Lou A Kouvaris guitarist (Riot, Riot Act) tribute show and memorial. onThe Metal Voice with Jimmy Kay and guitarist Rick Ventura (Riot, Riot Act).
Watch here
Original Riot guitarist Lou A. Kouvaris – who appeared on the first Riot album Rock City (1977) and wrote songs for Narita (1979) – tested positive for Covid19 and passed away due to complications on March 28, 2020 in Long Island New York. He was 66 tears old.
Jimmy Kay editor-in Chief of The Metal Voice stated, “due to a postponed funeral service because of self distancing regulations, we have decided to celebrate Lou’s life online with friends and fans and pay the respect he deserves. R.I.P. my good friend Lou, you will be missed so much, your music and your kindness will live on.”
Friends on the Tribute stream celebrating his life
Mike Flyntz Riot, Riot V
Pat Gesualdo CEO Metal Hall of Fame
Giles Lavery management
Claudio Galinski Riot Act Band
Paul Ranieri Riot Act
Kenny Kessel The Metal Voice
Sons of Apollo frontman Jeff Scott Soto joined Jimmy Kay on The Metal Voice Facebook live via Skype from his home on April 1 2020. Soto discussed the Covid19 lockdown in L.A., his time with Yngwie Malmsteen and Journey, as well as his future musical plans with Sons of Apollo and his solo projects.
Watch the complete interview here:
What is the Covid19 situation like for you right now?
“Nothing changed in my world, the only difference is I’m not stressed, I’m not pressured to finish what I am doing and what I am working on at home. Usually when I am on tour I barely have enough time to finish what I am working on musically. This time I don’t have to worry about going anywhere and I can finish what I am working on. We got to stay at home, we got to stay safe and we have to be healthy. ”
What happened in regards to Sons of Apollo having to postpone the Euro Tour while due to Codiv19?
“We were rehearsing for the first show in Germany when we got the news that Milan Italy would be closed down because the Covid19 outbreak. So they told us we are on lockdown for a week and we are going to play it by ear but we are not cancelling the shows. We got nervous but we found another replacement show somewhere in France and we were just taking it day by day. After the two first sold out shows in Europe we needed to make a decision cause we saw in Europe it was heating up and getting worse due to Covid19. We then realized it was spreading at a rapid rate and we might not only be prone to catching it, we might be prone to be put in an army hospital in quarantine and not being able to get home. And that’s when we decided let’s do the Denmark and Sweden dates and then let’s go home. We felt bad but we did the right thing. I just want to make up those dates we had to postpone when this is all over because it sucks for the fans who were anticipating the shows.”
Would you ever work with Yngwie Malmsteen again?
“The key word is WITH, I would do something WITH Yngwie I don’t want to do something FOR Yngwie I have already done that. At this point in my life I worked hard to establish my own name and career. I value and I am humbled that I got started with Yngwie. I am very thankful and for that reason I will never say anything negative or bad about him again. I realize we are getting older and I want to leave this earth on friendly terms and make sure everybody is getting along. “
Jimmy Kay from The Metal Voice Spoke with Ex- Ozzy Osbourne guitarist GUS G along with his guitar (who is in lock down in Greece) on The Metal Voice Facebook live. Subjects- Playing with Ozzy, New self titled Firewind Album, riff for fans and Q & A.
New Firewind self-titled 9th studio album will be released on May 15th on AFM.
Watch Here:
Tell me about the Coronavirus situation in Greece?
“In Greece we are on a total lock down, you need written permission to leave the house. You are only allowed to go grocery shopping or go to the doctor stuff like that. Last week some people drove about an hour away where there were beaches to escape the city and a lot of people got fines for that. This is a new thing, it’s pretty serious, I understand it’s tough to stay home but we have to do it. This is the time to play by the rules, for the sake of humanity. ”
What is the difference between your new album and albums you have done in the past?
“First of all there is another new singer (Herbie Langhans), also another difference is guitarist/keyboardist Bob Katsionis is not in the band anymore so there is less keyboards. It’s kind of like a reboot, a restart of the band. It’s still a Firewind record, people will hear the resemblance on a lot of the tracks cause I am the primary songwriter in the band. It’s also a different record compared to the last album ‘Immortals’. The last album was a concept album that was epic and power metal album. Whereas this new one I feel is a little bit of a collection of elements that sum up Firewind over the years with a new approach. There is also a lot of variation on the record. The first single we put out ‘Rising Fire’ is kind of like more hard rock, stomping, heavy, then there are other tracks that are more epic power metal, then we also have this big ballad with orchestration by Adam Wakeman.”
What did Herbie the new singer bring to the table on the new album?
“He was a great addition and was a great help on this record because we were on a tight deadline and he got to work right away on the lyrics and melodies. We worked every day and was easy to work with and helped a lot in bringing the album to completion.”
What did you think about Ozzy’s new album Ordinary Man?
“I have to say I like the album. I am happy to see Ozzy recovering and being creative in his downtime. I thought the production was very cool stripped down, back to basics production but still very big and clear. I think there are some really good songs on the record. ”
Do you ever wish you got the chance to write an album with Ozzy?
“I think it would have been nice to write something from scratch with Ozzy, I never got that chance to sit down and properly write an album with him. But you have to understand Ozzy Osbourne the solo artist is not what it was in the 80’s where he had a band. Now he writes with different people, tries out different things and I get it. I always take the best out of each situation. I played on one of his studio albums, how cool is that?
Jimmy Kay from The Metal Voice will talk to Ex Ozzy Osbourne guitarist GUS G with his guitar (who is in lock down in Greece) on The Metal Voice Facebook live. Subjects- Playing with Ozzy, New self titled Firewind Album and Q & A.
It’s going to be fun
March 27 2020
12:15pm Eastern Standard time
4:15pm UK Time
Jimmy Kay from Canada’s The Metal Voicespoke with Lee Payne bassist and leader of the N.W.O.B.H.M. band Cloven Hoof.
Payne spoke about the bands new album ‘Age of Steel’, how Judas Priest’s Rob Halford and Led Zeppelin’sRobert Plant helped the band in the early days and the the bands back catalog.
What is the musical direction of the new album Age of Steel from the last album?
” The musical direction was a natural progression from the (last album) ‘Who Mourns for the Morning Star.’ The last album did so well it got us our first headline tour of America, so when we did the ‘Age of Steel’ album it worked like a charm because we all had that experience on the road together now on the new album. I felt quite a bit of pressure though (writing the new album) because when you release a really good album, the expectations are really high on the next one. So we had to dig deep on the new album and I wanted it to be everything that Cloven Hoof does really well. We have some songs on the new album that are stand alone and the rest of the album is a mini concept. The concept’s character comes from our second album Dominator (which was a concept album), so we brought the Dominator character back. Hopefully this concept will continue on the next album as well. ”
Did Cloven Hoof Pioneer the Power Metal genre?
“A lot of people think we are pioneers of Power Metal. Back in the day it wasn’t a conscious move there was no such thing as Power Metal. Our songs were sort of epic, muti-time changes, fast and powerful. We sometimes abandoned the contrived verse chorus verse song structures. Our songs sort of tell stories like min movies. As well our songs have various movements which help tell the story.”
How did Robert Plant and Rob Halford help the band in the early days?
“We were aired on Radio One BBC, the Tommy Vance Show Rob Halford from Judas Priest took our demo tape in and Robert Plant did as well. The BBC offered us a session, Neat Records heard us and then they offered us a deal for the debut album. ”
“How it happened was Rob Halford was doing an interview on one of the local radio stations and at the time we did not have a singer, so we wanted the radio station to announce it on the air (looking for a singer). So we waited for Rob Halford to come out (from the radio station). We were sitting on the wall and Rob came out and we told him we got a demo tape and we cant find a singer. He liked our attitude so we all went back into the radio station and he listened to our demo tape. Halford was blown away and he said when you get a singer I want to listen to this and I gave him my number. I thought Rob Halford was not going to call me back but sure enough when he went on tour with Screaming for Vengeance I got a phone call from him. He was true to his word I couldn’t believe it, Halford said did you get a singer yet? I said yes. So I met him and gave him the tape. He said I am doing Radio 1 Tommy Vance show and I will take it in for you and from there we got a deal to play Radio 1 (BBC). We owe Halford a lot for that one. As for Robert Plant he lived near us, so I found out where his house was and he too said he too would bring the demo tape to BBC Radio 1 Tommy Vance show. So we had both Halford and Plant take our tapes in. So it shows you what kind of people they are, camaraderie giving support to a young band.”
When asked what the band plans on doing with the Coronavirus downtime
“We recorded our set at Bang Your Head Festival, the footage is absolutely breathtaking, recorded in HD 24 cameras involved. So maybe there will be a release of it in June a DVD and a Live CD as a box set. And since we are in isolation we are also going to rehearse for the next album as it is already written and maybe try to get it recorded this year. So next year we can devote to playing live if this terrible virus is gone.”
Jimmy Kay from The Metal Voicetalks to Music Author Martin Popoff about his new book BLACK FUNERAL, INTO THE COVEN WITH MERCYFUL FATE.
Watch below.
Martin Popoff has announced his new book, Black Funeral: Into the Coven with Mercyful Fate.
Calling all fun-loving nuns and corpses without souls…
The book is 275 pages of paranormal progressive power metal rendered in my usual format, namely every song discussed, one chapter per album, with tipped-in sections of colour photography. You’ve all been very kind in making my recent books like this on Sabbath, Maiden and Priest sell pretty damn good, so this one is very much a style match to those too, with lots of detail and trivia nugget-mining not found amongst the frankly pretty scant material out there on this band.
As the back cover sez…
The heavy metal love for Mercyful Fate and King Diamond runs deep and blood-red.
Now Martin Popoff has unleashed upon this wicked world the first book celebrating this devilish, Danish phenomenon, specifically the root band of it all, Mercyful Fate.
To be sure, any self-respecting fan knows Melissa and Don’t Break the Oath, but as with most of his 80+ books, Martin has devised an ulterior motive, and that is the proselytizing upon the good graces of each and every Mercyful Fate reunion album from 1993 through to the band being cast into the fiery pits of hell in the year of our Lord 1999.
Indeed, the classics stand as two cornerstones of superbly crafted black metal madness, but In the Shadows, Time, Into the Unknown, Dead Again and most pertinently 9, are all records blessed with the same sweat ethic and ungodly performance and production standards King applies to anything he does.
It’s time to join the coveted coven and enter the pentatonic pentagram and celebrate with Popoff this superlative catalogue of top-shelf heavy metal beloved by Metallica and fans the world over as arguably the only suite of songs as creatively intense as those of Judas Priest circa ’76 through ’79. Believe it—the good King and Michael and Hank knew what they were doing. Come read how the three of them executed fully the master plan that made this band one for the most discerning of connoisseurs.
Get your copy now, directly from author Martin Popoff, at this location.
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