“I know a lot about copyright, I have trademarks. I own Thor the Rock warrior, the Metal Avenger and actually over the years I’ve developed a common law rights right or the celebrity rights of Thor. I’ve been doing the Thor character since 1973. However as you know the I am Thor movie becoming prominent Marvel and I did have a little bit of a tassel and we ended up where I won the case in court. We have a contract where we coincide with each other and it’s understood they are the Mighty Thor or Thor, part of the Marvel Universe and my Thor is for the Rock Warrior for the Metal Avenger, it’s trademarked and copyrighted and we coincide with each other. ”
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