The wait is over! “Wild ‘N’ Loud” is DEMONESSA at full power ready to take on the world, out today! All the songs on this album are an embodiment of the ‘80s heavy metal we all know and love. While every song on the album is brand new, they also have a familiar feel that fits right into any playlist, like they’ve always been there.
The album is available here: https://demonessa.bandcamp.com/album/wild-n-loud
There are 12 songs, racking up to almost one hour of straight hard-rocking future classics, which really makes it like an all-you-can-eat buffet for heavy metal fans, there’s something for pretty much everyone in there. From arena filling anthems to speeding tickets guaranteeing high-speed hits and emotional ballads, the album covers the full spectrum of classic heavy metal.
Just recently the band released a lyric video for ‘High Voltage Renegade’, in case you missed, check it out here:
Furthermore DEMONESSA have shared the album’s track-by-track:
- Till Death Do Us Part
A powerful opening track that sets the tone for the entire album. Opening with a gentle, harmonized nylon-string guitar overture to ease things in before slamming the pedal to the metal, reaching 88 miles per hour and launching the listener straight back to the spirit of the wonderful ’80s. The song explores themes of destructive attachment and toxic love, whether directed at another person or something more self-destructive. - High Voltage Renegade
Following the explosive opener, this track keeps the momentum going, telling the story of an outlaw drifting from town to town, leaving behind a trail of chaos and destruction purely for the sheer thrill of it. The guitar riffs are mainly inspired by the style of the great Ritchie Blackmore, blended with a more ’80s attitude that pushes the track from start to finish with relentless speed. Speeding ticket guaranteed. - M.A.D.
M.A.D. is a slower, more grooving track designed around strong riffs and loud choruses, where you’d be absolutely M.A.D. to not sing along. The verses are mainly driven forward by a hard-hitting drum beat where the other instruments only join in to emphasize key moments. Lyrically, the song draws from a Mad Max-inspired post-apocalyptic wasteland, where everyone is out for themselves and only the strongest behind the wheel of a high-powered V8 muscle car survives. - Wild ‘N’ Loud
The band’s first music video, and also the album’s title track, so the song has a lot to deliver. It’s a high-energy anthem built to shake arenas and maybe even make the audiences want to wag their finger to the beat. At its core, the song is about nothing more complicated than a good time at a heavy metal party, brought to you by the one and only Demonessa. It’s a track built purely for live energy, crowd interaction and kick-ass guitar riffs. - Queen of Pain
The second Demonessa song ever written, Queen of Pain is a darker, more atmospheric track that builds gradually from the ground up. It begins with clean guitars, with bass, vocals, and drums entering one by one, each layer increasing the intensity until the song reaches full throttle in the choruses. Verses are filled with beautiful melodic vocal lines, while the heavier sections are driven by roaring screams and a strong set of guitar solos carry the track forward to its final climax. The song is told from the perspective of the daughter of the Devil, who tortures men for her own pleasure while seeking a victim that can withstand the pain. Someone who endures would then be granted the eternal “gift” of becoming the king by her side. - Livin’ Out of Spite
The next track kicks in even before the previous song has fully ended, creating a seamless transition into another dark-themed but hard-rocking track. The story follows a narrator who begins to see things, though it is unclear whether they are hallucinations or reality. Zombie-like creatures start closing in, forcing a desperate fight for survival. Musically, the track maintains a steady core riff and rhythmic foundation throughout, while introducing subtle variations to keep it evolving and sounding fresh. - Slowly Losing My Mind
Opening the second half of the album, Slowly Losing My Mind continues the narrative themes of the previous track, this time focusing more on the descent into madness. The lyrics focus on a gradual mental breakdown, as the narrator begins to lose grip on reality. There is a growing sense that something dark and sinister is taking control. It culminates in the realization: “My body is free, but my mind is gone”, which is delivered with a devastating, but stunning vocal performance. The song carries a melancholic tone with the instruments as well, drawing inspiration from early, slower KISS songs, pushed into a heavier direction. - In Decay
Another high-speed track gleaming with ’80s-inspired savagery and high-octane energy. The song is brought to life by fast compelling riffs and a wild shredding guitar solo, which are supported by inventive drum work and rhythmic variation that keep the intensity high till the final notes. The lyrics of In Decay revolve around the consequences of wrong choices in life, metaphorically brought to life through imagery of mold, rot, and physical decay. At its core, however, the song is about moving forward despite a questionable past. It reflects the idea that even if previous choices have led down difficult paths, there is still the possibility to turn things around and choose differently, instead of continuing further into “decay.” - In the Depths of Hell You’ll Burn
This is a slightly slower, heavier track built around a dense and dark atmosphere. Beginning with a clean, simple guitar work that steadily builds into a full fledged distorted heavy riff with the full band joining in. Once the song properly kicks in, it shines through tight riffs and thunderous rhythmic foundation, building towards an extended drum solo filled with rapid fills before the explosive final chorus. The song follows the journey of a recently deceased individual who finds themselves cast into hell, implied to be someone who committed severe acts in life. It portrays a descent through a world of chaos, flames, and demonic forces, where souls are torn apart in an eternal cycle of punishment. - We Rule the Night
Some could say this track dances on the edge of power metal, built around a constant barrage of double-kick drumming, rapid-fire guitar licks, and an anthemic chorus designed to declare what it says: When the band hits the stage, they rule the night. The ending is inspired by arguably one of the greatest guitar solos of all time, UFO’s “Rock Bottom”, beginning with a slow bridge supported by melodic guitar work before becoming increasingly intense with each repetition, eventually exploding back into full double-kick chaos at the finale. - I Stand Alone
I Stand Alone is the token ballad of the album, and is destined to be a chart-topper. The song tells a story about losing people in life, while still having to move forward despite the pain and emptiness that follows. It features two ripping guitar solos, one from each guitarist, each adding their own emotional voice to the track. The choruses gradually gain power with each repetition, building intensity and weight until, at the very end, all gates are opened in a final emotional release. - A Knife to a Gunfight
A Knife to a Gunfight opens with a classic heavy metal riff in the spirit of Judas Priest, immediately setting a traditional yet high-energy tone. It then moves into a grooving bass-led verse, with the guitars joining in halfway through to add weight and intensity. The first two choruses act as a build-up, functioning as “fake choruses” before the real chorus bursts in after the second one, delivering an even higher level of energy. The song gives a lot of room for both guitarists to show off their chops with the back and forth licks in the bridge and the two massive outros styled like a rock show finale.
About the album coverart, the band had this to say:
“The idea for the album cover was to have something with cool visuals, that is easily recognizable, similar to Iron Maiden for example and reflects the raw power and energy of the music. There were a lot of different concepts for the cover art but ultimately the design with the giant metallic skeleton looming over the camera in a city it has just destroyed proved to be the most visually interesting choice.
Originally the entire cover art was done with 3D models to get realistic lighting and to capture how the fire below shines correctly on the metal surface of the monster’s body. The final artwork was then digitally painted using the 3D image as a reference. Later, it was decided to include the band more directly on the album cover, which led to the idea of continuing the picture to the left for the back cover, with the band memebers sitting on a rocky landscape watching the monster.”
To celebrate the release of the album there are several gigs coming up in Finland that are part of a so-called “Worldwide ‘N’ Loud Tour”, which kicks off on 8th of May in Boothill bar in Helsinki. Following that, there will be some shows in Tampere and Hämeenlinna as well and obviously many more to come, all the necessary information can be found on the band’s social media.
More on Demonessa:
Demonessa is a heavy metal band from Tampere, Finland, carving its path with pure power and attitude. Formed in 2019, the band combines the explosive force of 80’s heavy metal with the spectacle of glam metal creating an experience that must be witnessed live.
Line-up:
Senja – Vocals
John Creweholm – Guitars
Hugo M. Raze – Guitars
Peet von Rowanskerry – Bass
Jones “Pugnax Vehemens” Tervas – Drums
More information:
Linktree: https://linktr.ee/Demonessa
Instagram: https://www.instagram.com/demonessaofficial
Spotify: https://open.spotify.com/artist/1VE0mtJfuhaipbhSp71OVt
Apple Music: https://music.apple.com/us/artist/demonessa/1752566908
Youtube: https://www.youtube.com/channel/UC9M-icwvJgadP22iKvgvuRQ
TikTok: https://tiktok.com/@demonessaofficial
Facebook: https://www.facebook.com/profile.php?id=61587941337019
Bandcamp: https://demonessa.bandcamp.com/
Click image to watch the video
Metal Shock Finland (World Assault ) 